Saturday, June 18, 2022

馃挗饾悎饾悕饾悡饾悇饾悜饾悤饾悎饾悇饾悥 饾悥饾悎饾悡饾悋 饾悞饾悡饾悇饾悈饾悁饾悕 饾悗饾悑饾悞饾悆饾悁饾悑, 饾悓饾悡饾悤 饾悁饾悞饾悎饾悁馃挗

馃挗"饾懓 饾拝饾拹饾拸始饾挄 饾拲饾拪饾拰饾拞 饾挄饾拹 饾拹饾挆饾拞饾挀 饾拞饾挋饾拺饾拹饾挃饾拞 饾拵饾挌饾挃饾拞饾拲饾拠. 饾拃饾拹饾挅 饾拺饾挅饾挄 饾挌饾拹饾挅饾挀饾挃饾拞饾拲饾拠 饾拪饾拸 饾拏 饾挆饾挅饾拲饾拸饾拞饾挀饾拏饾拑饾拲饾拞 饾拺饾拹饾挃饾拪饾挄饾拪饾拹饾拸. 饾懓始饾挆饾拞 饾挃饾拞饾拞饾拸 饾拏 饾拲饾拹饾挄 饾拹饾拠 饾拺饾拞饾拹饾拺饾拲饾拞 饾挄饾拹 饾挃饾拤饾拏饾挀饾拞 饾挄饾拤饾拞饾拪饾挀 饾拲饾拪饾挆饾拞饾挃 饾拹饾拸 饾挃饾拹饾拕饾拪饾拏饾拲 饾拵饾拞饾拝饾拪饾拏 饾拏饾拸饾拝 饾拡饾拞饾挄 饾挀饾拞饾拏饾拲饾拲饾挌 饾拤饾挅饾挀饾挄 饾拑饾挌 饾拪饾挄. "馃挗
(饾殏饾殱饾殠饾殢饾殜饾殫 饾櫨饾殨饾殰饾殟饾殜饾殨, 饾櫦饾殐饾殔 饾櫚饾殰饾殥饾殜 饾煾0饾煼饾煿)

Photo credit: Digital21 and Stefan Olsdal Instagram: Afterdepth Photograph; Edit by Marti


Hello soulmates,

about a month before Placebo's performance in Singapore during the Loud Like Love tour in 2013, MTV Asia presenter Hanli Hoefer interviewed Stefan Olsdal.

It is clear that the questions revolved around the new album and especially around the burning topic of social networks.

I share this conversation with Hanli's preface, because I just like it.
As she herself stated - "overall, Stefan was well mannered, friendly, conversational and incredible thoughtful. I enjoyed my time speaking to him."
I would also like to point out that there is one small mistake in the transcript that I did not dare to correct - Placebo first played in Singapore in 1999 and since then in 2006 and 2010. The text should probably have written "first" not "last".馃槉

So enjoy today's reading.
By the way, how do you like Stefan with a mustache as a porn star from the 70's? 馃榿

You may not know that this photo was taken during the Movember charity campaign.
But we'll talk about it some other time.


馃挗饾悎饾悕饾悡饾悇饾悜饾悤饾悎饾悇饾悥 饾悥饾悎饾悡饾悋 饾悞饾悡饾悇饾悈饾悁饾悕 饾悗饾悑饾悞饾悆饾悁饾悑, 饾悓饾悡饾悤 饾悁饾悞饾悎饾悁馃挗
饾櫩饾殬饾殰饾殱饾殠饾殟 饾櫣饾殲饾殨饾殺 饾煼饾熆饾殱饾殤, 饾煾0饾煼饾煿 饾櫚饾殱 饾熃:0饾熆 饾殭饾殩 饾櫛饾殺 饾櫡饾殜饾殫饾殨饾殥 饾櫡饾殬饾殠饾殢饾殠饾殯


Hey guys!

Last week I had a phone interview with Stefan Olsdal, bassist and guitarist from the alternative rock band, Placebo.

I like Placebo, I don’t have any of their full albums but I do listen to a handful of their songs.

My top 3 favorites are: “Every You Every Me,” “Running Up That Hill,” and “Post Blue.”

The questions I asked him were mainly revolved around their up coming album, Loud Like Love. He described the album as the most colorful and honest album they’ve made to date. The first single, “Too Many Friends,” is based on the changing norms of society especially with the influence with social media.

When talking to him about the message behind the song we touched on the topic of social media as a whole and he brought up a very thought provoking point which was that, primarily, privacy is sacred. What you share may hurt you and at the same time how do we know whether social media is actually bringing us closer or isolating us.

Stefan shared with me that Brian (Molko) and himself don’t actually have a social media account of any sorts.

He did have one before but then felt as if he was being invaded by all these people asking to be his friend so he shut it down because he felt like it was in a way, emotional blackmail.

“There is a reason I’m not in touch with these people any more,” said Stefan. I find it a very different and interesting way to look at social media, as opposed to, “Oh I haven’t seen or heard anything from this person in ages, let me check up how they’ve been!

One thing that I find very interesting about Placebo is that Brian and Stefan are incredibly multilingual.

Stefan speaks Swedish, English, French, German and Spanish.

Actually, you can find many Placebo radio interviews online that’s done completely in European languages.

And when the conversation lightened up in the end, I asked him a fun question: “What trend would you like to bring back?”

He actually answered: “Mustaches. A strong porn ‘stache from the ’70s.” Very nice!


Overall, Stefan was well mannered, friendly, conversational and incredible thoughtful. I enjoyed my time speaking to him.

The full interview is typed up as a transcript below so read away!
In the mean time, power to the peo- just kidding. Take care you guys!
- 饾懐饾拏饾拸饾拲饾拪
* * *

Photo credit: Gwen

馃敻饾悘饾惀饾悮饾悳饾悶饾悰饾惃 饾悎饾惂饾惌饾悶饾惈饾惎饾悽饾悶饾惏 饾悡饾惈饾悮饾惂饾惉饾悳饾惈饾悽饾惄饾惌馃敻


馃敻饾拃饾拹饾挅 饾拡饾挅饾挌饾挃 饾拏饾挀饾拞 饾拕饾拹饾拵饾拪饾拸饾拡 饾拹饾挅饾挄 饾挊饾拪饾挄饾拤 饾挌饾拹饾挅饾挀 饾拸饾拞饾挊 饾拏饾拲饾拑饾挅饾拵, 饾懗饾拹饾挅饾拝 饾懗饾拪饾拰饾拞 饾懗饾拹饾挆饾拞. 饾懢饾拤饾拏饾挄 饾拕饾拏饾拸 饾挊饾拞 饾拞饾挋饾拺饾拞饾拕饾挄 饾拠饾挀饾拹饾拵 饾拪饾挄?
Stefan: It’s Placebo’s 7th record and probably our most colorful and honest album to date.

馃敻饾懆饾拸饾拝 饾拵饾拞饾拵饾拹饾挀饾拏饾拑饾拲饾拞 饾拵饾拹饾拵饾拞饾拸饾挄饾挃 饾挊饾拤饾拞饾拸 饾拵饾拏饾拰饾拪饾拸饾拡 饾挄饾拤饾拞 饾拏饾拲饾拑饾挅饾拵?
S: It始s funny how the first two songs – “Loud Like Love” and “Bosco” – are the first and last track of the album. They seem to set a bookends for the theme and for the vibe, sound and feel of the record. “Loud Like Love” is an upbeat song, and “Bosco” is exposing the dark side of relationships and love. Also music style Loud like love is up beat, whilst Bosco is introverted and a stripped down piano track.
馃敻饾懢饾拤饾拏饾挄 饾挊饾拹饾挅饾拲饾拝 饾挌饾拹饾挅 饾挃饾拏饾挌 饾拪饾挃 饾懟饾懐饾懍 饾挃饾拹饾拸饾拡 饾拹饾拠 饾挄饾拤饾拞 饾拏饾拲饾拑饾挅饾拵?
S: It始s difficult. “Too Many Friends” was the one that jumped out at me and Brian as being the first single and it also channeled our love for old ’80s epic pop tracks, like “Total Eclipse of the Heart.” So it seemed like the perfect first single. Personally I think “Bosco” is an achievement for the band for it transcends what we imagined Placebo to sound like. It’s something that sounds like we haven’t gone to that space before, vulnerable and emotional.

馃敻饾懟饾拏饾拲饾拰饾拪饾拸饾拡 饾拑饾拹饾挅饾挄 “饾懟饾拹饾拹 饾懘饾拏饾拸饾挌 饾懎饾挀饾拪饾拞饾拸饾拝饾挃,” 饾拵饾挌 饾拺饾拞饾挀饾挃饾拹饾拸饾拏饾拲 饾挄饾拏饾拰饾拞 饾挊饾拏饾挃 饾拤饾拹饾挊 饾拺饾挀饾拪饾挆饾拏饾拕饾挌 饾拪饾挃 饾挃饾拏饾拕饾挀饾拞饾拝 饾拏饾拸饾拝 饾挄饾拞饾拕饾拤饾拸饾拹饾拲饾拹饾拡饾挌 饾拪饾挃 饾拞饾挆饾拞饾挀饾挌饾挊饾拤饾拞饾挀饾拞 饾拞饾挆饾拞饾拸 饾挊饾拤饾拞饾拸 饾懓 饾拲饾拹饾拹饾拰 饾拏饾挄 饾拵饾挌 饾懎饾拏饾拕饾拞饾拑饾拹饾拹饾拰 饾拺饾拏饾拡饾拞, 饾懓始饾拵 饾挊饾拹饾拸饾拝饾拞饾挀饾拪饾拸饾拡 饾挊饾拤饾拹 饾拤饾拏饾拲饾拠 饾挄饾拤饾拞饾挃饾拞 饾拺饾拞饾拹饾拺饾拲饾拞 饾挀饾拞饾拏饾拲饾拲饾挌 饾拏饾挀饾拞 饾拏饾拸饾拝 饾挊饾拏饾挃 饾挄饾拤饾拞 饾拵饾拞饾挃饾挃饾拏饾拡饾拞 饾挌饾拹饾挅 饾挊饾拏饾拸饾挄饾拞饾拝 饾挄饾拹 饾拡饾拪饾挆饾拞 饾拹饾挀 饾挃饾拹饾拵饾拞饾挄饾拤饾拪饾拸饾拡.
S: You touched on something that we relate to – privacy. Neither me or Brian are engaged in social media.

I set up a Facebook account then I immediately shut it down. I felt, first of all, that I was being invaded by all these people who wanted to be my friend and there is a reason I始m not in touch with these people anymore.

(It felt) almost like an emotional black mail, asking to be my friend. And I don始t like to over expose myself. You put yourself in a vulnerable position.

I始ve seen a lot of people to share their lives on social media and get really hurt by it. So the song questions the nature of friendship with these new “cyber friends.”

The big question is – Is it really bringing people closer together or is it isolating people? Considering the fact that people spend more time at home in front of the computer then interacting face to face.

馃敻饾懟饾拤饾拏饾挄’饾挃 饾挃饾拹 饾挄饾挀饾挅饾拞. 饾懆饾拸饾拝 饾拞饾挆饾拞饾拸 饾挊饾拤饾拞饾拸 饾挊饾拞 饾拏饾挀饾拞 饾拹饾挅饾挄 饾挃饾拹饾拕饾拪饾拏饾拲饾拲饾挌 饾挊饾拞 饾挃饾挄饾拪饾拲饾拲 饾拕饾拤饾拞饾拕饾拰 饾拹饾挅饾挀 饾挃饾拕饾挀饾拞饾拞饾拸饾挃 饾拏饾拲饾拲 饾挄饾拤饾拞 饾挄饾拪饾拵饾拞!
S: Yeah! I even find myself reaching for my phone during social events. It has led to this new compulsion and there are treatments for internet addicts.

It’s a technological lifestyle change that is happening so fast I think its hard for us to say what effect its having to society and what the long terms affects may be.

It’s a really interesting formula and that’s what Too many friends touches upon.

Photo credit: Joseph Llanes

馃敻饾懓饾挄’饾挃 饾挀饾拞饾拏饾拲饾拲饾挌 饾挀饾拞饾拠饾挀饾拞饾挃饾拤饾拪饾拸饾拡 饾挄饾拹 饾拤饾拞饾拏饾挀 饾挃饾挅饾拕饾拤 饾拏饾拸 饾拤饾拹饾拸饾拞饾挃饾挄 饾挃饾拹饾拸饾拡 饾拏饾拑饾拹饾挅饾挄 饾挃饾拹饾拵饾拞饾挄饾拤饾拪饾拸饾拡 饾挃饾拹 饾拕饾拹饾拵饾拵饾拹饾拸 饾挌饾拞饾挄 饾拺饾拞饾拹饾拺饾拲饾拞 饾拤饾拏饾挆饾拞 饾挌饾拞饾挄 饾挄饾拹 饾拸饾拹饾挄饾拞 饾挅饾拺饾拹饾拸. 饾懞饾拪饾拸饾拕饾拞 饾挊饾拞始饾挀饾拞 饾挄饾拏饾拲饾拰饾拪饾拸饾拡 饾拏饾拑饾拹饾挅饾挄 饾拵饾拹饾挆饾拪饾拸饾拡 饾拠饾拹饾挀饾挊饾拏饾挀饾拝 饾拏饾拸饾拝 饾挄饾拤饾拪饾拸饾拡饾挃 饾拕饾拤饾拏饾拸饾拡饾拪饾拸饾拡 饾拏饾挀饾拹饾挅饾拸饾拝 饾挅饾挃, 饾懓 饾拝饾拪饾拝 饾挊饾拏饾拸饾挄 饾挄饾拹 饾挄饾拏饾拲饾拰 饾挄饾拹 饾挌饾拹饾挅 饾拏饾拑饾拹饾挅饾挄 饾挄饾拤饾拞 饾拵饾挅饾挃饾拪饾拕 饾挄饾挀饾拞饾拸饾拝饾挃 饾拸饾拹饾挊饾拏饾拝饾拏饾挌饾挃.

饾懆 饾拲饾拹饾挄 饾拹饾拠 饾拪饾挄 饾拪饾挃 饾拲饾拞饾拏饾拸饾拪饾拸饾拡 饾挄饾拹饾挊饾拏饾挀饾拝饾挃 饾拞饾拲饾拞饾拕饾挄饾挀饾拪饾拕 饾拝饾拏饾拸饾拕饾拞 饾挄饾挅饾拸饾拞饾挃, 饾拤饾拹饾挊 饾拝饾拹 饾挌饾拹饾挅 饾挄饾拤饾拪饾拸饾拰 饾挄饾拤饾拪饾挃 饾拵饾拏饾挌 饾拏饾拠饾拠饾拞饾拕饾挄 饾拹饾挄饾拤饾拞饾挀 饾拡饾拞饾拸饾挀饾拞饾挃 饾拪饾拸 饾挄饾拤饾拞 饾拠饾挅饾挄饾挅饾挀饾拞?
S: I mean its interesting because I think there isn’t a singular music movement at the moment.

Like you say electronic dance music, that is happening in various parts of the world. I have friends from the States who are all “Hey man, have you heard this EDM?”

And I始m all like, “What? Yeah, we had that in Europe 20 years ago!”

Whats happening in Europe now is that the banjo is becoming quite popular every band has a banjo on their album.

So I don’t really see it as a global trend anymore with so many different outlets for music, with internet tv and internet radio.

Everything is out there and it’s much easier to listen to variety of music. For us, if you look at our history we never try to follow another sound or a band. Intrinsically, we feel that if you try to be something you are not, you始re not going to get all the way there, you only become a copy of what始s out there.

If you follow a trend, by the time you end your record the trend has passed and it始s like your shooting yourself in the foot. Basically we try to do what feels right for us, and so doing we始ve carved out our own little path.


馃敻饾懆饾挀饾拞 饾挌饾拹饾挅 饾拞饾挋饾拕饾拪饾挄饾拞饾拝 饾挄饾拹 饾拺饾拲饾拏饾挌 饾拠饾拹饾挀 饾挌饾拹饾挅饾挀 饾拠饾拏饾拸饾挃 饾拪饾拸 饾懞饾拪饾拸饾拡饾拏饾拺饾拹饾挀饾拞?
S: Yes, we are! That’s the part of touring we enjoy the most! We’ve performed in Singapore a few times I think the last was in 1999.

There were some issues with cross dressing and it got heated politically. But yes, we do want to come back to play. We have good memories there, and we love playing in places where we have a history with and Singapore is definitely one of those places.

馃敻饾懢饾拤饾拏饾挄 饾拏饾挀饾拞 饾挃饾拹饾拵饾拞 饾拹饾拠 饾挄饾拤饾拞 饾拑饾拏饾拸饾拝饾挃 饾挌饾拹饾挅 饾拏饾挀饾拞 饾拲饾拪饾挃饾挄饾拞饾拸饾拪饾拸饾拡 饾挄饾拹? 饾懢饾拤饾拏饾挄’饾挃 饾拪饾拸 饾挌饾拹饾挅饾挀 饾拪饾懛饾拹饾拝?
S: I始ve been listening to Sigur Ros始 new album. They are this Icelandic band. I also listen to an English singer/songwriter named James Blake. It tends to not be rock music, it tends to not be loud.

Something more contemplative, something to get lost in, something that does not follow the conventional pop structure with singing on it.

Some instrumental piano music by modern day classical composers.
馃敻饾懟饾拤饾拏饾挄饾挃 饾拤饾拹饾拸饾拞饾挃饾挄饾拲饾挌 饾拸饾拹饾挄 饾挊饾拤饾拏饾挄 饾懓 饾挊饾拏饾挃 饾拞饾挋饾拺饾拞饾拕饾挄饾拪饾拸饾拡!
S: You know, it gets tiring to listen to the type of music you make yourself.

馃敻饾懓饾拠 饾挌饾拹饾挅 饾拕饾拹饾挅饾拲饾拝 饾拑饾挀饾拪饾拸饾拡 饾拑饾拏饾拕饾拰 饾拏 饾挄饾挀饾拞饾拸饾拝 饾拪饾拸饾挄饾拹 饾拏饾拕饾挄饾拪饾拹饾拸, 饾拑饾拞 饾拪饾挄 饾拏 饾拤饾拏饾拪饾挀 饾挃饾挄饾挌饾拲饾拞 饾拹饾挀 饾拏 饾挃饾拏饾挌饾拪饾拸饾拡 饾挊饾拤饾拏饾挄 饾挊饾拹饾挅饾拲饾拝 饾拪饾挄 饾拑饾拞?
S: The mustache! The ’70s porn mustache. There始s something about it. It can look very wrong but when you have a guy that carries it off, it is a look that can be really attractive and sexy.

馃敻饾懡饾拞饾挀饾挌 饾挃饾拞饾挋饾挌! 饾懓 饾拰饾拸饾拹饾挊 饾挄饾拤饾拏饾挄 饾挌饾拹饾挅 饾拏饾挀饾拞 饾拵饾挅饾拲饾挄饾拪饾拲饾拪饾拸饾拡饾挅饾拏饾拲. 饾應饾拏饾拸 饾挌饾拹饾挅 饾挃饾拺饾拞饾拏饾拰 饾拏饾拸饾挌 饾懆饾挃饾拪饾拏饾拸 饾拲饾拏饾拸饾拡饾挅饾拏饾拡饾拞饾挃?
S: No, I’ve not spent enough time in Asia to pick anything up.

馃敻饾拃饾拹饾挅 饾拝饾拹 饾挃饾拺饾拞饾拏饾拰 饾懞饾拺饾拏饾拸饾拪饾挃饾拤 饾挄饾拤饾拹饾挅饾拡饾拤. 饾懢饾拤饾拏饾挄 饾拹饾挄饾拤饾拞饾挀 饾拲饾拏饾拸饾拡饾挅饾拏饾拡饾拞饾挃?
S: I始m Swedish by birth so I speak Swedish. I was educated in English so I speak English. I grew up in a French and German speaking country so I speak French and German. My partner is Spanish so I learnt that.

馃敻饾懆饾拸饾挌 饾挊饾拹饾挀饾拝饾挃 饾挄饾拹 饾挌饾拹饾挅饾挀 饾拠饾拏饾拸饾挃 饾拪饾拸 饾懆饾挃饾拪饾拏?
S: We’ll see you very soon!

Post by Marti