Tuesday, March 1, 2022

⭐️๐—•๐—œ๐—ฅ๐—ง๐—›๐——๐—”๐—ฌ ๐—ฃ๐—ข๐—ฆ๐—ง: ๐๐ˆ๐Š ๐Š๐„๐‘๐’๐‡๐€๐–⭐️

⭐️Today, an English singer, songwriter, musician, and record producer ๐๐ˆ๐Š ๐Š๐„๐‘๐’๐‡๐€๐– celebrates his ๐๐ˆ๐‘๐“๐‡๐ƒ๐€๐˜๐ŸŽ‰๐ŸŽ‰๐ŸŽ‰
Placebo covered his song ๐–๐จ๐ฎ๐ฅ๐๐ง'๐ญ ๐ˆ๐ญ ๐๐ž ๐†๐จ๐จ๐ and released it as B-side on the single For What It’s Worth in 2009.

๐๐ฅ๐š๐œ๐ž๐›๐จ - ๐–๐จ๐ฎ๐ฅ๐๐ง'๐ญ ๐ˆ๐ญ ๐๐ž ๐†๐จ๐จ๐ (๐€๐ฎ๐๐ข๐จ)
https://bit.ly/3oMuHuX

Photo credits unknown, edit by Olga

⭐️๐‘ต๐’Š๐’„๐’‰๐’๐’๐’‚๐’” ๐‘ซ๐’‚๐’—๐’Š๐’… ๐‘ฒ๐’†๐’“๐’”๐’‰๐’‚๐’˜ was born on 1st March 1958 in Bristol and grew up in Ipswich where he discovered his love for music. His father was an architect and flautist in the town’s orchestra and his mother trained as an opera singer. He describes himself as a late developer, first picking up a guitar when he was 15, as a result of watching a TV documentary on ๐‘ซ๐’‚๐’—๐’Š๐’… ๐‘ฉ๐’๐’˜๐’Š๐’†. On the next couple of years Nik played in some local bands which helped him to turn professional.
▪️Kershaw came to prominence in 1984 as a solo artist with his global hit singles ๐‘พ๐’๐’–๐’๐’…๐’’๐’• ๐‘ฐ๐’• ๐‘ฉ๐’† ๐‘ฎ๐’๐’๐’…, ๐‘ป๐’‰๐’† ๐‘น๐’Š๐’…๐’…๐’๐’† and his biggest hit, ๐‘ฐ ๐‘พ๐’๐’’๐’• ๐‘ณ๐’†๐’• ๐’•๐’‰๐’† ๐‘บ๐’–๐’ ๐‘ฎ๐’ ๐‘ซ๐’๐’˜๐’ ๐’๐’ ๐‘ด๐’†.
▪️His 62 weeks on the UK Singles Chart through 1984 and 1985 beat all other solo artists. Kershaw appeared at the dual-venue concert Live Aid in 1985 and has also recorded a number of hits for other artists.
▪️After stepping out of the limelight to concentrate on writing and producing, Nik wrote Chesney Hawkes’s ๐‘ป๐’‰๐’† ๐‘ถ๐’๐’† ๐’‚๐’๐’… ๐‘ถ๐’๐’๐’š and has collaborated with Elton John, Sia, Gary Barlow and Bonnie Tyler, whilst continuing to release his own well-reviewed studio albums, featuring his distinctive voice and highly personal lyrics.
๐‘ต๐’Š๐’Œ ๐‘ฒ๐’†๐’“๐’”๐’‰๐’‚๐’˜’๐’” ๐’๐’‡๐’‡๐’Š๐’„๐’Š๐’‚๐’ ๐’˜๐’†๐’ƒ๐’”๐’Š๐’•๐’†:
https://www.nikkershaw.net/


๐Ÿ”ถ๐–๐จ๐ฎ๐ฅ๐๐ง'๐ญ ๐ˆ๐ญ ๐๐ž ๐†๐จ๐จ๐ was the second single from Kershaw's debut solo album ๐‘ฏ๐’–๐’Ž๐’‚๐’ ๐‘น๐’‚๐’„๐’Š๐’๐’ˆ (1984) and turned out to be among his more popular single releases. It spent three weeks at number four on the UK charts and became a hit throughout Europe, as well as a top 10 hit in Canada and Australia.
According to Kershaw, the song was about "always wanting it better than everyone else", a concept which the director of the video [graphic designer Storm Thorgerson] further developed and integrated into the video plot of Kershaw being the alien who steps into other people's shoes. But in the end the alien realises that it wasn't such a good idea at all, and decides to return to his home planet.


๐Ÿ”ถYou have to admit that Nik Kershaw uses quite an interesting way of composing.

๐’€๐’๐’–’๐’—๐’† ๐’ˆ๐’๐’• ๐’’๐’–๐’Š๐’•๐’† ๐’‚๐’ ๐’–๐’๐’–๐’”๐’–๐’‚๐’ ๐’”๐’•๐’š๐’๐’† ๐’‚๐’” ๐’‚ ๐’๐’†๐’‚๐’… ๐’ˆ๐’–๐’Š๐’•๐’‚๐’“ ๐’‘๐’๐’‚๐’š๐’†๐’“; ๐’‰๐’๐’˜ ๐’…๐’Š๐’… ๐’š๐’๐’– ๐’„๐’๐’Ž๐’† ๐’–๐’‘ ๐’˜๐’Š๐’•๐’‰ ๐’•๐’‰๐’๐’”๐’† ๐’‰๐’‚๐’“๐’Ž๐’๐’๐’Š๐’†๐’” ๐’Š๐’ ๐’•๐’‰๐’† ๐’”๐’๐’๐’ ๐’•๐’ ๐‘พ๐’๐’–๐’๐’…๐’’๐’• ๐‘ฐ๐’• ๐‘ฉ๐’† ๐‘ฎ๐’๐’๐’…?
๐Ÿ“ข๐๐ข๐ค ๐Š๐ž๐ซ๐ฌ๐ก๐š๐ฐ: I’d been playing in fusion bands before, and guitar was what I learned my trade on. But when it comes to solos and stuff, I’m not the most spontaneous guy on the block. If I just sit down and play over a few chords, it sounds pretty much like everybody else. I’ve got the same licks as everybody else, pretty much, and it doesn’t satisfy me as someone listening to the record. So what I usually end up doing is just looping the track and just singing different bits over it and then sticking it together and then learning how to play them. I still do that. Obviously if I’m singing it, it’s a direct line from my brain to my mouth, and it’s just ‘bang!’ there it is. "
(๐ธ๐‘œ๐‘›๐‘š๐‘ข๐‘ ๐‘–๐‘, 2017)

Photo credit: BnMusic (Kershaw), Screenshots from TV show Taratata, edit by Silke


๐๐ข๐ค ๐Š๐ž๐ซ๐ฌ๐ก๐š๐ฐ - ๐–๐จ๐ฎ๐ฅ๐๐ง'๐ญ ๐ˆ๐ญ ๐๐ž ๐†๐จ๐จ๐ (๐Ž๐Ÿ๐Ÿ๐ข๐œ๐ข๐š๐ฅ ๐•๐ข๐๐ž๐จ)
https://bit.ly/3GKEEyZ

๐Ÿ”ถBy Placebo, the song was only played live 5 times during April to May 2009 but the only performance recorded seems to be the first one, at the French TV show Taratata on April 6th, 2009. At the other 4 shows, it was played as an encore.

๐๐ฅ๐š๐œ๐ž๐›๐จ - ๐–๐จ๐ฎ๐ฅ๐๐ง'๐ญ ๐ˆ๐ญ ๐๐ž ๐†๐จ๐จ๐, ๐“๐š๐ซ๐š๐ญ๐š๐ญ๐š ๐Ÿ๐ŸŽ๐ŸŽ๐Ÿ—
https://bit.ly/34SqBtZ


๐Ÿ”ถFor both Brian and Stef, it’s a track from their teenage years, the time when their now great music taste started to form.
๐Ÿ“ข๐๐ซ๐ข๐š๐ง: “Well, this is a song that sits in my brain since I was little. Nik Kershaw had lots of hits at the time I was growing up, but the only song I liked was "Wouldn't it be good". There is such a strange atmosphere of desperation in this song, even though the hook line is very positive.”
(๐‘‰๐‘œ๐‘™๐‘ข๐‘š๐‘’ ๐‘€๐‘Ž๐‘”๐‘Ž๐‘ง๐‘–๐‘›๐‘’, ๐ฝ๐‘ข๐‘›๐‘’ 19๐‘กโ„Ž 2009)

๐Ÿ“ข๐’๐ญ๐ž๐Ÿ๐š๐ง: “This song is from the 80's, from my childhood. It sounds like a pop song, music is upbringing, but it works on many levels, lyrics are very dark. That's why it was interesting for us to play it.”
(๐ท๐‘–๐‘’๐‘›๐‘Ž.๐‘™๐‘ฃ, ๐‘๐‘œ๐‘ฃ๐‘’๐‘š๐‘๐‘’๐‘Ÿ 2009)


I think, in their cover, Placebo underlined and intensified what they exactly liked about the song. They made the melody even more upbeat for stronger contrast to the desperate lyrics. It’s kind of their emblematic duality, isn’t it?

Post by Olga