Wednesday, October 27, 2021

✨✨ ๐’๐Ž๐Œ๐„๐“๐‡๐ˆ๐๐† ๐‘๐Ž๐“๐“๐„๐ ✨✨

๐Ÿ”ธ ๐‘†๐‘œ๐‘š๐‘’๐‘กโ„Ž๐‘–๐‘›๐‘” ๐‘…๐‘œ๐‘ก๐‘ก๐‘’๐‘› is the 6th track from the album ๐‘†๐‘™๐‘’๐‘’๐‘๐‘–๐‘›๐‘” ๐‘Š๐‘–๐‘กโ„Ž ๐บโ„Ž๐‘œ๐‘ ๐‘ก๐‘ . The music itself is very negatively charged. An ominous atmosphere prevails, accentuated by Brian Molko's low-voiced vocals, almost whispering the words in your ear. It's a song about childhood. The chararcter in the song is someone who is victim of abuse and feels an extreme need to get out of it. The song has often been compared to ๐‘…๐‘Ž๐‘‘๐‘–๐‘œโ„Ž๐‘’๐‘Ž๐‘‘'๐‘  ๐‘๐‘Ž๐‘ก๐‘–๐‘œ๐‘›๐‘Ž๐‘™ ๐ด๐‘›๐‘กโ„Ž๐‘’๐‘š. because of that dark mood and in the construction of the song. ๐Ÿ”ธ

Photo credit: Vincent Bouchard 

๐ŸŽต๐ŸŽถ๐ŸŽต ๐‘ป๐’‰๐’† ๐’”๐’๐’๐’ˆ  https://bit.ly/3m2PV5j ๐ŸŽต๐ŸŽถ๐ŸŽต


๐Ÿ“ ๐‘ฉ๐‘น๐‘ฐ๐‘จ๐‘ต ๐‘จ๐‘ฉ๐‘ถ๐‘ผ๐‘ป ๐‘บ๐‘ถ๐‘ด๐‘ฌ๐‘ป๐‘ฏ๐‘ฐ๐‘ต๐‘ฎ ๐‘น๐‘ถ๐‘ป๐‘ป๐‘ฌ๐‘ต ๐Ÿ“

๐Ÿ’ฌ"I didn't write it with anything in particular in mind, but when I listen to it, it conjures up a lot of images of an unhappy childhood, not necessarily sexual abuse, maybe that's too specific. I'm just talking about the need to run away from home or to get away from the family circle (...) If this were to be the soundtrack to an imaginary film, this is what it would be about."

(๐ต๐‘Ÿ๐‘–๐‘Ž๐‘› ๐‘€๐‘œ๐‘™๐‘˜๐‘œ - ๐‘…๐‘œ๐‘๐‘˜ ๐‘€๐‘Ž๐‘” ๐‘›°27, ๐‘€๐‘Ž๐‘Ÿ๐‘โ„Ž 2003)

๐Ÿ’ฌ"We used to smoke a lot of weed back then. Stef and I always spend a month together before we go into the studio, testing things out. This time we didn't want to touch the guitars anymore, we wanted to use different tools. 'Something Rotten' came to us with a dub-reggae bass line. We started to look for something very different in ourselves, it's maybe the most experimental track on the album, there are at least fifty synths on it. I play the sax on it, the first instrument I've tried in my life.

(๐ต๐‘Ÿ๐‘–๐‘Ž๐‘› ๐‘€๐‘œ๐‘™๐‘˜๐‘œ - ๐ท๐‘’๐‘  ๐‘๐‘Ž๐‘‘๐‘’๐‘›๐‘๐‘’๐‘  ๐‘’๐‘ก ๐‘‘๐‘’๐‘  ๐‘š๐‘Ž๐‘ข๐‘ฅ ๐‘๐‘ฆ ๐‘†๐‘’๐‘๐‘Ž๐‘ ๐‘ก๐‘–๐‘’๐‘› ๐‘€๐‘–๐‘โ„Ž๐‘Ž๐‘ข๐‘‘)

๐Ÿ’ฌ"Not sexual abuse, it's an abstract song. Anyway, I never sit on precepts such as deciding in advance the theme to-be of a song. This track has been composed in a very instinctive way starting on a dub-reggae jam. I went to the microphone without text, and I threw the first words that came to my mind. Once the song finished, I wondered what it was about. There is a sinister atmosphere in the song.

It reminded me of an old song of ๐น๐‘–๐‘›๐‘’ ๐‘Œ๐‘œ๐‘ข๐‘›๐‘” ๐ถ๐‘Ž๐‘›๐‘›๐‘–๐‘๐‘Ž๐‘™๐‘ : ๐ฝ๐‘œโ„Ž๐‘›๐‘›๐‘ฆ ๐‘๐‘œ๐‘š๐‘’ โ„Ž๐‘œ๐‘š๐‘’ ... I was sure I would be questionned about this track ... It makes me think of a young person who needs to leave his family for quite extremes reasons. Afterwards, you are free to interpret it a hundred ways. I think once again it is important to let the listener free to make its own benchmarks."

(๐ต๐‘Ÿ๐‘–๐‘Ž๐‘› ๐‘€๐‘œ๐‘™๐‘˜๐‘œ - ๐บ๐‘ข๐‘–๐‘ก๐‘Ž๐‘Ÿ ๐‘ƒ๐‘Ž๐‘Ÿ๐‘ก ๐‘›°109, ๐ด๐‘๐‘Ÿ๐‘–๐‘™ 2003)

Photo credit:  Marco Dos Santos

๐Ÿ“ ๐‘ณ๐’€๐‘น๐‘ฐ๐‘ช๐‘บ ๐Ÿ“

It seems we're here

I miss you something rotten

The stinks are here

It's guaranteed all's forgotten


Down here, down here it's clear that you are uncut

Don't fear, don't fear, keep all this forgotten


Face down

Face down

Face down, I miss you something rotten

Face down

Face down, this crown is broken rotten


Down here, down here, I know it's not, it's all forgotten

Down here, down here, face down, I miss you something rotten

Down here, down here, it stinks, it stinks of something rotten

Don't fear, don't fear, keep all this forgotten


There's something rotten down here

There's something rotten down here

There's something rotten down here

There's something rotten down here

Photo credit: Morena Brengola

๐Ÿ”ธPsychological control, physical violence, various abuses are widespread problems throughout the world for cultural, religious, parental or relationship reasons. Fortunately, more and more shelters are opening to take in victims and offer them a chance to get out of their situation. It is worth noting that child abuse is increasingly being addressed, whereas not so long ago it was all ignored. Children's voices are increasingly taken into account nowadays.


Even if Brian didn’t plan anything as far as lyrics are concerned, it seems this topic was, unconsciously, important to him. We all know that Placebo is concerned about child abuse and the plight of children where sex trafficking is a common occurrence.

I remember reading, on a forum back in 2003, when the album was released about a girl who had been abused as a child. She was happy and somewhat relieved that Placebo had written a song about it. It was very moving.

With lyrics often depicting the darkness of the world and human emotions, Placebo touches the depths of our souls whether we are directly involved or not. Isn't that the beauty of the art of Placebo’s music?

Post by Laetitia