Wednesday, November 30, 2022

๐ŸŒ›◾โ„™๐•ƒ๐”ธโ„‚๐”ผ๐”น๐•† ๐•ƒ๐•Œ๐•ƒ๐•ƒ๐”ธ๐”น๐•€๐”ผ๐•Š - ๐•ก๐•’๐•ฃ๐•ฅ ๐•๐•€.◾๐ŸŒœ

⭐๐‘ฏ๐’Š ๐’”๐’๐’–๐’๐’Ž๐’‚๐’•๐’†๐’”,

After two weeks, we can return to our favorite series:
๐˜›๐˜ฉ๐˜ฆ ๐˜ด๐˜ฐ๐˜ฏ๐˜จ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฐ๐˜ฏ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ช๐˜ด ๐˜ข ๐˜ฎ๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ฑ๐˜ช๐˜ฆ๐˜ค๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฉ๐˜ข๐˜ด ๐˜ฃ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ต๐˜ข๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฉ ๐˜ข๐˜ธ๐˜ข๐˜บ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ข๐˜ญ๐˜ญ ๐˜จ๐˜ฆ๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ง๐˜ฐ๐˜ณ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ฉ๐˜ข๐˜ฑ๐˜ด ๐˜ง๐˜ช๐˜ง๐˜ต๐˜บ ๐˜บ๐˜ฆ๐˜ข๐˜ณ๐˜ด, ๐˜ช๐˜ง ๐˜'๐˜ฎ ๐˜ค๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต.


The shared video is the only live version ⭐"๐‘ฑ๐’† ๐‘ป'๐‘จ๐’Š๐’Ž๐’† ๐‘ด๐’๐’Š ๐‘ต๐’๐’ ๐‘ท๐’๐’–๐’”"⭐ from ๐˜๐—ต๐—ฒ ๐—ง๐—ฟ๐—ฎ๐˜€๐—ต ๐—ฃ๐—ฎ๐—น๐—ฎ๐—ฐ๐—ฒ ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ฎ๐˜ ๐—Ÿ๐—ฎ ๐—ฅ๐—ผ๐˜‚๐˜๐—ฒ ๐—ฑ๐˜‚ ๐—ฅ๐—ผ๐—ฐ๐—ธ ๐—ถ๐—ป ๐—™๐—ฟ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ผ๐—ป ๐—”๐˜‚๐—ด๐˜‚๐˜€๐˜ ๐Ÿญ๐Ÿฌ๐˜๐—ต ๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿฎ, where Brian sang this beautiful song live and Asia Argento was projected from a video on the screen behind him.

๐ŸŽถ๐Ÿ”น„๐‰๐ž ๐“'๐€๐ข๐ฆ๐ž . . . ๐Œ๐จ๐ข ๐๐จ๐ง ๐๐ฅ๐ฎ๐ฌ“๐Ÿ”น๐ŸŽถ
๐˜๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ฅ๐˜ด, ๐˜ข๐˜ฅ๐˜ฎ๐˜ช๐˜ต ๐˜ช๐˜ต, ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ข๐˜ฎ๐˜ฐ๐˜ฏ๐˜จ ๐˜บ๐˜ฐ๐˜ถ ๐˜ฉ๐˜ข๐˜ด ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ ๐˜ฅ๐˜ถ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ด๐˜ฐ๐˜ฏ๐˜จ?
๐˜ˆ๐˜ฏ๐˜ฅ ๐˜ฅ๐˜ฐ ๐˜บ๐˜ฐ๐˜ถ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ฐ๐˜ญ๐˜ฅ ๐˜บ๐˜ฐ๐˜ถ ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜บ๐˜ฐ๐˜ถ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ฉ๐˜ฆ๐˜ข๐˜ณ๐˜ฅ ๐˜ช๐˜ต? ๐˜ž๐˜ฉ๐˜ข๐˜ต ๐˜ข๐˜ณ๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฆ๐˜ข๐˜ณ๐˜ญ๐˜ช๐˜ฆ๐˜ด๐˜ต ๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด?

For me it is a very distant past... I was about twelve years old when my father, a big fan of popular music, got this record from friends, banned in our totalitarian Czechoslovakia. I saw it as a bright moment in our family, of which unfortunately there were not many.

My parents did not have a good relationship, they often argued. But while listening to this song, my mom would smile mysteriously and receive gentle eye contact from her husband. You could say that she melted like chocolate, and I still see it as one of the few very nice moments in the whole life of my parents.

⭐๐’๐Ž๐๐† ๐ˆ๐๐…๐Ž:
The author of the song is ⭐๐’๐„๐‘๐†๐„ ๐†๐€๐ˆ๐๐’๐๐Ž๐”๐‘๐†⭐, who wrote it for his lover ⭐๐๐‘๐ˆ๐†๐ˆ๐“๐“๐„ ๐๐€๐‘๐ƒ๐Ž๐“⭐ in 1967 and recorded it together during a hot moment in a Paris recording studio.

๐˜“๐˜ฆ๐˜ต'๐˜ด ๐˜ต๐˜ข๐˜ญ๐˜ฌ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ธ๐˜ฉ๐˜ข๐˜ต ๐˜ธ๐˜ฆ ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ด๐˜ฐ๐˜ฏ๐˜จ ๐˜ถ๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ฆ๐˜น๐˜ค๐˜ฆ๐˜ณ๐˜ฑ๐˜ต๐˜ด ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ธ๐˜ฐ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ๐˜ง๐˜ถ๐˜ญ ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ค๐˜ญ๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ฅ๐˜ช๐˜ค๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜š๐˜ฆ๐˜ณ๐˜จ๐˜ฆ ๐˜ข๐˜ง๐˜ต๐˜ฆ๐˜ณ ๐˜ฉ๐˜ช๐˜ด ๐˜ฅ๐˜ฆ๐˜ข๐˜ต๐˜ฉ:
✨๐Ÿ”น๐’๐ฒ๐ฅ๐ฏ๐ข๐ž ๐’๐ข๐ฆ๐ฆ๐จ๐ง๐ฌ: ๐“๐ก๐ž ๐ž๐ฒ๐ž๐ฌ ๐ก๐š๐ฏ๐ž ๐ข๐ญ๐Ÿ”น✨
He was an ugly man who loved some of the world's most beautiful women, a shy man who spent most of his life in the spotlight - and a prankster who knew exactly how to outrage the public. …/.../

๐’๐ž๐ซ๐ ๐ž ๐†๐š๐ข๐ง๐ฌ๐›๐จ๐ฎ๐ซ๐ 
The man who looked like an elegant turtle cross-bred with a particularly louche, chain-smoking wolf was also a singer, a songwriter, a cutting-edge soundtrack composer, a Eurovision Song Contest winner, novelist, photographer, actor, artist, drunk, director, screenwriter, populist, provocateur, sentimentalist, clown, lover, intellectual, and the man who single-handedly liberated French pop. …/.../

'๐๐จ๐ง๐ง๐ข๐ž ๐š๐ง๐ ๐‚๐ฅ๐ฒ๐๐ž' was the title track of Gainsbourg and Brigitte Bardot's album together, released in 1968. It was one of a pair of songs Gainsbourg had written in the space of a night following a disastrous early date with Bardot. Struck dumb with either nerves or alcohol, his usual wit deserted him, the evening was a flop and he thought he had blown it. But Bardot phoned the next day and demanded as a penance that he write her "๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ด๐˜ต ๐˜ฃ๐˜ฆ๐˜ข๐˜ถ๐˜ต๐˜ช๐˜ง๐˜ถ๐˜ญ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ ๐˜ด๐˜ฐ๐˜ฏ๐˜จ ๐˜บ๐˜ฐ๐˜ถ ๐˜ค๐˜ข๐˜ฏ ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ช๐˜ฏ๐˜ฆ". In fact he wrote two - Bonnie and Clyde and '๐‘ฑ๐’† ๐‘ป'๐‘จ๐’Š๐’Ž๐’† . . . ๐‘ด๐’๐’Š ๐‘ต๐’๐’ ๐‘ท๐’๐’–๐’”'

Trash Palace, August 2002, Saint Malo, France. Photo credit unknown 

Late one night in the winter of 1967, Gainsbourg and Bardot went into a dimly lit studio in Paris and recorded Michel Colombier's arrangement of Je T'Aime in an intimate two-hour session. The two singers were squashed into a small, steamy glass booth; engineer William Flageollet witnessed what he described as "๐˜ฉ๐˜ฆ๐˜ข๐˜ท๐˜บ ๐˜ฑ๐˜ฆ๐˜ต๐˜ต๐˜ช๐˜ฏ๐˜จ". Word leaked to the press that it was an "audio vรฉritรฉ" recording, with the Sunday paper France-Dimanche reporting that the four minutes and 35 seconds of "๐˜จ๐˜ณ๐˜ฐ๐˜ข๐˜ฏ๐˜ด, ๐˜ด๐˜ช๐˜จ๐˜ฉ๐˜ด, ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰๐˜ข๐˜ณ๐˜ฅ๐˜ฐ๐˜ต'๐˜ด ๐˜ญ๐˜ช๐˜ต๐˜ต๐˜ญ๐˜ฆ ๐˜ค๐˜ณ๐˜ช๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜ฑ๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ถ๐˜ณ๐˜ฆ" set to almost churchlike organ music gave "๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ฎ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜บ๐˜ฐ๐˜ถ'๐˜ณ๐˜ฆ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฐ ๐˜ต๐˜ธ๐˜ฐ ๐˜ฑ๐˜ฆ๐˜ฐ๐˜ฑ๐˜ญ๐˜ฆ ๐˜ฎ๐˜ข๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ".

…/.../ She (Bardot) wrote Gainsbourg a letter, pleading with him not to release the record. Gainsbourg protested: "๐˜›๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ถ๐˜ด๐˜ช๐˜ค ๐˜ช๐˜ด ๐˜ท๐˜ฆ๐˜ณ๐˜บ ๐˜ฑ๐˜ถ๐˜ณ๐˜ฆ. ๐˜๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ต๐˜ช๐˜ฎ๐˜ฆ ๐˜ช๐˜ฏ ๐˜ฎ๐˜บ ๐˜ญ๐˜ช๐˜ง๐˜ฆ, ๐˜ ๐˜ธ๐˜ณ๐˜ช๐˜ต๐˜ฆ ๐˜ข ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ ๐˜ด๐˜ฐ๐˜ฏ๐˜จ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ต'๐˜ด ๐˜ต๐˜ข๐˜ฌ๐˜ฆ๐˜ฏ ๐˜ฃ๐˜ข๐˜ฅ๐˜ญ๐˜บ." But he had witnessed the public's love-hate relationship with Bardot, and put the tapes in a drawer. They would stay there ๐˜ถ๐˜ฏ๐˜ต๐˜ช๐˜ญ 1986 ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ด๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ฏ๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜จ๐˜ข๐˜ท๐˜ฆ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ฎ๐˜ช๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ "๐˜ด๐˜ถ๐˜ฃ๐˜ญ๐˜ช๐˜ฎ๐˜ฆ" ๐˜ท๐˜ฆ๐˜ณ๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜‘๐˜ฆ ๐˜›'๐˜ˆ๐˜ช๐˜ฎ๐˜ฆ, ๐˜ข๐˜ด ๐˜Ž๐˜ข๐˜ช๐˜ฏ๐˜ด๐˜ฃ๐˜ฐ๐˜ถ๐˜ณ๐˜จ ๐˜ฅ๐˜ฆ๐˜ด๐˜ค๐˜ณ๐˜ช๐˜ฃ๐˜ฆ๐˜ฅ ๐˜ช๐˜ต, ๐˜ต๐˜ฐ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ฐ๐˜ถ๐˜ต.

If you wish to know how this story continues with the wonderful ⭐๐‰๐€๐๐„ ๐๐ˆ๐‘๐Š๐ˆ๐⭐, read on here:
⭐◾ http://bit.ly/3gMjedQ


And here you can listen to both versions that Serge Gainsbourg recorded with these star ladies:

๐ŸŽถ๐Ÿ”น๐‰๐ž ๐“'๐€๐ข๐ฆ๐ž- ๐ฏ๐ž๐ซ๐ฌ๐ข๐จ๐ง ๐ฐ๐ข๐ญ๐ก ๐๐ซ๐ข๐ ๐ข๐ญ๐ญ๐ž ๐๐š๐ซ๐๐จ๐ญ
http://bit.ly/3ETeo6L

๐ŸŽถ๐Ÿ”น๐‰๐ž ๐“'๐€๐ข๐ฆ๐ž- ๐ฏ๐ž๐ซ๐ฌ๐ข๐จ๐ง ๐ฐ๐ข๐ญ๐ก ๐‰๐š๐ง๐ž ๐๐ข๐ซ๐ค๐ข๐ง - ๐Ž๐ซ๐ข๐ ๐ข๐ง๐š๐ฅ ๐•๐ข๐๐ž๐จ๐œ๐ฅ๐ข๐ฉ
http://bit.ly/3AX6t7d

Photo credit;  Lucille Brauscks

But the most important thing for us is that thanks to Brian and especially his friend ⭐๐ƒ๐ˆ๐Œ๐ˆ๐“๐‘๐ˆ ๐“๐ˆ๐Š๐Ž๐•๐Ž๐ˆ, this song has once again become known to the younger generations.

Dimitri decided to prepare a project about how society perceives certain aspects of human sexuality - ⭐'๐“๐‘๐€๐’๐‡ ๐๐€๐‹๐€๐‚๐„'⭐. And he invited Brian Molko, among several other music stars, to participate in this project, because, as they both say, they share the same sense of humour when it comes to sex:


๐๐‘๐ˆ๐€๐ ๐Ž๐ ๐“๐‘๐€๐’๐‡ ๐๐€๐‹๐€๐‚๐„:
๐Ÿ”น๐Ÿ’ฌ“The collaboration was just for fun! Dimitri Tikovoรฏ is my buddy. We have the same sense of humour, porn makes us laugh. What is strange is that people, the media, everybody took us very seriously."
(๐˜“๐˜ฆ๐˜ด ๐˜๐˜ฏ๐˜ณ๐˜ฐ๐˜ค๐˜ฌ๐˜ถ๐˜ฑ๐˜ต๐˜ช๐˜ฃ๐˜ญ๐˜ฆ๐˜ด, 2002)

๐Ÿ”น๐Ÿ’ฌ”The artist in question is a French named Dimitri, whose nickname is the vibrator. He made an electronic record in French about pornography on wich I figure as well as John Cale, Jean-Louis-Murat. We wrote texts for Dimitri. I wrote one a la William Burrough. But it was very interesting to work on this record because it's a kind of music that is very different from what we do usually, and I love this kind of music”.
(๐˜”6 ๐˜ฎ๐˜ถ๐˜ด๐˜ช๐˜ค, 2001)

The result was the album ⭐'๐๐Ž๐’๐ˆ๐“๐ˆ๐Ž๐๐’'⭐, released in 2002, on which Brian lent his voice to three tracks:
๐ŸŽถ„๐—ง๐—ต๐—ฒ ๐— ๐—ฒ๐˜๐—ฟ๐—ถ๐—ฐ ๐—ฆ๐˜†๐˜€๐˜๐—ฒ๐—บ“ ,
๐ŸŽถ ๐—ฎ ๐—ฐ๐—ผ๐˜ƒ๐—ฒ๐—ฟ ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ถ๐—ผ๐—ป ๐—ณ๐—ฟ๐—ผ๐—บ ๐—ž๐˜†๐—น๐—ถ๐—ฒ ๐— ๐—ถ๐—ป๐—ผ๐—ด๐˜‚๐—ฒ'๐˜€ ๐˜€๐—ผ๐—ป๐—ด "๐—–๐—ฎ๐—ป'๐˜ ๐—š๐—ฒ๐˜ ๐—ฌ๐—ผ๐˜‚ ๐—ข๐˜‚๐˜ ๐—ผ๐—ณ ๐— ๐˜† ๐—›๐—ฒ๐—ฎ๐—ฑ“
๐ŸŽถ ๐—ฎ๐—ป๐—ฑ „๐—๐—ฒ ๐—ง'๐—”๐—ถ๐—บ๐—ฒ . . . ๐— ๐—ผ๐—ถ ๐—ก๐—ผ๐—ป ๐—ฃ๐—น๐˜‚๐˜€“.

๐Ÿ”น๐Ÿ’ฌ๐ƒ๐ˆ๐Œ๐ˆ๐“๐‘๐ˆ ๐Ž๐ ๐๐Ž๐’๐ˆ๐“๐ˆ๐Ž๐๐’:
“I just wanted to push myself, my own knowledge of computer-based music so there was a lot of experimentation and trying to do things a bit differently. But I also had a theme which was sex, because firstly, everyone uses sex to sell things but they exploit it in a way that’s not very sensual or erotic. I thought that if I could combine some kind of eroticism into something that is as cold as electronic music, then it would be really interesting. Also I wanted things to be a bit deranged or slightly out of place…kind of the opposite of Britney Spears! Electronic music is so cold because it’s made with machines so if you try to put sensuality into it, it kind of gives it some soul.“
(๐˜š๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ๐˜ง๐˜ณ๐˜ฆ๐˜ข๐˜ฌ๐˜ค๐˜ฐ๐˜ฎ, ๐˜ˆ๐˜ถ๐˜จ๐˜ถ๐˜ด๐˜ต 2006)

Photo credit; Dimitri Tikovoi's Instagram  

๐˜๐˜ฐ๐˜ธ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ, ๐˜ช๐˜ต ๐˜ธ๐˜ข๐˜ด ๐˜ฏ๐˜ฆ๐˜ค๐˜ฆ๐˜ด๐˜ด๐˜ข๐˜ณ๐˜บ ๐˜ต๐˜ฐ ๐˜ง๐˜ช๐˜ฏ๐˜ฅ ๐˜ข ๐˜ง๐˜ฆ๐˜ฎ๐˜ข๐˜ญ๐˜ฆ ๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜š๐˜ฆ๐˜ณ๐˜จ๐˜ฆ'๐˜ด ๐˜ด๐˜ค๐˜ข๐˜ฏ๐˜ฅ๐˜ข๐˜ญ๐˜ฐ๐˜ถ๐˜ด ๐˜ด๐˜ฐ๐˜ฏ๐˜จ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜บ๐˜ฐ๐˜ถ ๐˜ค๐˜ข๐˜ฏ ๐˜ณ๐˜ฆ๐˜ข๐˜ฅ ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ช๐˜ต ๐˜ฉ๐˜ข๐˜ฑ๐˜ฑ๐˜ฆ๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ท๐˜ช๐˜ฆ๐˜ธ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜‹๐˜ช๐˜ฎ๐˜ช๐˜ต๐˜ณ๐˜ช:
๐Ÿ”น๐Ÿ’ฌ„I wanted to have different views, different moods and different sorts of perversions on the album and that's why there are so many different people involved.“

That Dimitri is as persuasive as he's well-connected is clear from the characters he tracked down, who include Velvet Underground legend John Cale and Placebo singer Brian Molko. He also managed to seduce Italian sex siren Asia Argento into performing a version of „Je T'Aime“, though admits he didn't actually know her until she walked into the studio to lay down her part.

„I had this idea of doing Je T'Aime because I've always loved the track, but my idea was to invert the characters roles,“ says Dimitri.

„In the original track, Serge Gainsbourg is fucking Jane Birkin, he's doing the act of penetration and I wanted to invert the roles; to have Asia doing the role of penetrating someone else. Brian (Molko) said he would do it so I asked Asia by sending her an email. Immediately, she sent me an email back saying 'yeah, I really want to do it' so I flew to Italy to record her voice.

She was very nervous when she did it because she's not a singer and she didn't know what I was going to ask her to do, she was still shooting movies at the time,“ he continues.

„We did it in a small room with a very basic recording set-up and I remember her chain smoking with me sitting in front of her. It was a little bit of a tense atmosphere but that was good for the track. She didn't know me, I didn't know her so it was a slightly bizarre environment.“

With Asia being generally acclaimed as one of the world's sexiest starlets, the resulting track is as salacious as Dimitri presumably hoped it would be, reflecting the overall highly polished standards of all 11 tracks on Positions. Musically, he's succeeded in tapping into the talents of all his various collaborators, to produce an album of punk, funk and electro songs that genuinely (and unusually, in this day and age) truly rocks.
(๐˜‹๐˜ช๐˜ฎ๐˜ช๐˜ต๐˜ณ๐˜ช ๐˜›๐˜ช๐˜ฌ๐˜ฐ๐˜ท๐˜ฐ๐˜ช, ๐˜๐˜ฐ๐˜ฏ๐˜จ ๐˜’๐˜ฐ๐˜ฏ๐˜จ ๐˜•๐˜ช๐˜จ๐˜ฉ๐˜ต๐˜ญ๐˜ช๐˜ง๐˜ฆ ๐˜Ž๐˜ถ๐˜ช๐˜ฅ๐˜ฆ ๐˜”๐˜ข๐˜จ๐˜ข๐˜ป๐˜ช๐˜ฏ๐˜ฆ, 2004)

Do you also find Dimitri's idea of switching the roles of the lovers as brilliant as I do?
I admit that the video from the concert, where both Brian and Argenta are so sexy, is breathtaking and dazzling for me.
„Je T'Aime“ is one of the hottest songs I know, even though Gainsbourg himself wrote about it ๐’•๐’‰๐’‚๐’• ๐’‰๐’Š๐’” ๐’‰๐’š๐’Ž๐’ ๐’•๐’ ๐’”๐’†๐’™๐’–๐’‚๐’ ๐’๐’Š๐’ƒ๐’†๐’“๐’‚๐’•๐’Š๐’๐’ ๐’˜๐’‚๐’”, ๐’Š๐’ ๐’‡๐’‚๐’„๐’•, ๐’‚๐’ "๐’‚๐’๐’•๐’Š-๐’‡๐’–๐’„๐’Œ" ๐’”๐’๐’๐’ˆ, ๐’‚๐’ƒ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’…๐’†๐’”๐’‘๐’†๐’“๐’‚๐’•๐’Š๐’๐’ ๐’‚๐’๐’… ๐’Š๐’๐’๐’‚๐’•๐’† ๐’Š๐’Ž๐’‘๐’๐’”๐’”๐’Š๐’ƒ๐’Š๐’๐’Š๐’•๐’š ๐’๐’‡ ๐’‘๐’‰๐’š๐’”๐’Š๐’„๐’‚๐’ ๐’๐’๐’—๐’†.

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