๐งฌ ๐ท๐๐๐๐๐๐'๐ ๐ซ๐ต๐จ... this is a topic that seems obvious at first glance but is rather complex.
๐งฌ In 2018, ๐ผ๐ซ๐๐๐๐๐๐๐ has tried this exercise of finding the origins of Placebo. There are some very good points, as you can read in this article I'm sharing with you today.
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| Photo credit: Alex Weston / Edit and translation by Laetitia |
โพ At first glance, the seventies have little in common with the nineties. There the debauched rock'n'roll lifestyle reigned, here the techno optimism of the early internet age. But in the nineties, rock music made a comeback. Grunge put on flannel shirts instead of spandex suits, Britpop dominated Britain. Placebo brought the two together and made the glam of yesteryear coexist with the hodgepodge that threatened to take over the pop world before the end of the second millennium.
โพPlacebo frontman Brian Molko never tired of describing his band as outsiders. As phraseological as it sounds, it's true: Placebo's Nancy Boys rebelled against the legginess of the rock world, talked about bisexuality and depression. "We were reacting strongly to the machismo, the fan chants and the revisionism of Britpop," Molko stressed in an interview. "We wanted to make a political statement with the clothes we wore and the make-up we put on. They succeeded: The rock world became a little more queer with the band's success.
โพ Placebo is the name of a fake drug - a pill that doesn't work. But Placebo is also Latin for "๐ผ ๐ค๐๐๐ ๐๐๐๐๐ ๐" and that's exactly what Molko, Stefan Osdal and their drummers - Robert Schultzberg, Steve Hewitt and more recently Steve Forrest - did with a sound that served punk as well as pop, that could be wonderfully quiet and deafening. It's a sound that goes straight to the heart and appeals not just to the fringe. To find out who inspired it, you have to look at Placebo's musical DNA.
๐ฃ ๐๐ฎ๐ฝ๐๐ฎ๐ถ๐ป ๐๐ฒ๐ฒ๐ณ๐ต๐ฒ๐ฎ๐ฟ๐ & ๐๐ถ๐ ๐ ๐ฎ๐ด๐ถ๐ฐ ๐๐ฎ๐ป๐ฑ โ ๐๐๐ต๐๐ฟ๐ฎ๐ ๐๐ฒ๐ฎ๐ฟ๐
โพ Given Placebo's history, it's not surprising that Placebo is an outsider in the rock world. Brian Molko and Stefan Olsdal attended an American school in Luxembourg as teenagers, far from any musical activity. Both hung out in different cliques and never spoke to each other, until they met years later on the London Underground. Molko saw that the skinny Olsdal had a guitar strapped to his back and quickly invited him to play solo.
โพ It was a providential meeting. Totally enthused by Molko's talent, the native Swede insisted on making common cause with the Briton. They borrowed the name of the project from one of the most bizarre outsiders in rock history. "๐ผ๐ก ๐๐๐๐ ๐๐๐๐ ๐ ๐ถ๐๐๐ก๐๐๐ ๐ต๐๐๐โ๐๐๐๐ก ๐๐๐๐," Olsdal recalls of the band's first name. "๐โ๐ ๐ข๐ ๐๐ ๐๐ ๐๐๐๐ ๐๐ ๐๐ โ๐ก๐๐๐ฆ โ๐๐๐๐ก". With Placebo, the two men came up with an even catchier name. "๐๐๐ข ๐๐๐ ๐๐๐๐๐๐๐ โ๐๐ค 40,000 ๐๐๐๐๐๐ ๐ โ๐๐ข๐ก ๐๐ก ๐๐ข๐ก...", the bassist explains. Ashtray Heart, however, is also the title of a song on the album Battle for the Sun. The lyrics clearly allude to Captain Beefheart and his Magic Band.
๐ต๐ช๐๐๐๐๐๐ ๐ฉ๐๐๐๐๐๐๐๐ โญ
https://bit.ly/3SgL2Vh ๐ต๐ท๐๐๐๐๐๐ โญ
https://bit.ly/3UAklwk  |
| Photo credit: Pat Pope |
๐ฃ ๐๐ฒ๐ฝ๐ฒ๐ฐ๐ต๐ฒ ๐ ๐ผ๐ฑ๐ฒ โ ๐ ๐๐ฒ๐ฒ๐น ๐ฌ๐ผ๐
โพOutsider or not: with their first album Placebo, the trio - which included Schultzberg alongside Molko and Olsdal - was a real hit. But now the two leaders of the band are not entirely satisfied with their first work. They find much of what got them media attention at the time too pop, too punk, too adolescent. They were compared to the first post-punk generation, when the inspiration was quite different.
โพ"๐๐ ๐ก๐๐๐๐ ๐ก๐ ๐ก๐๐๐ ๐๐๐๐๐ ๐๐๐ข๐กโ ๐๐๐ ๐ท๐๐๐๐โ๐ ๐๐๐๐, ๐กโ๐๐๐ค ๐กโ๐๐ ๐๐๐๐๐๐ ๐ก ๐กโ๐ ๐ค๐๐๐ ๐๐๐ ๐ ๐๐ ๐คโ๐๐ก ๐ค๐๐ข๐๐ ๐ ๐ก๐๐๐," Molko recalls in an interview. American no wave here, British new wave there: clearly Placebo had absolutely nothing to do with the galloping Britpop trend, nor did they want to. But they have remained true to Depeche Mode throughout their career. In 2003, they covered the then ten-year-old song I Feel You from Depeche Mode's seminal album Songs of Faith and Devotion.
๐ต๐ซ๐๐๐๐๐๐ ๐ด๐๐
๐ โญ
https://bit.ly/3RfOVIB ๐ต๐ท๐๐๐๐๐๐ โญ
https://bit.ly/3UFCbye โช ยจโช ยจโช
๐ฃ ๐ง๐ต๐ฒ ๐ฆ๐บ๐ถ๐๐ต๐ โ ๐๐ถ๐ด๐บ๐ผ๐๐๐ต ๐ฆ๐๐ฟ๐ถ๐ธ๐ฒ๐ ๐๐ด๐ฎ๐ถ๐ป
โพUnlike their Britpop contemporaries, who found their inspiration mainly in the sixties and seventies, Placebo either orientated themselves directly to the pulse of the present, or to the exciting early days of the British indie sound. So it's no surprise that the B-side of their 1997 single Nancy Boy contains a cover of indie heroes The Smiths, Bigmouth Strikes Again. Molko's nasally, decidedly androgynous voice seemed a perfect update to Morrissey's iodised vocal style.
โพLike Britpop after them, the Smiths represented a certain image of British culture with which Placebo could not and would not be associated. But in the romantic gestures of Morrissey's band and guitar genius Johnny Marr, Molko and his pals found something else: style. Few bands embodied musical and lyrical elegance as confidently as the Smiths.
๐ต๐ป๐๐ ๐บ๐๐๐๐๐ โญ
https://bit.ly/3R9QZSD ๐ต๐ท๐๐๐๐๐๐ โญ
https://bit.ly/3fiQIzx  |
| Photo credit: Nadav Kander |
๐ฃ ๐ฆ๐๐ฒ๐ฑ๐ฒ โ ๐ง๐ต๐ฒ ๐๐ฒ๐ฎ๐๐๐ถ๐ณ๐๐น ๐ข๐ป๐ฒ๐
โพSpeaking of "Bigmouth": sometimes Molko would have preferred - like Morrissey - to keep his mouth shut. About what ? Well, about his bisexuality, which also became a declaration of war in Nancy Boy. "I've always been open about my sexuality, because I was quite a go-getter in the early days of Placebo," he admits quietly. "My coming-out felt important to take a stand. Looking back a quarter of a century, it's fair to say that Molko did exactly the right thing: Placebo started a small revolution.
โพBut they were not alone. Suede established themselves in the late eighties and early nineties with a sound that is considered a precursor to the Britpop movement. But Suede also liked to flirt with the glam-rock aesthetic and play with his sexuality. "I'm a bisexual man who has never had a homosexual experience," frontman Brett Anderson once proclaimed. It is this phrase that would have inspired Nancy Boy.
๐ต๐บ๐๐๐
๐ - ๐ป๐๐ ๐ฉ๐๐๐๐๐๐๐๐ ๐ถ๐๐๐ โญ
https://bit.ly/3UDbZEk โช ยจโช ยจโช
๐ฃ ๐๐ฎ๐๐ถ๐ฑ ๐๐ผ๐๐ถ๐ฒ โ ๐ช๐ต๐ฒ๐ฟ๐ฒ ๐๐ฟ๐ฒ ๐ช๐ฒ ๐ก๐ผ๐ ?
โพSuede and Placebo were far from the only ones to openly embrace their fluid interpretation of male sexuality. Their master mind was David Bowie. Much has been said and written about Bowie's sexuality, not all of it positive: he is said to have had sex with minors, and there are whispers that his concessions to bisexuality were just a publicity stunt. In any case: by bringing a new image of masculinity to the stage and by transforming himself from time to time, he became a role model for entire generations.
โพIn 1996, Bowie invited Placebo on a joint tour and even appeared in an alternative version of the title track from their album Without You I'm Nothing. "๐๐ ๐๐ค๐ ๐๐ก ๐๐๐ ๐ก๐ ๐๐๐๐๐๐ ๐ ๐๐ฆ," Molko revealed to the press. Moz played his colleague a demo of the band before Placebo was even released. He was thrilled. "๐ผ ๐๐ข๐ ๐ก โ๐๐ฃ๐ ๐๐๐๐ 24 ๐๐ 25 ๐ฆ๐๐๐๐ ๐๐๐ - ๐๐ก ๐๐๐ ๐๐ฆ ๐๐๐ ๐ ๐๐๐ก ๐๐ ๐๐๐๐," says Molko. The hero became a friend, his influence remained constant. "๐ผ๐ ๐ต๐๐ค๐๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐ข๐ ๐๐๐๐๐๐๐ก๐๐๐ฆ ๐๐๐๐๐ฆ๐๐๐ข๐ ๐๐ฆ [...] ๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐ค๐๐กโ ๐ ๐ ๐๐๐ ๐๐๐๐ ๐โ๐๐๐ ๐ด๐๐ ๐๐ ๐๐๐ค ? ๐ค๐๐ข๐๐ ๐๐๐๐ ๐๐๐๐, ๐กโ๐๐ ๐กโ๐๐๐ ๐ค๐๐ข๐๐ ๐๐ โ๐๐๐ ๐๐๐ ๐ข๐ . [...] ๐๐๐ข๐โ๐ฬ. ๐๐๐๐ ๐๐๐๐, ๐ท๐๐ฃ๐๐," he said of his colleague in 2013, when Placebo had to reinvent itself.
๐ต๐ซ๐๐๐๐
๐ฉ๐๐๐๐ - ๐พ๐๐๐๐ ๐จ๐๐ ๐พ๐ ๐ต๐๐ ? โญ
https://bit.ly/3fjnh03 ๐ต๐ท๐๐๐๐๐๐ ๐๐๐
๐
๐๐๐๐
๐ฉ๐๐๐๐ - ๐พ๐๐๐๐๐๐ ๐๐๐ ๐ฐ'๐ ๐ต๐๐๐๐๐๐ โญ
https://bit.ly/3BGhfhG  |
| Photo credit: Scarlet Page |
๐ฃ ๐ง-๐ฅ๐ฒ๐
โ ๐ฎ๐ฌ๐๐ต ๐๐ฒ๐ป๐๐๐ฟ๐ ๐๐ผ๐
โพNot surprisingly, the band, and Molko in particular, were badly shaken by Bowie's death only three years later. "๐โ๐๐๐๐ฃ๐๐ ๐ฆ๐๐ข ๐๐๐ ๐๐๐ค, ๐ผ ๐๐๐ ๐ ๐ฆ๐๐ข," Molko wrote on the band's Facebook page. "๐ผ ๐๐๐'๐ก ๐๐ข๐ ๐ก ๐๐๐ ๐ ๐ฆ๐๐ข, ๐๐ฆ โ๐๐๐๐ก ๐๐ ๐๐๐๐๐๐. ๐๐๐ข ๐ค๐๐๐ ๐๐ฆ ๐๐๐๐, ๐กโ๐๐ ๐ฆ๐๐ข ๐๐๐๐๐๐ ๐๐ฆ ๐๐๐๐ก๐๐ ๐๐๐ ๐๐๐๐๐๐." The band has repeatedly shown how much Bowie influenced them. This is particularly true of their participation in the film Velvet Goldmine, loosely based on Bowie's life.
โพThe band made several guest star appearances in this cult film, and can also be heard on the soundtrack. For Velvet Goldmine, they recorded a cover of T-Rex's 20th Century Boy, Marc Bolan's glam rock classic. Although the garish aesthetic of glam rock is undoubtedly one of Placebo's main influences, the band has never been content with trying to revive this short-lived genre.
๐ต๐ป-๐น๐๐ โญ
https://bit.ly/3xTsu5h ๐ต๐ท๐๐๐๐๐๐ โญ
https://bit.ly/3Sy8n4K โช ยจโช ยจโช
๐ฃ ๐๐ผ๐ฏ ๐๐๐น๐ฎ๐ป โ ๐ ๐ฎ๐ด๐ด๐ถ๐ฒโ๐ ๐๐ฎ๐ฟ๐บ
โพThe Black Market Music album was the first time Placebo had expressed their full potential. Although Molko is upset about the poor production sound of this groundbreaking record, he cannot deny that his band has rarely sounded more coherent. In terms of content, too, Placebo were able for the first time to realise what their mastermind had in mind, weaving dense, lyrical lyrics that had no pubescent charge.
โพIn the song Slave to the Wage, for example, Molko describes, over Olsdal's feverish bass riff, the bleak daily reality of a 9 to 5. There is no doubt that as rock stars, a settled working life meant pure hell for the trio - at the time Steve Hewitt was still behind the gun range. As well as the distinctive guitar sound of Pavements Texas Never Whispers, which Placebo sampled for the track, the text also alludes to Bob Dylan's Maggie's Farm: '๐๐ช๐ค๐ฌ ๐ข๐ฏ๐ฅ ๐ต๐ช๐ณ๐ฆ๐ฅ ๐ฐ๐ง ๐๐ข๐จ๐จ๐ช๐ฆ'๐ด ๐ง๐ข๐ณ๐ฎ / ๐๐ฉ๐ฆ'๐ด ๐ข ๐ฃ๐ช๐ต๐ค๐ฉ, ๐ธ๐ช๐ต๐ฉ ๐ฃ๐ณ๐ฐ๐ฌ๐ฆ๐ฏ ๐ข๐ณ๐ฎ๐ด ๐ต๐ฐ ๐ธ๐ข๐ท๐ฆ / ๐ ๐ฐ๐ถ๐ณ ๐ธ๐ฐ๐ณ๐ณ๐ช๐ฆ๐ด, ๐ข๐ฏ๐ฅ ๐ค๐ข๐ณ๐ฆ๐ด, ๐จ๐ฐ๐ฐ๐ฅ๐ฃ๐บ๐ฆ'. The great Dylan had finally shown what a life for and through music could be like. Goodbye to making a living !
๐ต๐ฉ๐๐ ๐ซ๐๐๐๐ - ๐๐๐๐๐๐'๐ ๐ญ๐๐๐ โญ
https://bit.ly/2mhKWT7 ๐ต๐ท๐๐๐๐๐๐ - ๐บ๐๐๐๐ ๐ป๐ ๐ป๐๐ ๐พ๐๐๐ โญ
https://bit.ly/3Sx2BAk  |
| Photo credit: Joseph Llanes |
๐ฃ ๐ฃ๐ ๐๐ฎ๐ฟ๐๐ฒ๐ โ ๐๐ฎ๐ฟ๐ฑ๐น๐ ๐ช๐ฎ๐ถ๐
โพIt is clear that Placebo has always represented and still represents a certain attitude to life. Outsiders on the one hand, creative and full of energy on the other. No wonder Placebo also loves PJ Harvey. When the band presented a cover of Hardly Wait - first released in 1993 on Harvey's legendary 4-track demo LP - on the B-side of their single The Never-Ending Why in 2009, it was a long-overdue tribute to the fantastic Polly Jean.
โพMolko discovered Harvey early on: when their first album Dry was released in 1992, he was immediately excited. "๐ผ๐ก ๐๐๐๐ ๐๐ข๐ก ๐คโ๐๐ ๐ผ ๐ค๐๐ ๐๐ข๐ ๐ก ๐๐ข๐ก ๐๐ ๐๐๐๐๐๐๐," he recalls in an interview with New Musical Express. "๐ผ๐ก ๐ ๐๐ข๐๐๐๐ ๐๐๐ค ๐๐๐ ๐๐ข๐ก ๐๐ ๐กโ๐ ๐๐ข๐ก. ๐โ๐ ๐๐๐๐๐๐ ๐๐ก๐ ๐๐๐ ๐ ๐๐ข๐๐๐ ๐ ๐ ๐ข๐๐๐๐๐๐ข๐๐๐ ๐๐๐ ๐๐๐๐. ๐ผ ๐๐๐๐ ๐๐ ๐๐๐ฃ๐ ๐ค๐๐กโ ๐๐๐๐๐ฆ ๐ป๐๐๐ฃ๐๐ฆ ๐๐ ๐กโ๐ โ๐๐๐, ๐๐๐ ๐ผ ๐ค๐๐๐ก ๐๐๐๐ง๐ฆ ๐๐๐ โ๐๐ ๐๐ข๐ ๐๐." Vulnerable but strong music - that's what Placebo had in mind when they recorded their first album. But they couldn't match Harvey. But who can ?
๐ต๐ท๐ฑ ๐ฏ๐๐๐๐๐ โญ
https://bit.ly/3dAgIGh ๐ต๐ท๐๐๐๐๐๐ โญ
https://bit.ly/3UBeNSl โช ยจโช ยจโช
๐ฃ ๐๐ฎ๐๐ฒ ๐๐๐๐ต โ ๐ฅ๐๐ป๐ป๐ถ๐ป๐ด ๐จ๐ฝ ๐ง๐ต๐ฎ๐ ๐๐ถ๐น๐น (๐ ๐๐ฒ๐ฎ๐น ๐ช๐ถ๐๐ต ๐๐ผ๐ฑ)
โพWell, maybe Kate Bush. The latter's hit Running Up That Hill (A Deal With God) is also an integral part of the Placebo repertoire. Their cover was first released as a bonus track on the US version of the Meds album and quickly became a fan favourite. "We cover songs that we love," said Olsdal. "We do it for fun in B-side sessions. We've covered a lot of bands, especially from the eighties. Depeche Mode and even Robert Palmer. Their version of Running Up That Hill, however, was to be very special.
โพ"We're huge fans of Kate Bush and when it comes to this song, we think the lyrics have real depth, which is not noticeable in the original because she sings so fast," Olsdal explained of his band's approach. "๐๐ ๐ ๐๐๐ค๐๐ ๐๐ก ๐๐๐ค๐ ๐๐๐ ๐๐ก ๐๐๐๐ก ๐๐๐๐๐๐ฆ ๐๐๐๐. ๐๐ ๐ค๐๐๐ ๐ฃ๐๐๐ฆ ๐๐๐๐ข๐ ๐๐ ๐๐ก. ๐ต๐ข๐ก ๐คโ๐๐ก ๐๐๐ ๐ต๐ข๐ โ โ๐๐๐ ๐๐๐ ๐กโ๐๐๐? "๐๐ ๐๐๐ก โ๐๐ ๐๐๐ ๐ค๐๐๐ ๐ก๐๐ก๐๐๐๐ฆ ๐๐๐๐๐๐ฃ๐๐ ๐คโ๐๐ ๐ โ๐ ๐ก๐๐๐ ๐ข๐ ๐ โ๐ ๐๐๐๐๐ ๐๐ก". Well, it all worked out !
๐ต๐ฒ๐๐๐ ๐ฉ๐๐๐ โญ
https://bit.ly/3RaoNz0 ๐ต๐ท๐๐๐๐๐๐ โญ
https://bit.ly/3SdpcBY  |
| Photo credit: Mary Scanlon |
๐ฃ ๐๐น๐ฎ๐ฐ๐ธ๐บ๐ฎ๐ถ๐น โ ๐ ๐ผ๐ผ๐ป๐ฝ๐ถ๐ด๐
โพPlacebo has always been open to its influences, has dedicated solemn covers to its heroes and heroines and has always shown them respect, even behind the scenes. The same cannot be said for the bands who, for their part, owe a lot to Placebo. "You lose hair", Blackmail singer Aydo Abay is said to have joked to Brian Molko when he met the Briton backstage at the Melt! festival one day. Is this true? We don't know.
โพBut what is certain is that the Koblenz band, which debuted a year after Placebo, has always reacted with annoyance to the incessant comparisons with Placebo. "๐ดโ, ๐๐๐ก ๐กโ๐๐ก ๐๐๐๐๐," moaned Carlos Ebelhรคuser, the band's bassist, when the conversation turned to Abay's singing in an interview. "๐โ๐๐ฆ โ๐๐ฃ๐ ๐ ๐ ๐๐๐๐๐๐ ๐ฃ๐๐๐๐, ๐๐ข๐ก ๐ด๐ฆ๐๐ ๐ ๐๐๐๐ ๐๐ข๐โ ๐๐๐ก๐ก๐๐ ๐๐๐ ๐๐๐๐ ๐'๐ก โ๐๐ฃ๐ ๐กโ๐๐ก ๐๐๐ ๐๐ข๐ ๐ก๐๐๐ ๐ก๐๐๐," it was said. "๐ด๐๐ ๐๐ข๐ ๐๐๐๐๐๐ฆ ๐ค๐ ๐๐๐ ๐๐๐ ๐ ๐ฃ๐๐๐ฆ ๐๐๐๐๐๐๐๐๐ก. ๐โ๐๐ฆ ๐๐๐ ๐ก๐๐ ๐๐๐, ๐ค๐ โ๐๐ฃ๐ ๐๐๐ก๐ก๐๐ ๐๐ข๐๐ก๐๐๐ . ๐๐๐กโ ๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐ , ๐ฆ๐๐ข ๐๐๐ ๐๐๐๐๐๐๐ฆ โ๐๐๐ ๐คโ๐๐ก ๐ธ๐๐๐โ๐ฬ๐ข๐ ๐๐ ๐๐๐๐๐ . ๐ต๐ข๐ก ๐ค๐๐กโ ๐๐๐๐๐ ๐๐๐๐ "๐๐ท๐ฆ๐ณ๐บ๐ฐ๐ฏ๐ฆ ๐จ๐ฆ๐ต ๐ช๐ฏ / ๐๐ท๐ฆ๐ฏ ๐ข๐ญ๐ญ ๐บ๐ฐ๐ถ ๐ฎ๐ช๐ด๐ง๐ช๐ต๐ด", his band has always made it clear that they are dedicated to the marginalized, just like their British colleagues. That's something to live with - isn't it ?
๐ต๐ฉ๐๐๐๐๐๐๐๐ - ๐ด๐๐๐๐๐๐๐ โญ
https://bit.ly/3BKSCjN โ๏ธ ๐๐ณ๐๐๐๐๐๐๐ - ๐ผ๐๐๐๐ ๐ธ0, ๐ธ0๐ท๐พ
โขโฌโข โฌโข โฌโข โฌโข โฌโข โฌโข
๐งฌ ๐๐ฉ'๐จ ๐ซ๐๐ง๐ฎ ๐๐ฃ๐ฉ๐๐ง๐๐จ๐ฉ๐๐ฃ๐ ๐๐จ๐ฃ'๐ฉ ๐๐ฉ ?
๐งฌ On the other hand, I find that the comparison with glam rock is often overemphasized despite Brian, Stefan and Steve Hewitt's constant reminders (at the time) that this musical genre was never a major influence on their music. I strongly believe that if they had never made an appearance in Velvet Goldmine, the glam image would not have stuck to Placebo so much. I may be wrong, but Placebo would never have covered 20th Cebtury Boy if not for Todd Haynes' film. Of course, David Bowie was one of the main artists to use these glam tendencies and to play them to excess, but this is not what influenced Placebo, as Brian reminded us during an interview in Paris in 1998:
๐๐๐๐๐ฆ ๐๐ก๐๐๐๐ข๐ ๐ก ๐๐๐๐ ๐๐ข๐ก ๐คโ๐๐ ๐ผ ๐ค๐๐ ๐๐๐ ๐ฆ๐๐๐ ๐๐๐. ๐๐ ๐๐๐ ๐ก๐๐ ๐ฆ๐๐ข๐๐ ๐ก๐ ๐๐๐๐๐๐๐๐ ๐บ๐๐๐. ๐โ๐ ๐๐ข๐ ๐๐ ๐๐ ๐๐ข๐ ๐โ๐๐๐โ๐๐๐ ๐ค๐๐ ๐๐๐ ๐๐. ๐บ๐๐๐ โ๐๐ ๐๐ ๐๐๐๐๐๐ก ๐๐ ๐ข๐ .
โ๏ธ ๐ฑ๐๐๐๐ ๐ผ๐๐๐๐ - ๐ป๐ ๐๐๐๐ ๐๐ ๐ถ๐๐๐ ๐๐ ๐ฒ๐๐๐๐ ๐น๐๐๐๐ข (๐ท๐ฟ๐ฟ๐พ)
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Photo credit: Kevin Cummins
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๐งฌ ๐ซ๐๐๐๐ ! That's exactly what's missing in this listing by UDiscover. No need to remind you of the excellent cover of Daddy Cool, a song by Boney M which surprised more than one fan ! At least, I was :D . The band members grew up in the 80's, when disco was in full swing.
๐ฉ๐๐๐๐ ๐ด
https://bit.ly/3BHu4Zc ๐ท๐๐๐๐๐๐
https://bit.ly/3StDK0e ๐ฉ๐ ๐๐๐๐๐๐
๐๐๐ '๐ซ๐๐
๐
๐ ๐ช๐๐๐' ๐๐๐๐ ๐๐๐ ๐ฉ๐ถ๐ต๐ฌ๐ ๐ด ๐๐๐๐๐๐๐๐๐๐, ๐
๐๐
๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐, ๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐?
๐๐๐ฆ๐๐ ๐กโ๐๐๐ ๐ค๐๐ข๐๐ ๐๐ ๐๐๐กโ๐๐๐ ๐ก๐ ๐๐๐๐ฃ๐, ๐๐ข๐ก ๐ ๐๐๐ ๐๐๐๐๐๐ โ๐๐ฃ๐ ๐กโ๐ ๐ค๐๐๐๐ ๐๐๐๐ ๐๐๐๐ข๐ก ๐๐ฟ๐ด๐ถ๐ธ๐ต๐. ๐โ๐๐ฆ ๐กโ๐๐๐ ๐ค๐ ๐๐๐ค๐๐ฆ๐ ๐ค๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐ก๐๐๐ ๐๐๐๐ข๐ก ๐๐๐ก๐๐.
๐ถ๐๐๐ก๐๐๐๐๐ฆ ๐ ๐๐๐ก ๐๐ ๐๐๐๐๐๐ ๐ค๐๐๐ ๐ ๐ข๐๐๐๐๐ ๐๐ ๐๐ฆ ๐กโ๐๐ ๐ ๐๐๐, ๐๐ข๐ก ๐กโ๐๐ ๐๐ ๐กโ๐ ๐๐ข๐ ๐๐ ๐ค๐ ๐๐๐๐ค ๐ข๐ ๐ค๐๐กโ. ๐ผ๐ ๐๐ฆ ๐๐๐๐๐๐ก๐ ๐ค๐๐๐ โ๐๐ฃ๐๐๐ ๐ ๐๐๐๐ก๐ฆ ๐๐ ๐๐๐ก๐ข๐๐๐๐ฆ ๐๐๐โ๐ก, ๐กโ๐๐ฆ ๐ค๐๐ข๐๐ ๐๐๐๐๐๐๐ก๐๐๐ฆ ๐๐ ๐๐๐๐ฆ๐๐๐ ๐ต๐๐๐ธ๐ ๐., ๐๐๐ ๐ผ ๐ค๐๐ข๐๐ โ๐๐ฃ๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐ ๐๐๐๐คโ๐๐๐ ๐๐ ๐กโ๐ ๐๐๐๐๐๐ ... ๐กโ๐ ๐๐กโ๐๐๐ ๐๐๐๐๐๐๐๐ฆ ๐ค๐๐ข๐๐ ๐ก๐๐.
๐ผ๐ก'๐ ๐๐ข๐ ๐ก ๐ ๐ ๐๐๐ ๐กโ๐๐ก โ๐๐ ๐๐๐๐ ๐ค๐๐กโ ๐ข๐ ๐๐๐๐๐ฃ๐๐ ๐๐๐ ๐กโ๐๐ก ๐ค๐ ๐๐๐๐ ๐ก๐ ๐๐๐๐๐ ๐ก๐. ๐ผ๐ก ๐๐๐๐ ๐'๐ก ๐๐๐๐ ๐ค๐ ๐๐๐๐ ๐๐๐ ๐กโ๐ ๐ ๐๐๐๐ ๐๐ฆ ๐ต๐๐๐ธ๐ ๐., ๐๐๐๐๐ข๐ ๐ ๐ ๐๐๐ ... ๐๐๐๐'๐ก ๐กโ๐๐ก ๐๐๐๐.
๐ด๐๐ ๐, ๐กโ๐๐ ๐ ๐๐๐ ๐ค๐๐ ๐ ๐๐๐๐กโ๐๐๐ฆ ๐๐๐๐ ๐๐๐ก ๐๐๐ ๐๐๐ธ๐๐ธ'๐ ๐๐๐ข๐โ๐ก๐๐ ๐๐๐๐๐ข๐ ๐ โ๐ ๐ค๐๐ ๐๐๐ค๐๐ฆ๐ ๐ ๐ข๐โ ๐ "๐ท๐๐๐๐ฆ ๐ถ๐๐๐". ๐โ๐๐ ๐ค๐ ๐๐๐๐๐๐๐๐ ๐๐ก, ๐๐ก ๐ก๐ข๐๐๐๐ ๐๐ข๐ก ๐ก๐ ๐๐ ๐๐๐๐ก๐ก๐ฆ ๐๐๐๐. ๐๐๐๐๐๐ฃ๐๐, ๐๐ก ๐๐ ๐กโ๐ ๐๐๐๐ ๐ก ๐ ๐๐๐ ๐คโ๐๐๐ ๐๐๐ธ๐๐ธ ๐ ๐๐๐๐ ๐๐ ๐ ๐๐ข๐๐ก ๐ค๐๐กโ ๐ต๐
๐ผ๐ด๐."
โ๏ธ ๐๐๐๐๐๐ ๐พ๐๐๐๐๐ - ๐ป๐๐๐๐๐ ๐๐ ๐ข๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐ - ๐ฟ๐๐๐๐๐ - ๐ธ00๐น
โช ยจโช ยจโช
๐งฌ Also missing is ๐บ๐๐๐๐ ๐๐๐๐๐, so loved and quoted by Brian in interviews since the beginning of Placebo's career. This great band that made Brian want to become what he is today.
๐บ๐๐๐๐ ๐๐๐๐๐ - ๐ซ๐๐๐๐๐ ๐ฉ๐๐๐๐ https://bit.ly/3dGKJ7g
๐โ๐ ๐๐๐๐ ๐ก ๐ก๐๐๐ ๐ผ โ๐๐๐๐ ๐๐๐๐๐ ๐๐๐ข๐กโ ๐ค๐๐ ๐ ๐ฃ๐๐๐ฆ, ๐ฃ๐๐๐ฆ ๐๐๐๐๐๐ก๐๐๐ก ๐กโ๐๐๐ ๐๐๐ ๐๐. ๐ผ๐ก ๐ค๐๐ ๐๐ฆ 16๐กโ ๐๐๐๐กโ๐๐๐ฆ ๐๐๐ ๐ผ ๐ค๐๐ ๐ฃ๐๐๐ฆ ๐ ๐ก๐๐๐๐ ๐๐๐ ๐ผ'๐ ๐๐๐ฃ๐๐ ๐๐๐๐๐๐ฆ โ๐๐๐๐ ๐๐๐ฆ๐กโ๐๐๐ ๐๐๐๐ ๐๐ก ๐๐๐๐๐๐ ๐๐ ๐๐ฆ ๐๐๐๐. ๐โ๐๐ก ๐ค๐๐ ๐กโ๐ ๐ฆ๐๐๐ ๐กโ๐๐ก ๐ผ ๐ ๐ก๐๐๐ก๐๐ ๐๐๐๐ฆ๐๐๐ ๐๐ข๐๐ก๐๐ ๐ ๐ ๐กโ๐๐ก โ๐๐ ๐ ๐ฃ๐๐๐ฆ, ๐ฃ๐๐๐ฆ ๐๐๐ ๐๐๐๐๐๐ก ๐๐ ๐๐. ๐ด๐๐ก๐๐ ๐ผ ๐๐๐ฃ๐๐ ๐ก๐ ๐ฟ๐๐๐๐๐, ๐ผ โ๐๐๐๐ ๐๐ฝ ๐ป๐๐๐ฃ๐๐ฆ ๐๐๐ ๐กโ๐ ๐๐๐๐ ๐ก ๐ก๐๐๐ ๐๐๐ ๐กโ๐ ๐๐๐๐ก๐๐๐๐๐ ๐๐๐ก๐๐๐ ๐๐ก๐ฆ ๐๐๐ ๐๐๐๐กโ ๐๐ ๐กโ๐ ๐๐๐๐ข๐ ๐ท๐๐ฆ ๐๐๐ ๐ โ๐๐ ๐ ๐ฃ๐๐๐ฆ, ๐ฃ๐๐๐ฆ ๐๐๐ ๐๐๐๐๐๐ก ๐๐ ๐๐. ๐ผ ๐๐ข๐๐ ๐ ๐คโ๐๐ ๐ผ ๐ค๐๐๐ก ๐๐๐ก๐ ๐กโ๐ ๐๐๐๐ ๐๐ ๐ ๐๐๐๐ ๐ผ ๐๐๐๐ ๐๐ ๐ค๐๐๐ก๐๐ ๐ก๐ ๐๐๐๐๐ฆ ๐กโ๐ ๐๐๐๐ ๐๐ ๐๐๐ ๐ ๐๐๐๐๐ก, ๐๐ก๐๐๐๐ ๐๐๐๐ข๐ก๐ฆ ๐๐ ๐๐๐๐๐ ๐๐๐ข๐กโ'๐ ๐๐ฅ๐๐๐๐๐๐๐๐ก๐๐๐๐ ๐ ๐ค๐๐กโ ๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐ ๐๐๐๐๐ ๐๐๐ โ๐๐โ๐๐ฆ ๐๐๐๐ก๐๐๐๐๐ ๐๐ข๐๐๐๐ก๐ฆ ๐กโ๐๐ก ๐๐ฝ ๐ป๐๐๐ฃ๐๐ฆ'๐ ๐๐ข๐ ๐๐ โ๐๐ ."
โ๏ธ ๐ฑ๐๐๐๐ ๐ผ๐๐๐๐, ๐ผ๐๐๐๐๐๐ ๐ผ๐๐๐๐ฃ๐๐๐ - ๐ธ๐๐๐๐๐๐๐๐ ๐ธ๐๐ ๐๐๐๐" - ๐ฐ๐๐๐๐ ๐ฟ๐ฟ
Post by Laetitia
%202001%20Nick%20Laham.jpg "Placebo at- Enmore Theatre (Sydney, Australia) 2001")
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