Showing posts with label Trash Palace. Show all posts
Showing posts with label Trash Palace. Show all posts

Wednesday, November 30, 2022

๐ŸŒ›◾โ„™๐•ƒ๐”ธโ„‚๐”ผ๐”น๐•† ๐•ƒ๐•Œ๐•ƒ๐•ƒ๐”ธ๐”น๐•€๐”ผ๐•Š - ๐•ก๐•’๐•ฃ๐•ฅ ๐•๐•€.◾๐ŸŒœ

⭐๐‘ฏ๐’Š ๐’”๐’๐’–๐’๐’Ž๐’‚๐’•๐’†๐’”,

After two weeks, we can return to our favorite series:
๐˜›๐˜ฉ๐˜ฆ ๐˜ด๐˜ฐ๐˜ฏ๐˜จ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฐ๐˜ฏ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ช๐˜ด ๐˜ข ๐˜ฎ๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ฑ๐˜ช๐˜ฆ๐˜ค๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฉ๐˜ข๐˜ด ๐˜ฃ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ต๐˜ข๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฉ ๐˜ข๐˜ธ๐˜ข๐˜บ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ข๐˜ญ๐˜ญ ๐˜จ๐˜ฆ๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ง๐˜ฐ๐˜ณ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ฉ๐˜ข๐˜ฑ๐˜ด ๐˜ง๐˜ช๐˜ง๐˜ต๐˜บ ๐˜บ๐˜ฆ๐˜ข๐˜ณ๐˜ด, ๐˜ช๐˜ง ๐˜'๐˜ฎ ๐˜ค๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต.


The shared video is the only live version ⭐"๐‘ฑ๐’† ๐‘ป'๐‘จ๐’Š๐’Ž๐’† ๐‘ด๐’๐’Š ๐‘ต๐’๐’ ๐‘ท๐’๐’–๐’”"⭐ from ๐˜๐—ต๐—ฒ ๐—ง๐—ฟ๐—ฎ๐˜€๐—ต ๐—ฃ๐—ฎ๐—น๐—ฎ๐—ฐ๐—ฒ ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ฎ๐˜ ๐—Ÿ๐—ฎ ๐—ฅ๐—ผ๐˜‚๐˜๐—ฒ ๐—ฑ๐˜‚ ๐—ฅ๐—ผ๐—ฐ๐—ธ ๐—ถ๐—ป ๐—™๐—ฟ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ผ๐—ป ๐—”๐˜‚๐—ด๐˜‚๐˜€๐˜ ๐Ÿญ๐Ÿฌ๐˜๐—ต ๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿฎ, where Brian sang this beautiful song live and Asia Argento was projected from a video on the screen behind him.

๐ŸŽถ๐Ÿ”น„๐‰๐ž ๐“'๐€๐ข๐ฆ๐ž . . . ๐Œ๐จ๐ข ๐๐จ๐ง ๐๐ฅ๐ฎ๐ฌ“๐Ÿ”น๐ŸŽถ
๐˜๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ฅ๐˜ด, ๐˜ข๐˜ฅ๐˜ฎ๐˜ช๐˜ต ๐˜ช๐˜ต, ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ข๐˜ฎ๐˜ฐ๐˜ฏ๐˜จ ๐˜บ๐˜ฐ๐˜ถ ๐˜ฉ๐˜ข๐˜ด ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ ๐˜ฅ๐˜ถ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ด๐˜ฐ๐˜ฏ๐˜จ?
๐˜ˆ๐˜ฏ๐˜ฅ ๐˜ฅ๐˜ฐ ๐˜บ๐˜ฐ๐˜ถ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ฐ๐˜ญ๐˜ฅ ๐˜บ๐˜ฐ๐˜ถ ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜บ๐˜ฐ๐˜ถ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ฉ๐˜ฆ๐˜ข๐˜ณ๐˜ฅ ๐˜ช๐˜ต? ๐˜ž๐˜ฉ๐˜ข๐˜ต ๐˜ข๐˜ณ๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฆ๐˜ข๐˜ณ๐˜ญ๐˜ช๐˜ฆ๐˜ด๐˜ต ๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด?

For me it is a very distant past... I was about twelve years old when my father, a big fan of popular music, got this record from friends, banned in our totalitarian Czechoslovakia. I saw it as a bright moment in our family, of which unfortunately there were not many.

My parents did not have a good relationship, they often argued. But while listening to this song, my mom would smile mysteriously and receive gentle eye contact from her husband. You could say that she melted like chocolate, and I still see it as one of the few very nice moments in the whole life of my parents.

⭐๐’๐Ž๐๐† ๐ˆ๐๐…๐Ž:
The author of the song is ⭐๐’๐„๐‘๐†๐„ ๐†๐€๐ˆ๐๐’๐๐Ž๐”๐‘๐†⭐, who wrote it for his lover ⭐๐๐‘๐ˆ๐†๐ˆ๐“๐“๐„ ๐๐€๐‘๐ƒ๐Ž๐“⭐ in 1967 and recorded it together during a hot moment in a Paris recording studio.

๐˜“๐˜ฆ๐˜ต'๐˜ด ๐˜ต๐˜ข๐˜ญ๐˜ฌ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ธ๐˜ฉ๐˜ข๐˜ต ๐˜ธ๐˜ฆ ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ด๐˜ฐ๐˜ฏ๐˜จ ๐˜ถ๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ฆ๐˜น๐˜ค๐˜ฆ๐˜ณ๐˜ฑ๐˜ต๐˜ด ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ธ๐˜ฐ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ๐˜ง๐˜ถ๐˜ญ ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ค๐˜ญ๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ฅ๐˜ช๐˜ค๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜š๐˜ฆ๐˜ณ๐˜จ๐˜ฆ ๐˜ข๐˜ง๐˜ต๐˜ฆ๐˜ณ ๐˜ฉ๐˜ช๐˜ด ๐˜ฅ๐˜ฆ๐˜ข๐˜ต๐˜ฉ:
✨๐Ÿ”น๐’๐ฒ๐ฅ๐ฏ๐ข๐ž ๐’๐ข๐ฆ๐ฆ๐จ๐ง๐ฌ: ๐“๐ก๐ž ๐ž๐ฒ๐ž๐ฌ ๐ก๐š๐ฏ๐ž ๐ข๐ญ๐Ÿ”น✨
He was an ugly man who loved some of the world's most beautiful women, a shy man who spent most of his life in the spotlight - and a prankster who knew exactly how to outrage the public. …/.../

๐’๐ž๐ซ๐ ๐ž ๐†๐š๐ข๐ง๐ฌ๐›๐จ๐ฎ๐ซ๐ 
The man who looked like an elegant turtle cross-bred with a particularly louche, chain-smoking wolf was also a singer, a songwriter, a cutting-edge soundtrack composer, a Eurovision Song Contest winner, novelist, photographer, actor, artist, drunk, director, screenwriter, populist, provocateur, sentimentalist, clown, lover, intellectual, and the man who single-handedly liberated French pop. …/.../

'๐๐จ๐ง๐ง๐ข๐ž ๐š๐ง๐ ๐‚๐ฅ๐ฒ๐๐ž' was the title track of Gainsbourg and Brigitte Bardot's album together, released in 1968. It was one of a pair of songs Gainsbourg had written in the space of a night following a disastrous early date with Bardot. Struck dumb with either nerves or alcohol, his usual wit deserted him, the evening was a flop and he thought he had blown it. But Bardot phoned the next day and demanded as a penance that he write her "๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ด๐˜ต ๐˜ฃ๐˜ฆ๐˜ข๐˜ถ๐˜ต๐˜ช๐˜ง๐˜ถ๐˜ญ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ ๐˜ด๐˜ฐ๐˜ฏ๐˜จ ๐˜บ๐˜ฐ๐˜ถ ๐˜ค๐˜ข๐˜ฏ ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ช๐˜ฏ๐˜ฆ". In fact he wrote two - Bonnie and Clyde and '๐‘ฑ๐’† ๐‘ป'๐‘จ๐’Š๐’Ž๐’† . . . ๐‘ด๐’๐’Š ๐‘ต๐’๐’ ๐‘ท๐’๐’–๐’”'

Trash Palace, August 2002, Saint Malo, France. Photo credit unknown 

Late one night in the winter of 1967, Gainsbourg and Bardot went into a dimly lit studio in Paris and recorded Michel Colombier's arrangement of Je T'Aime in an intimate two-hour session. The two singers were squashed into a small, steamy glass booth; engineer William Flageollet witnessed what he described as "๐˜ฉ๐˜ฆ๐˜ข๐˜ท๐˜บ ๐˜ฑ๐˜ฆ๐˜ต๐˜ต๐˜ช๐˜ฏ๐˜จ". Word leaked to the press that it was an "audio vรฉritรฉ" recording, with the Sunday paper France-Dimanche reporting that the four minutes and 35 seconds of "๐˜จ๐˜ณ๐˜ฐ๐˜ข๐˜ฏ๐˜ด, ๐˜ด๐˜ช๐˜จ๐˜ฉ๐˜ด, ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰๐˜ข๐˜ณ๐˜ฅ๐˜ฐ๐˜ต'๐˜ด ๐˜ญ๐˜ช๐˜ต๐˜ต๐˜ญ๐˜ฆ ๐˜ค๐˜ณ๐˜ช๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜ฑ๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ถ๐˜ณ๐˜ฆ" set to almost churchlike organ music gave "๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ฎ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜บ๐˜ฐ๐˜ถ'๐˜ณ๐˜ฆ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฐ ๐˜ต๐˜ธ๐˜ฐ ๐˜ฑ๐˜ฆ๐˜ฐ๐˜ฑ๐˜ญ๐˜ฆ ๐˜ฎ๐˜ข๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ".

…/.../ She (Bardot) wrote Gainsbourg a letter, pleading with him not to release the record. Gainsbourg protested: "๐˜›๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ถ๐˜ด๐˜ช๐˜ค ๐˜ช๐˜ด ๐˜ท๐˜ฆ๐˜ณ๐˜บ ๐˜ฑ๐˜ถ๐˜ณ๐˜ฆ. ๐˜๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ต๐˜ช๐˜ฎ๐˜ฆ ๐˜ช๐˜ฏ ๐˜ฎ๐˜บ ๐˜ญ๐˜ช๐˜ง๐˜ฆ, ๐˜ ๐˜ธ๐˜ณ๐˜ช๐˜ต๐˜ฆ ๐˜ข ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ ๐˜ด๐˜ฐ๐˜ฏ๐˜จ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ต'๐˜ด ๐˜ต๐˜ข๐˜ฌ๐˜ฆ๐˜ฏ ๐˜ฃ๐˜ข๐˜ฅ๐˜ญ๐˜บ." But he had witnessed the public's love-hate relationship with Bardot, and put the tapes in a drawer. They would stay there ๐˜ถ๐˜ฏ๐˜ต๐˜ช๐˜ญ 1986 ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ด๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ฏ๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜จ๐˜ข๐˜ท๐˜ฆ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ฎ๐˜ช๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ "๐˜ด๐˜ถ๐˜ฃ๐˜ญ๐˜ช๐˜ฎ๐˜ฆ" ๐˜ท๐˜ฆ๐˜ณ๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜‘๐˜ฆ ๐˜›'๐˜ˆ๐˜ช๐˜ฎ๐˜ฆ, ๐˜ข๐˜ด ๐˜Ž๐˜ข๐˜ช๐˜ฏ๐˜ด๐˜ฃ๐˜ฐ๐˜ถ๐˜ณ๐˜จ ๐˜ฅ๐˜ฆ๐˜ด๐˜ค๐˜ณ๐˜ช๐˜ฃ๐˜ฆ๐˜ฅ ๐˜ช๐˜ต, ๐˜ต๐˜ฐ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ฐ๐˜ถ๐˜ต.

If you wish to know how this story continues with the wonderful ⭐๐‰๐€๐๐„ ๐๐ˆ๐‘๐Š๐ˆ๐⭐, read on here:
⭐◾ http://bit.ly/3gMjedQ


And here you can listen to both versions that Serge Gainsbourg recorded with these star ladies:

๐ŸŽถ๐Ÿ”น๐‰๐ž ๐“'๐€๐ข๐ฆ๐ž- ๐ฏ๐ž๐ซ๐ฌ๐ข๐จ๐ง ๐ฐ๐ข๐ญ๐ก ๐๐ซ๐ข๐ ๐ข๐ญ๐ญ๐ž ๐๐š๐ซ๐๐จ๐ญ
http://bit.ly/3ETeo6L

๐ŸŽถ๐Ÿ”น๐‰๐ž ๐“'๐€๐ข๐ฆ๐ž- ๐ฏ๐ž๐ซ๐ฌ๐ข๐จ๐ง ๐ฐ๐ข๐ญ๐ก ๐‰๐š๐ง๐ž ๐๐ข๐ซ๐ค๐ข๐ง - ๐Ž๐ซ๐ข๐ ๐ข๐ง๐š๐ฅ ๐•๐ข๐๐ž๐จ๐œ๐ฅ๐ข๐ฉ
http://bit.ly/3AX6t7d

Photo credit;  Lucille Brauscks

But the most important thing for us is that thanks to Brian and especially his friend ⭐๐ƒ๐ˆ๐Œ๐ˆ๐“๐‘๐ˆ ๐“๐ˆ๐Š๐Ž๐•๐Ž๐ˆ, this song has once again become known to the younger generations.

Dimitri decided to prepare a project about how society perceives certain aspects of human sexuality - ⭐'๐“๐‘๐€๐’๐‡ ๐๐€๐‹๐€๐‚๐„'⭐. And he invited Brian Molko, among several other music stars, to participate in this project, because, as they both say, they share the same sense of humour when it comes to sex:


๐๐‘๐ˆ๐€๐ ๐Ž๐ ๐“๐‘๐€๐’๐‡ ๐๐€๐‹๐€๐‚๐„:
๐Ÿ”น๐Ÿ’ฌ“The collaboration was just for fun! Dimitri Tikovoรฏ is my buddy. We have the same sense of humour, porn makes us laugh. What is strange is that people, the media, everybody took us very seriously."
(๐˜“๐˜ฆ๐˜ด ๐˜๐˜ฏ๐˜ณ๐˜ฐ๐˜ค๐˜ฌ๐˜ถ๐˜ฑ๐˜ต๐˜ช๐˜ฃ๐˜ญ๐˜ฆ๐˜ด, 2002)

๐Ÿ”น๐Ÿ’ฌ”The artist in question is a French named Dimitri, whose nickname is the vibrator. He made an electronic record in French about pornography on wich I figure as well as John Cale, Jean-Louis-Murat. We wrote texts for Dimitri. I wrote one a la William Burrough. But it was very interesting to work on this record because it's a kind of music that is very different from what we do usually, and I love this kind of music”.
(๐˜”6 ๐˜ฎ๐˜ถ๐˜ด๐˜ช๐˜ค, 2001)

The result was the album ⭐'๐๐Ž๐’๐ˆ๐“๐ˆ๐Ž๐๐’'⭐, released in 2002, on which Brian lent his voice to three tracks:
๐ŸŽถ„๐—ง๐—ต๐—ฒ ๐— ๐—ฒ๐˜๐—ฟ๐—ถ๐—ฐ ๐—ฆ๐˜†๐˜€๐˜๐—ฒ๐—บ“ ,
๐ŸŽถ ๐—ฎ ๐—ฐ๐—ผ๐˜ƒ๐—ฒ๐—ฟ ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ถ๐—ผ๐—ป ๐—ณ๐—ฟ๐—ผ๐—บ ๐—ž๐˜†๐—น๐—ถ๐—ฒ ๐— ๐—ถ๐—ป๐—ผ๐—ด๐˜‚๐—ฒ'๐˜€ ๐˜€๐—ผ๐—ป๐—ด "๐—–๐—ฎ๐—ป'๐˜ ๐—š๐—ฒ๐˜ ๐—ฌ๐—ผ๐˜‚ ๐—ข๐˜‚๐˜ ๐—ผ๐—ณ ๐— ๐˜† ๐—›๐—ฒ๐—ฎ๐—ฑ“
๐ŸŽถ ๐—ฎ๐—ป๐—ฑ „๐—๐—ฒ ๐—ง'๐—”๐—ถ๐—บ๐—ฒ . . . ๐— ๐—ผ๐—ถ ๐—ก๐—ผ๐—ป ๐—ฃ๐—น๐˜‚๐˜€“.

๐Ÿ”น๐Ÿ’ฌ๐ƒ๐ˆ๐Œ๐ˆ๐“๐‘๐ˆ ๐Ž๐ ๐๐Ž๐’๐ˆ๐“๐ˆ๐Ž๐๐’:
“I just wanted to push myself, my own knowledge of computer-based music so there was a lot of experimentation and trying to do things a bit differently. But I also had a theme which was sex, because firstly, everyone uses sex to sell things but they exploit it in a way that’s not very sensual or erotic. I thought that if I could combine some kind of eroticism into something that is as cold as electronic music, then it would be really interesting. Also I wanted things to be a bit deranged or slightly out of place…kind of the opposite of Britney Spears! Electronic music is so cold because it’s made with machines so if you try to put sensuality into it, it kind of gives it some soul.“
(๐˜š๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ๐˜ง๐˜ณ๐˜ฆ๐˜ข๐˜ฌ๐˜ค๐˜ฐ๐˜ฎ, ๐˜ˆ๐˜ถ๐˜จ๐˜ถ๐˜ด๐˜ต 2006)

Photo credit; Dimitri Tikovoi's Instagram  

๐˜๐˜ฐ๐˜ธ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ, ๐˜ช๐˜ต ๐˜ธ๐˜ข๐˜ด ๐˜ฏ๐˜ฆ๐˜ค๐˜ฆ๐˜ด๐˜ด๐˜ข๐˜ณ๐˜บ ๐˜ต๐˜ฐ ๐˜ง๐˜ช๐˜ฏ๐˜ฅ ๐˜ข ๐˜ง๐˜ฆ๐˜ฎ๐˜ข๐˜ญ๐˜ฆ ๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜š๐˜ฆ๐˜ณ๐˜จ๐˜ฆ'๐˜ด ๐˜ด๐˜ค๐˜ข๐˜ฏ๐˜ฅ๐˜ข๐˜ญ๐˜ฐ๐˜ถ๐˜ด ๐˜ด๐˜ฐ๐˜ฏ๐˜จ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜บ๐˜ฐ๐˜ถ ๐˜ค๐˜ข๐˜ฏ ๐˜ณ๐˜ฆ๐˜ข๐˜ฅ ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ช๐˜ต ๐˜ฉ๐˜ข๐˜ฑ๐˜ฑ๐˜ฆ๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ท๐˜ช๐˜ฆ๐˜ธ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜‹๐˜ช๐˜ฎ๐˜ช๐˜ต๐˜ณ๐˜ช:
๐Ÿ”น๐Ÿ’ฌ„I wanted to have different views, different moods and different sorts of perversions on the album and that's why there are so many different people involved.“

That Dimitri is as persuasive as he's well-connected is clear from the characters he tracked down, who include Velvet Underground legend John Cale and Placebo singer Brian Molko. He also managed to seduce Italian sex siren Asia Argento into performing a version of „Je T'Aime“, though admits he didn't actually know her until she walked into the studio to lay down her part.

„I had this idea of doing Je T'Aime because I've always loved the track, but my idea was to invert the characters roles,“ says Dimitri.

„In the original track, Serge Gainsbourg is fucking Jane Birkin, he's doing the act of penetration and I wanted to invert the roles; to have Asia doing the role of penetrating someone else. Brian (Molko) said he would do it so I asked Asia by sending her an email. Immediately, she sent me an email back saying 'yeah, I really want to do it' so I flew to Italy to record her voice.

She was very nervous when she did it because she's not a singer and she didn't know what I was going to ask her to do, she was still shooting movies at the time,“ he continues.

„We did it in a small room with a very basic recording set-up and I remember her chain smoking with me sitting in front of her. It was a little bit of a tense atmosphere but that was good for the track. She didn't know me, I didn't know her so it was a slightly bizarre environment.“

With Asia being generally acclaimed as one of the world's sexiest starlets, the resulting track is as salacious as Dimitri presumably hoped it would be, reflecting the overall highly polished standards of all 11 tracks on Positions. Musically, he's succeeded in tapping into the talents of all his various collaborators, to produce an album of punk, funk and electro songs that genuinely (and unusually, in this day and age) truly rocks.
(๐˜‹๐˜ช๐˜ฎ๐˜ช๐˜ต๐˜ณ๐˜ช ๐˜›๐˜ช๐˜ฌ๐˜ฐ๐˜ท๐˜ฐ๐˜ช, ๐˜๐˜ฐ๐˜ฏ๐˜จ ๐˜’๐˜ฐ๐˜ฏ๐˜จ ๐˜•๐˜ช๐˜จ๐˜ฉ๐˜ต๐˜ญ๐˜ช๐˜ง๐˜ฆ ๐˜Ž๐˜ถ๐˜ช๐˜ฅ๐˜ฆ ๐˜”๐˜ข๐˜จ๐˜ข๐˜ป๐˜ช๐˜ฏ๐˜ฆ, 2004)

Do you also find Dimitri's idea of switching the roles of the lovers as brilliant as I do?
I admit that the video from the concert, where both Brian and Argenta are so sexy, is breathtaking and dazzling for me.
„Je T'Aime“ is one of the hottest songs I know, even though Gainsbourg himself wrote about it ๐’•๐’‰๐’‚๐’• ๐’‰๐’Š๐’” ๐’‰๐’š๐’Ž๐’ ๐’•๐’ ๐’”๐’†๐’™๐’–๐’‚๐’ ๐’๐’Š๐’ƒ๐’†๐’“๐’‚๐’•๐’Š๐’๐’ ๐’˜๐’‚๐’”, ๐’Š๐’ ๐’‡๐’‚๐’„๐’•, ๐’‚๐’ "๐’‚๐’๐’•๐’Š-๐’‡๐’–๐’„๐’Œ" ๐’”๐’๐’๐’ˆ, ๐’‚๐’ƒ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’…๐’†๐’”๐’‘๐’†๐’“๐’‚๐’•๐’Š๐’๐’ ๐’‚๐’๐’… ๐’Š๐’๐’๐’‚๐’•๐’† ๐’Š๐’Ž๐’‘๐’๐’”๐’”๐’Š๐’ƒ๐’Š๐’๐’Š๐’•๐’š ๐’๐’‡ ๐’‘๐’‰๐’š๐’”๐’Š๐’„๐’‚๐’ ๐’๐’๐’—๐’†.

Post by Marti

Thursday, February 24, 2022

♦️๐Ÿ”น ๐—”๐—ก๐—ก๐—œ๐—ฉ๐—˜๐—ฅ๐—ฆ๐—”๐—ฅ๐—ฌ ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ: ๐—ง๐—›๐—˜ ๐— ๐—˜๐—ง๐—ฅ๐—œ๐—– ๐—ฆ๐—ฌ๐—ฆ๐—ง๐—˜๐—  ๐Ÿ”น♦️

๐Ÿ”ท The ๐‘ด๐’†๐’•๐’“๐’Š๐’„ ๐‘บ๐’š๐’”๐’•๐’†๐’Ž is the third track from the album ๐‘ท๐’๐’”๐’Š๐’•๐’Š๐’๐’๐’” by ๐‘ป๐’“๐’‚๐’”๐’‰ ๐‘ท๐’‚๐’๐’‚๐’„๐’†, a fleeting band created by ๐‘ซ๐’Š๐’Ž๐’Š๐’•๐’“๐’Š ๐‘ป๐’Š๐’Œ๐’๐’—๐’๐’Š in 2000, composed by ๐ต๐‘Ÿ๐‘–๐‘Ž๐‘› ๐‘€๐‘œ๐‘™๐‘˜๐‘œ, ๐ฝ๐‘œโ„Ž๐‘› ๐ถ๐‘Ž๐‘™๐‘’, ๐ฝ๐‘’๐‘Ž๐‘›-๐ฟ๐‘œ๐‘ข๐‘–๐‘  ๐‘€๐‘ข๐‘Ÿ๐‘Ž๐‘ก , ๐ด๐‘ ๐‘–๐‘Ž ๐ด๐‘Ÿ๐‘”๐‘’๐‘›๐‘ก๐‘œ, ๐ด๐‘™๐‘–๐‘ ๐‘œ๐‘› ๐‘†โ„Ž๐‘Ž๐‘ค, ๐ป๐‘Ž๐‘Ÿ๐‘Ÿ๐‘–๐‘’๐‘ก ๐‘…๐‘œ๐‘๐‘’๐‘Ÿ๐‘ก. Artists who come and go according to Dimitri's desires or requests for collaboration ! The album was released in 2002.

Screenshots from the official video, edit by Laetitia

๐Ÿ”ท The main topics of Positions are sex and love, but seen from different points of view and approached at the opposite of usual cheesy love songs.


๐Ÿ”ท The lyrics were written by Brian Molko who was inspired by a story in the news.

๐Ÿ’ฌ We wrote texts for Dimitri, I wrote one in the style of William Burroughs. It's about a guy who lives in Los Angeles and sells his sperm to famous lesbians so they can have children: that's the story. But it was very interesting to work on the record, because it's very different music from what we usually do and I really like that kind of music.
✔️ ๐˜‰๐˜ณ๐˜ช๐˜ข๐˜ฏ ๐˜”๐˜ฐ๐˜ญ๐˜ฌ๐˜ฐ - ๐˜™๐˜ฐ๐˜ค๐˜ฌ ๐˜š๐˜ถ๐˜ณ ๐˜ฐ๐˜ณ๐˜ฅ๐˜ฐ๐˜ฏ๐˜ฏ๐˜ข๐˜ค๐˜ฆ ๐˜ฃ๐˜บ ๐˜›๐˜ฉ๐˜ช๐˜ฆ๐˜ณ๐˜ณ๐˜บ ๐˜‹๐˜ฆ๐˜ด๐˜ด๐˜ข๐˜ถ๐˜ญ๐˜ฆ๐˜ด


๐Ÿ’ฌ The idea of the "metric system" came to me as a reaction to living in England or the United States. The two countries that keep this ancestral system of measurement in inches ! And then there was this news story about this gay couple who had taken David Crosby's sperm from Crosby, Still & Nash to have a baby. So I imagined this guy who lived in California, who was a sperm donor for a famous lesbian.
✔️ ๐˜‰๐˜ณ๐˜ช๐˜ข๐˜ฏ ๐˜”๐˜ฐ๐˜ญ๐˜ฌ๐˜ฐ - ๐˜‹๐˜ฆ๐˜ด ๐˜ค๐˜ข๐˜ฅ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ด ๐˜ฆ๐˜ต ๐˜ฅ๐˜ฆ๐˜ด ๐˜ฎ๐˜ข๐˜ถ๐˜น ๐˜ฃ๐˜บ ๐˜š๐˜ฆ๐˜ฃ๐˜ข๐˜ด๐˜ต๐˜ช๐˜ฆ๐˜ฏ ๐˜”๐˜ช๐˜ค๐˜ฉ๐˜ข๐˜ถ๐˜ฅ


๐Ÿ’ฌ It's the only song that doesn't deal with sexual exchanges after all. Yes, only masturbation... My whole life !
✔️ ๐˜‰๐˜ณ๐˜ช๐˜ข๐˜ฏ ๐˜”๐˜ฐ๐˜ญ๐˜ฌ๐˜ฐ - ๐˜‹๐˜ฆ๐˜ด ๐˜ค๐˜ข๐˜ฅ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ด ๐˜ฆ๐˜ต ๐˜ฅ๐˜ฆ๐˜ด ๐˜ฎ๐˜ข๐˜ถ๐˜น ๐˜ฃ๐˜บ ๐˜š๐˜ฆ๐˜ฃ๐˜ข๐˜ด๐˜ต๐˜ช๐˜ฆ๐˜ฏ ๐˜”๐˜ช๐˜ค๐˜ฉ๐˜ข๐˜ถ๐˜ฅ


๐‘พ๐’‚๐’” ๐’Š๐’• ๐’•๐’‰๐’Š๐’” ๐’”๐’–๐’ƒ๐’—๐’†๐’“๐’”๐’Š๐’—๐’† ๐’”๐’Š๐’…๐’† ๐’•๐’‰๐’‚๐’• ๐’‚๐’๐’”๐’ ๐’‚๐’•๐’•๐’“๐’‚๐’„๐’•๐’†๐’… ๐’š๐’๐’– ๐’•๐’ ๐’•๐’‰๐’† ๐’Ž๐’–๐’”๐’Š๐’„๐’‚๐’ ๐’‘๐’“๐’๐’‹๐’†๐’„๐’• ๐‘ป๐’“๐’‚๐’”๐’‰ ๐‘ท๐’‚๐’๐’‚๐’„๐’†, ๐’ƒ๐’š ๐‘ญ๐’“๐’†๐’๐’„๐’‰๐’Ž๐’‚๐’ ๐‘ซ๐’Š๐’Ž๐’Š๐’•๐’“๐’Š ๐‘ป๐’Š๐’Œ๐’๐’—๐’๐’Š̈?
๐Ÿ’ฌ That was just for fun ! Dimitri Tikovoรฏ is my mate. We have the same sense of humour, porn makes us laugh. What's funny is that people, the media, everyone took us very seriously. So it was even more jubilant. In another register, I also just worked with the German DJ Timo Maas.
✔️ ๐˜‰๐˜ณ๐˜ช๐˜ข๐˜ฏ ๐˜”๐˜ฐ๐˜ญ๐˜ฌ๐˜ฐ, ๐˜“๐˜ฆ๐˜ด ๐˜๐˜ฏ๐˜ณ๐˜ฐ๐˜ค๐˜ฌ๐˜ถ๐˜ฑ๐˜ต๐˜ช๐˜ฃ๐˜ญ๐˜ฆ๐˜ด - ๐˜•๐˜ฐ๐˜ท๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ 2004


๐Ÿ’ฌ When I worked with Placebo, I played a song to Brian Molko and asked him if he wanted to work with me on it. He fell in love with the project. He said; "great ! it's about sex ! I want to do something like that too", and we did the song Metric System.
✔️ ๐˜‹๐˜ช๐˜ฎ๐˜ช๐˜ต๐˜ณ๐˜ช ๐˜›๐˜ช๐˜ฌ๐˜ฐ๐˜ท๐˜ฐ๐˜ช, ๐˜—๐˜–๐˜—๐˜ฏ๐˜ฆ๐˜ธ๐˜ด - ๐˜•๐˜ฐ๐˜ท๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ 2002

Photo credit: Lucille Brausch 

๐Ÿ”ท The video was directed by Franck Perrin.

It shows Brian dressed in a white suit, sitting on a black chair, against a black background. Dimitri is also present, dressed in black.

The protagonists are women and men, all connected by a cable that I imagine represents the link that will allow these women to obtain the sperm they need to have a child.

๐‘ด๐’†๐’•๐’“๐’Š๐’„ ๐‘บ๐’š๐’”๐’•๐’†๐’Ž ๐’—๐’Š๐’…๐’†๐’
๐ŸŽฅ https://bit.ly/3HZXPX2 ๐Ÿ’ฆ


๐Ÿ”ท ๐‘ป๐’“๐’‚๐’”๐’‰ ๐‘ท๐’‚๐’๐’„๐’† ๐’‘๐’†๐’“๐’‡๐’๐’“๐’Ž๐’†๐’… ๐’‚ ๐’๐’Š๐’—๐’† ๐’”๐’‰๐’๐’˜ ๐’Š๐’ ๐‘ญ๐’“๐’‚๐’๐’„๐’† ๐’๐’ ๐‘จ๐’–๐’ˆ๐’–๐’”๐’• 10๐’•๐’‰, 2002 ๐’‚๐’• ๐‘ณ๐’‚ ๐‘น๐’๐’„๐’Œ ๐‘ซ๐’– ๐‘น๐’๐’„๐’Œ ๐’Š๐’ ๐‘บ๐’‚๐’Š๐’๐’•-๐‘ด๐’‚๐’๐’.


๐Ÿ”ท The critics were harsh with the band, describing the project as ridiculous, calamitous, depressing (✔️Philippe Richard for Magic). Harsh words that I think are nothing more than a total misunderstanding of the project. The staging is particularly well done, the performances brilliant. Everything is dynamic and above all to be taken to the second degree !


๐Ÿ”ท ๐‘ฉ๐’–๐’• ๐’๐’†๐’•'๐’” ๐’ˆ๐’†๐’• ๐’ƒ๐’‚๐’„๐’Œ ๐’•๐’ ๐‘ป๐’‰๐’† ๐‘ด๐’†๐’•๐’“๐’Š๐’„ ๐‘บ๐’š๐’”๐’•๐’†๐’Ž ! ๐Ÿ˜Š

On a screen, words scroll by: "๐ป๐‘œ๐‘ก๐‘’๐‘™ ๐‘œ๐‘“ ๐‘–๐‘›๐‘ก๐‘–๐‘š๐‘Ž๐‘๐‘ฆ", "โ„Ž๐‘œ๐‘Ÿ๐‘›๐‘ฆ ๐‘‘๐‘Ž๐‘›๐‘๐‘’ โ„Ž๐‘’๐‘Ž๐‘ฃ๐‘’๐‘›", "๐‘๐‘œ๐‘๐‘˜๐‘ก๐‘Ž๐‘–๐‘™ ๐‘œ๐‘“ ๐‘๐‘œ๐‘๐‘˜ ๐‘Ž๐‘›๐‘‘ ๐‘ก๐‘Ž๐‘™๐‘™", ๐‘š๐‘Ž๐‘Ÿ๐‘ก๐‘–๐‘Ž๐‘› ๐‘š๐‘ฆ๐‘ ๐‘ก๐‘’๐‘Ÿ๐‘ฆ", ๐‘‘๐‘’๐‘Ž๐‘กโ„Ž ๐‘Ž๐‘›๐‘‘ ๐‘‘๐‘’๐‘ ๐‘–๐‘Ÿ๐‘’", "๐‘กโ„Ž๐‘’ ๐‘Ž๐‘ฃ๐‘Ž๐‘›๐‘ก ๐‘”๐‘Ž๐‘Ÿ๐‘‘๐‘’ ๐‘Ž๐‘›๐‘‘ ๐‘กโ„Ž๐‘’ ๐‘“๐‘Ž๐‘š๐‘œ๐‘ข๐‘  ๐‘”๐‘ข๐‘’๐‘ ๐‘ก๐‘™๐‘–๐‘ ๐‘ก". Photos of hotel rooms follow in quick succession. All this to the rhythm of the song. Brian is in particularly good shape, jumping around, warming up the room a bit, singing in his megaphone. The musicians are focused and play their part to perfection. Everything is accentuated by the very effective light show by the way !
In a few words, I love it ! ๐Ÿ’—

๐‘ด๐’†๐’•๐’“๐’Š๐’„ ๐‘บ๐’š๐’”๐’•๐’†๐’Ž ๐’๐’Š๐’—๐’†
๐ŸŽฅ https://bit.ly/3JxLbip ๐Ÿ’ฆ


Brian Molko (left) and Dimitri Tikovoi (middle). Photo credit unknown

๐Ÿ”ท LYRICS

Good work if you can get it
Good work if you can get it
Good work if you can get it

Rock boy is genital suck juice mad
His delicious apparatus would flutter and
Tremble after pubic worship
He would freeze it in a jar and sell it to
Celebrity lesbians

Good work if you can get it
Good work if you can get it
Good work if you can get it
Good work if you can get it

They want to buy it in kilos
They want to buy it in grams

They want to buy it in kilos
They want to buy it in grams

You know they’re down with the metric system
And they never fuck around

They want to buy it in kilos
They want to buy it in grams
You know they’re down with the metric system
And they’re paying by the pound

Good work if you can get it
Good work if you can get it

Post by Laetitia

Thursday, December 9, 2021

๐ŸŽˆ๐ŸŽ‰๐๐ˆ๐‘๐“๐‡๐ƒ๐€๐˜: ๐ƒ๐ˆ๐Œ๐ˆ๐“๐‘๐ˆ ๐“๐ˆ๐Š๐Ž๐•๐Ž๐ˆ๐ŸŽ‰๐ŸŽˆ

Dimitri Tikovoi is is a DJ and record producer. He is a friend of Brian and worked on several records with Placebo. The French artist will turn 49 years old tomorrow.

๐ŸŽˆ๐ŸŽ‰ ๐‡๐€๐๐๐˜ ๐๐ˆ๐‘๐“๐‡๐ƒ๐€๐˜ ๐ƒ๐ˆ๐Œ๐ˆ๐“๐‘๐ˆ! ๐ŸŽ‰๐ŸŽˆ


Photo credit: Claudia Schmรถlders, Dimitri Tikovoi IG (4) / edit by Silke

Dimitri Tikovoi was was ๐™—๐™ค๐™ง๐™ฃ ๐™ž๐™ฃ ๐™‹๐™–๐™ง๐™ž๐™จ, ๐™๐™ง๐™–๐™ฃ๐™˜๐™š, on December 10th 1972 – on the exact same date as Brian. His parents were both luminaries in the French theatre scene. He hated it because being born around theatre people meant he “simply had too much of it”, as he stated in an interview with Soundfreakcom in 2006. Dimitri: “I suppose music was my way of rebelling.”

He started playing drums when he was only seven years old. Later he ๐˜ธ๐˜ฆ๐˜ฏ๐˜ต ๐˜ต๐˜ฐ ๐˜ฅ๐˜ณ๐˜ถ๐˜ฎ ๐˜ด๐˜ค๐˜ฉ๐˜ฐ๐˜ฐ๐˜ญ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ต๐˜ถ๐˜ฅ๐˜ช๐˜ฆ๐˜ฅ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ค๐˜ถ๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ at the Conservatory of Classical Music, and also Jazz at CIM, the Institute of Contemporary Music in Paris. He even ๐˜ถ๐˜ด๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ต๐˜ฐ๐˜ถ๐˜ณ ๐˜ข๐˜ด ๐˜ข ๐˜ฅ๐˜ณ๐˜ถ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ณ back then.

Dimitri ๐˜จ๐˜ฐ๐˜ต ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฅ๐˜ถ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ by playing with bands and recording them in his little studio at home on a four-track recorder. “Then little by little things fell into place… “

He ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜’ because of the music. “Here in England there are lots of pubs and clubs where you can play and learn to be good but in France there’s nothing in between someone playing accordion in the town hall and big venues for bands that are already established. There aren’t enough venues for live music so there aren’t many touring rock bands… if you’re a young band in France it’s really hard”.

Dimitri ๐˜จ๐˜ฐ๐˜ต ๐˜ต๐˜ฐ ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ ๐˜—๐˜ญ๐˜ข๐˜ค๐˜ฆ๐˜ฃ๐˜ฐ through Rob Ellis because they had the same manager at the time and Rob was asked to do a string arrangement on one track. He was struggling a bit with it so Dimitri offered to let him come to his home studio and demo the strings. “Placebo really liked it so instead of getting some string players, they asked me to come to the studio with some samples and used what I had done.” Brian and Dimitri quickly became friends then.

Over the years he did several remixes for the band, produced some of their early singles and the album “Meds”. He also worked on “Kings of medicine” from “Battle for the sun”. In 2002 there was a collaboration of Brian and Dimitri's music project “Trash Palace”. Two songs with Brian on vocals were released on the album “Positions”.

Asked if it is a good thing to work with friends or if it can cause problems Dimitri answered: “It could go both ways, but if you’re going to spend 6 months in the studio with someone, you will either become friends or you will hate each other! I don’t think it’s changed much with Placebo because we respect each other.”

Dimitri Tikovoi and Brian Molko, London, June 2008. Photo credit unknown


๐Ÿ“Œ ๐—œ๐—ก๐—ง๐—˜๐—ฅ๐—ฉ๐—œ๐—˜๐—ช ๐—ช๐—œ๐—ง๐—› ๐——๐—œ๐— ๐—œ๐—ง๐—ฅ๐—œ ๐—ง๐—œ๐—ž๐—ข๐—ฉ๐—ข๐—œ ๐Ÿ“Œ
๐Ÿ“ https://bit.ly/3lQHV8H

๐Ÿ“Œ ๐—•๐—ฅ๐—œ๐—”๐—ก ๐—ข๐—ก ๐——๐—œ๐— ๐—œ๐—ง๐—ฅ๐—œ ๐—ง๐—œ๐—ž๐—ข๐—ฉ๐—ข๐—œ ๐Ÿ“Œ
๐Ÿ“ข ”There wasn’t a generational gap or a cultural gap between us. In fact, we were born on the same day of the same year so we were very good friends before we started working on this record [“Meds”]. He realized that we’d found a comfort zone which was Vince’s synthesizers. He wanted to pull us out of that comfort zone and make us stare at ourselves in the mirror to make us realize that in essence we are a rock band.”
(Suicide Girls, May 14th 2006)

๐˜›๐˜ฐ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ฃ๐˜ข๐˜ค๐˜ฌ ๐˜ต๐˜ฐ ๐˜‹๐˜ช๐˜ฎ๐˜ช๐˜ต๐˜ณ๐˜ช, ๐˜ช๐˜ด๐˜ฏ’๐˜ต ๐˜ช๐˜ต ๐˜ฉ๐˜ข๐˜ณ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ข ๐˜ง๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ฅ ๐˜ข๐˜ด ๐˜ข ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฅ๐˜ถ๐˜ค๐˜ฆ๐˜ณ?
 ๐Ÿ“ข “Yes, it is! We had an argument the first week, the kind of «Why do you treat me this way? I’m your friend!» But after the first week, it became very easy. Since the clash was ended, we take the roles established between producer and artists, then it become really easy because no one is afraid of hurt the ego of the other.“
(Rock Magazine, December 2005)

 ๐Ÿ“ข “The collaboration was just for fun! Dimitri Tikovoรฏ is my buddy. We have the same sense of humour, porn makes us laugh. What is strange is that people, the media, everybody took us very seriously."
(Les Inrockuptibles, 2002)

Post by Silke 

Friday, October 15, 2021

⭐๐€๐๐๐ˆ๐•๐„๐‘๐’๐€๐‘๐˜: ๐๐Ž๐’๐ˆ๐“๐ˆ๐Ž๐๐’⭐

Today we celebrate the ๐€๐๐๐ˆ๐•๐„๐‘๐’๐€๐‘๐˜ of the Trash Palace album “๐๐Ž๐’๐ˆ๐“๐ˆ๐Ž๐๐’” which contains two songs with Brian's on vocals, “The metric system” and “Je t'aime moi non plus”. The album was released 19 years ago on October 15th 2002.
Trash Palace was a project by French producer and DJ Dimitri Tikovoi who lives in London since many years and is well integrated in the British music scene. Early in his UK career Dimitri worked on some Placebo remixes and the band's cover version of Kate Bush's "Running up that hill", and then produced the band's fifth studio album “Meds”.

๐—ง๐—ฅ๐—”๐—ฆ๐—› ๐—ฃ๐—”๐—Ÿ๐—”๐—–๐—˜ – ๐—ฃ๐—ข๐—ฆ๐—œ๐—ง๐—œ๐—ข๐—ก๐—ฆ (๐—ณ๐˜‚๐—น๐—น ๐—ฎ๐—น๐—ฏ๐˜‚๐—บ)
๐ŸŽต https://bit.ly/2KAtbYp ๐ŸŽต 


Photo credit: unknown, screenshot, cover of the album, Claudia Schmรถlders (live photo) /Edit by Silke

“The metric system” was first released on “Positions” but was also put out as a single four months later, on February 24th 2003. There's also a Remix edition of “Positions” which includes two new interpretations of the song. ”The metric system” tells the story of a guy who lives in Los Angeles and sells his sperm to celebrity lesbians, so they can have children.
Brian really enjoyed working on the song. In an interview with French magazine “Les Inrockuptibles” he said that it was big fun for him. "Dimitri is my buddy. We have the same sense of humour, porn makes us laugh. What is strange is that people, the media, everybody took us very seriously," he added.

๐Ÿ“น ๐—ง๐—›๐—˜ ๐— ๐—˜๐—ง๐—ฅ๐—œ๐—– ๐—ฆ๐—ฌ๐—ฆ๐—ง๐—˜๐—  – ๐—ข๐—™๐—™๐—œ๐—–๐—œ๐—”๐—Ÿ ๐—ฉ๐—œ๐——๐—˜๐—ข
๐ŸŽต https://bit.ly/3ECUFaw ๐ŸŽต 

 Brian and Dimitri Tikovoi, London, June 2008. Photo credit unknown

“Je t'aime ma non plus” is a duet originally sung by Serge Gainsbourg and Jane Birkin. It was put out as a single in 1969 and reached no. one in the UK, but it was banned in several other countries due to its overtly sexual content. The lyrics are written as an imaginary dialogue between two lovers during a sexual encounter, delivered in a breathy, suggestive style. Gainsbourg wrote “Je t'aime moi non plus” for the famous actress and sex symbol Brigitte Bardot with whom he had a short love affair with in late 1967.
Brian recorded the cover version together with Italian actress and singer Asia Agento. In their version the male and female roles are inverted, which gives a different interpretation to the song.

 ๐Ÿ’ฟ ๐—๐—˜ ๐—ง'๐—”๐—œ๐— ๐—˜ ๐— ๐—” ๐—ก๐—ข๐—ก ๐—ฃ๐—Ÿ๐—จ๐—ฆ (๐—ฎ๐˜‚๐—ฑ๐—ถ๐—ผ)
๐ŸŽต https://bit.ly/3aoVq6B ๐ŸŽต 

Photo credit: Claudia Schmรถlders

๐Ÿ“ ๐——๐—œ๐— ๐—œ๐—ง๐—ฅ๐—œ ๐—ง๐—œ๐—ž๐—ข๐—ฉ๐—ข๐—œ ๐—ข๐—ก ๐—ช๐—ข๐—ฅ๐—ž๐—œ๐—ก๐—š ๐—ช๐—œ๐—ง๐—› ๐—•๐—ฅ๐—œ๐—”๐—ก ๐Ÿ“ 
๐Ÿ“ข "When I worked with Placebo, I had Brian Molko listen to a song, asking him if he would work on it with me. He found the project very interesting. He said "Great! It's about sex! I want to do something like that too" and we did the song “The metric system."
(POPnews, November 2002)

๐Ÿ“ ๐—•๐—ฅ๐—œ๐—”๐—ก ๐—ข๐—ก ๐—ช๐—ข๐—ฅ๐—ž๐—œ๐—ก๐—š ๐—ช๐—œ๐—ง๐—› ๐——๐—œ๐— ๐—œ๐—ง๐—ฅ๐—œ ๐—ง๐—œ๐—ž๐—ข๐—ฉ๐—ข๐—œ ๐Ÿ“ 
๐Ÿ“ข ”The artist in question is a French named Dimitri, whose nickname is the vibrator. He made an electronic record in French about pornography on wich I figure as well as John Cale, Jean-Louis-Murat. We wrote texts for Dimitri. I wrote one a la William Burrough. But it was very interesting to work on this record because it's a kind of music that is very different from what we do usually, and I love this kind of music”.
(M6 music, 2001)

๐Ÿ“น ๐—ง๐—›๐—˜ ๐— ๐—˜๐—ง๐—ฅ๐—œ๐—– ๐—ฆ๐—ฌ๐—ฆ๐—ง๐—˜๐—  (๐—น๐—ถ๐˜ƒ๐—ฒ)
๐ŸŽต https://bit.ly/3EyNP5R ๐ŸŽต 

Photo credit unknown

๐Ÿ“ ๐——๐—œ๐— ๐—œ๐—ง๐—ฅ๐—œ ๐—ง๐—œ๐—ž๐—ข๐—ฉ๐—ข๐—œ ๐—ข๐—ก “๐—ฃ๐—ข๐—ฆ๐—œ๐—ง๐—œ๐—ข๐—ก๐—ฆ“ ๐Ÿ“ 
๐Ÿ“ข “I just wanted to push myself, my own knowledge of computer-based music so there was a lot of experimentation and trying to do things a bit differently. But I also had a theme which was sex, because firstly, everyone uses sex to sell things but they exploit it in a way that’s not very sensual or erotic. I thought that if I could combine some kind of eroticism into something that is as cold as electronic music, then it would be really interesting. Also I wanted things to be a bit deranged or slightly out of place…kind of the opposite of Britney Spears! Electronic music is so cold because it’s made with machines so if you try to put sensuality into it, it kind of gives it some soul.“
(Soundfreakcom, August 2006)

Post by Silke

Wednesday, April 28, 2021

INTERVIEW WITH DIMITRI TIKOVOI

⭐๐‘ซ๐’Š๐’Ž๐’Š๐’•๐’“๐’Š ๐‘ป๐’Š๐’Œ๐’๐’—๐’๐’Š: „๐‘ณ๐’Š๐’—๐’† ๐’‘๐’†๐’“๐’‡๐’๐’“๐’Ž๐’‚๐’๐’„๐’† ๐’Š๐’” ๐’”๐’๐’Ž๐’†๐’•๐’‰๐’Š๐’๐’ˆ ๐’–๐’๐’Š๐’’๐’–๐’†, ๐’Š๐’• ๐’˜๐’Š๐’๐’ ๐’๐’๐’๐’š ๐’‰๐’‚๐’‘๐’‘๐’†๐’ ๐’๐’๐’„๐’† ๐’‚๐’๐’… ๐’š๐’๐’– ๐’๐’Š๐’—๐’† ๐’˜๐’Š๐’•๐’‰ ๐’•๐’‰๐’† ๐’Ž๐’†๐’Ž๐’๐’“๐’š ๐’๐’‡ ๐’Š๐’• ๐’•๐’‰๐’‚๐’• ๐’˜๐’Š๐’๐’ ๐’Œ๐’†๐’†๐’‘ ๐’†๐’—๐’๐’๐’—๐’Š๐’๐’ˆ ๐’Š๐’ ๐’š๐’๐’–๐’“ ๐’‰๐’†๐’‚๐’….“⭐

Photo credit unknown

๐Ÿ”น๐ƒ๐ข๐ฆ๐ข๐ญ๐ซ๐ข ๐…๐ซ๐จ๐ฆ ๐“๐ซ๐š๐ฌ๐ก ๐๐š๐ฅ๐š๐œ๐ž - ๐‹๐จ๐ง๐๐จ๐ง ๐ˆ๐ฌ ๐Œ๐จ๐ซ๐ž ๐๐ž๐ซ๐ฏ๐ž๐ซ๐ฌ๐ž (๐š๐ง๐ ๐ˆ ๐‹๐ข๐ค๐ž ๐ˆ๐ญ)๐Ÿ”น

Dear friends, I have no complicated Placebo theme for you tonight. I have found an amazing interview for you that Dimitri Tikovoi gave to a Hong Kong Nightlife Guide Magazine in 2004.
We already know who ๐ƒ๐ˆ๐Œ๐ˆ๐“๐‘๐ˆ ๐“๐ˆ๐Š๐Ž๐•๐Ž๐ˆ is. A prominent French DJ and producer who has inspired many of Placebo's works with his amazing talent and thanks to him, the MEDS album is still one of the most exceptional Placebo creations.
In 2002, Dimitri formed a group of artists for his solo project called
๐“๐‘๐€๐’๐‡ ๐๐€๐‹๐€๐‚๐„ and released a single and completely unique album called ๐๐Ž๐’๐ˆ๐“๐ˆ๐Ž๐๐’ under the auspices of this project.
Among the most famous artists from this album are ๐‰๐จ๐ก๐ง ๐‚๐š๐ฅ๐ž ๐Ÿ๐ซ๐จ๐ฆ ๐“๐ก๐ž ๐•๐ž๐ฅ๐ฏ๐ž๐ญ ๐”๐ง๐๐ž๐ซ๐ ๐ซ๐จ๐ฎ๐ง๐, ๐€๐ฌ๐ข๐š ๐€๐ซ๐ ๐ž๐ง๐ญ๐จ ๐š๐ง๐ ๐จ๐Ÿ ๐œ๐จ๐ฎ๐ซ๐ฌ๐ž ๐๐ซ๐ข๐š๐ง ๐Œ๐จ๐ฅ๐ค๐จ.
⭐๐Ÿ”น⭐
I have a very nice Instagram experience with Dimitri. Last year I shared a video on my IG account from the performance of his project Trash Palace in Saint-Malo, France in 2002, it was the song The Metric System, on which Brian Molko was invited to collaborate.
I tagged Dimitri in this post and he didn't hesitate and commented early in the morning that it was a blast of the past for him and that he had played this concert but never seen it again. He even asked me to send him a video to DM, which I was very happy to do.
Dear Dimitri kindly exchanged a few sentences with me and shared this video on his profile with these words:
„๐ด ๐‘™๐‘–๐‘ก๐‘ก๐‘™๐‘’ ๐‘๐‘™๐‘Ž๐‘ ๐‘ก ๐‘“๐‘Ÿ๐‘œ๐‘š ๐‘กโ„Ž๐‘’ ๐‘๐‘Ž๐‘ ๐‘ก ๐‘คโ„Ž๐‘’๐‘› ๐ผ ๐‘‘๐‘–๐‘‘ ๐‘š๐‘ฆ ๐‘ ๐‘œ๐‘™๐‘œ ๐‘๐‘Ÿ๐‘œ๐‘—๐‘’๐‘๐‘ก (๐‘ฆ๐‘’๐‘ , ๐‘–๐‘ก'๐‘  ๐‘š๐‘’ ๐‘ค๐‘–๐‘กโ„Ž ๐‘กโ„Ž๐‘’ ๐‘๐‘™๐‘’๐‘Ž๐‘โ„Ž๐‘’๐‘‘ ๐‘๐‘™๐‘œ๐‘›๐‘‘ โ„Ž๐‘Ž๐‘–๐‘Ÿ :-)) ๐‘๐‘Ž๐‘™๐‘™๐‘’๐‘‘ ๐‘‡๐‘Ÿ๐‘Ž๐‘ โ„Ž ๐‘ƒ๐‘Ž๐‘™๐‘Ž๐‘๐‘’ ๐‘Ž๐‘›๐‘‘ ๐‘”๐‘œ๐‘ก ๐ต๐‘Ÿ๐‘–๐‘Ž๐‘› ๐‘€๐‘œ๐‘™๐‘˜๐‘œ ๐‘ก๐‘œ ๐‘๐‘œ๐‘š๐‘’ ๐‘Ž๐‘›๐‘‘ ๐‘—๐‘œ๐‘–๐‘› ๐‘ข๐‘  ๐‘œ๐‘› ๐‘ ๐‘ก๐‘Ž๐‘”๐‘’ ๐‘–๐‘› ๐‘“๐‘Ÿ๐‘œ๐‘›๐‘ก ๐‘œ๐‘“ 30.000 ๐‘๐‘’๐‘œ๐‘๐‘™๐‘’.“
๐Ÿ‘Thanks man, I appreciate that you are not only a great musician, but you also like your fans.๐Ÿ˜Š


So, take a nice moment at my post and read Dimitri's view of sex as part of our lives and his amazing mentions of working with Brian and the beautiful Asia Argento, who added her sexy vocals to the song
๐‘ฑ๐’† ๐‘ป'๐‘จ๐’Š๐’Ž๐’† ๐‘ด๐’๐’Š ๐‘ต๐’๐’ ๐‘ท๐’๐’–๐’”.

Trash Palace. Photo credit unknown

๐Ÿ“Œ Sitting in a west London bar on a sunny afternoon, Trash Palace main-man and former Parisien producer Dimitri Tokovoi, speaks softly as he outlines the centrality of sex in his electronic rock band and more specifically the importance of real sex behind Trash Palace's aesthetic.
„There are so many programmes about sex on TV here but when you watch them you feel like you're at school studying a subject such as how you should give a blow job,“ he snorts.
„Sex is not about that in reality at all; it's fashion, perversion, love, whatever; it's much more complex than just the image that's portrayed in the media at the moment.“
He equally opinionated about Trash Palace's perfectly formed fusion of rock & roll and electro-disco, which he created with the help of a highly impressive cast list of collaborators.
„I deliberately set out to find different people to collaborate with because sexuality is about a relationship between two people, it's very hard to have sex by yourself,“ he points out.
„I wanted to have different views, different moods and different sorts of perversions on the album and that's why there are so many different people involved.“
That Dimitri is as persuasive as he's well-connected is clear from the characters he tracked down, who include Velvet Underground legend John Cale and Placebo singer Brian Molko. He also managed to seduce Italian sex siren Asia Argento into performing a version of „Je T'Aime“, though admits he didn't actually know her until she walked into the studio to lay down her part.
„I had this idea of doing Je T'Aime because I've always loved the track, but my idea was to invert the characters roles,“ says Dimitri.
„In the original track, Serge Gainsbourg is fucking Jane Birkin, he's doing the act of penetration and I wanted to invert the roles; to have Asia doing the role of penetrating someone else. Brian (Molko) said he would do it so I asked Asia by sending her an email. Immediately, she sent me an email back saying 'yeah, I really want to do it' so I flew to Italy to record her voice.
She was very nervous when she did it because she's not a singer and she didn't know what I was going to ask her to do, she was still shooting movies at the time,“ he continues.
„We did it in a small room with a very basic recording set-up and I remember her chain smoking with me sitting in front of her. It was a little bit of a tense atmosphere but that was good for the track. She didn't know me, I didn't know her so it was a slightly bizarre environment.“
With Asia being generally acclaimed as one of the world's sexiest starlets, the resulting track is as salacious as Dimitri presumably hoped it would be, reflecting the overall highly polished standards of all 11 tracks on Positions. Musically, he's succeeded in tapping into the talents of all his various collaborators, to produce an album of punk, funk and electro songs that genuinely (and unusually, in this day and age) truly rocks.

Photo credit: Claudia Schmรถlders

๐‘บ๐’Œ๐’“๐’–๐’‡๐’‡๐’‡: ๐‘ฏ๐’๐’˜ ๐’…๐’Š๐’… ๐’š๐’๐’– ๐’“๐’†๐’„๐’“๐’–๐’Š๐’• ๐’š๐’๐’–๐’“ ๐’„๐’๐’๐’๐’‚๐’ƒ๐’๐’“๐’‚๐’•๐’๐’“๐’”?
DT: „It was mainly down to luck. I was working with those people in different ways as a producer or programmer, and most of them I was introduced to them through my work. I told them about my project and usually I got a really enthusiastic response from them.“
๐‘บ๐’Œ๐’“๐’–๐’‡๐’‡๐’‡: ๐‘ฐ๐’” ๐’š๐’๐’–๐’“ ๐’‚๐’Ž๐’ƒ๐’Š๐’•๐’Š๐’๐’ ๐’•๐’ ๐’ƒ๐’† ๐’‡๐’‚๐’Ž๐’๐’–๐’”, ๐’•๐’ ๐’ƒ๐’† ๐’‚ ๐’”๐’•๐’‚๐’“ ๐’š๐’๐’–๐’“๐’”๐’†๐’๐’‡?
DT: „No, I like to be in the shadows, I'm quite happy to be the man behind the keyboards and the computer, I prefer that, I find it more exciting not to be seen.“
๐‘บ๐’Œ๐’“๐’–๐’‡๐’‡๐’‡: ๐‘ฐ๐’” ๐‘ป๐’“๐’‚๐’”๐’‰ ๐‘ท๐’‚๐’๐’‚๐’„๐’† ๐’†๐’”๐’”๐’†๐’๐’•๐’Š๐’‚๐’๐’๐’š ๐’š๐’๐’– ๐’‚๐’๐’… ๐’•๐’‰๐’† ๐’”๐’•๐’๐’“๐’š ๐’๐’‡ ๐’š๐’๐’–๐’“ ๐’๐’Š๐’‡๐’†?
DT: „No, they're two different things, Trash Palace is my fantasy, it's something that I'm taking out of my mind. Sometimes I come very close to living it as well (chuckling) but essentially I don't want it to be an explanation of my life. If I try to recreate my life through Trash Palace it will have limitations, whereas my fantasies or those fantasies that I'm generating with other people, are limitless. With fantasies there are more possibilities.“
๐‘บ๐’Œ๐’“๐’–๐’‡๐’‡๐’‡: ๐‘ฏ๐’๐’˜ ๐’…๐’ ๐’š๐’๐’– ๐’“๐’†๐’ˆ๐’‚๐’“๐’… ๐‘ณ๐’๐’๐’…๐’๐’'๐’” ๐’—๐’Š๐’ƒ๐’† ๐’Š๐’ ๐’”๐’†๐’™ ๐’•๐’†๐’“๐’Ž๐’”, ๐’„๐’๐’Ž๐’‘๐’‚๐’“๐’†๐’… ๐’•๐’ ๐‘ท๐’‚๐’“๐’Š๐’”?
DT: „Sex is more diverse here and more pretentious in Paris. There are a lot more taboos in England which makes it a lot better because it makes everything a bit more perverse, so more interesting. There are more rules to break and places to go in the dark to break them, which I find really interesting. One of the aspects of sex I like is its danger; that makes it more exciting. In France, people are more upfront; there is less perversion in France, I think, perversion is more a part of the English culture.“๐Ÿ“Œ
♦You can read the whole interview here:
https://bit.ly/3nx6B5l
⭐๐Ÿ”น⭐


The shared video is the only live version ๐Ÿ”น"๐‘ฑ๐’† ๐‘ป'๐‘จ๐’Š๐’Ž๐’† ๐‘ด๐’๐’Š ๐‘ต๐’๐’ ๐‘ท๐’๐’–๐’”"๐Ÿ”น from the Trash Palace performance, where Brian sang this beautiful song live and Asia Argento was projected from a video on the screen behind him.
As we already know, this song is a cover version of the immortal song of ๐‘บ๐’†๐’“๐’ˆ๐’† ๐‘ฎ๐’‚๐’Š๐’๐’”๐’ƒ๐’๐’–๐’“๐’ˆ ๐’‚๐’๐’… ๐‘ฑ๐’‚๐’๐’† ๐‘ฉ๐’Š๐’“๐’Œ๐’Š๐’.
It was put out as a single in 1969 and reached no. one in the UK, but it was banned in several other countries due to its overtly sexual content. Gainsbourg wrote “Je t'aime moi non plus” for the famous actress and sex symbol Brigitte Bardot with whom he had a short love affair in late 1967.
Like many of us, I have known this song since childhood because my father loved it.
Dimitri's idea of overturning the roles of lovers then seemed brilliant and very amusing to me, and Brian's live performance just took my breath away๐Ÿ”ฅ๐Ÿ’—.

Personally, I wish Dimitri many more successes, because he still has a head full of ideas and shares posts about his musical collaboration with many young artists on his IG account.
⭐And who knows, maybe there will be another collaboration with our beloved band?⭐๐Ÿฅฐ


Post by Marti

Wednesday, February 24, 2021

๐—ง๐—›๐—˜ ๐— ๐—˜๐—ง๐—ฅ๐—œ๐—– ๐—ฆ๐—ฌ๐—ฆ๐—ง๐—˜๐—  – ๐—”๐—ก๐—ก๐—œ๐—ฉ๐—˜๐—ฅ๐—ฆ๐—”๐—ฅ๐—ฌ

Today we celebrate the ♦️๐—”๐—ก๐—ก๐—œ๐—ฉ๐—˜๐—ฅ๐—ฆ๐—”๐—ฅ๐—ฌ♦️ of "๐™๐™๐™š ๐™ข๐™š๐™ฉ๐™ง๐™ž๐™˜ ๐™จ๐™ฎ๐™จ๐™ฉ๐™š๐™ข", a collaboration between Brian and ๐˜›๐˜ณ๐˜ข๐˜ด๐˜ฉ ๐˜—๐˜ข๐˜ญ๐˜ข๐˜ค๐˜ฆ, a music project by French record producer and DJ ๐˜‹๐˜ช๐˜ฎ๐˜ช๐˜ต๐˜ณ๐˜ช ๐˜›๐˜ช๐˜ฌ๐˜ฐ๐˜ท๐˜ฐ๐˜ช̈. The single came out 18 years ago today on February 24th 2003 and included the original track, two remixes and the video. But the first release of the song was four months earlier, on October 15th 2002, on the only Trash Palace album "Positions".

๐ŸŽฌ ๐—ง๐—›๐—˜ ๐— ๐—˜๐—ง๐—ฅ๐—œ๐—– ๐—ฆ๐—ฌ๐—ฆ๐—ง๐—˜๐— 
๐ŸŽต http://bit.ly/2kAQ9oz ๐ŸŽต

Photo credit: Screenshots from the video, edit by Silke

”The metric system” tells the story of a guy who lives in Los Angeles and sells his sperm to celebrity lesbians, so they can have children.
A strange plot, isn't it? But Brian really enjoyed working on the song. In an interview with French magazine “Les Inrockuptibles” he said that it was big fun for him. "Dimitri is my buddy. We have the same sense of humour, porn makes us laugh. What is strange is that people, the media, everybody took us very seriously," he added.

On the album "๐˜—๐˜ฐ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด" you can also find another collaboration: Brian sings the Serge Gainsbourg cover "Je t'aime, moi non plus" together with Italian actress and singer Asia Argento. She later played a role in the music video of Placebo's song "This picture". It's also worth mentioning the fact that Trash Palace founder Dimitri Tikovoi is not only a close friend of Brian but also produced the band's album “Meds” in 2006 and several of the band's early singles.

๐˜๐˜ฐ๐˜ธ ๐˜ฅ๐˜ฐ ๐˜บ๐˜ฐ๐˜ถ ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ”๐˜›๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ฆ๐˜ต๐˜ณ๐˜ช๐˜ค ๐˜ด๐˜บ๐˜ด๐˜ต๐˜ฆ๐˜ฎ”, ๐˜ด๐˜ฐ๐˜ถ๐˜ญ๐˜ฎ๐˜ข๐˜ต๐˜ฆ๐˜ด? ๐˜ˆ๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฉ๐˜ข๐˜ต ๐˜ฅ๐˜ฐ ๐˜บ๐˜ฐ๐˜ถ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜ฌ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ท๐˜ช๐˜ฅ๐˜ฆ๐˜ฐ?
๐Ÿ†‚๐Ÿ…ธ๐Ÿ…ป๐Ÿ…บ๐Ÿ…ด

๐Ÿ“Œ ๐—•๐—ฅ๐—œ๐—”๐—ก ๐—ข๐—ก “๐—ง๐—›๐—˜ ๐— ๐—˜๐—ง๐—ฅ๐—œ๐—– ๐—ฆ๐—ฌ๐—ฆ๐—ง๐—˜๐— “ ๐Ÿ“Œ
"The artist in question is a French named Dimitri, whose nickname is The Vibrator. He made an electronic record in French about pornography on wich I figure as well as John Cale, Jean-Louis-Murat. We wrote texts for Dimitri. I wrote one a la William Burrough.
It is the story of a guy who lives in Los Angeles and who sells his sperm to celebrity lesbians so they can have children: that's the story. But it was very interesting to work on this record because it's a kind of music that is very different from what we do usually, and I love this kind of music."
(M6 Music, 2001)

๐Ÿ“Œ ๐——๐—œ๐— ๐—œ๐—ง๐—ฅ๐—œ ๐—ง๐—œ๐—ž๐—ข๐—ฉ๐—ข๐—œ ๐—ข๐—ก “๐—ง๐—›๐—˜ ๐— ๐—˜๐—ง๐—ฅ๐—œ๐—– ๐—ฆ๐—ฌ๐—ฆ๐—ง๐—˜๐— “ ๐Ÿ“Œ
"When I worked with Placebo, I had Brian Molko listen to a song, asking him if he would work on it with me. He found the project very interesting. He said "Great! It's about sex! I want to do something like that too" and we did the song Metric system."
(POPnews, November 2002)

Post by Silke

Thursday, December 10, 2020

"๐— ๐—˜๐——๐—ฆ" ๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—˜๐—ฅ ๐——๐—œ๐— ๐—œ๐—ง๐—ฅ๐—œ ๐—ง๐—œ๐—ž๐—ข๐—ฉ๐—ข๐—œ ๐—ง๐—จ๐—ฅ๐—ก๐—ฆ ๐Ÿฐ๐Ÿด ๐—ง๐—ข๐——๐—”๐—ฌ

Dimitri Tikovoi is a French artist, DJ and record producer. He is a personal friend of Brian and exactly the same age as him, so he turns 48 years old today.

๐‡๐€๐๐๐˜ ๐๐ˆ๐‘๐“๐‡๐ƒ๐€๐˜ ๐ƒ๐ˆ๐Œ๐ˆ๐“๐‘๐ˆ ๐“๐ˆ๐Š๐Ž๐•๐Ž๐ˆ!


Photo credit: dimitritikovoi.rocks

Dimitri Tikovoi was ๐˜ฃ๐˜ฐ๐˜ณ๐˜ฏ ๐˜ฐ๐˜ฏ ๐˜‹๐˜ฆ๐˜ค๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ 10๐˜ต๐˜ฉ 1972 ๐˜ช๐˜ฏ ๐˜—๐˜ข๐˜ณ๐˜ช๐˜ด, France. His parents were both luminaries in the French theatre scene. He hated it because being born around theatre people meant he “simply had too much of it”, as he stated in an interview with Soundfreakcom in 2006. Dimitri: “I suppose music was my way of rebelling.”

He started ๐˜ฑ๐˜ญ๐˜ข๐˜บ๐˜ช๐˜ฏ๐˜จ ๐˜ฅ๐˜ณ๐˜ถ๐˜ฎ๐˜ด when he was seven years old. Later he went to ๐˜ฅ๐˜ณ๐˜ถ๐˜ฎ ๐˜ด๐˜ค๐˜ฉ๐˜ฐ๐˜ฐ๐˜ญ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ต๐˜ถ๐˜ฅ๐˜ช๐˜ฆ๐˜ฅ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ค๐˜ถ๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ at the Conservatory of Classical Music, and also Jazz at CIM, the Institute of Contemporary Music in Paris. He even used to tour as a drummer back then.

Dimitri ๐˜จ๐˜ฐ๐˜ต ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฅ๐˜ถ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ by playing with bands and recording them in his little studio at home on a four-track recorder. “Then little by little things fell into place… “
He ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜œ๐˜’ because of the music. “Here in England there are lots of pubs and clubs where you can play and learn to be good but in France there’s nothing in between someone playing accordion in the town hall and big venues for bands that are already established. There aren’t enough venues for live music so there aren’t many touring rock bands… if you’re a young band in France it’s really hard”.

Brian Molko and Dimitri Tikovoi, London, June 2008. Photo credit unknown

Dimitri got to know Placebo through Rob Ellis because they had the same manager at the time and Rob was asked to do a string arrangement on one track. He was struggling a bit with it so Dimitri offered to let him come to his home studio and demo the strings. “Placebo really liked it so instead of getting some string players, they asked me to come to the studio with some samples and used what I had done.” Brian and Dimitri quickly became friends then.

Over the years he did several remixes for the band, produced some of their early singles and the album “Meds”. He also worked on “Kings of medicine” from “Battle for the sun”. In 2002 there was a collaboration between Brian and Dimitri's music project “Trash Palace”. Three songs with Brian on vocals were released on the album “Positions”.
Asked if it is a good thing to work with friends or if it can cause problems Dimitri answered: “It could go both ways, but if you’re going to spend 6 months in the studio with someone, you will either become friends or you will hate each other! I don’t think it’s changed much with Placebo because we respect each other.”

Brian Molko and Dimitri Tikovoi, London, June 2008. Photo credit unknown


 ๐—•๐—ฅ๐—œ๐—”๐—ก ๐—ข๐—ก ๐——๐—œ๐— ๐—œ๐—ง๐—ฅ๐—œ ๐—ง๐—œ๐—ž๐—ข๐—ฉ๐—ข๐—œ
 "The collaboration was just for fun! Dimitri Tikovoรฏ is my buddy. We have the same sense of humour, porn makes us laugh. What is strange is that people, the media, everybody took us very seriously."
(Les Inrockuptibles, 2002)

To come back to Dimitri, isn’t it hard to work with a friend as a producer?
“Yes, it is! We had an argument the first week, the kind of «Why do you treat me this way? I’m your friend!» But after the first week, it became very easy. Since the clash was ended, we take the roles established between producer and artists, then it become really easy because no one is afraid of hurt the ego of the other.“
(Rock Magazine, December 2005)

”There wasn’t a generational gap or a cultural gap between us. In fact, we were born on the same day of the same year so we were very good friends before we started working on this record [“Meds”]. He realized that we’d found a comfort zone which was Vince’s synthesizers. He wanted to pull us out of that comfort zone and make us stare at ourselves in the mirror to make us realize that in essence we are a rock band.”
(Suicide Girls, May 14th 2006)

Post by Silke