Wednesday, November 9, 2022

⚡๐Ÿ”น"๐’๐”๐‘๐‘๐Ž๐”๐๐ƒ๐„๐ƒ ๐๐˜ ๐’๐๐ˆ๐„๐’" ๐Ÿ๐ฌ๐ญ ๐€๐๐๐ˆ๐•๐„๐‘๐’๐€๐‘๐˜๐Ÿ”น⚡

๐Ÿ”น"...๐™„ ๐™™๐™ค๐™ฃ'๐™ฉ ๐™๐™–๐™ซ๐™š ๐™– ๐™๐™–๐™ช๐™จ๐™ฉ๐™ž๐™–๐™ฃ ๐™ฅ๐™–๐™˜๐™ฉ ๐™ฌ๐™ž๐™ฉ๐™ ๐™ฉ๐™๐™š ๐™ข๐™š๐™™๐™ž๐™–, ๐™„ ๐™™๐™ค๐™ฃ'๐™ฉ ๐™–๐™˜๐™ฉ๐™ž๐™ซ๐™š๐™ก๐™ฎ ๐™œ๐™ค ๐™ค๐™ช๐™ฉ ๐™ฉ๐™๐™š๐™ง๐™š ๐™–๐™ฃ๐™™ ๐™ก๐™ค๐™ค๐™  ๐™›๐™ค๐™ง ๐™˜๐™ค๐™ก๐™ช๐™ข๐™ฃ ๐™ž๐™ฃ๐™˜๐™๐™š๐™จ ๐™ฌ๐™๐™š๐™ฃ๐™š๐™ซ๐™š๐™ง ๐™จ๐™ค๐™ข๐™š๐™ฉ๐™๐™ž๐™ฃ๐™œ ๐™ž๐™ข๐™ฅ๐™ค๐™ง๐™ฉ๐™–๐™ฃ๐™ฉ ๐™๐™–๐™ฅ๐™ฅ๐™š๐™ฃ๐™จ ๐™ž๐™ฃ ๐™ข๐™ฎ ๐™ก๐™ž๐™›๐™š, ๐™ฎ๐™ค๐™ช ๐™ ๐™ฃ๐™ค๐™ฌ, ๐™„ ๐™™๐™ค๐™ฃ'๐™ฉ ๐™™๐™ค ๐™– ๐™จ๐™ฅ๐™ง๐™š๐™–๐™™ ๐™ž๐™ฃ ๐™ƒ๐™š๐™ก๐™ก๐™ค ๐™ค๐™ง ๐™„ ๐™™๐™ค๐™ฃ'๐™ฉ ๐™ฅ๐™ค๐™จ๐™ฉ ๐™ฅ๐™ž๐™˜๐™ฉ๐™ช๐™ง๐™š๐™จ ๐™ค๐™› ๐™ข๐™ฎ ๐™›๐™–๐™ข๐™ž๐™ก๐™ฎ ๐™ค๐™ฃ ๐™จ๐™ค๐™˜๐™ž๐™–๐™ก ๐™ข๐™š๐™™๐™ž๐™–. ๐™„ ๐™™๐™ค๐™ฃ'๐™ฉ ๐™š๐™ญ๐™ฅ๐™ค๐™จ๐™š ๐™ข๐™ฎ ๐™ฅ๐™ง๐™ž๐™ซ๐™–๐™ฉ๐™š ๐™ก๐™ž๐™›๐™š ๐™–๐™ฃ๐™™ ๐™Ÿ๐™ช๐™จ๐™ฉ ๐™—๐™š๐™˜๐™–๐™ช๐™จ๐™š ๐™ค๐™ฉ๐™๐™š๐™ง ๐™ฅ๐™š๐™ค๐™ฅ๐™ก๐™š ๐™›๐™ž๐™ฃ๐™™ ๐™ž๐™ฉ ๐™˜๐™ค๐™ข๐™ฅ๐™ก๐™š๐™ฉ๐™š๐™ก๐™ฎ ๐™ฃ๐™–๐™ฉ๐™ช๐™ง๐™–๐™ก ๐™ฉ๐™ค ๐™™๐™ค ๐™ฉ๐™๐™–๐™ฉ, ๐™„ ๐™™๐™ค๐™ฃ'๐™ฉ ๐™จ๐™š๐™š ๐™ฌ๐™๐™ฎ ๐™ฆ๐™ช๐™ž๐™š๐™ฉ ๐™ฅ๐™š๐™ค๐™ฅ๐™ก๐™š ๐™ก๐™ž๐™ ๐™š ๐™ข๐™š ๐™จ๐™๐™ค๐™ช๐™ก๐™™ ๐™›๐™š๐™š๐™ก ๐™ฅ๐™ง๐™š๐™จ๐™จ๐™ช๐™ง๐™š๐™™ ๐™ฉ๐™ค ๐™™๐™ค ๐™ฉ๐™๐™š ๐™จ๐™–๐™ข๐™š.”๐Ÿ”น
(๐™ฑ๐š›๐š’๐šŠ๐š— ๐™ผ๐š˜๐š•๐š”๐š˜, ๐™ผ๐šŠ๐š—๐š’๐šŠ๐šŒ๐šœ, ๐™ผ๐šŠ๐š›๐šŒ๐š‘ ๐Ÿธ๐Ÿป๐š๐š‘ ๐Ÿธ0๐Ÿธ๐Ÿธ)

Photo credit: PlaceboWorld, Jon Stone / Edit: by Marti

Dear friends,
after last Wednesday, when I shared with you my review of the unique Halloween concert, today we have another break from Placebo lullabies.

๐˜Œ๐˜น๐˜ข๐˜ค๐˜ต๐˜ญ๐˜บ ๐˜ฐ๐˜ฏ๐˜ฆ ๐˜บ๐˜ฆ๐˜ข๐˜ณ ๐˜ข๐˜จ๐˜ฐ ๐˜ข ๐˜ด๐˜ช๐˜ฏ๐˜จ๐˜ญ๐˜ฆ ๐˜ธ๐˜ข๐˜ด ๐˜ณ๐˜ฆ๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ฆ๐˜ฅ, ๐˜ธ๐˜ฉ๐˜ช๐˜ค๐˜ฉ ๐˜ข๐˜ญ๐˜ญ๐˜ฐ๐˜ธ๐˜ฆ๐˜ฅ ๐˜ถ๐˜ด ๐˜ต๐˜ฐ ๐˜ด๐˜ฆ๐˜ฆ ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฐ๐˜ถ๐˜ญ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฉ๐˜ฐ๐˜ญ๐˜ฆ ๐˜•๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜“๐˜ฆ๐˜ต ๐˜”๐˜ฆ ๐˜Ž๐˜ฐ ๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ, ๐˜ข๐˜ญ๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ธ๐˜ฆ ๐˜ฉ๐˜ข๐˜ฅ ๐˜ฏ๐˜ฐ ๐˜ช๐˜ฅ๐˜ฆ๐˜ข ๐˜ธ๐˜ฉ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฏ๐˜ฆ๐˜ธ ๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ ๐˜ธ๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ฃ๐˜ฆ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต.

⚡๐Ÿ”น"๐’๐”๐‘๐‘๐Ž๐”๐๐ƒ๐„๐ƒ ๐๐˜ ๐’๐๐ˆ๐„๐’" ๐Ÿ๐ฌ๐ญ ๐€๐๐๐ˆ๐•๐„๐‘๐’๐€๐‘๐˜๐Ÿ”น⚡

๐ŸŽถ๐ŸŽฌ๐Ž๐Ÿ๐Ÿ๐ข๐œ๐ข๐š๐ฅ ๐•๐ข๐ฌ๐ฎ๐š๐ฅ๐ข๐ฌ๐ž๐ซ
https://bit.ly/3TrNw2S


It is the second single (after Beautiful James) preceding the release of ๐๐„๐•๐„๐‘ ๐‹๐„๐“ ๐Œ๐„ ๐†๐Ž and the sixth track of the album. It was also available as a digital download and later released on Mint color vinyl along with "Beautiful James" - on 25th of March, 2022.

๐“๐ก๐ž ๐ฌ๐ข๐ง๐ ๐ฅ๐ž ๐ฐ๐š๐ฌ ๐ซ๐ž๐œ๐จ๐ซ๐๐ž๐ ๐š๐ญ ๐‘๐€๐Š ๐’๐ญ๐ฎ๐๐ข๐จ๐ฌ ๐ข๐ง ๐‹๐จ๐ง๐๐จ๐ง ๐š๐ง๐ ๐ฉ๐ซ๐จ๐๐ฎ๐œ๐ž๐ ๐›๐ฒ ๐€๐๐š๐ฆ ๐๐จ๐›๐ฅ๐ž. ๐„๐ง๐ ๐ข๐ง๐ž๐ž๐ซ๐ข๐ง๐  ๐š๐ง๐ ๐ฉ๐ซ๐จ๐ ๐ซ๐š๐ฆ๐ฆ๐ข๐ง๐  ๐ฐ๐ž๐ซ๐ž ๐๐จ๐ง๐ž ๐›๐ฒ ๐๐จ๐›๐ฅ๐ž ๐š๐ง๐ ๐๐ข๐ฅ๐ฅ ๐‹๐ฅ๐จ๐ฒ๐.

Do you remember that night, soulmates?
⭐๐—ง๐—ต๐—ฒ ๐˜€๐—ถ๐—ป๐—ด๐—น๐—ฒ ๐ŸŽถ๐—ฆ๐˜‚๐—ฟ๐—ฟ๐—ผ๐˜‚๐—ป๐—ฑ๐—ฒ๐—ฑ ๐—•๐˜† ๐—ฆ๐—ฝ๐—ถ๐—ฒ๐˜€๐ŸŽถ ๐˜„๐—ฎ๐˜€ ๐—ฟ๐—ฒ๐—น๐—ฒ๐—ฎ๐˜€๐—ฒ๐—ฑ ๐—ฎ๐˜ ๐—ฒ๐˜…๐—ฎ๐—ฐ๐˜๐—น๐˜† ๐—บ๐—ถ๐—ฑ๐—ป๐—ถ๐—ด๐—ต๐˜ ๐˜„๐—ต๐—ฒ๐—ป ๐—ฎ ๐—ป๐—ฒ๐˜„ ๐—ฑ๐—ฎ๐˜† ๐˜„๐—ฎ๐˜€ ๐—ฏ๐—ผ๐—ฟ๐—ป ๐—ผ๐—ป ๐—ก๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿต, ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿญ.⭐

My memory is still very vivid. Our whole house was already asleep, I was sitting in bed buried in pillows, the lit candles materialized the shadows and the incense stick made the perfect atmosphere.

And at exactly midnight, something fantastic came. Pure Placebo like a cut diamond. The lyrics, which didn't make much sense, still filled me with a dark melancholy. The strange sound of the drums in the middle of the night was absolutely hypnotic, Brian's voice repeating the monotonous verses brought me almost to the edge of a trance. And the ending with the piano was simply "Wooow... I didn't expect that...". Since then I wanted to hear it again and again.

Photo credit: Jon Stone

๐“๐จ ๐ญ๐ก๐ข๐ฌ ๐ฆ๐ฒ ๐ฉ๐ž๐ซ๐œ๐ž๐ฉ๐ญ๐ข๐จ๐ง ๐จ๐Ÿ ๐ญ๐ก๐ž ๐ฌ๐ข๐ง๐ ๐ฅ๐ž ๐ˆ ๐š๐๐ ๐’๐“๐„๐…๐€๐'๐ฌ ๐ช๐ฎ๐จ๐ญ๐ž:
๐Ÿ”น๐Ÿ’ฌ“๐˜›๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ'๐˜ด ๐˜ข ๐˜ฎ๐˜บ๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ช๐˜ฐ๐˜ถ๐˜ด ๐˜ท๐˜ช๐˜ฃ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ด๐˜ฐ๐˜ฏ๐˜จ, ๐˜ข๐˜ญ๐˜ฎ๐˜ฐ๐˜ด๐˜ต ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ข ๐˜ด๐˜ฑ๐˜บ ๐˜ฎ๐˜ฐ๐˜ท๐˜ช๐˜ฆ ๐˜ด๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ๐˜ต๐˜ณ๐˜ข๐˜ค๐˜ฌ. ๐˜ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ ๐˜ธ๐˜ข๐˜ด ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ฃ๐˜ถ๐˜ช๐˜ญ๐˜ฅ ๐˜ข ๐˜ด๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ช๐˜ด ๐˜ข ๐˜ฎ๐˜ช๐˜น ๐˜ฐ๐˜ง ๐˜ต๐˜ฆ๐˜ฏ๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฉ๐˜ข๐˜ฐ๐˜ด, ๐˜ธ๐˜ฉ๐˜ช๐˜ญ๐˜ฆ ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ธ๐˜ฆ๐˜ข๐˜ท๐˜ช๐˜ฏ๐˜จ ๐˜ฉ๐˜ช๐˜จ๐˜ฉ-๐˜ด๐˜ฑ๐˜ฆ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜ฆ๐˜ข๐˜ต๐˜ด ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ด๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ฅ๐˜ณ๐˜ถ๐˜ฎ'๐˜ฏ'๐˜ฃ๐˜ข๐˜ด๐˜ด. ๐˜‰๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ช๐˜ข๐˜ฏ๐˜ฐ ๐˜ต๐˜ฐ๐˜ฏ๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ณ๐˜ฆ๐˜ด๐˜ฐ๐˜ฏ๐˜ข๐˜ต๐˜ฆ๐˜ด ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ฏ๐˜ฅ ๐˜ฎ๐˜ข๐˜ฌ๐˜ฆ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฐ๐˜ฏ๐˜จ ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ฏ ๐˜ด๐˜ฐ๐˜ฎ๐˜ฆ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ฃ๐˜ฆ๐˜ข๐˜ถ๐˜ต๐˜ช๐˜ง๐˜ถ๐˜ญ.”
(๐š‚๐š๐šŽ๐š๐šŠ๐š— ๐™พ๐š•๐šœ๐š๐šŠ๐š•, ๐™ฑ๐š’๐š•๐š•๐š‹๐š˜๐šŠ๐š›๐š ๐™น๐šŠ๐š™๐šŠ๐š—, ๐™ฐ๐š™๐š›๐š’๐š• ๐Ÿธ0๐Ÿธ๐Ÿธ)

So let's now celebrate this one year birthday by telling you everything we already know about this song and maybe a little something new.

This song was based on Brian's realization that he was being spied on by his neighbors who did not respect his privacy.. Unfortunately, this always happens when you live near a celebrity. However, with the advent of technology, virtually every smartphone owner has become a potential paparazzo.

๐Ÿ”น๐๐‘๐ˆ๐€๐ ๐Ž๐ "๐’๐”๐‘๐‘๐Ž๐”๐๐ƒ๐„๐ƒ ๐๐˜ ๐’๐๐ˆ๐„๐’"๐Ÿ”น
“We sleepwalk through the city, unaware of the fact that you can be followed from your doorstep to your destination. I thought to myself, ‘If good neighbours of mine can do this, then what else is going on?’ It’s just a microscopic version of what’s happening everywhere.” (๐š๐š˜๐š•๐š•๐š’๐š—๐š ๐š‚๐š๐š˜๐š—๐šŽ ๐š„๐™บ, ๐™ต๐šŽ๐š‹๐š›๐šž๐šŠ๐š›๐šข ๐Ÿท๐šœ๐š ๐Ÿธ0๐Ÿธ๐Ÿธ)

“I began to ponder the countless ways in which our privacy has been eroded and stolen since the introduction worldwide of CCTV cameras that now employ racist facial recognition technologies; the rise of the internet and the smartphone, which has turned practically every user into a paparazzo and a spectator in their own life, and how we have mostly all offered up personal information to enormous multinationals whose sole intent is to exploit us.”
(๐š‚๐š™๐šŽ๐šŠ๐š”๐šŽ๐šŠ๐šœ๐šข ๐Ÿธ0๐Ÿธ๐Ÿธ)

"I've moved since then, but my old neighbours thought it was okay to spy on me because I was famous... That triggered something in my head about global surveillance, about cameras filming us. The question I ask in this album is: what is the human price to pay for all this progress? But I don't have the answer.”
(๐™ป๐šŽ ๐™ฟ๐šŠ๐š›๐š’๐šœ๐š’๐šŽ๐š—, ๐™ผ๐šŠ๐š›๐šŒ๐š‘ ๐Ÿธ๐Ÿป๐š๐š‘ ๐Ÿธ0๐Ÿธ๐Ÿธ)

Photo credit: Jon Stone

Thanks to Brian giving us an explanation for this song, we have a clearer idea of why it was created.

From this song, I sense an indictment of all of us for allowing these technologies to take over our daily lives. Not only do we silently suffer from CCTV in big companies because we care about money, about our livelihood. Not just that cameras in the streets have crept into our actual reality and intimacy. But we ourselves contribute to it very frivolously by sharing the details of our lives with 'Big Brother' on a daily basis. The mobile phone has become our most faithful companion, searching for a contact with a live person is second only.

๐Ÿ”น๐Ÿ’ฌ ๐๐‘๐ˆ๐€๐ ๐Ž๐ ๐‡๐ˆ๐’ ๐’๐Ž๐:
“I'm a child of the 80s. In my days there were no surveillance cameras every few meters and the phones were still connected to the wall by a cable. My son's world can not compared to mine. He enjoys the progress. But what is the bill for this motley present and future that is waiting for him at some point. He has lost the freedom to walk down the streets without ending up in the sights of a surveillance camera.
I hate these things. And his cell phone is de facto a control medium. It holds him hostage but of course he doesn't see it. He only knows the dopamine kick that calls him to scroll again and again.“
(๐™ฑ๐š›๐š’๐šŠ๐š— ๐™ผ๐š˜๐š•๐š”๐š˜ ๐š‚๐™ป๐™ฐ๐™ผ, ๐™ธ๐šœ๐šœ๐šž๐šŽ ๐Ÿท๐Ÿธ๐Ÿท, ๐™ฐ๐š™๐š›๐š’๐š• ๐Ÿธ0๐Ÿธ๐Ÿธ)
~๐Ÿ”น~๐Ÿ”น~๐Ÿ”น~

๐€๐ฅ๐ฌ๐จ, ๐ญ๐ก๐ž ๐ฏ๐ข๐๐ž๐จ ๐Ÿ๐จ๐ซ ๐ญ๐ก๐ข๐ฌ ๐ฌ๐ข๐ง๐ ๐ฅ๐ž, ๐ฐ๐ก๐ข๐œ๐ก ๐ฐ๐š๐ฌ ๐ซ๐ž๐œ๐จ๐ซ๐๐ž๐ ๐š๐ญ ๐’๐Ž ๐‘๐ž๐œ๐จ๐ซ๐๐ข๐ง๐ ๐ฌ ๐ข๐ง ๐‹๐จ๐ง๐๐จ๐ง ๐›๐ฒ ๐‚๐ซ๐ž๐š๐ญ๐ข๐ฏ๐ž ๐ƒ๐ข๐ซ๐ž๐œ๐ญ๐จ๐ซ ๐๐ก๐ข๐ฅ ๐‹๐ž๐ž ๐š๐ง๐ ๐•๐ข๐๐ž๐จ ๐ƒ๐ข๐ซ๐ž๐œ๐ญ๐จ๐ซ ๐†๐ซ๐ž๐ ๐  ๐‡๐จ๐ฎ๐ฌ๐ญ๐จ๐ง ๐š๐ง๐ ๐ฐ๐š๐ฌ ๐ซ๐ž๐ฅ๐ž๐š๐ฌ๐ž๐ ๐จ๐ง ๐๐จ๐ฏ๐ž๐ฆ๐›๐ž๐ซ ๐Ÿ๐Ÿ–, ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ, ๐ข๐ฌ ๐ฆ๐š๐๐ž ๐ญ๐จ ๐œ๐จ๐ง๐Ÿ๐ข๐ซ๐ฆ ๐ฐ๐ก๐š๐ญ ๐ญ๐ก๐ž ๐ฌ๐จ๐ง๐  ๐ข๐ฌ ๐š๐›๐จ๐ฎ๐ญ:

๐Ÿ“ŒThe video for ‘Surrounded By Spies’ is shot from the perspective of CCTV cameras. Their faces — filtered and warped — appear on the artwork for the first time ever, for singles ‘Beautiful James’ and ‘Surrounded By Spies’. Nowhere in the material do you see Molko or Olsdal clearly, which feeds into the ever-present theme of surveillance, either by security cameras (London, after all, is the most surveilled city on Earth outside China), by your neighbours, or by your own hyper-vigilance. However, it was also a more practical choice.

“It was born out of a certain inherited shyness,” Molko admits. “We found ourselves after four or five years not really having done a photoshoot, looking around, and understanding that nobody puts a picture of themselves out into the world without manipulating it. We all hide, we all project an image of ourselves that isn’t really our true selves. And so the idea came to take this aesthetic and push it to the extreme, [to become] a very clear comment on aesthetics today.”
(๐™ฑ๐š›๐š’๐šŠ๐š— ๐™ผ๐š˜๐š•๐š”๐š˜ ๐š’๐š—๐š๐šŽ๐š›๐šŸ๐š’๐šŽ๐š , ๐š๐š˜๐š•๐š•๐š’๐š—๐š๐šœ๐š๐š˜๐š—๐šŽ ๐Ÿธ0๐Ÿธ๐Ÿธ)

๐Ÿ”น๐ŸŽฌ"๐’๐”๐‘๐‘๐Ž๐”๐๐ƒ๐„๐ƒ ๐๐˜ ๐’๐๐ˆ๐„๐’" ๐Ž๐Ÿ๐Ÿ๐ข๐œ๐ข๐š๐ฅ ๐•๐ข๐๐ž๐จ
https://bit.ly/3WOZ9ny


Photo credit: Jon Stone

Let's move further in the information about this single. With another quote, ๐๐‘๐ˆ๐€๐ taught us the term "๐ฌ๐ฎ๐ซ๐ฏ๐ž๐ข๐ฅ๐ฅ๐š๐ง๐œ๐ž ๐œ๐š๐ฉ๐ข๐ญ๐š๐ฅ๐ข๐ฌ๐ฆ":

“It's a true story told through a lens of paranoia, complete disgust for modern society’s values, and the deification of surveillance capitalism. The narrator is at the end of their tether, hopeless and afraid, completely at odds with our newfound progress and the god of money.”
(๐™ฐ๐š–๐šŽ๐š›๐š’๐šŒ๐šŠ๐š— ๐š‚๐š˜๐š—๐š๐š ๐š›๐š’๐š๐šŽ๐š›, ๐™ฝ๐š˜๐šŸ๐šŽ๐š–๐š‹๐šŽ๐š› ๐Ÿธ0๐Ÿธ๐Ÿท)

The term surveillance capitalism was coined by American author ⭐๐™Ž๐™๐™ค๐™จ๐™๐™–๐™ฃ๐™– ๐™•๐™ช๐™—๐™ค๐™›๐™›⭐ in her 2019 masterwork of original thinking and research - as defined by the Financial Times - ⭐'๐—ง๐—ต๐—ฒ ๐—”๐—ด๐—ฒ ๐—ผ๐—ณ ๐—ฆ๐˜‚๐—ฟ๐˜ƒ๐—ฒ๐—ถ๐—น๐—น๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—–๐—ฎ๐—ฝ๐—ถ๐˜๐—ฎ๐—น๐—ถ๐˜€๐—บ: ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ด๐—ต๐˜ ๐—ณ๐—ผ๐—ฟ ๐—ฎ ๐—›๐˜‚๐—บ๐—ฎ๐—ป ๐—™๐˜‚๐˜๐˜‚๐—ฟ๐—ฒ ๐—ฎ๐˜ ๐˜๐—ต๐—ฒ ๐—ก๐—ฒ๐˜„ ๐—™๐—ฟ๐—ผ๐—ป๐˜๐—ถ๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—ฃ๐—ผ๐˜„๐—ฒ๐—ฟ'⭐.

In short, it can be described in the following words:
⚡๐—ช๐—ต๐—ถ๐—น๐—ฒ ๐—ถ๐—ป๐—ฑ๐˜‚๐˜€๐˜๐—ฟ๐—ถ๐—ฎ๐—น ๐—ฐ๐—ฎ๐—ฝ๐—ถ๐˜๐—ฎ๐—น๐—ถ๐˜€๐—บ ๐—ฒ๐˜…๐—ฝ๐—น๐—ผ๐—ถ๐˜๐—ฒ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฐ๐—ผ๐—ป๐˜๐—ฟ๐—ผ๐—น๐—น๐—ฒ๐—ฑ ๐—ป๐—ฎ๐˜๐˜‚๐—ฟ๐—ฒ ๐˜„๐—ถ๐˜๐—ต ๐—ฑ๐—ฒ๐˜ƒ๐—ฎ๐˜€๐˜๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—ฐ๐—ผ๐—ป๐˜€๐—ฒ๐—พ๐˜‚๐—ฒ๐—ป๐—ฐ๐—ฒ๐˜€, ๐˜€๐˜‚๐—ฟ๐˜ƒ๐—ฒ๐—ถ๐—น๐—น๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ฐ๐—ฎ๐—ฝ๐—ถ๐˜๐—ฎ๐—น๐—ถ๐˜€๐—บ ๐—ฒ๐˜…๐—ฝ๐—น๐—ผ๐—ถ๐˜๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—ฐ๐—ผ๐—ป๐˜๐—ฟ๐—ผ๐—น๐˜€ ๐—ต๐˜‚๐—บ๐—ฎ๐—ป ๐—ป๐—ฎ๐˜๐˜‚๐—ฟ๐—ฒ ๐˜„๐—ถ๐˜๐—ต ๐—ฎ ๐˜๐—ผ๐˜๐—ฎ๐—น๐—ถ๐˜๐—ฎ๐—ฟ๐—ถ๐—ฎ๐—ป ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ ๐—ฎ๐˜€ ๐˜๐—ต๐—ฒ ๐—ฒ๐—ป๐—ฑ๐—ฝ๐—ผ๐—ถ๐—ป๐˜ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—ฑ๐—ฒ๐˜ƒ๐—ฒ๐—น๐—ผ๐—ฝ๐—บ๐—ฒ๐—ป๐˜.⚡

๐Ÿ“ŒOur dear ๐„๐ฆ๐š๐ง๐ฎ๐ž๐ฅ๐š elaborated on this topic in her post here:
https://bit.ly/3Gihq71

Photo credit: Jon Stone

Brian's concern about the enormous impact of these technologies led me to yet another term.

Do you know the term ๐Ÿ”น๐‹๐ฎ๐๐๐ข๐ฌ๐ฆ and the resulting ๐๐ž๐จ-๐‹๐ฎ๐๐๐ข๐ฌ๐ฆ?๐Ÿ”น

๐Ÿ”น๐‹๐ฎ๐๐๐ข๐ฌ๐ญ๐ฌ - members of a secret organization of English textile workers in the 19th century. They protested the boom in the textile industry by destroying the newly invented weaving machines for fear of losing their jobs.
From this comes the term ๐Ÿ”น๐๐ž๐จ-๐ฅ๐ฎ๐๐๐ข๐ฌ๐ฆ - used to describe someone who is opposed or resistant to new technologies.

Maybe it's a completely new term for you, but I have to tell you that ๐˜ข๐˜ญ๐˜ณ๐˜ฆ๐˜ข๐˜ฅ๐˜บ ๐˜ช๐˜ฏ 1996, ๐˜ข ๐˜“๐˜ถ๐˜ฅ๐˜ฅ๐˜ช๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฏ๐˜จ๐˜ณ๐˜ฆ๐˜ด๐˜ด ๐˜ธ๐˜ข๐˜ด ๐˜ฉ๐˜ฆ๐˜ญ๐˜ฅ, ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜•๐˜ฆ๐˜ฐ๐˜ญ๐˜ถ๐˜ฅ๐˜ช๐˜ด๐˜ฎ ๐˜ธ๐˜ข๐˜ด ๐˜ฏ๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ข๐˜ด "๐˜ข ๐˜ญ๐˜ฆ๐˜ข๐˜ฅ๐˜ฆ๐˜ณ๐˜ญ๐˜ฆ๐˜ด๐˜ด ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฐ๐˜ง ๐˜ฑ๐˜ข๐˜ด๐˜ด๐˜ช๐˜ท๐˜ฆ ๐˜ณ๐˜ฆ๐˜ด๐˜ช๐˜ด๐˜ต๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ต๐˜ฐ ๐˜ค๐˜ฐ๐˜ฏ๐˜ด๐˜ถ๐˜ฎ๐˜ฆ๐˜ณ๐˜ช๐˜ด๐˜ฎ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ฏ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ด๐˜ช๐˜ฏ๐˜จ๐˜ญ๐˜บ ๐˜ฃ๐˜ช๐˜ป๐˜ข๐˜ณ๐˜ณ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ง๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฆ๐˜ค๐˜ฉ๐˜ฏ๐˜ฐ๐˜ญ๐˜ฐ๐˜จ๐˜ช๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜Š๐˜ฐ๐˜ฎ๐˜ฑ๐˜ถ๐˜ต๐˜ฆ๐˜ณ ๐˜ˆ๐˜จ๐˜ฆ ".

Could Brian go so far in his thoughts as to agree to this movement?
And how do you perceive it?
~๐Ÿ”น~๐Ÿ”น~๐Ÿ”น~

Of course, Stefan's thoughts on this single are also very interesting.

๐Ÿ”น๐’๐“๐„๐…๐€๐ ๐Ž๐ "๐’๐”๐‘๐‘๐Ž๐”๐๐ƒ๐„๐ƒ ๐๐˜ ๐’๐๐ˆ๐„๐’":๐Ÿ”น
”Maybe we don't see so clearly where we are going until it's too late, right? And that's a little bit what we want to explore in the song 'Surrounded by Spies' as you said, which is a little bit of chaos and a little bit of losing control but still, I think what we have to do as musicians and as people, is try to surf what's going on without going crazy (laughs) and have a little bit of vigilance so that we don't get sucked into technology or what's going on and keep a little bit of humanity.”
(๐™ฐ๐š•๐š๐šŠ ๐Ÿฟ๐Ÿท,๐Ÿน ๐™ต๐™ผ – ๐™ผ๐šŽ๐šก๐š’๐šŒ๐š˜, ๐™ต๐šŽ๐š‹๐š›๐šž๐šŠ๐š›๐šข ๐Ÿท๐Ÿฟ๐š๐š‘ ๐Ÿธ0๐Ÿธ๐Ÿธ)

๐Ÿ”น๐Ÿ’ฌ๐˜๐˜ข๐˜ท๐˜ฆ๐˜ฏ'๐˜ต ๐˜บ๐˜ฐ๐˜ถ ๐˜ข๐˜ญ๐˜ณ๐˜ฆ๐˜ข๐˜ฅ๐˜บ ๐˜ฑ๐˜ญ๐˜ข๐˜บ๐˜ฆ๐˜ฅ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ข๐˜ญ๐˜ฌ๐˜ฆ๐˜ฅ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ท๐˜ฐ๐˜บ๐˜ฆ๐˜ถ๐˜ณ๐˜ด ๐˜ช๐˜ฏ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ด๐˜ฐ๐˜ฏ๐˜จ๐˜ด? ๐˜๐˜ต ๐˜ธ๐˜ข๐˜ด ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฐ๐˜ฏ๐˜จ '๐˜—๐˜ฆ๐˜ฆ๐˜ฑ๐˜ช๐˜ฏ๐˜จ ๐˜›๐˜ฐ๐˜ฎ' ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ ๐˜‰๐˜”๐˜”. ๐˜›๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ, ๐˜ข ๐˜ฑ๐˜ฆ๐˜ณ๐˜ด๐˜ฐ๐˜ฏ ๐˜ธ๐˜ข๐˜ด ๐˜ด๐˜ฑ๐˜ช๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ข๐˜ฏ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ด๐˜ฐ๐˜ฏ, ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ต๐˜ช๐˜ฎ๐˜ฆ ๐˜ช๐˜ต'๐˜ด ๐˜ฅ๐˜ฐ๐˜ฏ๐˜ฆ ๐˜ฃ๐˜บ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜บ๐˜ด๐˜ต๐˜ฆ๐˜ฎ. ๐˜‹๐˜ฐ ๐˜บ๐˜ฐ๐˜ถ ๐˜ข๐˜จ๐˜ณ๐˜ฆ๐˜ฆ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ต๐˜ฉ๐˜ข๐˜ต?
“You see, I haven’t seen it from that angle, that’s interesting. This track is kind of claustrophobic because, you know, it’s hard to avoid unkind eyes nowadays. It’s kind of crapped off on us. The character of 'Surrounded by Spies' feels that pressure of modern age, what it can do to you, how it can slowly turn your world very dark. And it can start to feel at times that there’s no escape. There’s some kind of darkness in this song. We wanted music to be very expressive, evil… We’re trying to find the hope, trying to find the cracklings of light in our songs but I think that 'Surrounded by Spies' is probably one of the darker moments. When it comes to Placebo lyrics, generally, on all the albums there were elements of personal, emotional honesty. I think that we’ve realized that it’s what makes the song universal - if you make it personal, sing of what you’ve experienced on this planet, whatever the feeling may be. We always discovered the darkest sides of human psyche and human’s emotions which are not easy to talk about, to acknowledge that we have sometimes. So I think this track is continuing in that way.“

๐˜™๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ด๐˜ช๐˜ฏ๐˜จ๐˜ญ๐˜ฆ๐˜ด, ๐˜ฅ๐˜ฐ๐˜ฏ'๐˜ต ๐˜บ๐˜ฐ๐˜ถ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜ฌ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜š๐˜‰๐˜š ๐˜ช๐˜ด ๐˜ฌ๐˜ช๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ข๐˜ฏ '๐˜ข๐˜ฏ๐˜ต๐˜ช-๐˜ด๐˜ช๐˜ฏ๐˜จ๐˜ญ๐˜ฆ'?
“I think life would be too safe without taking risks. We’ve got very eclectic taste fan base, they don’t like one type of music. 'Surrounded by Spies' is very different to our first song, 'Beautiful James'. But it’s still us. It was good to do things slightly different, not to make two same songs, to let the fans taste yourself what’s to come. But as I said, it’s all still Placebo.“
(๐š๐šŠ๐š๐š’๐š˜ ๐Ÿน๐Ÿป๐Ÿฝ, ๐™ฝ๐š˜๐šŸ๐šŽ๐š–๐š‹๐šŽ๐š› ๐Ÿฟ๐š๐š‘ ๐Ÿธ0๐Ÿธ๐Ÿท)
~๐Ÿ”น~๐Ÿ”น~๐Ÿ”น~

But in the end let's go back to the very specific lyrics of the song which I purposely inserted without repetition to make it obvious how confused the text sounds:

Photo credit: Jon Stone

๐Ÿ”น๐ŸŽถ"๐’๐”๐‘๐‘๐Ž๐”๐๐ƒ๐„๐ƒ ๐๐˜ ๐’๐๐ˆ๐„๐’" ๐‹๐˜๐‘๐ˆ๐‚๐’๐ŸŽถ๐Ÿ”น
๐˜ ๐˜ด๐˜ข๐˜ธ ๐˜บ๐˜ฐ๐˜ถ ๐˜ซ๐˜ถ๐˜ฎ๐˜ฑ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ข ๐˜ฃ๐˜ถ๐˜ณ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ฃ๐˜ถ๐˜ช๐˜ญ๐˜ฅ๐˜ช๐˜ฏ๐˜จ 2๐˜น
๐˜'๐˜ท๐˜ฆ ๐˜ด๐˜ฆ๐˜ฆ๐˜ฏ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ๐˜ด, ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜Œ๐˜ญ๐˜ท๐˜ช๐˜ด ๐˜ด๐˜ฆ๐˜ต ๐˜ฐ๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ฆ
๐˜š๐˜ฆ๐˜ฆ๐˜ฏ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ๐˜ด, ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜Œ๐˜ญ๐˜ท๐˜ช๐˜ด ๐˜ด๐˜ฆ๐˜ต ๐˜ฐ๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ฆ

๐˜›๐˜ฉ๐˜ช๐˜ด ๐˜ด๐˜ฆ๐˜ข๐˜ณ๐˜ค๐˜ฉ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฎ๐˜ฆ๐˜ข๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ด ๐˜ฌ๐˜ช๐˜ญ๐˜ญ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜ฆ 3๐˜น
๐˜›๐˜ฉ๐˜ช๐˜ด ๐˜ด๐˜ฆ๐˜ข๐˜ณ๐˜ค๐˜ฉ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฎ๐˜ฆ๐˜ข๐˜ฏ๐˜ช๐˜ฏ๐˜จ

๐˜—๐˜ช๐˜ฏ๐˜จ ๐˜ฑ๐˜ฐ๐˜ฏ๐˜จ ๐˜ฃ๐˜ข๐˜ญ๐˜ญ ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ข๐˜ค๐˜ฌ ๐˜ฐ๐˜ง ๐˜ฎ๐˜บ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ข๐˜ต 2๐˜น
๐˜ˆ๐˜ฏ๐˜ฅ ๐˜ ๐˜ธ๐˜ฐ๐˜ฏ'๐˜ต ๐˜ฃ๐˜ฆ ๐˜ด๐˜ฑ๐˜ฐ๐˜ฌ๐˜ฆ๐˜ฏ ๐˜ต๐˜ฐ ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต 2๐˜น

๐˜š๐˜ถ๐˜ด๐˜ฑ๐˜ช๐˜ค๐˜ช๐˜ฐ๐˜ถ๐˜ด ๐˜ฃ๐˜ข๐˜จ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ญ๐˜ข๐˜ต๐˜ง๐˜ฐ๐˜ณ๐˜ฎ 4๐˜น

๐˜Œ๐˜น-๐˜ฅ๐˜ณ๐˜ถ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ณ'๐˜ด ๐˜ฏ๐˜ฐ๐˜ด๐˜ฆ ๐˜ด๐˜ต๐˜ถ๐˜ค๐˜ฌ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ข๐˜ด๐˜ต 2๐˜น
๐˜๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜ฅ๐˜ฆ๐˜ข๐˜ฅ ๐˜ฃ๐˜ฆ๐˜ฉ๐˜ช๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฆ๐˜ญ ๐˜ฐ๐˜ง ๐˜ข ๐˜ค๐˜ข๐˜ณ 2๐˜น

๐˜ž๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ ๐˜ญ๐˜ฆ๐˜ข๐˜ฅ๐˜ฆ๐˜ณ ๐˜จ๐˜ฐ๐˜ช๐˜ฏ๐˜จ ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฌ๐˜ฏ๐˜ช๐˜ง๐˜ฆ 2๐˜น
๐˜š๐˜ต๐˜ข๐˜จ๐˜ฆ ๐˜ง๐˜ฐ๐˜ถ๐˜ณ, ๐˜ด๐˜ต๐˜ข๐˜จ๐˜ฆ ๐˜ต๐˜ธ๐˜ฐ, ๐˜ด๐˜ต๐˜ข๐˜จ๐˜ฆ ๐˜ต๐˜ฉ๐˜ณ๐˜ฆ๐˜ฆ 2๐˜น

๐˜ž๐˜ฆ ๐˜จ๐˜ฐ ๐˜ต๐˜ฐ ๐˜š๐˜ธ๐˜ฆ๐˜ฅ๐˜ฆ๐˜ฏ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ข๐˜ค๐˜ฌ ๐˜ฐ๐˜ง ๐˜ข ๐˜ค๐˜ข๐˜ฃ 2๐˜น
๐˜ˆ๐˜ฏ๐˜ฅ ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜บ ๐˜ฑ๐˜ช๐˜ค๐˜ต๐˜ถ๐˜ณ๐˜ฆ ๐˜ฉ๐˜ฐ๐˜ถ๐˜ด๐˜ฆ ๐˜ช๐˜ด ๐˜ฆ๐˜ฎ๐˜ฑ๐˜ต๐˜บ 2๐˜น

๐˜ ๐˜จ๐˜ข๐˜ท๐˜ฆ ๐˜ฎ๐˜บ ๐˜ฉ๐˜ฆ๐˜ข๐˜ณ๐˜ต, ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ ๐˜ธ๐˜ข๐˜ฏ๐˜ต ๐˜ช๐˜ต ๐˜ฃ๐˜ข๐˜ค๐˜ฌ 4๐˜น

๐˜ ๐˜ข๐˜ฎ ๐˜ด๐˜ถ๐˜ณ๐˜ณ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ด๐˜ฑ๐˜ช๐˜ฆ๐˜ด 4๐˜น

๐˜‹๐˜ฆ๐˜ข๐˜ฅ ๐˜ง๐˜ญ๐˜บ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜ข๐˜ฏ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ 4๐˜น

๐˜ ๐˜ด๐˜ฆ๐˜ฆ ๐˜ง๐˜ข๐˜ค๐˜ฆ๐˜ด ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ข๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ฐ๐˜ฎ ๐˜ง๐˜ญ๐˜ฐ๐˜ฐ๐˜ณ 3๐˜น
๐˜Š๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ท๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜'๐˜ญ๐˜ญ ๐˜ด๐˜ฉ๐˜ฐ๐˜ธ ๐˜บ๐˜ฐ๐˜ถ ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ

๐˜ž๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ข๐˜ณ๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ ๐˜ฏ๐˜ฆ๐˜ฆ๐˜ฅ ๐˜บ๐˜ฐ๐˜ถ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ด๐˜ต? (๐˜š๐˜ฉ๐˜ถ๐˜ต ๐˜ถ๐˜ฑ) 4๐˜น

๐˜ ๐˜ข๐˜ฎ ๐˜ด๐˜ถ๐˜ณ๐˜ณ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ด๐˜ฑ๐˜ช๐˜ฆ๐˜ด 12๐˜น
๐˜š๐˜ฑ๐˜ช๐˜ฆ๐˜ด...

Photo credit: Jon Stone

In my opinion, with this song and the seemingly unrelated verses of the lyrics, Brian is expressing his concern about our being overwhelmed by all the different virtual media we have let into our lives.

When you read the verses, they don't seem to put together any story. It's as if headlines and bits of news from various sites across the internet are running in front of our eyes.

Can you see that now? It's another one of the masterpieces of the last Placebo album.

To create this song, Brian used a special method - the ⭐"cut-up technique"⭐, which was used by the writer and representative of the ๐๐ž๐š๐ญ ๐Œ๐จ๐ฏ๐ž๐ฆ๐ž๐ง๐ญ, ๐–๐ข๐ฅ๐ฅ๐ข๐š๐ฆ ๐๐ฎ๐ซ๐ซ๐จ๐ฎ๐ ๐ก๐ฌ, and which the unforgettable icon David Bowie fell in love with, and even made his own computer program for this method of creation.

⭐๐ŸŽฌ๐‚๐ฎ๐ญ ๐ฎ๐ฉ ๐ญ๐ž๐œ๐ก๐ง๐ข๐ช๐ฎ๐ž- ๐ƒ๐š๐ฏ๐ข๐ ๐๐จ๐ฐ๐ข๐ž
https://bit.ly/3UFmaar


It works by simply taking the finished text and cutting it into individual parts. Then you play with how you put random parts of the text back to create something completely different and new. For creators who don't want to be limited by anything, it's a fantastic and very liberating way to create.

๐Ÿ”น๐˜๐จ๐ฎ ๐œ๐š๐ง ๐ซ๐ž๐š๐ ๐ฏ๐ž๐ซ๐ฒ ๐œ๐ฅ๐จ๐ฌ๐ž ๐ข๐ง๐Ÿ๐จ ๐š๐›๐จ๐ฎ๐ญ ๐ญ๐ก๐ข๐ฌ ๐ฆ๐ž๐ญ๐ก๐จ๐ ๐š๐ง๐ ๐–๐ข๐ฅ๐ฅ๐ข๐š๐ฆ ๐๐ฎ๐ซ๐ซ๐จ๐ฎ๐ ๐ก๐ฌ ๐ข๐ง ๐„๐ฆ๐š๐ง๐ฎ๐ž๐ฅ๐š'๐ฌ ๐ฉ๐จ๐ฌ๐ญ:๐Ÿ”น
https://bit.ly/3UzTkbO

Post by Marti