Showing posts with label Too many friends. Show all posts
Showing posts with label Too many friends. Show all posts

Tuesday, August 23, 2022

⭐๐ŸŒ ๐“๐Ž๐Ž ๐Œ๐€๐๐˜ ๐…๐‘๐ˆ๐„๐๐ƒ๐’ ๐Ÿ—๐“๐‡ ๐€๐๐๐ˆ๐•๐„๐‘๐’๐€๐‘๐˜๐ŸŒ ⭐

Screenshot from the official video

Placebo’s first single from their seventh studio album ๐‘ณ๐’๐’–๐’… ๐‘ณ๐’Š๐’Œ๐’† ๐‘ณ๐’๐’—๐’† was released 9 years ago today, on August 23, 2013, on 7” ๐’—๐’Š๐’๐’š๐’ in Europe and ๐‘ช๐‘ซ in only Germany, Austria, and Switzerland.
Although, it was already available as a digital download since 9 July 2013.

๐“๐จ๐จ ๐Œ๐š๐ง๐ฒ ๐…๐ซ๐ข๐ž๐ง๐๐ฌ (๐€๐ฅ๐ญ๐ž๐ซ๐ง๐š๐ญ๐ž ๐ƒ๐ข๐ซ๐ž๐œ๐ญ๐จ๐ซ ๐•๐ž๐ซ๐ฌ๐ข๐จ๐ง)
 ➡️ https://bit.ly/3oBv4If

⭐️ Side B on the vinyl and the second track on CD is an instrumental Outro.
๐Ž๐ฎ๐ญ๐ซ๐จ
➡️ https://bit.ly/3Sa067z

Screenshot from the official video

The single was recorded at ๐‘น๐‘จ๐‘ฒ ๐‘บ๐’•๐’–๐’…๐’Š๐’๐’”, ๐‘บ๐’•๐’“๐’๐’๐’ˆ๐’“๐’๐’๐’Ž and ๐‘จ๐’Š๐’“ ๐‘บ๐’•๐’–๐’…๐’Š๐’๐’”, mastered at ๐Ÿ‘๐Ÿ”๐ŸŽ ๐‘ด๐’‚๐’”๐’•๐’†๐’“๐’Š๐’๐’ˆ, mixed at North Seven Studios, London.

⭐️ ๐“๐Ž๐Ž ๐Œ๐€๐๐˜ ๐…๐‘๐ˆ๐„๐๐ƒ๐’ seemed to be a reflection of Brian’s not very positive attitude towards social media… but the real meaning is way deeper, of course.
๐’€๐’๐’–๐’“ ๐’๐’†๐’˜ ๐’”๐’Š๐’๐’ˆ๐’๐’† “๐‘ป๐’๐’ ๐‘ด๐’‚๐’๐’š ๐‘ญ๐’“๐’Š๐’†๐’๐’…๐’”” ๐’”๐’†๐’†๐’Ž๐’” ๐’‚ ๐’ƒ๐’Š๐’• ๐’๐’‡ ๐’‚ ๐’“๐’‚๐’๐’๐’š๐’Š๐’๐’ˆ ๐’„๐’“๐’š ๐’‚๐’ˆ๐’‚๐’Š๐’๐’”๐’• ๐’”๐’๐’„๐’Š๐’‚๐’ ๐’Ž๐’†๐’…๐’Š๐’‚…

๐Ÿ“ข ๐๐ซ๐ข๐š๐ง: "Too Many Friends" is most definitely not a rallying cry against social media. It is a small story about social alienation. I do worry, however, that technology is fast replacing religion as the opium for the people. But we cannot blame the technology itself—people are the problem. After all, guns don't kill people, but people do.
(๐ต๐พ, ๐ด๐‘ข๐‘”'13)

๐Ÿ“ข ๐๐ซ๐ข๐š๐ง: “Too Many Friends is based on real events. One day I was at my computer – and I don’t know what I typed into Google… what dodgy porn I was watching… and all of sudden my computer started advertising to me like, you know, I was a gay man into the fetish thing. And I remember saying to myself, ‘My computer thinks I’m gay today’ – what a ridiculous line to start a song (laughs). Around the same time, some friends of mine who use social media, and I should say that I don’t myself because I have enough trouble keeping up with my real friends, said they had to stop taking friend requests because they had too many friends. I started thinking ‘How can we ever have too many friends? Then I wondered how many ‘real’ friends do I actually have and how is the virtual world humans are creating affecting the way we interact with each other?

Screenshot from the official video

๐Ÿ“ข ๐๐ซ๐ข๐š๐ง: “Is it creating a new society founded on togetherness or is it simply creating a new form of social alienation? I think it’s very dangerous. People don’t have to communicate face to face anymore – you can do it from behind a screen. You no longer have to have the courage of your convictions – you don’t have to justify what you feel and what you really mean. The virtual world creates an amazing platform for the spineless. It’s both a fascinating and dangerous proposition to consider.”
(๐‘‡โ„Ž๐‘’ ๐‘€๐‘ข๐‘ ๐‘–๐‘, ๐‘†๐‘’๐‘'13)

๐Ÿ“ข ๐๐ซ๐ข๐š๐ง: "I'm quite fascinated with technology. I don't social network – I have a hard enough time keeping up with friends in the physical world. I'm also very aware of the addictive nature of the relationship and the infinite possibilities that present themselves. I'm asking [in the song], is that real or is that an illusion? As someone who's had addictions in the past, it may not be the healthiest thing for me to do. I see all the possibilities."
(๐‘Œ๐‘Žโ„Ž๐‘œ๐‘œ ๐‘€๐‘ข๐‘ ๐‘–๐‘, ๐‘†๐‘’๐‘'13)

Screenshot from the official video

๐๐ฅ๐š๐œ๐ž๐›๐จ - ๐“๐จ๐จ ๐Œ๐š๐ง๐ฒ ๐…๐ซ๐ข๐ž๐ง๐๐ฌ (๐‹๐ข๐ฏ๐ž ๐š๐ญ ๐‘๐€๐Š ๐’๐ญ๐ฎ๐๐ข๐จ๐ฌ)
➡️ https://bit.ly/3zI7JuT

๐Ÿ“ข ๐๐ซ๐ข๐š๐ง: We thought the self-titled track [Loud Like Love] was probably the most Placebo-ish track. So, we decided to take a little risk and start the promo with something different. To start the campaign with piano notes. […]

… ๐ˆ๐ง ๐ญ๐ก๐ข๐ฌ ๐ฌ๐จ๐ง๐ , ๐ข๐ง ๐ญ๐ก๐ž ๐Ÿ๐ข๐ซ๐ฌ๐ญ ๐ฌ๐ž๐ง๐ญ๐ž๐ง๐œ๐ž๐ฌ, ๐ฒ๐จ๐ฎ ๐ฌ๐š๐ฒ ๐ญ๐ก๐š๐ญ ๐ฒ๐จ๐ฎ ๐ญ๐ก๐ซ๐จ๐ฐ ๐ฒ๐จ๐ฎ๐ซ ๐œ๐จ๐ฆ๐ฉ๐ฎ๐ญ๐ž๐ซ, ๐ฐ๐ก๐ข๐œ๐ก ๐ญ๐ก๐ข๐ง๐ค๐ฌ ๐ฒ๐จ๐ฎ ๐š๐ซ๐ž ๐ ๐š๐ฒ ๐จ๐ง ๐ญ๐ก๐ž ๐‚๐ก๐š๐ฆ๐ฉ๐ฌ ๐„๐ฅ๐ฒ๐ฌ๐ž́๐ž๐ฌ. ๐–๐ก๐ฒ ๐ญ๐ก๐ž ๐‚๐ก๐š๐ฆ๐ฉ๐ฌ ๐„๐ฅ๐ฒ๐ฌ๐ž́๐ž๐ฌ?
๐Ÿ“ข ๐๐ซ๐ข๐š๐ง: I was looking for something that rhymed with 'gay', that wasn't 'way', 'say', 'play'. So, the Champs Elysรฉes, why not! The French will love it [laughs]
(๐‘ƒ๐‘™๐‘Ž๐‘๐‘’๐‘๐‘œ ๐ผ๐‘›๐‘ก๐‘’๐‘Ÿ๐‘ฃ๐‘–๐‘’๐‘ค ๐‘‡๐‘Ÿ๐‘’̀๐‘  ๐‘‡๐‘Ÿ๐‘’̀๐‘  ๐‘ƒ๐‘Ÿ๐‘–๐‘ฃ๐‘’́๐‘’, ๐‘…๐‘‡๐ฟ, 2013)

⭐️ ๐Ž๐…๐…๐ˆ๐‚๐ˆ๐€๐‹ ๐Œ๐”๐’๐ˆ๐‚ ๐•๐ˆ๐ƒ๐„๐Ž for ๐“๐Ž๐Ž ๐Œ๐€๐๐˜ ๐…๐‘๐ˆ๐„๐๐ƒ๐’, premiered on YouTube on August 9th, 2013, presents a "detective case" regarding a series of events occurring during a pool party. It’s directed by ๐‘บ๐’‚๐’Ž๐’‚๐’ ๐‘ฒ๐’†๐’”๐’‰ (๐‘บ๐’‚๐’Ž๐’‚๐’ ๐‘ฒ๐’†๐’”๐’‰๐’‚๐’—๐’‚๐’“๐’›) and was shot in Los Angeles. American transgressive novelist ๐‘ฉ๐’“๐’†๐’• ๐‘ฌ๐’‚๐’”๐’•๐’๐’ ๐‘ฌ๐’๐’๐’Š๐’” provides a voiceover in the video as a narrator.
“I've been a fan of his since my teenage years, so it's thrilling to be in cahoots with him,” Brian said in the interview with ๐‘‡โ„Ž๐‘’ ๐‘๐‘Ž๐‘ก๐‘–๐‘œ๐‘› in August 2013.

Screenshot from the official video

๐๐ฅ๐š๐œ๐ž๐›๐จ - ๐“๐จ๐จ ๐Œ๐š๐ง๐ฒ ๐…๐ซ๐ข๐ž๐ง๐๐ฌ (๐Ž๐Ÿ๐Ÿ๐ข๐œ๐ข๐š๐ฅ ๐•๐ข๐๐ž๐จ)
➡️ https://bit.ly/3be4npX

⭐️ I guess, you’ve noticed that in the video, the phone takes quite a significant part in the sequence of events and is labeled as a “probable trigger for reaction” of attack…
๐’๐ญ๐ž๐Ÿ๐š๐ง talks about the song and the video in the interview he did with ๐‘ฉ๐’‚๐’๐’…๐’˜๐’‚๐’ˆ๐’๐’.๐’‚๐’”๐’Š๐’‚.

๐‘ฏ๐’๐’˜ ๐’˜๐’‚๐’” ๐’Š๐’• ๐’๐’Š๐’Œ๐’† ๐’˜๐’๐’“๐’Œ๐’Š๐’๐’ˆ ๐’˜๐’Š๐’•๐’‰ ๐‘ฉ๐’“๐’†๐’•๐’• ๐‘ฌ๐’‚๐’”๐’•๐’๐’ ๐‘ฌ๐’๐’๐’Š๐’” ๐’‡๐’๐’“ ๐’•๐’‰๐’† ‘๐‘ป๐’๐’ ๐‘ด๐’‚๐’๐’š ๐‘ญ๐’“๐’Š๐’†๐’๐’…๐’”’ ๐’Ž๐’–๐’”๐’Š๐’„ ๐’—๐’Š๐’…๐’†๐’?
๐Ÿ“ข ๐’๐ญ๐ž๐Ÿ๐š๐ง: We didn’t actually meet him because of the way these things work, as everyone is really busy, and I think he’s really busy with his new film called The Canyon. The director lives in LA, and Bret Easton lives in New York, and we live in London. So, we flew to LA to film the video with Saman Keshavarz the director, and while we were there, he brought up the idea of having Bret Easton narrate the video and we loved the idea. But by that time, we were on the way back from LA to London, so we never got to meet him but we were very happy to have him on it.

๐‘พ๐’‰๐’š ๐’•๐’‰๐’† ๐’…๐’†๐’„๐’Š๐’”๐’Š๐’๐’ ๐’•๐’ ๐’˜๐’๐’“๐’Œ ๐’˜๐’Š๐’•๐’‰ ๐‘บ๐’‚๐’Ž๐’‚๐’ ๐‘ฒ๐’†๐’”๐’‰๐’‚๐’—๐’‚๐’“๐’›?
๐Ÿ“ข ๐’๐ญ๐ž๐Ÿ๐š๐ง: We have seen a few videos he had done previously and that’s why we wanted to work with him. When you work with someone, it’s basically striking a balance between letting him do whatever the hell he wants because you love his work but also to try and steer it into some direction of what we feel comfortable with. It is a collaboration, he would provide ideas and we would say we’re not every comfortable looking like 50 year olds at a barbeque so could you change that a bit? It’s kind of like striking a balance that we feel happy with and at the same time not reining him in. It is insane and I’m still looking at it and going fucking hell. Are you mad? Are you absolutely insane?

Screenshot from the official video

๐‘พ๐’‰๐’‚๐’• ๐’˜๐’‚๐’” ๐’•๐’‰๐’† ๐’“๐’†๐’๐’†๐’—๐’‚๐’๐’„๐’† ๐’๐’‡ ๐’•๐’‰๐’† ๐’—๐’Š๐’…๐’†๐’ ๐’‚๐’๐’… ๐’•๐’‰๐’† ๐’˜๐’‰๐’๐’๐’† ๐’ˆ๐’๐’Š๐’๐’ˆ ๐’‚๐’ˆ๐’‚๐’Š๐’๐’”๐’• ๐’”๐’๐’„๐’Š๐’‚๐’ ๐’Ž๐’†๐’…๐’Š๐’‚ ๐’ƒ๐’Š๐’•?
๐Ÿ“ข ๐’๐ญ๐ž๐Ÿ๐š๐ง: I don’t think it’s a literate representation of the song, I think they work on parallel universe. They have certain things in common which are technology and social media and the kind of effect it has on our lives and there’s a certain kind of miscommunication. Like the song is alluding you to, there’s a whole thing about people being isolated but having more friends but these friends are virtual. So, are you closer to the 500 virtual friends you have than the people you sit with having one to one conversation? I think it is dealing with what social media is doing to us.

๐‘พ๐’‰๐’‚๐’•’๐’” ๐’•๐’‰๐’† ๐’Š๐’…๐’†๐’‚ ๐’๐’‡ ๐’•๐’‰๐’† ๐’˜๐’‰๐’๐’๐’† ๐’—๐’Š๐’…๐’†๐’?
๐Ÿ“ข ๐’๐ญ๐ž๐Ÿ๐š๐ง: To me, I know people have different ideas about this. I think it’s very much about what actually happened. Because between you and me, we can see that something happened. But your reality is going to be different from mine and you’re going to think that what you saw is what happened. For me, I think the “assailant” was so high that he was after the sugar rush that he reached out for gummy bear that was placed there by accident. He was obviously too high to place the gummy bear there himself.
(๐ต๐‘Ž๐‘›๐‘‘๐‘ค๐‘Ž๐‘”๐‘œ๐‘›.๐‘Ž๐‘ ๐‘–๐‘Ž, ๐ด๐‘ข๐‘”๐‘ข๐‘ ๐‘ก 30, 2013)

Screenshot from the official video

⭐️ No doubt, the song stays more than relevant NOWADAYS. Brian keeps reflecting on the way social media influence people as a society and every single one of us.

๐‘ฐ๐’ ๐‘ป๐’๐’ ๐‘ด๐’‚๐’๐’š ๐‘ญ๐’“๐’Š๐’†๐’๐’…๐’” ๐’š๐’๐’– ๐’‰๐’‚๐’… ๐’‚๐’๐’“๐’†๐’‚๐’…๐’š ๐’‘๐’๐’Š๐’๐’•๐’†๐’… ๐’•๐’‰๐’† ๐’‡๐’Š๐’๐’ˆ๐’†๐’“ ๐’‚๐’• ๐’”๐’๐’„๐’Š๐’‚๐’ ๐’Ž๐’†๐’…๐’Š๐’‚ ๐’‚๐’๐’… ๐’•๐’‰๐’† ๐’˜๐’‚๐’š ๐’‰๐’–๐’Ž๐’‚๐’ ๐’“๐’†๐’๐’‚๐’•๐’Š๐’๐’๐’”๐’‰๐’Š๐’‘๐’” ๐’‚๐’“๐’† ๐’‚๐’…๐’—๐’†๐’“๐’”๐’†๐’๐’š ๐’‚๐’‡๐’‡๐’†๐’„๐’•๐’†๐’…, ๐’„๐’‚๐’ ๐’˜๐’† ๐’”๐’‚๐’š ๐’•๐’‰๐’‚๐’• ๐’•๐’‰๐’† ๐’๐’†๐’˜ ๐’‚๐’๐’ƒ๐’–๐’Ž ๐’•๐’‚๐’๐’Œ๐’” ๐’‚๐’ƒ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’†๐’™๐’•๐’“๐’†๐’Ž๐’† ๐’„๐’๐’๐’”๐’†๐’’๐’–๐’†๐’๐’„๐’†๐’” ๐’๐’‡ ๐’•๐’‰๐’Š๐’” ๐’Š๐’”๐’”๐’–๐’†? ๐‘ฐ๐’• ๐’‡๐’†๐’†๐’๐’” ๐’๐’Š๐’Œ๐’† ๐’š๐’๐’– ๐’•๐’‰๐’Š๐’๐’Œ ๐’•๐’†๐’„๐’‰๐’๐’๐’๐’๐’ˆ๐’š ๐’‰๐’‚๐’” ๐’•๐’‚๐’Œ๐’†๐’ ๐’๐’—๐’†๐’“ ๐’‚๐’๐’… “๐’˜๐’๐’” ๐’๐’—๐’†๐’“ ๐’‰๐’–๐’Ž๐’‚๐’๐’Š๐’•๐’š.
๐Ÿ“ข ๐๐ซ๐ข๐š๐ง: For me, it’s more about seduction, about how we’re seduced by technology and are willing to give away all our personal information to giant corporations and allow them to earn money. And what do we get in return?
We were promised a better future with more connection between people but I’m not sure that’s what happened. Any sociologist or phycologist can tell you that rather the opposite has happened: we’re more disconnected and atomized than we were before.
What is the result of having all these virtual communities and what effects do they have on communities that exist in real world? Are virtual communities more important than real communities for us today? Is virtual world more important that
(๐‘…๐‘ข๐‘š๐‘œ๐‘Ÿ๐‘’ ๐‘€๐‘Ž๐‘”๐‘Ž๐‘ง๐‘–๐‘›๐‘’ ๐‘›.362, ๐‘€๐‘Ž๐‘Ÿ๐‘โ„Ž 2022)

⭐️ ๐“๐Ž๐Ž ๐Œ๐€๐๐˜ ๐…๐‘๐ˆ๐„๐๐ƒ๐’ has been performed live very often since its release and now, the song is part of ๐‘ต๐’†๐’—๐’†๐’“ ๐‘ณ๐’†๐’• ๐‘ด๐’† ๐‘ฎ๐’ ๐’•๐’๐’–๐’“.

Post by Olga

#Placebo #PlaceboAnyway #PlaceboWorld #BrianMolko #StefanOlsdal #Molko #Soulmates #PlaceboHistory #PlaceboLive #PlaceboShow #PlaceboFestival #PlaceboAnniversary #TooManyFriwnds

Monday, August 23, 2021

♦️ANNIVERSARY: TOO MANY FRIENDS♦️

Today we celebrate the ๐’‚๐’๐’๐’Š๐’—๐’†๐’“๐’”๐’‚๐’“๐’š of the first single "๐‘ป๐’๐’ ๐‘ด๐’‚๐’๐’š ๐‘ญ๐’“๐’Š๐’†๐’๐’…๐’”" from ๐‘ท๐’๐’‚๐’„๐’†๐’ƒ๐’'s seventh album "๐‘ณ๐’๐’–๐’… ๐‘ณ๐’Š๐’Œ๐’† ๐‘ณ๐’๐’—๐’†", which was officially released on August 23, 2013 as a ๐‘ณ๐’Š๐’Ž๐’Š๐’•๐’†๐’… ๐‘ฌ๐’…๐’Š๐’•๐’Š๐’๐’ ๐’—๐’Š๐’๐’š๐’ in Europe, as well as a ๐‘ช๐‘ซ only available in Germany, Austria and Switzerland.
The song was recorded at ๐‘น๐‘จ๐‘ฒ, ๐‘จ๐’Š๐’“
and ๐‘บ๐’•๐’“๐’๐’๐’ˆ๐’“๐’๐’๐’Ž ๐‘บ๐’•๐’–๐’…๐’Š๐’๐’”, mastered at ๐Ÿ‘๐Ÿ”๐ŸŽ ๐‘ด๐’‚๐’”๐’•๐’†๐’“๐’Š๐’๐’ˆ, produced, mixed and engineered by ๐‘จ๐’…๐’‚๐’Ž ๐‘ต๐’๐’ƒ๐’๐’† and credits of writing include ๐‘ฉ๐’“๐’Š๐’‚๐’ ๐‘ด๐’๐’๐’Œ๐’, ๐‘บ๐’•๐’†๐’‡๐’‚๐’ ๐‘ถ๐’๐’”๐’…๐’‚๐’, ๐‘บ๐’•๐’†๐’—๐’† ๐‘ญ๐’๐’“๐’“๐’†๐’”๐’• and ๐‘ฉ๐’Š๐’๐’ ๐‘ณ๐’๐’๐’š๐’….

 Photo Credit: Single cover, /Kevin Westenberg / Edit by Rita


๐ŸŽฌ ๐“๐จ๐จ ๐Œ๐š๐ง๐ฒ ๐…๐ซ๐ข๐ž๐ง๐๐ฌ (๐€๐ฅ๐ญ๐ž๐ซ๐ง๐š๐ญ๐ž ๐ƒ๐ข๐ซ๐ž๐œ๐ญ๐จ๐ซ ๐•๐ž๐ซ๐ฌ๐ข๐จ๐ง) 
https://youtu.be/p21YfobjaVA

๐Ÿ’ฟ ๐Ž๐ฎ๐ญ๐ซ๐จ 
https://youtu.be/2ftK8NooN9E


๐—•๐—ฅ๐—œ๐—”๐—ก ๐— ๐—ข๐—Ÿ๐—ž๐—ข ๐—ข๐—ก ๐—ง๐—ข๐—ข ๐— ๐—”๐—ก๐—ฌ ๐—™๐—ฅ๐—œ๐—˜๐—ก๐——๐—ฆ 
๐‹๐ž๐ญ'๐ฌ ๐ญ๐š๐ฅ๐ค ๐š๐›๐จ๐ฎ๐ญ ๐ญ๐ก๐ž ๐ฌ๐ข๐ง๐ ๐ฅ๐ž. ๐–๐ก๐ฒ ๐๐ข๐ ๐ฒ๐จ๐ฎ ๐œ๐ก๐จ๐จ๐ฌ๐ž ๐ข๐ญ ๐š๐ฌ ๐š ๐ฌ๐ข๐ง๐ ๐ฅ๐ž? ๐–๐ก๐ž๐ง ๐ฒ๐จ๐ฎ ๐ฅ๐ข๐ฌ๐ญ๐ž๐ง ๐ญ๐จ ๐ข๐ญ, ๐Ÿ๐ซ๐จ๐ฆ ๐ญ๐ก๐ž ๐Ÿ๐ข๐ซ๐ฌ๐ญ ๐ง๐จ๐ญ๐ž, ๐ฒ๐จ๐ฎ ๐ค๐ง๐จ๐ฐ ๐ฒ๐จ๐ฎ'๐ซ๐ž ๐ก๐ž๐š๐ซ๐ข๐ง๐  ๐๐ฅ๐š๐œ๐ž๐›๐จ. ๐“๐ก๐š๐ญ'๐ฌ ๐š ๐œ๐จ๐ฆ๐ฉ๐ฅ๐ข๐ฆ๐ž๐ง๐ญ!
๐ŸŽค ๐๐ซ๐ข๐š๐ง ๐Œ๐จ๐ฅ๐ค๐จ: Thank you very much! We are very grateful. We wanted to do something different.

๐“๐จ๐จ ๐Œ๐š๐ง๐ฒ ๐…๐ซ๐ข๐ž๐ง๐๐ฌ, ๐ˆ ๐๐ข๐๐ง'๐ญ ๐ฆ๐ž๐ง๐ญ๐ข๐จ๐ง ๐ข๐ญ.
๐ŸŽค ๐๐ซ๐ข๐š๐ง : We thought the self-titled track was probably the most Placebo-ish track. So we decided to take a little risk and start the promo with something different. To start the campaign with piano notes.

๐˜๐ž๐ฌ, ๐ญ๐ก๐š๐ญ'๐ฌ ๐ข๐ญ. ๐ˆ๐ญ'๐ฌ ๐ง๐จ๐ญ ๐ ๐ฎ๐ข๐ญ๐š๐ซ ๐›๐ฎ๐ญ ๐ฉ๐ข๐š๐ง๐จ ๐š๐ง๐ ๐ฒ๐จ๐ฎ๐ซ ๐ฏ๐จ๐ข๐œ๐ž ๐œ๐จ๐ฆ๐ข๐ง๐  ๐ข๐ง ๐ฏ๐ž๐ซ๐ฒ ๐ช๐ฎ๐ข๐œ๐ค๐ฅ๐ฒ…
๐ŸŽค ๐๐ซ๐ข๐š๐ง : When you think 'Placebo', you think 'guitar'. We didn't want to confuse the genres but to create a little bit of interest with something different. To take a little risk. That's what we did and it worked out really well actually.

๐“๐ก๐š๐ญ'๐ฌ ๐ฐ๐ก๐š๐ญ ๐ˆ ๐Ÿ๐ž๐ž๐ฅ. ๐ˆ๐ง ๐ญ๐ก๐ข๐ฌ ๐ฌ๐จ๐ง๐ , ๐ข๐ง ๐ญ๐ก๐ž ๐Ÿ๐ข๐ซ๐ฌ๐ญ ๐ฌ๐ž๐ง๐ญ๐ž๐ง๐œ๐ž๐ฌ, ๐ฒ๐จ๐ฎ ๐ฌ๐š๐ฒ ๐ญ๐ก๐š๐ญ ๐ฒ๐จ๐ฎ ๐ญ๐ก๐ซ๐จ๐ฐ ๐ฒ๐จ๐ฎ๐ซ ๐œ๐จ๐ฆ๐ฉ๐ฎ๐ญ๐ž๐ซ, ๐ฐ๐ก๐ข๐œ๐ก ๐ญ๐ก๐ข๐ง๐ค๐ฌ ๐ฒ๐จ๐ฎ ๐š๐ซ๐ž ๐ ๐š๐ฒ ๐จ๐ง ๐ญ๐ก๐ž ๐‚๐ก๐š๐ฆ๐ฉ๐ฌ ๐„๐ฅ๐ฒ๐ฌ๐ž́๐ž๐ฌ. ๐–๐ก๐ฒ ๐ญ๐ก๐ž ๐‚๐ก๐š๐ฆ๐ฉ๐ฌ ๐„๐ฅ๐ฒ๐ฌ๐ž́๐ž๐ฌ?
๐ŸŽค ๐๐ซ๐ข๐š๐ง : I was looking for something that rhymed with 'gay', that wasn't 'way', 'say', 'play'. So the Champs Elysรฉes, why not! The French will love it [laughs]

๐ˆ๐ง ๐š๐ง๐ฒ ๐œ๐š๐ฌ๐ž, ๐ข๐ญ ๐ฆ๐š๐ค๐ž๐ฌ ๐ฉ๐ž๐จ๐ฉ๐ฅ๐ž ๐ญ๐š๐ฅ๐ค. ๐ˆ๐ญ'๐ฌ ๐ฏ๐ž๐ซ๐ฒ ๐œ๐ฅ๐ž๐ฏ๐ž๐ซ, ๐ข๐ญ ๐ฐ๐จ๐ซ๐ค๐ž๐ ๐ฐ๐ž๐ฅ๐ฅ.
๐ŸŽค ๐๐ซ๐ข๐š๐ง : Merci.
๐™ฟ๐š•๐šŠ๐šŒ๐šŽ๐š‹๐š˜ ๐™ธ๐š—๐š๐šŽ๐š›๐šŸ๐š’๐šŽ๐š  ๐šƒ๐š›๐šŽ́๐šœ ๐šƒ๐š›๐šŽ́๐šœ ๐™ฟ๐š›๐š’๐šŸ๐šŽ́๐šŽ ๐š๐šƒ๐™ป, ๐Ÿธ๐Ÿถ๐Ÿท๐Ÿน.

Photo credit: Screenshots from the video / edit by Silke

๐Ÿ“˜ ๐‹๐ฒ๐ซ๐ข๐œ๐ฌ 
My computer thinks I'm gay
I threw that piece of junk away
On the Champs-Elysรฉes
As I was walking home
This is my last communique
Down the superhighway
All that I have left to say
In a single tome

I got too many friends
Too many people that I'll never meet
And I'll never be there for
I'll never be there for
'Cause I'll never be there

If I could give it all away
Will it come back to me someday?
Like a needle in the hay or an expensive stone
But I got a reason to declaim
The applications are to blame
For all my sorrow and my pain
Of feeling so alone

I got too many friends
Too many people that I'll never meet
And I'll never be there for
I'll never be there for
'Cause I'll never be there

My computer thinks I'm gay
What's the difference anyway
When all the people do all day
Is stare into a phone

I got too many friends
Too many people that I'll never meet
And I'll never be there for
I'll never be there for
'Cause I'll never be there

Too many friends
Too many people that I'll never meet
And I'll never be there for
I'll never be there for
'Cause I'll never be there
I'll never be there.


 ๐‘ฌ๐’™๐’„๐’†๐’“๐’‘๐’• ๐‘ฐ๐’๐’•๐’†๐’“๐’—๐’Š๐’†๐’˜ ๐‘ป๐’“๐’‚๐’๐’”๐’๐’‚๐’•๐’Š๐’๐’ ๐’ƒ๐’š ๐‘ณ๐’‚๐’†๐’•๐’Š๐’•๐’Š๐’‚ ๐‘ฌ๐’—๐’‚๐’๐’Š๐’‚.
๐‘บ๐’๐’–๐’“๐’„๐’†: https://bit.ly/3rHYnJC

 Post by Rita

Friday, July 9, 2021

๐—”๐—ก๐—ก๐—œ๐—ฉ๐—˜๐—ฅ๐—ฆ๐—”๐—ฅ๐—ฌ: ๐—ง๐—ข๐—ข ๐— ๐—”๐—ก๐—ฌ ๐—™๐—ฅ๐—œ๐—˜๐—ก๐——๐—ฆ

”๐“๐Ž๐Ž ๐Œ๐€๐๐˜ ๐…๐‘๐ˆ๐„๐๐ƒ๐’” from the album “Loud like love” was made available as download eight years ago today on 9th of July 2013. On August 23rd it was also released as vinyl in Europe and additional as CD in Germany, Austria and Switzerland. It peaked no. 14 in the German Singles Chart.

The song was recorded at RAK, Air and Strongroom Studios, all located in London. Adam Noble was responsible for producing, engineering and mixing.

๐ŸŽฌ ๐—ง๐—ข๐—ข ๐— ๐—”๐—ก๐—ฌ ๐—™๐—ฅ๐—œ๐—˜๐—ก๐——๐—ฆ – ๐—ข๐—™๐—™๐—œ๐—–๐—œ๐—”๐—Ÿ ๐—ฉ๐—œ๐——๐—˜๐—ข
๐ŸŽต http://bit.ly/2EWek89 ๐ŸŽต

Photo credit: Screenshots from the video, edit by Silke

The lyrics raise the question of whether these new social network sites are actually bringing people closer together or making people more distant from each other. ”Too many friends” is based on a real event that happened in Brian's life (see quotes below). It had driven him to the thoughts of what a friendship really means these days: “This song is about alienation, false promises that are carried through the social networks. It is responsible for solidarity but also for the new form of loneliness” (Rock & Pop Czech Republic, November 2013).

Placebo shot the official music clip with filmmaker Saman Kesh in Los Angeles. American author Bret Easton Ellis (“American Psycho”, “Less than zero”) provides a voiceover as a narrator. Brian said that he felt it was “very appropriate, considering how much Bret tweets and how active he is on social media. It fitted in really well (Diffuser, October 2013). The video presents a “detective case” regarding a series of events occuring during a pool party.

๐ŸŽฌ ๐— ๐—”๐—ž๐—œ๐—ก๐—š ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐—ฉ๐—œ๐——๐—˜๐—ข
๐Ÿ‘€ http://bit.ly/2WS7pa5

Photo credit: Joseph Llaned

๐Ÿ“Œ ๐—•๐—ฅ๐—˜๐—ง ๐—˜๐—”๐—ฆ๐—ง๐—ข๐—ก ๐—˜๐—Ÿ๐—Ÿ๐—œ๐—ฆ ๐Ÿ“Œ
The American author, screenwriter and director was born on March 7th 1964. He is most (in)famous for “American Psycho“, which was said to be one of the most disturbing books ever written when it was published in 1991. It became cult, especially after its movie adaption in 2000.
Ellis' first novel “Less than zero“ was released in 1985. It is a story about disaffected, rich teenagers in Los Angeles. One of the its main characters, a heroin addict named Julian, was supposedly the inspiration for the Placebo song “Julien“.
Other controversal novels by Ellis are “The rules of attraction“ and “Lunar Park“. His latest work “Imperial bedroom“ is a sequel to his first book “Less than zero“.


๐Ÿ“Œ ๐—ฆ๐—ง๐—˜๐—™๐—”๐—ก ๐—ข๐—ก ๐—ง๐—›๐—˜ ๐—ฉ๐—œ๐——๐—˜๐—ข ๐—–๐—Ÿ๐—œ๐—ฃ ๐Ÿ“Œ
๐Ÿ“ข ”We didn’t actually meet Bret Easton Ellis because of the way these things work, as everyone is really busy and I think he’s really busy with his new film called The Canyon. The director lives in LA, and Bret Easton lives in New York and we live in London. So we flew to LA to film the video with Saman Keshavarz the director, and while we were there, he brought up the idea of having Bret Easton narrate the video and we loved the idea. But by that time we were on the way back from LA to London, so we never got to meet him but we were very happy to have him on it.”
(Bandwagon, August 2013)

๐Ÿ“Œ ๐—•๐—ฅ๐—œ๐—”๐—ก ๐—ข๐—ก ๐—•๐—ฅ๐—˜๐—ง ๐—˜๐—”๐—ฆ๐—ง๐—ข๐—ก ๐—˜๐—Ÿ๐—Ÿ๐—œ๐—ฆ ๐Ÿ“Œ
๐Ÿ“ข “We felt that it was very appropriate, considering how much he tweets and how active he is on social media. It fitted in really well. But also, for me, I was very excited about the fact that he would be involved with Placebo in any way. When I was a teenager, I read his first two books, “The Rules Of Attraction“ and “Less Than Zero.“ They had a big impact on me. He sort of captured a kind of lost-at-sea nihilism that was present in the ‘80s. Just from a fan’s point of view, it was a very attractive project for me. I am genuinely a fan.“
(Diffuser, October 2013)

Photo credit: Joseph Llanes

๐Ÿ“Œ ๐—ฆ๐—ง๐—”๐—ง๐—˜๐— ๐—˜๐—ก๐—ง๐—ฆ ๐—ข๐—ก “๐—ง๐—ข๐—ข ๐— ๐—”๐—ก๐—ฌ ๐—™๐—ฅ๐—œ๐—˜๐—ก๐——๐—ฆ“ ๐Ÿ“Œ
๐Ÿ“ข "'Too many friends' is most definitely not a rallying cry against social media. It is a small story about social alienation. I do worry, however, that technology is fast replacing religion as the opium of the people. But we cannot blame the technology itself – people are the problem. After all, guns don't kill people, but people do.”
(Brian, BK, August 22nd 2013)

๐Ÿ“ข ”I think musically that song is a bit of a celebration of our love of big anthemic eighties pop, like ‘Total Eclipse of the Heart’. We kind of went all out there musically for that track. And I think in terms of lyrical subject, it definitely touches upon the effect of technology and on the way that we interact. It’s a phenomenon that’s occurring right now and we’re just asking a few questions like, ‘is it actually bringing people closer together? Creating a lot of cyber friends – what does that actually mean? Does it mean that you have more friends or does it mean you’re creating some kind of virtual existence?’”
(Stefan, Hunger, August 8th 2013)

๐Ÿ“ข ”I don’t remember what I was googling but one day my computer started to attack me with links as I was some kind of a very active member of a community of gays, fetishists or what else. „Wow, my computer thinks I’m gay!“ I was thinking. And immediately I thought that it could be an awesome slogan for Placebo. Our relationships with technology have come to a very personal level... That exact week, few of my friends – to sort it out, not I, for me the social networks are still an unknown – were trying to refuse the ‚friend requests‘ of people who were trying to be the friends with them on the Internet. Simply they have had too many of them already. And I asked „How can you have that many friends?“ And I had started to count how many friends do I have. I mean the real friends, and I can say that there wasn’t any number close to 500 or 1000. It had driven me to the thoughts of what a friendship really means these days and how much the perception of the interpersonal relationships has changed. This song is about alienation, false promises that are carried through the social networks. It is responsible for solidarity but also for the new form of loneliness.”
(Brian, Rock & Pop Czech Republic, November 2013)

๐Ÿ“ข “'Too many friends' is based on real events. One day I was at my computer – and I don't know what I typed into Google… what dodgy porn I was watching… and all of sudden my computer started advertising to me. Like, you know, I was a gay man into the fetish thing. And I remember saying to myself, 'My computer thinks I'm gay today' – what a ridiculous line to start a song. (laughs)
(Brian, The Music, September 2013)

๐Ÿ“ข ''Some friends had said they'd stopped accepting friends on social networks because they had too many. And I thought, how is it possible to have too many friends, and how many do I have in the real world and what is the nature of friendship today now that people spend so much time communicating with people that they've never met in cyberspace? So I put the two ideas together and that was how I came up with the song.''
(Brian, Bangkok Post, August 18th 2013)

๐Ÿ“ข ”I was aware of the fact that it would probably polarize opinions quite a bit. I’ve never shyed away from doing that in the past. At the time, I thought, “Do I have the courage to do this?,” because it is so brazen that people are either gonna love it, get it or hate it. Do I still have the courage to do that, almost 20 years down the line? At the end of the day, I feel that to a great degree, fortune favors the brave, and I mustered up the courage to just go for it.”
(Brian, Pure Volume, September 12th 2013)

Post by Silke

Tuesday, March 2, 2021

๐๐‹๐€๐‚๐„๐๐Ž & ๐‰๐„๐’๐‚๐€ ๐‡๐Ž๐Ž๐: ๐“๐Ž๐Ž ๐Œ๐€๐๐˜ ๐…๐‘๐ˆ๐„๐๐ƒ๐’ ๐š๐œ๐จ๐ฎ๐ฌ๐ญ๐ข๐œ & ๐ˆ๐๐“๐„๐‘๐•๐ˆ๐„๐– ๐จ๐ง ๐€-๐’๐ข๐๐ž๐ฌ ๐ข๐ง ๐๐ž๐ฐ ๐˜๐จ๐ซ๐ค

Dear soulmates,
It’s not the first time when I’m back to a pretty much remarkable ๐๐ฅ๐š๐œ๐ž๐›๐จ ๐œ๐จ๐ง๐œ๐ž๐ซ๐ญ ๐š๐ญ ๐“๐ž๐ซ๐ฆ๐ข๐ง๐š๐ฅ ๐Ÿ“ ๐ข๐ง ๐๐˜๐‚. After not playing in the States for six years, they wanted their two only US shows in October 2013 to be really special.
This time, Placebo’s choice of the support artist wasn’t obvious enough.


⭐️๐‰๐ž๐ฌ๐ฌ๐ข๐œ๐š "๐‰๐ž๐ฌ๐œ๐š" ๐‡๐จ๐จ๐ฉ (born April 21, 1975, in California) is an American singer-songwriter and guitarist, who writes and performs in diverse musical styles. She has released five studio albums of her own, as well as live, acoustic and dual albums with others.
Hoop's style has been characterized as largely experimental with folk, rock, and electronic influences. Her early mentor, Tom Waits, described it as, "like a four-sided coin. She is an old soul, like a black pearl, a good witch or a red moon. Her music is like going swimming in a lake at night".

But we’re rather interested in what ๐๐ซ๐ข๐š๐ง thinks of her, don’t we, soulmates?๐Ÿ˜‰
Just a few days later after Placebo were back to London from the US Brian started his three-part program ๐‘ป๐’‰๐’† ๐‘ด๐’Š๐’™๐’•๐’‚๐’‘๐’† on British radio station XFM. Every Sunday evening, for an hour, he shared his favourite tracks from different artists and talked about them. About Jesca Hoop, Brian said that she’s “๐’‚๐’ ๐’‚๐’“๐’•๐’Š๐’”๐’• ๐‘ฐ ๐’‰๐’‚๐’—๐’† ๐’๐’๐’๐’š ๐’“๐’†๐’„๐’†๐’๐’•๐’๐’š ๐’…๐’Š๐’”๐’„๐’๐’—๐’†๐’“๐’†๐’… ๐’‚๐’๐’…, ๐‘ฐ ๐’Ž๐’–๐’”๐’• ๐’‚๐’…๐’Ž๐’Š๐’•, ๐’Š๐’” ๐’„๐’‚๐’‘๐’•๐’Š๐’—๐’‚๐’•๐’Š๐’๐’ˆ ๐’Ž๐’†, ๐’†๐’”๐’‘๐’†๐’„๐’Š๐’‚๐’๐’๐’š ๐’˜๐’Š๐’•๐’‰ ๐’‰๐’†๐’“ ๐’‚๐’„๐’๐’–๐’”๐’•๐’Š๐’„ ๐’“๐’†๐’๐’…๐’Š๐’•๐’Š๐’๐’๐’” ๐’๐’‡ ๐’‰๐’†๐’“ ๐’Ž๐’๐’”๐’• ๐’‡๐’‚๐’Ž๐’๐’–๐’” ๐’•๐’“๐’‚๐’„๐’Œ๐’”.”

So now, before you’re going to watch the video I’m sharing with you tonight, please go and listen to this very song, an acoustic version of ๐‡๐š๐ฏ๐จ๐œ ๐ˆ๐ง ๐‡๐ž๐š๐ฏ๐ž๐ง, which Brian chose to play on the radio as his favoutite by Jesca Hoop.
๐ŸŽถ https://bit.ly/2OrtZUw
If you want some more, try this one…
๐‰๐ž๐ฌ๐œ๐š ๐‡๐จ๐จ๐ฉ - ๐ƒ๐ž๐ž๐ฉ๐ž๐ซ ๐ƒ๐ž๐ฏ๐š๐ฌ๐ญ๐š๐ญ๐ข๐จ๐ง (๐‹๐ข๐ฏ๐ž ๐จ๐ง ๐€๐ฆ๐š๐ณ๐ข๐ง๐  ๐€๐Ÿ๐ญ๐ž๐ซ๐ง๐จ๐จ๐ง๐ฌ)
๐ŸŽถ https://bit.ly/3tW7OpQ

✨But back to ๐๐˜๐‚ ๐จ๐ง ๐Ž๐œ๐ญ๐จ๐›๐ž๐ซ ๐Ÿ๐Ÿ“๐ญ๐ก, ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ‘: some hours before Placebo took the stage at Terminal 5 they performed an ๐š๐œ๐จ๐ฎ๐ฌ๐ญ๐ข๐œ ๐ฏ๐ž๐ซ๐ฌ๐ข๐จ๐ง ๐จ๐Ÿ ๐“๐Ž๐Ž ๐Œ๐€๐๐˜ ๐…๐‘๐ˆ๐„๐๐ƒ๐’ ๐ฐ๐ข๐ญ๐ก ๐‰๐ž๐ฌ๐œ๐š ๐‡๐จ๐จ๐ฉ and sat down for an ๐ˆ๐๐“๐„๐‘๐•๐ˆ๐„๐– on the music program ๐‘จ-๐‘บ๐’Š๐’…๐’†๐’”.
You probably can’t hear the whole beauty of Jesca Hoop’s voice while she’s doing backing vocals but you can definitely appreciate warm and charming atmosphere of this performance, as well as notice genuine respect between Brian and Jessica.

Placebo at Terminal 5 in 2013. Photo credit: Artistree.fm

๐Ÿ“Jon Chattman from A-Sides, who interviewed Placebo, made a great ๐’Š๐’๐’•๐’“๐’๐’…๐’–๐’„๐’•๐’Š๐’๐’ to the chat.
๐Ÿ“ข"Music bloggers often fall into the trap of labeling artists or jamming them into a genre they have no business being in. In the end, the game of band word association proves pointless and ring false. Readers (and music lovers) are more sophisticated then given credit for. I pride myself in not going there, but for those that do, rockers Placebo make it nearly impossible to do so. Since they debuted, the stellar UK band have switched up their sound but keep it rocking throughout the journey with their signature sound and sharp-as-a-machete lyrics. Last month, the trio dropped their seventh album entitled Loud Like Love. It’s their first new album in four years, and it’s another ear murderer. Hours before they took the stage at Terminal 5 in NYC on Oct. 15, Brian Molko, Stefan Olsdal, and Steve Forrest performed a track off the album (with Jesca Hoop) and sat down for a brief interview on A-Sides. During the course of the chat, the band chatted about their new record, a recent YouTube “LOUD LIKE LOVE TV” show they put on, and thanks to this guy (points to self), Miley Cyrus."
(thisisasides.com)
๐Ÿ“And here’s my ๐ญ๐ซ๐š๐ง๐ฌ๐œ๐ซ๐ข๐ฉ๐ญ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐ข๐ง๐ญ๐ž๐ซ๐ฏ๐ข๐ž๐ฐ for you.

✨๐๐‹๐€๐‚๐„๐๐Ž: ๐“๐‡๐„ ๐€-๐’๐ˆ๐ƒ๐„๐’ ๐ˆ๐๐“๐„๐‘๐•๐ˆ๐„๐–✨
๐‘ณ๐’๐’–๐’… ๐‘ณ๐’Š๐’Œ๐’† ๐‘ณ๐’๐’—๐’† ๐‘ป๐‘ฝ ๐’Š๐’” ๐’‚๐’Ž๐’‚๐’›๐’Š๐’๐’ˆ! ๐‘ฏ๐’๐’˜ ๐’…๐’Š๐’… ๐’Š๐’• ๐’„๐’๐’Ž๐’† ๐’‚๐’ƒ๐’๐’–๐’•?
๐Ÿ“ข๐๐‘๐ˆ๐€๐: We wish that we could take credit for the idea but the idea was trapped up by two younger guys who work at our management, so… It was born out of this idea kind of ’how could you play in every country that you’re releasing an album, how could you show this’. Maybe back ten years ago, certainly 20 years ago when we started, it would be impossible at all. So they trapped up this idea, and it’s just kind of snowballed, and snowballed, and snowballed to what was gonna be ambitious portrays. We ended up linking up to Tokyo and LA and London.

๐‘ฏ๐’๐’˜ ๐’‰๐’‚๐’” ๐’•๐’‰๐’† ๐’Ž๐’–๐’”๐’Š๐’„ ๐’Š๐’๐’…๐’–๐’”๐’•๐’“๐’š ๐’„๐’‰๐’‚๐’๐’ˆ๐’†๐’… ๐’”๐’Š๐’๐’„๐’† ๐’š๐’๐’– ๐’“๐’†๐’๐’†๐’‚๐’”๐’†๐’… ๐’š๐’๐’–๐’“ ๐’๐’‚๐’”๐’• ๐’‚๐’๐’ƒ๐’–๐’Ž ๐’‡๐’๐’–๐’“ ๐’š๐’†๐’‚๐’“๐’” ๐’‚๐’ˆ๐’?
๐Ÿ“ข๐๐‘๐ˆ๐€๐: People are buying less records than they used to! I guess the latest way that people are consuming music is streaming services, and it’s a big debate at the moment whether it’s a good thing or a bad thing, I don’t know.

Placebo at Terminal 5 in 2013. Photo credit unknown

๐’€๐’๐’–๐’“ ๐‘ฒ๐’‚๐’•๐’† ๐‘ฉ๐’–๐’”๐’‰ ๐‘ช๐’๐’—๐’†๐’“ ๐’Š๐’” ๐’‚๐’Ž๐’‚๐’›๐’Š๐’๐’ˆ! ๐‘จ๐’๐’š ๐’„๐’‰๐’‚๐’๐’„๐’† ๐’๐’‡ ๐’„๐’๐’—๐’†๐’“๐’Š๐’๐’ˆ ๐’”๐’๐’Ž๐’† ๐’„๐’๐’๐’•๐’†๐’Ž๐’‘๐’๐’“๐’‚๐’“๐’š ๐’‚๐’“๐’•๐’Š๐’”๐’•๐’”? ๐‘ท๐’†๐’“๐’‰๐’‚๐’‘๐’” ๐‘ด๐’Š๐’๐’†๐’š ๐‘ช๐’š๐’“๐’–๐’”’ “๐‘พ๐’“๐’†๐’„๐’Œ๐’Š๐’๐’ˆ ๐‘ฉ๐’‚๐’๐’”?
๐Ÿ“ข๐๐‘๐ˆ๐€๐: I don’t think you could really compare those two artists, certainly we could not compare Miley Cyrus to Kate Bush at all (smiling). We grew up listening to music in the 80s. Pop music in the 80s had real kind of avant-garde edge to it, you know… If you listen to Ashes to Ashes by David Bowie or Kate Bush’s work or Peter Gabriel’s work, it’s all mainstream pop music but it was really quite weird and kooky and quite avant-garde. And since … it’s sort of come from really powerful thing into all these horrible TV shows around the world to behold an idea what pop music is and what it should be, changed from actually took this into being kind of karaoke. I think in a lot of people’s minds pop music equiles a specific way of singing, that’s either singing like a boy-band or like Mariah Carey, so that’s a real shame.

๐‘จ๐’“๐’† ๐’•๐’‰๐’†๐’“๐’† ๐’‚๐’๐’š ๐’๐’‡ ๐’š๐’๐’–๐’“ ๐’๐’˜๐’ ๐’”๐’๐’๐’ˆ๐’” ๐’š๐’๐’– ๐’‹๐’–๐’”๐’• ๐’„๐’‚๐’’๐’• ๐’‘๐’†๐’“๐’‡๐’๐’“๐’Ž ๐’‚๐’๐’š๐’Ž๐’๐’“๐’†?
๐Ÿ“ข๐๐‘๐ˆ๐€๐: That’s a great deal! You have a very dysfunctional relationship to out back catalogue. Normally, the show that we perform live at any given time is pretty much the songs that we can bear to play over that specific time when you come to see us. That’s simply because there’re a lot of songs you just have no emotional connection to anymore, and often they are your most commercially successful. But we feel that to play them, even if the fans may want them, would be a mechanical act, it wouldn’t be a truthful act, we would feel like we’re lying. We need to have an emotional connection to what we’re performing otherwise it just feels wrong.

Post by Olga

Wednesday, September 11, 2013

Placebo - Loud Like Love

Falta muy poco para el nuevo album de Placebo que se llamarรก "Loud Like Love".
Despuรฉs de tantos aรฑos esperando a un nuevo disco, todos los fans y amantes de la banda del flamante cantante Brian Molko estรกn contando los dรญas!



Para calentar motores os quiero dejar una entrevista con Brian.
Es preciosa. Como siempre sale guapรญsimo, dice cosas muy interesantes y sobre todo me encanta la forma de expresar que tiene tan elegante y culto...siempre con un toque muy sexy!

A parte os dejarรฉ una chispa del nuevo vรญdeo clip "Too Many Friends".


A disfrutar !!!!


Wednesday, July 10, 2013

Placebo - Too many friends


No sรฉ si se puede tener demasiados amigos "Too many friends", pero lo que si sรฉ es que Placebo siempre me sorprenden, enamoran y tanto la melodรญa como la letra de la canciรณn me encantan. Adoro a Brian Molko &Company.




Aquรญ tenemos ‘Too Many Friends’ como primer single de su nuevo รกlbum, Loud Like Love, que estarรก en el mercado el prรณximo 16 de septiembre.






Los tรญtulos del nuevo disco y el teaser de Loud Like Love





1. Loud Like Love
2. Scene Of The Crime
3. Too Many Friends
4. Hold On To Me
5. Rob The Bank
6. A Million Little Pieces
7. Exit Wounds
8. Purify
9. Begin The End
10. Bosco



Pรกgina web oficial | Placebo