𝐈𝐍𝐓𝐄𝐑𝐕𝐈𝐄𝐖 𝐖𝐈𝐓𝐇 𝐁𝐑𝐈𝐀𝐍 – 𝐘𝐎𝐎𝐌𝐀𝐆 𝟐𝟎𝟎𝟗

❇️"𝘼𝙛𝙩𝙚𝙧 𝙨𝙤 𝙢𝙖𝙣𝙮 𝙘𝙤𝙣𝙘𝙚𝙧𝙩𝙨 𝙙𝙧𝙪𝙣𝙠 𝙤𝙧 𝙨𝙩𝙤𝙣𝙚𝙙, 𝙄 𝙧𝙚𝙖𝙡𝙞𝙨𝙚 𝙝𝙤𝙬 𝙢𝙪𝙘𝙝 𝙄 𝙙𝙞𝙨𝙧𝙚𝙨𝙥𝙚𝙘𝙩𝙚𝙙 𝙩𝙝𝙚 𝙖𝙪𝙙𝙞𝙚𝙣𝙘𝙚. 𝙏𝙤𝙙𝙖𝙮, 𝙚𝙫𝙚𝙧𝙮𝙩𝙝𝙞𝙣𝙜 𝙄 𝙛𝙚𝙚𝙡 𝙤𝙣 𝙨𝙩𝙖𝙜𝙚 𝙞𝙨 𝙧𝙚𝙖𝙡, 𝙬𝙝𝙚𝙧𝙚𝙖𝙨 𝙪𝙣𝙩𝙞𝙡 𝙣𝙤𝙬, 𝙖𝙡𝙡 𝙢𝙮 𝙚𝙢𝙤𝙩𝙞𝙤𝙣𝙨 𝙬𝙚𝙧𝙚 𝙙𝙞𝙨𝙩𝙤𝙧𝙩𝙚𝙙 𝙗𝙮 𝙬𝙝𝙖𝙩 𝙄 𝙬𝙖𝙨 𝙙𝙧𝙞𝙣𝙠𝙞𝙣𝙜... 𝙄𝙩 𝙤𝙣𝙡𝙮 𝙢𝙖𝙙𝙚 𝙢𝙚 𝙛𝙚𝙚𝙡 𝙬𝙤𝙧𝙨𝙚: 𝙄 𝙬𝙖𝙨 𝙤𝙣 𝙨𝙩𝙖𝙜𝙚, 𝙞𝙣 𝙛𝙧𝙤𝙣𝙩 𝙤𝙛 𝙙𝙤𝙯𝙚𝙣𝙨 𝙤𝙛 𝙥𝙚𝙤𝙥𝙡𝙚 𝙬𝙚𝙖𝙧𝙞𝙣𝙜 𝙢𝙮 𝙛𝙖𝙘𝙚 𝙤𝙣 𝙩𝙝𝙚𝙞𝙧 𝙩-𝙨𝙝𝙞𝙧𝙩𝙨, 𝙨𝙝𝙤𝙪𝙩𝙞𝙣𝙜 "𝙄 𝙡𝙤𝙫𝙚 𝙮𝙤𝙪" 𝙬𝙝𝙞𝙡𝙚 𝙄 𝙝𝙖𝙩𝙚𝙙 𝙢𝙮𝙨𝙚𝙡𝙛. 𝙄 𝙛𝙚𝙡𝙩 𝙡𝙞𝙠𝙚 𝙨𝙝𝙤𝙪𝙩𝙞𝙣𝙜 𝙖𝙩 𝙩𝙝𝙚𝙢: "𝙮𝙤𝙪 𝙬𝙤𝙪𝙡𝙙𝙣'𝙩 𝙡𝙤𝙫𝙚 𝙢𝙚 𝙞𝙛 𝙮𝙤𝙪 𝙠𝙣𝙚𝙬 𝙢𝙚"... "❇️
(Brian Molko, 𝑌𝑜𝑜𝑚𝑎𝑔.𝑓𝑟, May 31st, 2009)

𝑃ℎ𝑜𝑡𝑜𝑠 𝑐𝑟𝑒𝑑𝑖𝑡: 𝑇𝑟𝑖𝑝 𝐹𝑜𝑛𝑡𝑎𝑖𝑛𝑒 (3), 𝐵𝑎𝑐𝑘𝑔𝑟𝑜𝑢𝑑: 𝐵𝑎𝑡𝑡𝑙𝑒 𝐹𝑜𝑟 𝑇ℎ𝑒 𝑆𝑢𝑛 𝑐𝑜𝑣𝑒𝑟, edit by Laetitia

✨𝘈𝘴 𝘐 𝘸𝘢𝘴 𝘳𝘦𝘢𝘥𝘪𝘯𝘨 𝘵𝘩𝘪𝘴 𝘪𝘯𝘵𝘦𝘳𝘷𝘪𝘦𝘸 𝘸𝘪𝘵𝘩 𝘉𝘳𝘪𝘢𝘯, 𝘵𝘩𝘪𝘴 𝘲𝘶𝘰𝘵𝘦 𝘤𝘢𝘶𝘨𝘩𝘵 𝘮𝘺 𝘦𝘺𝘦. 𝘚𝘦𝘭𝘧-𝘲𝘶𝘦𝘴𝘵𝘪𝘰𝘯𝘪𝘯𝘨 𝘪𝘴 𝘴𝘶𝘤𝘩 𝘢 𝘥𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵 𝘱𝘢𝘳𝘵 𝘪𝘯 𝘭𝘪𝘧𝘦. 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵 𝘥𝘦𝘤𝘪𝘴𝘪𝘰𝘯𝘴 𝘵𝘰 𝘮𝘢𝘬𝘦, 𝘣𝘶𝘵 𝘯𝘦𝘤𝘦𝘴𝘴𝘢𝘳𝘺 𝘰𝘯𝘦𝘴. Ending an addiction is a difficult choice to make, one that creates a constant daily struggle and scratches one's self-esteem.

𝘛𝘩𝘦 𝘵𝘳𝘢𝘯𝘴𝘪𝘵𝘪𝘰𝘯 𝘧𝘳𝘰𝘮 𝘔𝘦𝘥𝘴 𝘵𝘰 𝘉𝘢𝘵𝘭𝘭𝘦 𝘍𝘰𝘳 𝘛𝘩𝘦 𝘚𝘶𝘯 𝘸𝘢𝘴 𝘢 𝘣𝘪𝘵 𝘤𝘩𝘢𝘰𝘵𝘪𝘤. 𝘉𝘶𝘵 𝘉𝘳𝘪𝘢𝘯 𝘢𝘯𝘥 𝘚𝘵𝘦𝘧 𝘰𝘷𝘦𝘳𝘤𝘢𝘮𝘦 𝘵𝘩𝘦𝘪𝘳 𝘢𝘥𝘥𝘪𝘤𝘵𝘪𝘰𝘯𝘴 𝘢𝘯𝘥 𝘨𝘢𝘷𝘦 𝘶𝘴 𝘢𝘯 𝘢𝘭𝘣𝘶𝘮. 𝘞𝘩𝘢𝘵 𝘢𝘯 𝘢𝘭𝘣𝘶𝘮 ! 𝘐𝘯 𝘵𝘩𝘪𝘴 𝘪𝘯𝘵𝘦𝘳𝘷𝘪𝘦𝘸, 𝘉𝘳𝘪𝘢𝘯 𝘦𝘹𝘱𝘭𝘢𝘪𝘯𝘴 𝘵𝘩𝘢𝘵 𝘵𝘩𝘦 𝘢𝘶𝘥𝘪𝘦𝘯𝘤𝘦 𝘸𝘢𝘴 𝘢 𝘥𝘳𝘪𝘷𝘪𝘯𝘨 𝘧𝘰𝘳𝘤𝘦 𝘵𝘰 𝘨𝘦𝘵 𝘰𝘶𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘷𝘪𝘤𝘪𝘰𝘶𝘴 𝘤𝘪𝘳𝘤𝘭𝘦 𝘪𝘯 𝘸𝘩𝘪𝘤𝘩 𝘵𝘩𝘦 𝘣𝘢𝘯𝘥 𝘸𝘢𝘴 𝘮𝘪𝘳𝘦𝘥, 𝘯𝘰𝘵 𝘸𝘪𝘵𝘩𝘰𝘶𝘵 𝘴𝘩𝘢𝘮𝘦 𝘢𝘯𝘥 𝘸𝘪𝘵𝘩 𝘢 𝘨𝘳𝘦𝘢𝘵 𝘥𝘦𝘢𝘭 𝘰𝘧 𝘩𝘶𝘮𝘪𝘭𝘪𝘵𝘺. 𝘛𝘩𝘦 𝘳𝘦𝘣𝘪𝘳𝘵𝘩 𝘰𝘧 𝘵𝘩𝘦 𝘣𝘢𝘯𝘥 𝘸𝘢𝘴 𝘢 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘳𝘦𝘣𝘪𝘳𝘵𝘩 𝘧𝘰𝘳 𝘉𝘳𝘪𝘢𝘯 𝘪𝘵 𝘴𝘦𝘦𝘮𝘴.✨

🔶🔸🔶🔸🔶🔸

➡️ Placebo's time to reconsider has finally come: far from the routine and clumsy Meds, we rediscover a scathing and ambitious band, carried at arm's length by Brian Molko who has cleaned up his life. Even if it means finding corpses in the wardrobe.

Placebo has come a long way. From a black hole, bottomless, where the routine of excesses and abuses had pushed him to at the time of his last album, Meds. An album more comatose than medicated, with which the band - and a part of its public - came close to overdosing: unable to renew itself, damaged by its lifestyle, relentless tours and calamitous internal relations, Placebo had almost thrown in the towel. But Brian Molko was too attached to the band he had founded as a way out of a dull life to let it go. Since then, the trio has rebuilt itself, rediscovered the simple joy of playing, life without drugs or alcohol, a career without a major-company to rush it. A new label, independent this time, a new drummer, a new drive, a new hunger: it is a Brian Molko who is quite wound up and relieved to have emerged unscathed from these dark years who welcomes us to his home in London. On the new album, the ambitious and serene Battle For The Sun, we hear him sing "I need to change my skin". It was a good opportunity to ask him to bare his soul for a no-holds-barred interview.

Photo credit: Jean-Baptiste Quentin

💠𝑻𝒉𝒆 𝒏𝒆𝒘 𝒂𝒍𝒃𝒖𝒎 𝒃𝒆𝒈𝒊𝒏𝒔 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝒘𝒐𝒓𝒅𝒔: "𝑰 𝒏𝒆𝒆𝒅 𝒂 𝒄𝒉𝒂𝒏𝒈𝒆 𝒐𝒇 𝒔𝒌𝒊𝒏".

🔊There's definitely a sense of rebirth. After Meds, we were at the end of our contract with our major label, so it forced us to ask ourselves the question: what do we imagine the future to be for Placebo? It was time to clean up, we were no longer happy in the band. If we hadn't taken the bull by the horns, we would have kept the band alive for a few years before an inevitable decline. I didn't sacrifice everything for fifteen years to let the group die slowly. When one corner collapses in a triangle, it jeopardises the whole balance. Here we were drifting apart, the creativity was suffering. Instead of standing together, as we had done in the beginning, Stefan (Olsdal, bassist) and I huddled together out of survival instinct. Placebo, instead of being a band, became a brand, a simple brand: I was compromised, without any sincerity, I felt like I was going to work, with colleagues who were less and less close to me. It was a simulacrum of democracy.


💠𝑨𝒕 𝒘𝒉𝒂𝒕 𝒑𝒐𝒊𝒏𝒕 𝒅𝒊𝒅 𝒚𝒐𝒖 𝒇𝒆𝒆𝒍 𝒕𝒉𝒊𝒔 𝒅𝒆𝒄𝒍𝒊𝒏𝒆 𝒐𝒇 𝑷𝒍𝒂𝒄𝒆𝒃𝒐?

🔊During the recording of 𝑴𝒆𝒅𝒔... We left the studio with no pride, disunited, washed up. But there was a tour to provide, so we went to the front, as if nothing had happened. I hoped it would heal the wounds: it did. For two years on the road I was really lonely. I had no choice but to continue - I don't know how to do anything else, it's my destiny, my only value... With 𝑺𝒕𝒆𝒇𝒂𝒏, we then decided to recover our band, its spirit, the innocence it had when we were composing, in '94, in a council estate... We couldn't go on with this cynicism. Even on stage, we were pretending, it was no longer "us against the rest of the world".


💠𝑺𝒑𝒆𝒄𝒊𝒇𝒊𝒄𝒂𝒍𝒍𝒚,, 𝒕𝒉𝒆 𝒑𝒓𝒐𝒃𝒍𝒆𝒎 𝒘𝒂𝒔 𝒚𝒐𝒖𝒓 𝒅𝒓𝒖𝒎𝒎𝒆𝒓, 𝑺𝒕𝒆𝒗𝒆𝒏 𝑯𝒆𝒘𝒊𝒕𝒕. 𝑫𝒊𝒅 𝒚𝒐𝒖 𝒇𝒊𝒙 𝒊𝒕 𝒊𝒏 𝒑𝒆𝒓𝒔𝒐𝒏?

🔊At the end of the tour, we couldn't even look each other in the eye... He was... unpredictable, I was afraid of his reaction, emotionally and even physically. So I told him by email, and then our manager officially told him that he was no longer in the band. That was two years ago, we never spoke again. Since then we've recruited another Steven (Forrest) on drums, his youth, his hunger, his optimism as a young Californian has been crucial for us. He has "open minded" tattooed on his knuckles, and that's no joke. We needed him to get us out of our thirties, to make us into brats again.

Photo credit: Scarlet Page

💠𝑫𝒊𝒅 𝒚𝒐𝒖 𝒄𝒉𝒂𝒏𝒈𝒆 𝒚𝒐𝒖𝒓 𝒓𝒆𝒄𝒐𝒓𝒅𝒊𝒏𝒈 𝒉𝒂𝒃𝒊𝒕𝒔?

🔊During the recording of the new album we forced ourselves to stay as far away from rock as possible, we only listened to classical music, or Fleet Foxes and Sígur Ros. It was important to live in a complete vacuum, to get away from our habits, from temptations - that's why we left London for Canada. It was a reaction to 𝑴𝒆𝒅𝒔, to its monochrome, claustrophobic, hopelessness - and also to its context of debauchery. I was dreaming of a more positive, colourful album, in technicolour rather than black and white... We felt a real relief when we finished 𝑩𝒂𝒕𝒕𝒍𝒆 𝑶𝒇 𝑻𝒉𝒆 𝑺𝒖𝒏, we surprised ourselves, getting rid of our inhibitions... We needed to challenge ourselves. We've come a long way.


💠𝑫𝒊𝒅 𝒚𝒐𝒖 𝒇𝒂𝒍𝒍 𝒊𝒏𝒕𝒐 𝒂 𝒓𝒐𝒖𝒕𝒊𝒏𝒆 𝒃𝒆𝒇𝒐𝒓𝒆 𝐁𝐚𝐭𝐭𝐥𝐞 𝐅𝐨𝐫 𝐓𝐡𝐞 𝐒𝐮𝐧?

🔊Since our beginnings, fifteen years ago, there was never really any respite, a routine had set in: writing, then recording an album, then two years of touring, then six months of idleness... This time, the gap was even longer, because we didn't want to entrust our music to a major-company, we wanted to finance everything and do it ourselves. So the recording of 𝑩𝒂𝒕𝒕𝒍𝒆 𝑶𝒇 𝑻𝒉𝒆 𝑺𝒖𝒏 in Toronto was a real joy, without a marketing manager in the back wondering if we had a single in the works... Even our manager didn't know what we were doing. She was getting bills - recording brass or strings - and was worried about what was going on...


💠𝑨𝒓𝒆 𝒚𝒐𝒖 𝒍𝒐𝒐𝒌𝒊𝒏𝒈 𝒇𝒐𝒓𝒘𝒂𝒓𝒅 𝒕𝒐 𝒈𝒆𝒕𝒕𝒊𝒏𝒈 𝒃𝒂𝒄𝒌 𝒐𝒏 𝒔𝒕𝒂𝒈𝒆?

🔊I need the public's feedback, their recognition. Right now, I'm in doubt, the vagueness, it's killing me. I need to be on stage, financially, of course, but above all psychologically. This exhibitionism is as necessary to me as eating and drinking. Without the stage, I couldn't be happy or fulfilled.


💠𝒀𝒐𝒖 𝒔𝒆𝒆𝒎 𝒖𝒏𝒂𝒃𝒍𝒆 𝒕𝒐 𝒔𝒕𝒐𝒑: 𝒘𝒉𝒆𝒏 𝑷𝒍𝒂𝒄𝒆𝒃𝒐 𝒈𝒊𝒗𝒆𝒔 𝒚𝒐𝒖 𝒂 𝒔𝒆𝒄𝒐𝒏𝒅, 𝒚𝒐𝒖 𝒓𝒆𝒄𝒐𝒓𝒅 𝒆𝒍𝒔𝒆𝒘𝒉𝒆𝒓𝒆, 𝒘𝒊𝒕𝒉 𝒐𝒕𝒉𝒆𝒓𝒔. 𝑰𝒔 𝒕𝒉𝒊𝒔 𝒂 𝒘𝒂𝒚 𝒐𝒇 𝒆𝒔𝒄𝒂𝒑𝒊𝒏𝒈, 𝒂 𝒘𝒂𝒚 𝒐𝒇 𝒏𝒆𝒗𝒆𝒓 𝒉𝒂𝒗𝒊𝒏𝒈 𝒕𝒐 𝒘𝒐𝒓𝒓𝒚?

🔊I have to be constantly busy. Solitude doesn't work for me, I can easily fall into total isolation. As a kid, I was already like that, on the sidelines, apart, alienated from others, even from my family. I used to lock myself up in my room, in Luxembourg, with my records and my guitar. It's very easy for me to relapse. I have to fight against that: having too much time to think can be very harmful for me.


💠𝑪𝒂𝒏 𝒚𝒐𝒖 𝒓𝒆𝒂𝒅𝒋𝒖𝒔𝒕 𝒕𝒐 𝒆𝒗𝒆𝒓𝒚𝒅𝒂𝒚 𝒍𝒊𝒇𝒆 𝒂𝒇𝒕𝒆𝒓 𝒂 𝒕𝒐𝒖𝒓?

🔊I don't go straight home, I keep travelling a bit, I come back in decompression stages. For two months, all I do is sleep. All the illnesses that I've managed to stave off for two years on tour then fall on me. I emerge from a bubble, I feel fragile, absent, reluctant to do anything... I'm not there for anyone, I shut down. On tour, every decision is taken by someone else, I become totally assisted and it exhausts me to be so dependent on others, I often wish I could cook for myself, do my own laundry... When I come back home, I regain some skills, an autonomy. Doing the dishes and cleaning becomes a necessity.


💠𝒀𝒐𝒖'𝒗𝒆 𝒃𝒆𝒆𝒏 𝒑𝒍𝒂𝒚𝒊𝒏𝒈 𝒊𝒏 𝑷𝒍𝒂𝒄𝒆𝒃𝒐 𝒇𝒐𝒓 𝒇𝒊𝒇𝒕𝒆𝒆𝒏 𝒚𝒆𝒂𝒓𝒔. 𝑯𝒂𝒔 𝒊𝒕 𝒍𝒊𝒗𝒆𝒅 𝒖𝒑 𝒕𝒐 𝒚𝒐𝒖𝒓 𝒅𝒓𝒆𝒂𝒎𝒔?

🔊Since I was 14/15 years old, all the decisions I made in my life were in this direction: to find my way, through theatre, cinema and then music, to refuse the working world. Blindly, I believed in my lucky star. I remember myself, as a kid, sitting on the toilet, answering imaginary interviews... In my head, it was never a question of "if I am successful one day" but of "when will I be successful"... I burned all the bridges behind me for this dream. Living in my dreams was a form of protection. I felt totally divorced from society, I knew I couldn't fit in.

Photo credit: Radio XFM 

💠𝑫𝒊𝒅 𝒚𝒐𝒖 𝒉𝒂𝒗𝒆 𝒕𝒐 𝒊𝒏𝒗𝒆𝒏𝒕 𝒂 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓 𝒇𝒐𝒓 𝒚𝒐𝒖𝒓𝒔𝒆𝒍𝒇 𝒕𝒐 𝒃𝒆 𝒕𝒉𝒆 𝒔𝒊𝒏𝒈𝒆𝒓 𝒐𝒇 𝑷𝒍𝒂𝒄𝒆𝒃𝒐?

🔊I had to, that was my response to success. I invented a very self-confident character, a bravado, a loudmouth - which was an outrageous exaggeration of myself. It's a way of feeling nothing, of fooling around with my lack of confidence, my self-hatred... And also of avoiding the clinical depression that has been following me since adolescence. Because if I could express myself through songs, I was unable to do so on a daily basis... But I had to end up killing this character, facing it. It happened shortly after the recording of Meds, which was a real orgy of drugs and abuse - it was our way of hiding from ourselves, of refusing to see that Placebo was in trouble... I was totally addicted to drugs and alcohol, I went to a clinic to treat myself (silence)... Four days after I got out of the hospital, I went on tour. In solidarity, Stefan also stopped drinking, it was the first time we toured sober, it was terrifying... After so many concerts drunk or stoned, I realise how much I disrespected the audience. Today, everything I feel on stage is real, whereas until now, all my emotions were distorted by what I was drinking... It only made me feel worse: I was on stage, in front of dozens of people wearing my face on their t-shirts, shouting "I love you" while I hated myself. I felt like shouting at them: "you wouldn't love me if you knew me"... Whatever mythology says, you sing better, you play better when you're sober... During the recording of the new album, in the studio, I was both physically and mentally present (laughs)...


💠𝒀𝒐𝒖 𝒈𝒓𝒆𝒘 𝒖𝒑 𝒊𝒏 𝑩𝒆𝒍𝒈𝒊𝒖𝒎, 𝑳𝒖𝒙𝒆𝒎𝒃𝒐𝒖𝒓𝒈, 𝑬𝒏𝒈𝒍𝒂𝒏𝒅, 𝒘𝒊𝒕𝒉 𝒂𝒏 𝑰𝒕𝒂𝒍𝒊𝒂𝒏-𝑭𝒓𝒆𝒏𝒄𝒉 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝒇𝒂𝒕𝒉𝒆𝒓 𝒂𝒏𝒅 𝒂 𝑺𝒄𝒐𝒕𝒕𝒊𝒔𝒉 𝒎𝒐𝒕𝒉𝒆𝒓 - 𝒅𝒊𝒅 𝒚𝒐𝒖 𝒍𝒂𝒄𝒌 𝒓𝒐𝒐𝒕𝒔?

🔊From home I was torn: my mother was very religious, my father was a businessman and both, for different reasons, disagreed with my desire for an artistic career... So from childhood I had to carve out my own path, I knew that there was nothing to expect from others, that one day I would prove them wrong, that I had something of my own... It gave me the strength and determination to become myself. This uprootedness probably contributed to the fact that I don't feel at home anywhere. It especially encouraged my loneliness. I would have loved to belong to a culture, a family, a clique, but it was closed to me. That's why I formed Placebo: as a substitute family. It's not just a band, it's my reason for being.


💠𝑶𝒏𝒄𝒆 𝒂𝒈𝒂𝒊𝒏, 𝒕𝒉𝒆 𝒕𝒉𝒆𝒎𝒆 𝒐𝒇 𝒅𝒓𝒖𝒈𝒔 𝒄𝒐𝒎𝒆𝒔 𝒖𝒑 𝒐𝒏 𝒕𝒉𝒊𝒔 𝒂𝒍𝒃𝒖𝒎. 𝑪𝒂𝒏 𝒚𝒐𝒖 𝒍𝒊𝒗𝒆 𝒘𝒊𝒕𝒉𝒐𝒖𝒕 𝒊𝒕?

🔊It's not hypochondria, I just have to take a lot of medication to treat my depression. For a long time, when I was a teenager, I lived with this illness that had no name. It was at the age of 25 that a doctor finally diagnosed my depression. It was a relief to know that I was ill, that it wasn't something I did to myself, that I had no control over my emotions, over my permanent sadness. The only positive thing is that I tried to overcome the illness through creativity, hoping to find a form of therapy. You can't imagine what a relief it is to finally know that you're sick, not crazy.

(𝑌𝑜𝑜𝑚𝑎𝑔.𝑓𝑟)

🔶🔸🔶🔸🔶🔸


🎶 𝑰'𝒗𝒆 𝒄𝒉𝒐𝒔𝒆𝒏 𝒂 𝒍𝒊𝒗𝒆 𝒗𝒆𝒓𝒔𝒊𝒐𝒏 𝒐𝒇 𝑲𝒊𝒕𝒕𝒚 𝑳𝒊𝒕𝒕𝒆𝒓 𝒂𝒕 𝑴𝒂𝒊𝒏 𝑺𝒒𝒖𝒂𝒓𝒆 𝑭𝒆𝒔𝒕𝒊𝒗𝒂𝒍 𝒂𝒔 𝒕𝒉𝒆 𝒇𝒊𝒓𝒔𝒕 𝒒𝒖𝒆𝒔𝒕𝒊𝒐𝒏 𝒎𝒆𝒏𝒕𝒊𝒐𝒏𝒔 𝒕𝒉𝒆 𝒍𝒚𝒓𝒊𝒄𝒔 𝒐𝒇 𝒕𝒉𝒊𝒔 𝒆𝒏𝒆𝒓𝒈𝒊𝒄 𝒔𝒐𝒏𝒈 🎶 https://bit.ly/3CdQfEW

Translation by Laetitia Evalia
Post by Laetitia