Sunday, September 25, 2022

๐Ÿ”ท๐ŸŽŠ๐’๐‹๐€๐•๐„ ๐“๐Ž ๐“๐‡๐„ ๐–๐€๐†๐„ ๐ญ๐ฎ๐ซ๐ง๐ฌ ๐Ÿ๐Ÿ ๐“๐Ž๐ƒ๐€๐˜๐ŸŽŠ๐Ÿ”ท

The second single from Placebo’s third studio album ๐‘ฉ๐’๐’‚๐’„๐’Œ ๐‘ด๐’‚๐’“๐’Œ๐’†๐’• ๐‘ด๐’–๐’”๐’Š๐’„, was released on September 25th, 2000 and reached no. 19 in the UK Singles Chart.

๐Ÿ”ท๐Ž๐…๐…๐ˆ๐‚๐ˆ๐€๐‹ ๐•๐ˆ๐ƒ๐„๐Ž๐Ÿ”ท
➡️ http://bit.ly/2VhCxjy


Photo credit: Screenshot from the official video, single cover / edit by Silke

๐Ÿ”ทFrom the very beginning of Placebo’s career, Brian has always said that the initial purpose for him to start a band was his dream to never get a real job. ๐’๐‹๐€๐•๐„ ๐“๐Ž ๐“๐‡๐„ ๐–๐€๐†๐„ is an exact illustration of ordinary, boring way of life which Brian was trying to avoid at any price.

๐Ÿ“ข๐๐ซ๐ข๐š๐ง: The song tells you to be an individual, believe in yourself and have the courage to chase your dreams. If you do, the rewards at the end are tenfold versus doing what your parents tell you to do. Get a good job, get married, have 2.4 children, 1.2 goldfish, 3.6 cars... To a lot of people, that's the epitome of personal success. Which is why so many people get through a mid-life crisis. People reach a point in their lives and go, "Is this it?"
(๐ด๐‘™๐‘ก๐‘’๐‘Ÿ๐‘›๐‘Ž๐‘ก๐‘–๐‘ฃ๐‘’ ๐‘ƒ๐‘Ÿ๐‘’๐‘ ๐‘ , ๐ด๐‘ข๐‘”๐‘ข๐‘ ๐‘ก 2001)

๐Ÿ”ทAs ๐’๐ญ๐ž๐Ÿ๐š๐ง recalled in ๐‘ฉ๐’๐’‚๐’„๐’Œ ๐‘ด๐’‚๐’“๐’Œ๐’†๐’• ๐‘ด๐’–๐’”๐’Š๐’„ ๐‘บ๐’•๐’๐’“๐’Š๐’†๐’” (๐‘ฌ๐’‘๐’Š๐’”๐’๐’…๐’† 2), the working title for Slave to the Wage was ๐ƒ๐ž๐š๐ญ๐ก ๐•๐š๐ฅ๐ฅ๐ž๐ฒ ๐Ÿ—๐Ÿ—.

๐Ÿ”ทThe line “๐‘บ๐’Š๐’„๐’Œ ๐’‚๐’๐’… ๐’•๐’Š๐’“๐’†๐’… ๐’๐’‡ ๐‘ด๐’‚๐’ˆ๐’ˆ๐’Š๐’†'๐’” ๐’‡๐’‚๐’“๐’Ž” is a reference to the Bob Dylan song Maggie's Farm.
๐Ÿ“ข๐๐ซ๐ข๐š๐ง: "It's just a song about not working for The Man and chasing your dreams. It's about not working yourself into an early grave. It's our version of Bob Dylan's Maggie's Farm which finds it's way into the lyrics as well".
(๐‘ˆ๐‘›๐‘˜๐‘›๐‘œ๐‘ค๐‘› ๐‘š๐‘Ž๐‘”๐‘Ž๐‘ง๐‘–๐‘›๐‘’, 2000)

Photo credit: Screenshot from the official video

๐๐จ๐› ๐ƒ๐ฒ๐ฅ๐š๐ง - ๐Œ๐š๐ ๐ ๐ข๐ž'๐ฌ ๐…๐š๐ซ๐ฆ


๐Ÿ”ทThe song was produced by Paul Corkett and Placebo and recorded at Olympic Studios and Townhouse Studios in London. Brian has some painful memories about recording of the track's vocals:
๐Ÿ“ข๐๐ซ๐ข๐š๐ง: The day I recorded the vocals to that track was the day that I found out that Scott Piering, the legendary plugger and our friend, had died and I was thinking about him that morning. There was a cloud that was hanging over us that day. I strangely felt his presence.
(๐‘€๐‘’๐‘™๐‘œ๐‘‘๐‘ฆ ๐‘€๐‘Ž๐‘˜๐‘’๐‘Ÿ, ๐‘‚๐‘๐‘ก๐‘œ๐‘๐‘’๐‘Ÿ 20๐‘กโ„Ž, 2000)

๐Ÿ”ทSlave to the Wage contains a sample from ๐“๐ž๐ฑ๐š๐ฌ ๐๐ž๐ฏ๐ž๐ซ ๐–๐ก๐ข๐ฌ๐ฉ๐ž๐ซ๐ฌ by the band ๐‘ท๐’‚๐’—๐’†๐’Ž๐’†๐’๐’• written by Stephen Malkmus and Scott Kannberg.

Photo credit: Screenshots from the official video  / edit by Silke

๐๐š๐ฏ๐ž๐ฆ๐ž๐ง๐ญ - ๐“๐ž๐ฑ๐š๐ฌ ๐๐ž๐ฏ๐ž๐ซ ๐–๐ก๐ข๐ฌ๐ฉ๐ž๐ซ๐ฌ
๐‘พ๐’‰๐’‚๐’• ๐’Ž๐’‚๐’…๐’† ๐’š๐’๐’– ๐’”๐’‚๐’Ž๐’‘๐’๐’† ๐‘ท๐’‚๐’—๐’†๐’Ž๐’†๐’๐’•'๐’” "๐‘ป๐’†๐’™๐’‚๐’” ๐‘ต๐’†๐’—๐’†๐’“ ๐‘พ๐’‰๐’Š๐’”๐’‘๐’†๐’“๐’”" ๐’๐’ "๐‘บ๐’๐’‚๐’—๐’† ๐‘ป๐’ ๐‘ป๐’‰๐’† ๐‘พ๐’‚๐’ˆ๐’†"?
๐Ÿ“ข๐๐ซ๐ข๐š๐ง: I was just a huge fan. It comes from the B-sides album, and I just really liked this abstract guitar that was going on. It's much slower in its original state. We just looped it and sped it up really fast, at least ten times faster than the original. Again, it was sampling, which was something we had never done before. At the time, it was a great motivator for us. We didn't want to do what we'd done on the last record.
(๐‘‰๐‘–๐‘๐‘’, ๐‘‚๐‘๐‘ก๐‘œ๐‘๐‘’๐‘Ÿ 13๐‘กโ„Ž, 2016)

๐Ÿ”ทThe single CD was available in two different versions:
▪️๐‚๐ƒ๐Ÿ
Slave to the Wage (Radio Edit)
Leni
Bubblegun

▪️๐‚๐ƒ๐Ÿ
Slave to the Wage (Album Version)
Holocaust (Big Star cover)
Slave to the Wage (Les Rythmes Digitales Remix)

▪️๐Ÿ๐Ÿ” ๐ฏ๐ข๐ง๐ฒ๐ฅ includes all the same songs except for the Slave to the Wage radio edit.


๐Ÿ“ข๐๐ซ๐ข๐š๐ง: "It's kind of an American Beauty thing. You can find yourself like the character Kevin Spacey plays, in a mid-life crisis and realising 20 years of his existence has been for nothing, for materialism and no soul. […] I think people are taught at an early age that individuality isn't necessarily a good thing and that they have to conform."
(๐‘†๐‘ข๐‘›๐‘‘๐‘Ž๐‘ฆ ๐‘€๐‘Ž๐‘–๐‘™, ๐‘‚๐‘๐‘ก๐‘œ๐‘๐‘’๐‘Ÿ 2000)

Photo credit: Screenshot from the official video

๐Ÿ“ข๐๐ซ๐ข๐š๐ง: “It's a song about chasing your dreams. It's kinda like the Robert Frost poem, "The Road Not Taken. It's, basically saying, promoting individuality and saying that you don't have to follow society's rules in order to become a personal success. It often involves a bit of risk taking and courage. But we're certainly living proof of the fact that these decisions that we made when we were very young, we're living proof embodied that the road less traveled can be incredibly fruitful, if you stay true to yourself, if you have the desire to be an individual, if you have the desire and the courage to chase your dreams. If you want to work at a bank, and that gives you a hard-on, then go work for a bank. Or, if you want to be an artist and that gives you a hard-on, be an artist. Don't feel that you have to work at a bank. And if you're prepared to make sacrifices and take risks, if you're lucky, if your karma is good, then these things will pay off in the end. Which I think it's a positive message really.”
(๐‘‰๐‘œ๐‘ฅ ๐‘‚๐‘›๐‘™๐‘–๐‘›๐‘’, 2001)

You can read the poem to look for connection yourself.
๐‘๐จ๐›๐ž๐ซ๐ญ ๐…๐ซ๐จ๐ฌ๐ญ - ๐“๐ก๐ž ๐‘๐จ๐š๐ ๐๐จ๐ญ ๐“๐š๐ค๐ž๐ง


The video is aesthetically inspired by the movie ๐†๐š๐ญ๐ญ๐š๐œ๐š. The story is based on the only ‘real’ job ๐๐ซ๐ข๐š๐ง ever had. “I spent a summer shredding documents once. It got so boring and mundane that I used to be late on purpose," he said to the ๐‘†๐‘ข๐‘›๐‘‘๐‘Ž๐‘ฆ ๐‘€๐‘Ž๐‘–๐‘™ (2000).
The video was directed by ๐‘ฏ๐’๐’˜๐’‚๐’“๐’… ๐‘ฎ๐’“๐’†๐’†๐’๐’‰๐’‚๐’๐’ˆ๐’‰, who’s worked with Placebo before (and would also work after).

๐Ÿ”ทThat’s what ๐‘ฏ๐’๐’˜๐’‚๐’“๐’… remembers of creating the video.
๐Ÿ“ข“Cold, beautifully stylish near future, not sci-fi. Is it sci-fi, is it whatever? Is it a love story? I told a lot about it. If it's not the case, let's build like 'Gattaca', people, they are almost automats in the office – machine or computers but there is one girl who suddenly decides… And ok, that creates a knock on catalyst effect. So it started to shred, everything shred, shred, shred… It was colourful, simple, and powerful. We don't say it was sexual kind of clothe coming off you love 'cause you never saw anything. And cool – you know, not sexy girl, interesting girl, it just seemed to work. So that's how 'Slave To The Wage' happened.”
(๐‘ƒ๐‘™๐‘Ž๐‘๐‘’๐‘๐‘œ ๐‘†๐‘ก๐‘œ๐‘Ÿ๐‘ฆ ๐‘ƒ๐‘Ÿ๐‘œ๐‘—๐‘’๐‘๐‘ก, 2016)

Photo credit: Screenshot from the official video

๐Ÿ”ท๐‘ป๐’‰๐’† ๐’”๐’•๐’๐’“๐’š ๐’ƒ๐’†๐’‰๐’Š๐’๐’… ๐’•๐’‰๐’† ๐’—๐’Š๐’…๐’†๐’ ๐’ƒ๐’š ๐’•๐’‰๐’† ๐’ˆ๐’–๐’š๐’” ๐’•๐’‰๐’†๐’Ž๐’”๐’†๐’๐’—๐’†๐’”…
๐Ÿ“ข๐๐ซ๐ข๐š๐ง: ”This video was inspired by two things. The content was inspired by the only summer job I ever had, which was working in a bank, shredding documents. We used that as a metaphor for the drudgery of having a nine-to-five in the modern world. And the second, aesthetically it was by a film ‘Gattaca’ starring Ethan Hawke and Uma Thurman. It was the film where they met and first fell in love.
Another video with Howard Greenhalgh, who did ‘Nancy Boy’ and ‘Bruise Pristine’.”
๐Ÿ“ข๐’๐ญ๐ž๐Ÿ๐š๐ง: ”It’s filmed at the University of East London, on a sunny day.”
๐Ÿ“ข๐’๐ญ๐ž๐ฏ๐ž ๐‡๐ž๐ฐ๐ข๐ญ๐ญ: ”Kind of a weird building. Modernist architecture and stuff like that.”
๐Ÿ“ข๐๐ซ๐ข๐š๐ง: ”I remember there was an airstrip at the halls of residence. Very weird. How do they expect the student to get any sleep whatsoever?”
๐Ÿ“ข๐’๐ญ๐ž๐ฏ๐ž: ”There was quite a lot of extras on this one.”
๐Ÿ“ข๐๐ซ๐ข๐š๐ง: ”There’s another Howard Greenhalgh gratuitous panty shot coming up, which managed to slip by censors. There seems to be a gratuitous panty shot in every video.”
๐Ÿ“ข๐’๐ญ๐ž๐Ÿ๐š๐ง: ”A bit of postproduction on this one.”
๐Ÿ“ข๐๐ซ๐ข๐š๐ง: ”It’s amazing car, it’s from an eastern bloc country, before the Wall came down. A Czechoslovakian or Bulgarian car which they used to drive the politicians around it.”
๐Ÿ“ข๐’๐ญ๐ž๐ฏ๐ž: ”There’s a cool shot where you have wings and you stand in front of the bus.”
๐Ÿ“ข๐๐ซ๐ข๐š๐ง: ”Closest I’ll ever been to an angel.”
๐Ÿ“ข๐’๐ญ๐ž๐Ÿ๐š๐ง: ”You grew those after ‘Pure morning’.”
๐Ÿ“ข๐๐ซ๐ข๐š๐ง: ”And naturally the clothes have to come off.”
๐Ÿ“ข๐’๐ญ๐ž๐ฏ๐ž: ”It’s probably Howard’s most postproduction-heavy video so far, apart from ‘Nancy Boy’.”
๐Ÿ“ข๐๐ซ๐ข๐š๐ง: ”It’s a good time to mention that Howard used to be an Olympic gymnast.”
๐Ÿ“ข๐’๐ญ๐ž๐Ÿ๐š๐ง: ”That’s true.”
(๐‘‚๐‘›๐‘๐‘’ ๐‘€๐‘œ๐‘Ÿ๐‘’ ๐‘Š๐‘–๐‘กโ„Ž ๐น๐‘’๐‘’๐‘™๐‘–๐‘›๐‘” ๐ท๐‘‰๐ท, 2004)


๐Ÿ”ท๐‹๐ˆ๐•๐„ ๐‡๐ˆ๐’๐“๐Ž๐‘๐˜๐Ÿ”ท
The song was played live since the first show of the ๐‘ฉ๐’๐’‚๐’„๐’Œ ๐‘ด๐’‚๐’“๐’Œ๐’†๐’• ๐‘ด๐’–๐’”๐’Š๐’„ ๐’•๐’๐’–๐’“ in Oxford, UK on July 20th, 2000, and then, was part of every tour except for ๐‘ด๐’†๐’…๐’” and ๐‘ฉ๐’‚๐’•๐’•๐’๐’† ๐‘ญ๐’๐’“ ๐‘ป๐’‰๐’† ๐‘บ๐’–๐’ ๐’•๐’๐’–๐’“๐’”. A special acoustic rendition was done for 2015 ๐‘ด๐‘ป๐‘ฝ ๐‘ผ๐’๐’‘๐’๐’–๐’ˆ๐’ˆ๐’†๐’… show in London in 2015.

Now, during the ๐‘ต๐’†๐’—๐’†๐’“ ๐‘ณ๐’†๐’• ๐‘ด๐’† ๐‘ฎ๐’ ๐’•๐’๐’–๐’“, it’s back on stage again.
So, let’s watch one of these newest performances tonight, particularly, the one from ๐…๐ข๐ซ๐ž๐ง๐ณ๐ž ๐‘๐จ๐œ๐ค๐ฌ festival on June 17th, 2022.

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