Showing posts with label Once more with feeling. Show all posts
Showing posts with label Once more with feeling. Show all posts

Tuesday, October 25, 2022

๐Ÿ”ถ⭐๐—”๐—ก๐—ก๐—œ๐—ฉ๐—˜๐—ฅ๐—ฆ๐—”๐—ฅ๐—ฌ: ๐Ž๐๐‚๐„ ๐Œ๐Ž๐‘๐„ ๐–๐ˆ๐“๐‡ ๐…๐„๐„๐‹๐ˆ๐๐†⭐๐Ÿ”ถ

⭐✨“๐Ÿ๐Ÿ• ๐’”๐’๐’‚๐’‘๐’”๐’‰๐’๐’•๐’” ๐’๐’‡ ๐‘ท๐’๐’‚๐’„๐’†๐’ƒ๐’'๐’” ๐’ˆ๐’‚๐’๐’๐’๐’‘๐’Š๐’๐’ˆ ๐’“๐’Š๐’”๐’†, ๐’‡๐’“๐’๐’Ž ๐’•๐’‰๐’† ๐’ƒ๐’†๐’ˆ๐’Š๐’๐’๐’Š๐’๐’ˆ๐’” ๐’๐’‡ ๐’‚๐’…๐’๐’๐’†๐’”๐’„๐’†๐’๐’„๐’† ๐’•๐’ ๐’š๐’๐’–๐’๐’ˆ ๐’‚๐’…๐’–๐’๐’•๐’‰๐’๐’๐’…, ๐’‚ ๐’‘๐’‰๐’๐’•๐’ ๐’ˆ๐’‚๐’๐’๐’†๐’“๐’š ๐’•๐’‰๐’‚๐’• ๐’ˆ๐’๐’†๐’” ๐’ƒ๐’š ๐’•๐’‰๐’† ๐’”๐’˜๐’†๐’†๐’• ๐’๐’‚๐’Ž๐’† ๐’๐’‡ ๐‘ถ๐‘ต๐‘ช๐‘ฌ ๐‘ด๐‘ถ๐‘น๐‘ฌ ๐‘พ๐‘ฐ๐‘ป๐‘ฏ ๐‘ญ๐‘ฌ๐‘ฌ๐‘ณ๐‘ฐ๐‘ต๐‘ฎ.” (๐ท๐‘’๐‘™๐‘Ž๐‘๐‘’๐‘™, ๐‘†๐‘’๐‘๐‘ก๐‘’๐‘š๐‘๐‘’๐‘Ÿ 2004)✨⭐

๐ŸŽŠExactly 18 years ago today, on ๐Ž๐œ๐ญ๐จ๐›๐ž๐ซ ๐Ÿ๐Ÿ“๐ญ๐ก, ๐Ÿ๐ŸŽ๐ŸŽ๐Ÿ’, the compilation album ๐Ž๐๐‚๐„ ๐Œ๐Ž๐‘๐„ ๐–๐ˆ๐“๐‡ ๐…๐„๐„๐‹๐ˆ๐๐† - ๐’๐ˆ๐๐†๐‹๐„๐’ ๐Ÿ๐Ÿ—๐Ÿ—๐Ÿ”-๐Ÿ๐ŸŽ๐ŸŽ๐Ÿ’ and DVD ๐Ž๐๐‚๐„ ๐Œ๐Ž๐‘๐„ ๐–๐ˆ๐“๐‡ ๐…๐„๐„๐‹๐ˆ๐๐† - ๐•๐ˆ๐ƒ๐„๐Ž๐’ ๐Ÿ๐Ÿ—๐Ÿ—๐Ÿ”-๐Ÿ๐ŸŽ๐ŸŽ๐Ÿ’ were released.

Photo credit: Scarlet Page; CD and DVD covers / edit by Olga

⭐As one of the reviews read back in the day, “now with four acclaimed albums under their belts [by 2004] Placebo have undertaken the release of a their singles collection, Once More With Feeling: Singles 1996 – 2004 retrospective which ๐’„๐’‰๐’“๐’๐’๐’Š๐’„๐’๐’†๐’” ๐’•๐’‰๐’† ๐’“๐’Š๐’”๐’† ๐’‚๐’๐’… ๐’“๐’Š๐’”๐’† ๐’๐’‡ ๐’๐’๐’† ๐’๐’‡ ๐’•๐’‰๐’† ๐’Ž๐’๐’”๐’• ๐’Š๐’Ž๐’‘๐’๐’“๐’•๐’‚๐’๐’• ๐’ƒ๐’‚๐’๐’…๐’” ๐’๐’‡ ๐’•๐’๐’…๐’‚๐’š.” (๐น๐‘Ž๐‘ ๐‘ก๐‘’๐‘Ÿ๐‘™๐‘œ๐‘ข๐‘‘๐‘’๐‘Ÿ, ๐‘‚๐‘๐‘ก'04)

๐Ÿ”ถ๐Ž๐๐‚๐„ ๐Œ๐Ž๐‘๐„ ๐–๐ˆ๐“๐‡ ๐…๐„๐„๐‹๐ˆ๐๐† - ๐’๐ˆ๐๐†๐‹๐„๐’๐Ÿ”ถ


The CD includes 17 singles (the omissions are the band's debut single ๐‚๐จ๐ฆ๐ž ๐‡๐จ๐ฆ๐ž and ๐๐ฎ๐ซ๐ ๐ž๐ซ ๐๐ฎ๐ž๐ž๐ง ๐…๐ซ๐š๐ง๐œ๐š๐ข๐ฌ which was a French release only) and two new songs, ๐“๐ฐ๐ž๐ง๐ญ๐ฒ ๐˜๐ž๐š๐ซ๐ฌ and ๐ˆ ๐ƒ๐จ. Limited edition bonus disc contains ten remixes by artists such as Timo Maas, UNKLE, and M83. There is also a limited edition bonus disc exclusive to the Mexican market which features remixes by Mexican artists.

Photo credit:  Sebastien Dolidon 

๐‘พ๐’‰๐’š ๐’…๐’Š๐’… ๐’š๐’๐’– ๐’…๐’†๐’„๐’Š๐’…๐’† ๐’•๐’ ๐’“๐’†๐’๐’†๐’‚๐’”๐’† ๐’‚ ๐’„๐’๐’Ž๐’‘๐’Š๐’๐’‚๐’•๐’Š๐’๐’ ๐’๐’๐’˜?
๐Ÿ“ข๐๐ซ๐ข๐š๐ง: There is no great mystery, after almost ten years of career, that's what the bands that are still there do. Many fellow artists who started at the same time as us, today no longer exist. People are looking for some deep meaning in this compilation, but there is none. It's not a record deal issue, because it doesn't count as an album for the record company. It's not a matter of ideas, because we've already written the new album. Maybe it was just about giving us a little time to do something else. We've been on tour for two years and we need to take a break, to distance ourselves from things a bit.

๐‘พ๐’‰๐’‚๐’• ๐’‚๐’ƒ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’•๐’˜๐’ ๐’๐’†๐’˜ ๐’”๐’๐’๐’ˆ๐’” (๐‘ป๐’˜๐’†๐’๐’•๐’š ๐’€๐’†๐’‚๐’“๐’” ๐’‚๐’๐’… ๐‘ฐ ๐‘ซ๐’)?
๐Ÿ“ข๐๐ซ๐ข๐š๐ง: We put two previously unreleased songs on the compilation to tame the voracious appetite of our fans. We tried to impose Brian Eno rules on ourselves. The songs should not be longer than two and a half minutes and there should be no guitar. First, because we have never done it before. And also, because people think Placebo is a guitar band, and we don't like that label. Looking back, I think Twenty Years is probably one of our greatest songs. It's our closest track to U2's With or Without You, the ultimate song.
[…]
๐‘พ๐’‰๐’š ๐’…๐’Š๐’… ๐’š๐’๐’– ๐’๐’๐’๐’š ๐’„๐’‰๐’๐’๐’”๐’† ๐’”๐’Š๐’๐’ˆ๐’๐’†๐’” ๐’‡๐’๐’“ ๐’•๐’‰๐’Š๐’” ๐’„๐’๐’Ž๐’‘๐’Š๐’๐’‚๐’•๐’Š๐’๐’?
๐Ÿ“ข๐๐ซ๐ข๐š๐ง: It's not a ‘greatest hits’ compilation, it's not a ‘best of’, it's a kind of historical document, a chronological retrospective of the band, through its most accessible pieces. Choosing singles was a way of presenting the old repertoire. We are aware that there are 40% of fans today who got to know the band through Sleeping With Ghosts and specifically, The Bitter End. We see them at the concerts, they are 14-15 years old... At the time of the first album, they were still watching TV. Teenagers don't have a lot of money and if they want to listen to more Placebo, they shouldn’t necessarily buy all four albums.
(๐ฟ๐‘’๐‘  ๐ผ๐‘›๐‘Ÿ๐‘œ๐‘๐‘˜๐‘ข๐‘๐‘ก๐‘–๐‘๐‘™๐‘’๐‘ , ๐‘๐‘œ๐‘ฃ'04)

Photo credit: Alvaro Villarrubia 

๐Ÿ”ถ๐Ž๐๐‚๐„ ๐Œ๐Ž๐‘๐„ ๐–๐ˆ๐“๐‡ ๐…๐„๐„๐‹๐ˆ๐๐† - ๐•๐ˆ๐ƒ๐„๐Ž๐’๐Ÿ”ถ


Once more with feeling DVD consists of all videos that Placebo released from 1996 to 2004, except for ๐‚๐จ๐ฆ๐ž ๐‡๐จ๐ฆ๐ž again. There are also several live videos, a documentary entitled ๐‚๐š๐ซ๐ž ๐ˆ๐ง ๐“๐ก๐ž ๐‚๐จ๐ฆ๐ฆ๐ฎ๐ง๐ข๐ญ๐ฒ and an exclusive ๐š๐ฎ๐๐ข๐จ ๐œ๐จ๐ฆ๐ฆ๐ž๐ง๐ญ๐š๐ซ๐ฒ on all tracks by the band.

๐Ÿ”ถ๐‘น๐‘ฌ๐‘ฝ๐‘ฐ๐‘ฌ๐‘พ ๐’ƒ๐’š ๐‘ฉ๐‘ฉ๐‘ช๐Ÿ”ถ
There are many different versions of the Placebo story. […] But my favourite of all is the one about this perverse trio who wrote these extraordinary songs...
It's about a band who became famous for a song so sexually brave and confrontational that coy odes to boys called "Michael" sound feeble in comparison. A song about being a "Nancy Boy", about lube and rubbers and how "We're a couple / When our bodies double." And about how Molko, an actual functioning bisexual, has been unpleasantly dismissed as a sexual dilettante while the charlatan bisexuals reap plaudits.
Once More With Feeling is all about a band who wrote a song called "You Don't Care About Us". A track that's propelled by an unstoppable, elastic bass line and that flips manically between wise, sighing despair and spitting adolescent rage. A song which feels like it had no choice but to be written and which is one of the rawest, most brilliant singles of the last decade.
It's a story about the shuddering electronica of "Pure Morning", the sleazy sneer of "Every You, Every Me" and the searing riff of "Bruise Pristine". It's about a band constrained by their musical limitations but who thrashed happily within them. It's about the way that "Special K" climbs frantically towards its chorus before collapsing sadly under its own weight.
This is a singles collection which reveals to the listener the most seductively bruising rock band of recent years. Each song stems from a songwriter so instinctive and precise that when he writes a song called "The Bitter End", that's exactly what it sounds like.
And yes, it's a tale about an imperfect band, a band prone to sloppy sloganeering like "Slave To The Wage" or clumsy posturing like "Black Eyed". But the band remain electrifying, alive and enthralling in all those imperfections.
This is a story about a band who have remained fiercely independent in a bland pop landscape. Read it.
(๐ต๐ต๐ถ, 2004, ๐‘…๐‘’๐‘ฃ๐‘–๐‘’๐‘ค ๐‘๐‘ฆ ๐ฝ๐‘Ž๐‘–๐‘š๐‘’ ๐บ๐‘–๐‘™๐‘™)


๐Ÿ”ถ๐Ž๐๐‚๐„ ๐Œ๐Ž๐‘๐„ ๐–๐ˆ๐“๐‡ ๐…๐„๐„๐‹๐ˆ๐๐† ๐‚๐ƒ๐Ÿ”ถ
▪36 Degrees
▪Teenage Angst
▪Nancy Boy
▪Bruise Pristine
▪Pure Morning
▪You Don't Care About Us
▪Every You Every Me
▪Without You I’m Nothing (ft. David Bowie)
▪Taste In Men
▪Slave To The Wage
▪Special K
▪Black-Eyed
▪The Bitter End
▪This Picture
▪Special Needs
▪English Summer Rain
▪Protรจge-Moi
▪I Do
▪Twenty Years

Photo credit:  Jenny Lewis 

๐Ÿ”ถ๐‹๐ˆ๐Œ๐ˆ๐“๐„๐ƒ ๐„๐ƒ๐ˆ๐“๐ˆ๐Ž๐ ๐๐Ž๐๐”๐’ ๐ƒ๐ˆ๐’๐‚๐Ÿ”ถ
▪Special K (Timo Maas remix)
▪Without You I'm Nothing (Unkle remix)
▪Every You Every Me (Infected by the scourge of the earth mix)
▪Protรจge-Moi (M83 remix)
▪Slave To The Wage (I can't believe it's a remix)
▪Pure Morning (Les Rhythms Digitales remix)
▪Taste In Men (Alpinestars Kamikaze Skimix)
▪Black-Eyed (Placebo vs. Le Vibrator mix)
▪English Summer Rain (Freelance Hellraiser remix)
▪This Picture (Junior Sanchez remix)


๐Ÿ”ถ๐Ž๐๐‚๐„ ๐Œ๐Ž๐‘๐„ ๐–๐ˆ๐“๐‡ ๐…๐„๐„๐‹๐ˆ๐๐† ๐ƒ๐•๐ƒ๐Ÿ”ถ
▪36 Degrees
▪Teenage Angst
▪Nancy Boy
▪Bruise Pristine
▪Pure Morning
▪You Don't Care About Us
▪Every You Every Me
▪Without You I’m Nothing (ft. David Bowie)
▪Taste In Men
▪Slave To The Wage
▪Special K
▪Black-Eyed
▪The Bitter End
▪This Picture
▪Special Needs
▪English Summer Rain
▪Protรจge-Moi (live)

Post by Olga

Friday, July 29, 2022

๐ŸŽถ๐“๐–๐„๐๐“๐˜ ๐˜๐„๐€๐‘๐’๐ŸŽถ

๐ŸŽถ ๐‘พ๐’† ๐’๐’†๐’†๐’… ๐’•๐’ ๐’„๐’๐’๐’„๐’†๐’๐’•๐’“๐’‚๐’•๐’†
๐’๐’ ๐’Ž๐’๐’“๐’† ๐’•๐’‰๐’‚๐’ ๐’Ž๐’†๐’†๐’•๐’” ๐’•๐’‰๐’† ๐’†๐’š๐’† ๐ŸŽถ



The story how ”๐“๐–๐„๐๐“๐˜ ๐˜๐„๐€๐‘๐’” came into being is quite interesting. Actually the song is kind of a collaboration of Brian and Paul Campion who was the singer of Glasgow indie rock band AC Acoustics . Both were friends and had already released the song “Crush” with Paul's band in 2000.
Before that he had helped Brian with the lyrics of ”Every you Every me” when “Molks” had a writer's block. And whenever they worked on it together Campion played a specific guitar riff and sang the line ”There are twenty years to go.”
Brian once said that he had always thought it would be an amazing AC Acoustic song but Paul never wrote more than the mentioned part of the music and text. “We all grew to fall in love with that record and always said that one day we were gonna flesh this out in to, you know, a proper song”, he explained in an interview and added that he often played this riff when he picked up a guitar.
In the beginning of 2004 the band seriously started thinking about recording the song and around July the work was finished.

“Twenty years” was finally released on October 18th 2004 and reached no. 18 in the UK Singles Chart. The song was produced and mixed by Phil Vinall who had already worked on some other of Placebo's early chart successes like “Nancy Boy”. The programming was done by Phelan Kane who had also worked with the band before, namely on “Pure morning”. Apart from the release as single “Twenty years“ also appears on the best-of compilation “Once more with feeling”.

Screenshot from the official "Twenty years" video.

According to Brian ”Twenty years” is ”pure epic melancholy, a reflection on the passage of time and mortality. But it's not necessarily a sad song" (Delabel, 2004).
When it came out he was very proud of it. In an interview that took place one day after the release he said that it’s "possibly our best work so far! Y’know it’s really, really cool in that way…" (see quotes below).


The ๐Ÿ”ธ๐—Ÿ๐—œ๐—ฉ๐—˜ ๐—›๐—œ๐—ฆ๐—ง๐—ข๐—ฅ๐—ฌ๐Ÿ”ธ of the “Twenty years“ started on September 29th 2004 at MTV Designerama show in Berlin, Germany. It became one of the fans favourites at Placebo concerts and was part of the setlist until 2009, then reappeared on stage during the “Loud like love“ tour in 2013. From that point on it was played live every year without pause until 2018. The last performance took place at Sion Sous Les รˆtoiles festival in Switzerland on July 13th that year.
When played live the song often has an extra middle eight section added on, complete with heavy experimental guitar. Since 2009 live shows feature an arrangement of the song that was first performed during the Angkor Wat concert in Cambodia.

Up to now “Twenty years“ was played live 361 times. The shared version was recorded at Vieilles Charrues festival in France on July 21st 2006. The setlist consisted of 18 songs, and “Twenty years” was the last encore.

Screenshot from the official "Twenty years" video.

๐Ÿ“Œ ๐๐‘๐ˆ๐€๐ ๐Ž๐ “๐“๐–๐„๐๐“๐˜ ๐˜๐„๐€๐‘๐’“ ๐Ÿ“Œ
๐Ÿ“ข “It’s kind of… I’d say it’s a meditation on the passing of time, and it’s about recognizing the value of the present and the kind of the riches that you have in front of you, the gifts that you have in front of you, the love that surrounds you today. Like ‘don’t go home and listen to the Stryper record, you know, because it’s kind of a waste of time.’ (laugh) Enjoy what you have in front of you.”
(MTV Supersonic, 2004)

๐Ÿ“ข “‘Twenty Years’ is classic Placebo melancholy, it’s quite epic, all about the passing of time.”
(XFM.co.uk, September 2004)

๐Ÿ“ข ”In hindsight, I think 'Twenty years' is perhaps one of our greatest tracks. It's our closest track to 'With or without you' by U2, the ultimate song.”
(Les Inrockuptibles, November 2004)

Screenshot from the official "Twenty years" video.

๐Ÿ“ข "One of my best friends in the world is Paul Campion who was the singer of AC Acoustics and who helped me out on the lyrics when I had writers block for 'Every you Every' me on the second album. And whenever we’d sound check he’d always be playing this little guitar riff and singing the line ‘There are twenty years to go”. I always thought it would be an amazing AC Acoustic song but he never wrote it, and since he was such a good friend of mine, often when I’d pick up a guitar, to remind myself of him I’d play that riff and we all grew to fall in love with that record and always said that one day we were gonna flesh this out in to, you know, a proper song. It wasn’t until about six months ago that we actually started thinking about doing that, and three months ago since we actually did it… and it’s possibly our best work so far! [laughs] Y’know it’s really, really cool in that way…"
(Session at AOL, October 19th 2004)

Post by Silke 

Monday, October 25, 2021

✨๐—”๐—ก๐—ก๐—œ๐—ฉ๐—˜๐—ฅ๐—ฆ๐—”๐—ฅ๐—ฌ: ๐—ข๐—ก๐—–๐—˜ ๐— ๐—ข๐—ฅ๐—˜ ๐—ช๐—œ๐—ง๐—› ๐—™๐—˜๐—˜๐—Ÿ๐—œ๐—ก๐—š✨

Today we have another ๐—”๐—ก๐—ก๐—œ๐—ฉ๐—˜๐—ฅ๐—ฆ๐—”๐—ฅ๐—ฌ to celebrate: 17 years ago, on October 25th 2004, the compilation album “Once more with feeling – Singles 1996-2004” and the DVD “Once more with feeling – Videos 1996-2004” were released.

๐Ÿ’ฟ ๐—ข๐—ก๐—–๐—˜ ๐— ๐—ข๐—ฅ๐—˜ ๐—ช๐—œ๐—ง๐—› ๐—™๐—˜๐—˜๐—Ÿ๐—œ๐—ก๐—š – ๐—ฆ๐—œ๐—ก๐—š๐—Ÿ๐—˜๐—ฆ
๐ŸŽต https://bit.ly/3CM2I37 ๐ŸŽต

Brian said about the compilation that it's not a 'Best of' album but a simple single collection in chronological order and the main reason for the release was that the record label wanted them to do it (see quotes below).
The CD contained 17 singles and two new songs, “I do” and “Twenty years”. It only lacks Placebo's debut single “Come home” and “Burger Queen Francais”, which was a French release only.
There's also a limited edition of the album which includes a bonus disc with ten remixes.

๐Ÿ“น ๐—ข๐—ก๐—–๐—˜ ๐— ๐—ข๐—ฅ๐—˜ ๐—ช๐—œ๐—ง๐—› ๐—™๐—˜๐—˜๐—Ÿ๐—œ๐—ก๐—š – ๐—ฉ๐—œ๐——๐—˜๐—ข๐—ฆ
๐ŸŽต https://bit.ly/3o7NRvP ๐ŸŽต

Photo credit: Cover of the DVD, screenshots from the videos / edit by Silke

The “Once more with feeling” DVD consists of all videos that Placebo have released from 1996 to 2004, except for “Come home” again. Additional there are some live videos and a band interview with the title “Care in the community”. The DVD also includes an exclusive audio commentary on all tracks by the band.

๐Ÿ“œ ๐—”๐—Ÿ๐—•๐—จ๐—  ๐—ฅ๐—˜๐—ฉ๐—œ๐—˜๐—ช
Career spanning compilation: While Placebo still retained underground status in the US, their albums have gone on to sell millions worldwide.
Clearly, the band's androgynous presence mixed with blistering guitar sounds akin to the Pixies' heaviest work have made a global impact. For those who have never heard Placebo before, this is the best place to start. Spanning an eight-year career, Once More With Feeling is an excellent introduction to this stylish and articulate band.
Here we find songs that play with sexuality ("Nancy Boy"), drug imagery ("Pure Morning", "Special K"), youth ("Teenage Angst") and love gone awry ("Without You I'm Nothing") in a clever fashion. The voice of Brian Molko is always on the edge of a breakdown against the furious drums, a guitar flurry, and keyboards--a sound that preceded the current crop of new wave influenced rock bands by years.
For those already converted to the cult of Placebo, there are two new tracks. With "I Do", the band goes against its own catalog by writing a happy song --this is a pure, simple love song that still has the Placebo stamp upon it. In contrast, "Twenty Years" is a somber guitar piece that's more typical Placebo, a bit reminiscent of the work on Without You I'm Nothing, and a nice way to round out this collection.
(Outburn #28, 2005)

๐Ÿ“ ๐—•๐—ฅ๐—œ๐—”๐—ก ๐—ข๐—ก “๐—ข๐—ก๐—–๐—˜ ๐— ๐—ข๐—ฅ๐—˜ ๐—ช๐—œ๐—ง๐—› ๐—™๐—˜๐—˜๐—Ÿ๐—œ๐—ก๐—š” ๐Ÿ“ 
๐Ÿ“ข “I must point out that this this is not our Best of. It’s just a simple singles collection, and, if anyone had asked me wether we wanted to do it, I would say no. We haven’t decided the tracklist on the base of our wish or our favourite songs. We only followed a chronological order.“
(All Music, October 2004)

๐Ÿ“ข “Since we released 'Black Market Music' the record label wanted to release a 'singles' CD. Fortunately the label was very kind to us and postponed its release. We had many things to explore with Placebo yet and we feared that releasing a compilation album would get the wrong message. Unless there is something new in it, a 'best of' feels like a way to get money from the fans and I've always been against that. So when the 'Soulmates never die' tour ended, we decided to release the compilation with a couple of new songs and a CD with remixes of some of our songs.“
(Scars, 2006)

Cover of the album

๐Ÿ’ฟ  ๐—ง๐—ฅ๐—”๐—–๐—ž๐—Ÿ๐—œ๐—ฆ๐—ง
01. 36 Degrees
02. Teenage Angst
03. Nancy Boy
04. Bruise Pristine
05. Pure Morning
06. You don't care about us
07. Every you Every me
08. Without you I’m nothing (ft David Bowie)
09. Taste in men
10. Slave to the wage
11. Special K
12. Black-Eyed
13. The bitter end
14. This Picture
15. Special needs
16. English Summer Rain
17. Protรจge-moi
18. I do
19. Twenty years

๐Ÿ’ฟ  ๐—Ÿ๐—œ๐— ๐—œ๐—ง๐—˜๐—— ๐—˜๐——๐—œ๐—ง๐—œ๐—ข๐—ก ๐—•๐—ข๐—ก๐—จ๐—ฆ ๐——๐—œ๐—ฆ๐—–
01. Special K (Timo Maas remix)
02. Without you I'm nothing (Unkle remix)
03. Every you Every me (Infected by the scourge of the earth mix)
04. Protรจge-moi (M83 remix)
05. Slave to the wage (I can't believe it's a remix)
06. Pure Morning (Les Rhythms Digitales remix)
07. Taste in men (Alpinestars Kamikaze Skimix)
08. Black-Eyed (Placebo vs. Le Vibrator mix)
09. English Summer Rain (Freelance Hellraiser remix)
10. This Picture (Junior Sanchez remix)

๐Ÿ“น  ๐—ข๐—ก๐—–๐—˜ ๐— ๐—ข๐—ฅ๐—˜ ๐—ช๐—œ๐—ง๐—› ๐—™๐—˜๐—˜๐—Ÿ๐—œ๐—ก๐—š ๐——๐—ฉ๐——
01. 36 Degrees
02. Teenage Angst
03. Nancy Boy
04. Bruise Pristine
05. Pure Morning
06. You don't care about us
07. Every you Every me
08. Without you I’m nothing (ft David Bowie)
09. Taste in men
10. Slave to the wage
11. Special K
12. Black-Eyed
13. The bitter end
14. This Picture
15. Special needs
16. English Summer Rain
17. Protรจge-moi (live)

Post by Silke

Saturday, August 21, 2021

⭐ ๐๐‘๐ˆ๐€๐ ๐Œ๐Ž๐‹๐Š๐Ž ๐ˆ๐๐“๐„๐‘๐•๐ˆ๐„๐– ๐Ž๐ "๐‹๐ˆ๐๐„๐‘๐“๐„́ - ๐„๐†๐€๐‹๐ˆ๐“๐„́ - ๐Œ.๐€.๐”.๐‘.๐€.๐ƒ" ๐Ÿ๐ŸŽ๐ŸŽ๐Ÿ’ ⭐

๐‘ฏ๐’†๐’๐’๐’ ๐’…๐’†๐’‚๐’“ ๐’”๐’๐’–๐’๐’Ž๐’‚๐’•๐’†๐’”!

This afternoon I'm sure we are going to have a great time together because we're going to enjoy one of the funniest interviews you can find of ๐‘ฉ๐’“๐’Š๐’‚๐’ ๐‘ด๐’๐’๐’Œ๐’. It was made on October 28, 2004 on the French radio show "๐‘ณ๐’Š๐’ƒ๐’†๐’“๐’•๐’†́ - ๐‘ฌ๐’ˆ๐’‚๐’๐’Š๐’•๐’†́ - ๐‘ด.๐‘จ.๐‘ผ.๐‘น.๐‘จ.๐‘ซ" on ๐‘ฌ๐’–๐’“๐’๐’‘๐’† ๐Ÿ.

Between questions from the fans, weird questions from the hosts and some jokes, I have chosen some fragments since the interview is pretty long. At the end I shared the link so you can listen to it in full and not miss all the atmosphere that was created in the program because there lies much of the magic of this interview.


๐Ÿ”ธ๐‘ฉ๐’†๐’‡๐’๐’“๐’† ๐’˜๐’† ๐’”๐’•๐’‚๐’“๐’•, ๐‘ฐ ๐’˜๐’๐’–๐’๐’… ๐’๐’Š๐’Œ๐’† ๐’•๐’ ๐’ˆ๐’Š๐’—๐’† ๐’”๐’‘๐’†๐’„๐’Š๐’‚๐’ ๐’•๐’‰๐’‚๐’๐’Œ๐’” ๐’•๐’ ๐’๐’–๐’“ ๐’…๐’†๐’‚๐’“ ๐‘ณ๐’‚๐’†๐’•๐’Š๐’•๐’Š๐’‚ ๐‘ฌ๐’—๐’‚๐’๐’Š๐’‚ ๐’‡๐’๐’“ ๐’‰๐’†๐’“ ๐’†๐’™๐’„๐’†๐’๐’๐’†๐’๐’• ๐’˜๐’๐’“๐’Œ ๐’Š๐’ ๐’•๐’“๐’‚๐’๐’”๐’๐’‚๐’•๐’Š๐’๐’ˆ ๐’•๐’‰๐’† ๐’˜๐’‰๐’๐’๐’† ๐’Š๐’๐’•๐’†๐’“๐’—๐’Š๐’†๐’˜ ๐’‚๐’๐’… ๐’‡๐’๐’“ ๐’‰๐’†๐’“ ๐’Œ๐’Š๐’๐’…๐’๐’†๐’”๐’” ๐’Š๐’ ๐’”๐’‰๐’‚๐’“๐’Š๐’๐’ˆ ๐’Š๐’• ๐’˜๐’Š๐’•๐’‰ ๐’–๐’”. ๐Ÿ™๐Ÿ’–๐Ÿ’•

Photo credit: Scarlet Page

✨⭐ ๐๐‘๐ˆ๐€๐ ๐Œ๐Ž๐‹๐Š๐Ž ๐ˆ๐๐“๐„๐‘๐•๐ˆ๐„๐– ๐Ž๐ "๐‹๐ˆ๐๐„๐‘๐“๐„́ - ๐„๐†๐€๐‹๐ˆ๐“๐„́ - ๐Œ.๐€.๐”.๐‘.๐€.๐ƒ" ๐Ÿ๐ŸŽ๐ŸŽ๐Ÿ’ ⭐✨


๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Brian Molko is with us in the studio. It's great. My niece loves you, my brother loves you. My name is Maurad. Can you say: 'I am with Maurad'?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I am with Maurad.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Do you hear my niece? Brian Molko is with us! Brian Molko, you speak French very well, you were born in Luxembourg, right?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: No, no, I was born in Belgium.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: You lived in Luxembourg. You lived in Lebanon and now you live in London. Was the GPS invented for you?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: No, not at all. They've invented the Rizzla for me, perhaps.
๐Ÿ”ธ๐‘ฉ๐’๐’–๐’…๐’Š๐’๐’†: Rizzla is cigarette rolling paper.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: How does feel it do...? There are a lot of people in the street…
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: How does it feel to be in the studio with you, right?

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Yes, how does it feel?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I'm completely overwhelmed.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: There are a lot of people who want to ask you questions. You've sold over 5 million albums worldwide, 700,000 of the best-of which will be released soon. That's impressive. Laura is with us. How are you?
๐Ÿ“ž ๐‘ณ๐’‚๐’–๐’“๐’‚: Yes, I'm fine. My heart is beating a mile a minute.
๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: You have a question for Brian Molko?
๐Ÿ“ž ๐‘ณ๐’‚๐’–๐’“๐’‚: Yes. Hi Brian, I wanted to know when your next album will be released?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: In 2006. In 2005, we will produce it. We've been touring for two years now so we still need to take some time off and then we're going to do the new album in 2005 and it's going to be out in 2006.

Photo credit: Renaud Monfourny, HD edit by molko_remastered

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Let's talk about your outfit. Why do you always wear black?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I dress in black because it's easier to travel with and it makes you look slimmer.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Slimmer?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Yes.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Celine's here and wants to ask Brian a question. Ask your question, Celine.
๐Ÿ“ž ๐‘ช๐’†๐’๐’Š๐’๐’†: Hi, Brian.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Hi.
๐Ÿ“ž ๐‘ช๐’†๐’๐’Š๐’๐’†: I wanted to know why you like the French public so much?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: It's the French public that loves us. It's been a love story with the French public since the first single. There was a connection. I think it's because there's a long culture of literary romance in France. When I was at school, I studied Baudelaire…

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Do rock stars go to school?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I even went to university.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: I thought rock stars didn't go to school, that they were rebels and stuff. You went to university and what did you study?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Drama.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Computer science, right.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: No... Drama.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: So you went to Star Academy?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: No, I didn't.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Celine, do you have another question for Brian?
๐Ÿ“ž ๐‘ช๐’†๐’๐’Š๐’๐’†: Yes. Last year, at the concert in Geneva, you fell and hurt your thumb. Did it bother you at the concert?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I remember I fell off the stage. It was the first time I fell. I think it's a rock clichรฉ. You have to go through the rock clichรฉs and then I fell off the stage. These things happen. It made me laugh a lot. I didn't get hurt too much. I could have been hurt but it was okay.

Photo credit: Scarlet Page

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: We're with Brian Molko. We're going to make him do a 'Courthouse'. We'll talk about everything that's going on with him in total freedom. Placebo's releasing a best-of album.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: It's not a best-of.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’… : What is it then?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: It's a historical document.

✨✨✨✨✨

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Honestly, among the famous people, who do you find pretty?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I like Angelina Joly. She's pretty. Although he's dead, I've always liked River Phoenix.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: River Phoenix. What does she look like, Boudine?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: It's a boy.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: A boy? What does he look like?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: He's dead.

✨✨✨✨✨

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Look what it says on the paper, it's written 'sex' on it. We're going to talk about sex with Brian Molko. But before we do, Sarah's here to ask Brian a question.
๐Ÿ“ž ๐‘บ๐’‚๐’“๐’‚๐’‰: Hi, Brian!
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Hi Sarah.
๐Ÿ“ž ๐‘บ๐’‚๐’“๐’‚๐’‰: Since your beginning of your career, you've always been seen as an outsider. But with the success of the last album, do you still define yourself as an outsider?
๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: What a serious question!
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I don't feel comfortable .... even with the idea of being Brian Molko and being the singer of Placebo. I still feel a bit of an outsider. I hope success hasn't changed me too much.

๐Ÿ”ธ๐‘ฉ๐’๐’–๐’…๐’Š๐’๐’†: I get the impression that you don't like compliments, that you're not comfortable with compliments?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: No, not really.

๐Ÿ”ธ๐‘ฉ๐’๐’–๐’…๐’Š๐’๐’†: Does it shock you? Does it upset you?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: No, because I don't really believe it.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Stop fussing Boudine! My 'little' Brian, we're about to go into a place…
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I am not your 'little' Brian Molko.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: What are you to me then?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I'm your 'big' Brian Molko.

✨✨✨✨✨

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Ask your question, we'll see later.
๐Ÿ“ž ๐‘จ๐’…๐’†๐’๐’Š๐’๐’†: Hi, Brian.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Hi.

๐Ÿ“ž ๐‘จ๐’…๐’†๐’๐’Š๐’๐’†: You okay?
๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: [...] Ask your question Adeline.

๐Ÿ“ž ๐‘จ๐’…๐’†๐’๐’Š๐’๐’†: I saw you live in Vienna and you kissed Stefan on the mouth.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: So what!

๐Ÿ“ž ๐‘จ๐’…๐’†๐’๐’Š๐’๐’†: This is a bit of a personal question, but I would have liked to know if it had gone further with him.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: If I'm friend with him?

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: No. Further physically.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Ah! Further... No. A little bit further but not too far. We have a band together, we see each other every day.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: It's a bit complicated. Not at work.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Don't sh*t where you live.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’… : Exactly. Good one! That's a great metaphor. Have you ever dated guys from other bands?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Yeah, well…

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: You don't want to tell us?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: No, I don't.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: It's only the singer from U2, you can say it!
๐Ÿ”ธ๐‘ฉ๐’๐’–๐’…๐’Š๐’๐’†: Or Etienne Daho.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: No, stop it. Never.

Photo credit: Alex Vanhee  

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Do you have a question for Brian Molko?
๐Ÿ“ž ๐‘บ๐’‚๐’๐’…๐’š: I'd like to know who's the crookest person you've ever met in showbusiness?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: The crookest person.. Sting.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Sting is an a**hole?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Yeah, yeah. He's awful.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Why?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I can't really explain what happened, but.. trust me, he's an a**hole.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: We're going to enter 'The Courthouse' with Brian Molko. This time you can't escape. You had the time to think about your story. It 11 pm, we're going to listen to you about a sex strory you experienced.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I don't know what you want me to tell. Explain to me, be more specific.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: A story you experienced in real life, a story during a tour…
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I'm in a rock band so, lots of things happened.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: One story which ended…
๐Ÿ”ธ๐‘ฉ๐’๐’–๐’…๐’Š๐’๐’†: Your last orgy.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Yeah, why not. For example…


๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Your last orgy
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: My last orgy…
๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: When was it?
๐Ÿ”ธ๐‘ฉ๐’๐’–๐’…๐’Š๐’๐’†: With Etienne Daho.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Stop, stop with Etienne. He's my friend. Stop.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Tell us your last orgy.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: The last orgy... It was a long time ago, because now I'm a very religious person these days - and I believe in Jesus and, after the broadcast, I'd like to talk about Jesus to you.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Alright.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I notice you're lacking of ethical fiber.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: That's not true.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: And I'd like to talk about Jesus a bit.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Now? You're kidding me. He's kidding me! You will tell your story for sure.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I've tried something (...) like politicians. They never answer the question, that's cool.
Photo credit: Scarlet Page

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: [...] Aurore, are you all right? Do you have a question for Brian?
๐Ÿ“ž ๐‘จ๐’–๐’“๐’๐’“๐’†: Hey, everybody, hi Brian. First of all,.... I know you don't like to talk about your past, but I wanted to know if some of your songs were a reflection of a rather difficult past life?


๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: You all ask very serious questions! Have you ever been asked such questions?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Yeah, but it's not a bad question.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: What the kind of questions you've never been asked?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Which question should I answer then?

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Answer Aurore's.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Can you repeat please?
๐Ÿ“ž ๐‘จ๐’–๐’“๐’๐’“๐’†: I wanted to know if your songs reflect a difficult past life?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Yes, yes, of course. You don't publish your diary on a record. It's a mixture of truth and fantasy. It's art, it's not a documentary. And it needs work. It's inspired by your emotions but also by the emotions of your friends, your parents, your relatives or even by TV or what you read, the cinema.
๐Ÿ“ž ๐‘จ๐’–๐’“๐’๐’“๐’†: Thank you.

✨✨✨✨✨

๐Ÿ”ธ๐‘ฉ๐’๐’–๐’…๐’Š๐’๐’†: After Wembley, what are you going to do?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I'm going to India.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: India? What's in india?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I want to go somewhere as far away from the music business as possible.

๐Ÿ”ธ๐‘ฉ๐’๐’–๐’…๐’Š๐’๐’†: To write?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: No, to live.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: For how long?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: About three or four months. You guys are cool but I get asked questions all the time. We've been working for two years and I'm really tired of being Brian Molko. I wanna go somewhere to be Brian.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Okay. What's the one question you've never been asked that you wish you'd been asked?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: "How did you get to be so hot?"

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: But a believable question... So tell us how you got so hot. Tell us.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: It's my parents' fault. I like to discuss religion.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Are you religious?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: No, I'm not.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Were you brought up Catholic?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Not Catholic, but very religious. I find it fascinating and it has given me a lot of metaphors that I use in my songs. The Bible is a fascinating book. It has nothing to do with real life. It was written by frustrated people who wanted to control people. It's full of metaphors, full of violence, full of sex, full of incest and so on.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: That's life.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: You can use these people as metaphors.

Photo credit: Tony Barson Archive 

๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Please let me go!
๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: We'll let you go but there are still a few questions. Do you get your clothes or do you buy them ?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I buy a lot of clothes and some are given to me too. I know people in the fashion business. It's really cool to be a musician because you get clothes to wear on TV and at the same time you have to buy stuffs. You don't wear Dior every day and at home you have to wear something.

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: Have you ever been offered to do modelling?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I did it once and I didn't like it at all. I'm short.

๐Ÿ”ธ๐‘ฉ๐’๐’–๐’…๐’Š๐’๐’†: There are no more criteria in modelling, when you have a look, a face, that's enough.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: It was for a friend of mine who is a designer. I did it once. I met a lot of models and I found them quite vicious.

๐Ÿ”ธ๐‘ฉ๐’๐’–๐’…๐’Š๐’๐’†: Another question: what's your best proof of your love you did for someone? Something incredible.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Oh sh*t…

๐Ÿ”น๐‘ด๐’‚๐’–๐’“๐’‚๐’…: In the bathroom! That's disgusting! It's scatophiliac!
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: Not my thing. Not at all.

๐Ÿ”ธ๐‘ฉ๐’๐’–๐’…๐’Š๐’๐’†: A mind-blowing thing?
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I find that you can make strong actions, symbolic things like that but if you listen when she/he talks, it's much more important. That's it.

๐Ÿ”ธ๐‘ฉ๐’๐’–๐’…๐’Š๐’๐’†: It could be a song too, writing a song for someone. For love.
๐ŸŽค๐‘ฉ๐’“๐’Š๐’‚๐’: I have written a lot of songs for many people. The people who are in my songs are a composite of several people and often it's me. When I say "You", I am talking to myself.


⭐๐‹๐ข๐ฌ๐ญ๐ž๐ง ๐ญ๐ก๐ž ๐ฐ๐ก๐จ๐ฅ๐ž ๐ข๐ง๐ญ๐ž๐ซ๐ฏ๐ข๐ž๐ฐ ๐ก๐ž๐ซ๐ž:

https://youtu.be/BWrnDyQKgX4


✒️๐‘ป๐’“๐’‚๐’๐’”๐’๐’‚๐’•๐’Š๐’๐’ & ๐’•๐’“๐’‚๐’๐’”๐’„๐’“๐’Š๐’‘๐’•๐’Š๐’๐’ ๐’ƒ๐’š ๐‘ณ๐’‚๐’†๐’•๐’Š๐’•๐’Š๐’‚ ๐‘ฌ๐’—๐’‚๐’๐’Š๐’‚.

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