The novel was published in September 2011 in the United States and consists of photographs by ๐ฑ๐๐๐๐๐๐๐ ๐ญ๐๐๐๐๐ and corresponding text by ๐ณ๐๐๐๐๐๐๐.
Photo credit: Scarlet Page; book cover / edit by Olga |
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๐ขAs for the title, ๐ซ๐๐๐๐ ๐ณ๐๐๐๐๐๐๐ said that "when I started writing the book, I wanted the novel to be my equivalent of a Sleeping with Ghosts era Placebo song. But in the book itself, it never says that the character listens to Placebo. The reference is more to the writing than to the events of the story, or the point of view."
๐๐ฅ๐๐๐๐๐จ - ๐๐ฏ๐๐ซ๐ฒ ๐๐จ๐ฎ ๐๐ฏ๐๐ซ๐ฒ ๐๐ (๐๐๐๐ข๐๐ข๐๐ฅ ๐๐ฎ๐ฌ๐ข๐ ๐๐ข๐๐๐จ)
➡️ https://bit.ly/3NZqEFf
๐ชHere are some excerpts from the book ๐๐๐๐๐๐ I’ve found for you.
"In this high school-set psychological tale, a tormented teen named Evan starts to discover a series of unnerving photographs - some of which feature him. Someone is stalking him… messing with him… threatening him. Worse, ever since his best friend Ariel has been gone, he’s been unable to sleep, spending night after night torturing himself for his role in her absence. And as crazy as it sounds, Evan’s starting to believe it’s Ariel that’s behind all of this, punishing him. But the more Evan starts to unravel the mystery, the more his paranoia and insomnia amplify, and the more he starts to unravel himself. Creatively told with black-and-white photos interspersed between the text so the reader can see the photos that are so unnerving to Evan, Every You, Every Me is a one-of-a-kind departure from a one-of-a-kind author.
Screenshot from Every you Every me promo video |
And like with other David Levithan’s novels, Every You, Every Me is full of David’s thought provoking ideas and views of things and life. His philosophy is scattered in the story making Evan’s thoughts more profound than a usual teenager character. David’s words as always carry something bigger and deeper in them – they are not just strings of words put together to tell a story but words of wisdom from a genius person like David.
๐ฌ๐๐๐๐ ๐๐๐, ๐ฌ๐๐๐๐ ๐ด๐ ๐๐ ๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐๐, ๐๐๐๐๐, ๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐. ๐ฐ๐ ๐๐๐๐๐ ๐๐๐ ๐๐’๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐ ๐๐๐๐๐๐, ๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐๐๐."
(๐๐๐๐๐๐๐๐ข๐๐.๐ค๐๐๐๐๐๐๐ ๐ .๐๐๐)
๐ช▪๐ธ๐ผ๐ถ๐ป๐ฌ๐บ▪๐ช
☑️“You don’t know me. You know one me, just like I know one you. And you can’t know every me, and I can’t know every you.”
☑️“A photograph it a souvenir of a memory.
It is not a moment. It is the looking at the photograph that becomes the moment. Your own moment.”
☑️“I had gotten so used to being alone, but never entirely used to it. Never used to it enough to stop wanting the alternative.”
๐ช๐๐๐๐๐ ๐๐๐๐๐๐๐๐ is an American young adult fiction author and editor who, particularly, has written numerous works featuring strong male gay characters. Six of Levithan's books have won or been finalists for the Lambda Literary Award for Children's and Young Adult Literature, making him the most celebrated author in the category.
Some other David Levithan’s young adult novels:
▪Survivor (2000)
▪Boy Meets Boy (2003)
▪The Realm of Possibility (2004)
▪Nick and Norah's Infinite Playlist (2006)
▪Naomi and Ely's No Kiss List (2007)
▪Invisibility (2013)
▪You Know Me Well (2016)
▪Dear Diary (2017)
▪Take Me With You When You Go (2021)
▪Anwers in the Pages (2022)
▪The Lover's Dictionary (2011) is the author’s only adult novel so far.
The book by Leviathan |
๐ข“For the past sixteen years and three months, I’ve taken at least one photograph every day. It started as a new year’s resolution, and for about a decade, it existed on film. … When I started, photographs were physical objects – to see them, you had to have them developed, usually handed back by the batch in unmailable envelopes. Now, photography is everywhere but photographs –physical photographs – are harder to find. […]
๐พ๐๐ ๐ ๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐ ๐๐ ๐๐ ๐๐๐๐ ๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐? ๐พ๐๐ ๐๐๐’๐ ๐ฐ ๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐ ๐ ๐๐๐๐๐๐?
[…] Every roll of film became the smallest of time capsules – pieces of memory sealed away until they were unearthed at a later date. […]
I also like sending photos in the mail. […] ๐ป๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐’๐ ๐๐๐ ๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐๐. […]
I started writing novels at about the same time I started taking a photo a day, and a recurring thought I had as my novel-writing career developed was whether I could combine the two in some way. I love visual-hybrid novels, and since I will never, ever be able to draw like Brian Selznick, the most obvious form of illustration was photography. ... The problem was: When I saw my own photographs, I could not separate them from what they already were.
[...] It took a while for me to figure out a way around this. ๐ป๐๐๐ ๐๐๐ ๐ ๐๐ ๐ฐ ๐๐๐ ๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐๐ ๐ฑ๐๐๐๐๐๐๐ ๐ญ๐๐๐๐๐’๐ ๐๐๐๐๐๐๐๐๐, ๐๐๐ ๐ฐ ๐๐๐๐๐๐๐ ๐ ๐๐๐๐๐๐๐๐๐๐ – ๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ – ๐๐๐๐๐๐๐ ๐๐ ๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐๐. ๐ฐ๐ ๐๐๐๐๐๐ ๐ ๐๐๐ ๐ฐ’๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐, ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐. ๐ฐ ๐๐๐๐๐ ๐’๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐. ๐ฐ ๐๐๐๐๐ ๐’๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐๐๐. ๐ฉ๐๐ ๐ฐ ๐๐๐๐๐ ๐’๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐๐.
Which made me realize: the way around my dilemma was to use someone else’s photographs, not my own. If I didn’t know the story behind them, I could make up whatever story I wanted.
Farmer ... gave me photographs, one at a time, whenever I asked for one. I wrote a novel involving these photographs. He had no idea what I was writing; I had no idea what photograph he would give me next. ๐ป๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐ฌ๐๐๐๐ ๐๐๐, ๐ฌ๐๐๐๐ ๐ด๐. ๐ป๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐.
Photo credit: David Tonge |
The book would not work if Evan were simply being emailed the photos; it would not work if hitting a delete button were an option.
Photographs are easy enough to destroy – all it takes is a few rips, or the kiss of a lighter – but they also bear a certain permanence when held and seen. ๐ป๐๐๐ ๐๐๐ ๐๐ ๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐’๐๐ ๐๐๐๐, ๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐ ๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐.
… ๐ฐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐ .”
You can read the full story in David’s own words here:
➡️ https://bit.ly/3yyUXg7
Post by Olga