Wednesday, October 5, 2022

๐ŸŒ›◾โ„™๐•ƒ๐”ธโ„‚๐”ผ๐”น๐•† ๐•ƒ๐•Œ๐•ƒ๐•ƒ๐”ธ๐”น๐•€๐”ผ๐•Š ๐•ก๐•’๐•ฃ๐•ฅ ๐•๐•€๐•€.◾๐ŸŒœ

๐Ÿ”น“๐—ง๐—ต๐—ฒ๐—ฟ๐—ฒ'๐˜€ ๐—ฎ ๐˜๐—ต๐—ฒ๐—บ๐—ฒ ๐˜๐—ต๐—ฎ๐˜ ๐—ฟ๐˜‚๐—ป๐˜€ ๐˜๐—ต๐—ฟ๐—ผ๐˜‚๐—ด๐—ต ๐˜๐—ต๐—ฒ ๐—ฎ๐—น๐—ฏ๐˜‚๐—บ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฎ๐˜'๐˜€ ๐˜๐—ต๐—ฎ๐˜ ๐˜„๐—ต๐—ฎ๐˜ ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐—ด๐—ฒ๐˜ ๐—ฎ๐—ฑ๐—ฑ๐—ถ๐—ฐ๐˜๐—ฒ๐—ฑ ๐˜๐—ผ ๐—บ๐—ผ๐˜€๐˜ ๐—ถ๐—ป ๐—น๐—ถ๐—ณ๐—ฒ ๐—ถ๐˜€ ๐—น๐—ผ๐˜ƒ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฟ๐˜‚๐—ด๐˜€. ๐—”๐—ป๐—ฑ ๐˜๐—ต๐—ฎ๐˜ ๐˜๐—ต๐—ฒ๐˜† ๐—ฎ๐—ฟ๐—ฒ ๐—ผ๐—ณ๐˜๐—ฒ๐—ป ๐˜๐—ต๐—ฒ ๐˜€๐—ฎ๐—บ๐—ฒ. ๐—ฃ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐—ต๐—ฎ๐˜ƒ๐—ฒ ๐˜๐—ต๐—ฒ ๐˜€๐—ฎ๐—บ๐—ฒ ๐—ฟ๐—ฒ๐—ฎ๐—ฐ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐˜๐—ผ ๐—ฏ๐—ผ๐˜๐—ต. ๐—ง๐—ต๐—ฎ๐˜ ๐˜๐—ต๐—ฒ๐—บ๐—ฒ ๐—ฟ๐˜‚๐—ป๐˜€ ๐˜๐—ต๐—ผ๐˜‚๐—ด๐—ต ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ผ๐—ฟ๐—ธ. ๐—ง๐—ต๐—ถ๐˜€ ๐—ถ๐—ฑ๐—ฒ๐—ฎ ๐—ผ๐—ณ ๐—ฎ๐—ฑ๐—ฑ๐—ถ๐—ฐ๐˜๐—ถ๐—ผ๐—ป, ๐˜„๐—ต๐—ฒ๐˜๐—ต๐—ฒ๐—ฟ ๐—ถ๐˜ ๐—ฏ๐—ฒ ๐˜๐—ผ ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ, ๐—ฒ๐—บ๐—ผ๐˜๐—ถ๐—ผ๐—ป๐˜€, ๐˜€๐˜‚๐—ฏ๐˜€๐˜๐—ฎ๐—ป๐—ฐ๐—ฒ๐˜€ ๐—ผ๐—ฟ ๐˜€๐—ถ๐˜๐˜‚๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€.“๐Ÿ”น
(๐™ฑ๐š›๐š’๐šŠ๐š— ๐™ผ๐š˜๐š•๐š”๐š˜ ๐š˜๐š— ๐™ฑ๐š•๐šŠ๐šŒ๐š” ๐™ผ๐šŠ๐š›๐š”๐šŽ๐š ๐™ผ๐šž๐šœ๐š’๐šŒ, ๐™ผ๐šŽ๐š•๐š˜๐š๐šข ๐™ผ๐šŠ๐š”๐šŽ๐š›, ๐™พ๐šŒ๐š๐š˜๐š‹๐šŽ๐š› ๐Ÿธ0๐š๐š‘ ๐Ÿธ000)

Hello friends,
it's another Wednesday and once again an evening spent with beloved Placebo lullabies.




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๐ŸŒ›◾โ„™๐•ƒ๐”ธโ„‚๐”ผ๐”น๐•† ๐•ƒ๐•Œ๐•ƒ๐•ƒ๐”ธ๐”น๐•€๐”ผ๐•Š ๐•ก๐•’๐•ฃ๐•ฅ ๐•๐•€๐•€.◾๐ŸŒœ
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In just a few days we will celebrate ✨๐ญ๐ก๐ž ๐Ÿ๐Ÿ๐ง๐ ๐š๐ง๐ง๐ข๐ฏ๐ž๐ซ๐ฌ๐š๐ซ๐ฒ ๐จ๐Ÿ ๐๐‹๐€๐‚๐Š ๐Œ๐€๐‘๐Š๐„๐“ ๐Œ๐”๐’๐ˆ๐‚✨, Placebo's third and absolutely iconic album.
The following lullabies are from that album and have something else in common:

๐ญ๐ก๐ž๐ฒ ๐ฐ๐ž๐ซ๐ž ๐ฉ๐ž๐ซ๐Ÿ๐จ๐ซ๐ฆ๐ž๐ ๐š๐ญ ๐š ๐ฏ๐ž๐ซ๐ฒ ๐›๐ž๐š๐ฎ๐ญ๐ข๐Ÿ๐ฎ๐ฅ ๐ข๐ง๐ญ๐ข๐ฆ๐š๐ญ๐ž ๐ฌ๐ก๐จ๐ฐ:

๐ŸŽต๐ŸŽฌ https://bit.ly/3SVX2LJ

The acoustic show for FNAC in Ancienne Belgique, known as ๐Ÿ”ดโ„‚๐”ธ๐”น๐”ธโ„๐”ผ๐•‹ ๐•†๐”ฝ ๐”ป๐”ผ๐•Š๐•€โ„๐”ผ๐Ÿ”ด, held in ๐๐ซ๐ฎ๐ฌ๐ฌ๐ž๐ฅ๐ฌ ๐จ๐ง ๐‰๐ฎ๐ง๐ž ๐Ÿ, ๐Ÿ๐ŸŽ๐ŸŽ๐Ÿ was surprising in that several songs from the new album underwent an interesting change.
๐˜›๐˜ฉ๐˜ข๐˜ฏ๐˜ฌ๐˜ด ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ข๐˜ญ๐˜ฆ๐˜ฏ๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ช๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ฐ๐˜ถ๐˜ณ ๐˜ง๐˜ข๐˜ท๐˜ฐ๐˜ถ๐˜ณ๐˜ช๐˜ต๐˜ฆ ๐˜ฎ๐˜ถ๐˜ด๐˜ช๐˜ค๐˜ช๐˜ข๐˜ฏ๐˜ด, ๐˜ธ๐˜ฆ ๐˜ค๐˜ข๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ๐˜ง๐˜ฐ๐˜ณ๐˜ฆ ๐˜ช๐˜ฏ๐˜ค๐˜ญ๐˜ถ๐˜ฅ๐˜ฆ ๐˜ต๐˜ธ๐˜ฐ ๐˜ท๐˜ฆ๐˜ณ๐˜บ ๐˜ง๐˜ข๐˜ด๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฆ๐˜ฏ๐˜ฆ๐˜ณ๐˜จ๐˜ฆ๐˜ต๐˜ช๐˜ค ๐˜ฑ๐˜ถ๐˜ญ๐˜ด๐˜ข๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ด๐˜ฐ๐˜ฏ๐˜จ๐˜ด ๐˜ข๐˜ฎ๐˜ฐ๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ถ๐˜ญ๐˜ญ๐˜ข๐˜ฃ๐˜ช๐˜ฆ๐˜ด.
Let's go to the first one:


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๐ŸŽต๐ŸŒ›"๐’๐๐„๐‚๐ˆ๐€๐‹ ๐Š"๐ŸŒœ๐ŸŽต

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๐Ž๐Ÿ๐Ÿ๐ข๐œ๐ข๐š๐ฅ ๐š๐ฎ๐๐ข๐จ
๐ŸŽต https://bit.ly/3e2KDal

Photo credit: Screenshot from Special K video

A song that was played right at the beginning of this very intimate gig.

The original almost punk version in a fast rhythm has a completely different effect on our minds than this beauty, which you can hear in the link below.
Just remember the recent post by Olga, which beautifully describes that during this song it is simply impossible to do anything else at the concert but to be loud and show the connection with the band with your whole body and that is why "๐’๐๐„๐‚๐ˆ๐€๐‹ ๐Š" is part of the setlist again, so that we all leave our mobile phones in our pockets.
I absolutely agree with her observation. However, the complete opposite is the slow version of this gem.

If you let yourself be affected by the lyrics you already know by heart in a slow version, maybe, like me, you will feel that its wildness and electrifying charge is gone, leaving only a wounded soul that maybe wants to give up on everything.


๐Ÿ“Œ๐Ÿ’ฌ ”๐˜๐˜ต'๐˜ด ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ด๐˜ถ๐˜ช๐˜ค๐˜ช๐˜ฅ๐˜ฆ ๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ด ๐˜จ๐˜ฐ๐˜ช๐˜ฏ๐˜จ ๐˜ถ๐˜ฑ ๐˜ฐ๐˜ฏ ๐˜ฑ๐˜ถ๐˜ฃ๐˜ญ๐˜ช๐˜ค ๐˜ฉ๐˜ฐ๐˜ญ๐˜ช๐˜ฅ๐˜ข๐˜บ๐˜ด: ๐˜๐˜ข๐˜ญ๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ฆ'๐˜ด ๐˜‹๐˜ข๐˜บ, ๐˜Š๐˜ฉ๐˜ณ๐˜ช๐˜ด๐˜ต๐˜ฎ๐˜ข๐˜ด ๐˜‹๐˜ข๐˜บ, ๐˜•๐˜ฆ๐˜ธ ๐˜ ๐˜ฆ๐˜ข๐˜ณ'๐˜ด ๐˜Œ๐˜ท๐˜ฆ. ๐˜ˆ๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ฐ๐˜ฏ๐˜ฆ๐˜ญ๐˜บ ๐˜ฑ๐˜ฆ๐˜ฐ๐˜ฑ๐˜ญ๐˜ฆ ๐˜จ๐˜ฆ๐˜ต ๐˜ฆ๐˜น๐˜ต๐˜ณ๐˜ฆ๐˜ฎ๐˜ฆ๐˜ญ๐˜บ ๐˜ฅ๐˜ฆ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ด๐˜ฆ๐˜ฅ. ๐˜๐˜ต ๐˜ค๐˜ข๐˜ฏ ๐˜ฃ๐˜ฆ ๐˜ฒ๐˜ถ๐˜ช๐˜ต๐˜ฆ ๐˜ข ๐˜ฅ๐˜ข๐˜ณ๐˜ฌ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฐ๐˜ฅ ๐˜ช๐˜ง ๐˜บ๐˜ฐ๐˜ถ ๐˜ง๐˜ช๐˜ฏ๐˜ฅ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ๐˜ด๐˜ฆ๐˜ญ๐˜ง ๐˜ข๐˜ญ๐˜ฐ๐˜ฏ๐˜ฆ. ๐˜Œ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฃ๐˜ช๐˜ณ๐˜ต๐˜ฉ๐˜ฅ๐˜ข๐˜บ๐˜ด ๐˜ง๐˜ฐ๐˜ณ ๐˜ฎ๐˜ฆ, ๐˜ช๐˜ต ๐˜ข๐˜ญ๐˜ธ๐˜ข๐˜บ๐˜ด ๐˜ณ๐˜ฆ๐˜ฎ๐˜ช๐˜ฏ๐˜ฅ๐˜ด ๐˜ฎ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ข๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ๐˜ด ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ค๐˜ณ๐˜ข๐˜ฑ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ฎ๐˜บ ๐˜ค๐˜ฉ๐˜ช๐˜ญ๐˜ฅ๐˜ฉ๐˜ฐ๐˜ฐ๐˜ฅ, ๐˜ด๐˜ฐ ๐˜ ๐˜ฅ๐˜ฐ๐˜ฏ'๐˜ต ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ. ๐˜๐˜ต'๐˜ด ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฌ๐˜ช๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ท๐˜ช๐˜ฃ๐˜ฆ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฐ๐˜ฏ๐˜จ. ๐˜๐˜ต'๐˜ด ๐˜ข ๐˜ด๐˜ฐ๐˜ฏ๐˜จ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ฅ๐˜ฆ๐˜ด๐˜ฑ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ. ๐˜๐˜ต'๐˜ด ๐˜ฎ๐˜ข๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ฃ๐˜ฆ๐˜ต๐˜ธ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ญ ๐˜ฅ๐˜ข๐˜บ๐˜ด ๐˜ฃ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜ด๐˜ฑ๐˜ฆ๐˜ฏ๐˜ต ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฑ๐˜ฆ๐˜ฐ๐˜ฑ๐˜ญ๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜บ๐˜ฐ๐˜ถ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ง ๐˜ต๐˜ฉ๐˜ฆ๐˜บ'๐˜ณ๐˜ฆ ๐˜ฏ๐˜ฐ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ, ๐˜ฐ๐˜ณ ๐˜ช๐˜ง ๐˜บ๐˜ฐ๐˜ถ ๐˜ฅ๐˜ฐ๐˜ฏ'๐˜ต ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ข๐˜ฏ๐˜บ๐˜ฃ๐˜ฐ๐˜ฅ๐˜บ, ๐˜ช๐˜ต'๐˜ด ๐˜ฌ๐˜ช๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ข ๐˜ฅ๐˜ข๐˜ณ๐˜ฌ ๐˜ต๐˜ช๐˜ฎ๐˜ฆ.”
(๐™ฑ๐š›๐š’๐šŠ๐š— ๐™ผ๐š˜๐š•๐š”๐š˜, ๐š…๐š’๐š›๐š๐š’๐š—๐š’๐šŠ ๐™ผ๐šŽ๐š๐šŠ, ๐™ผ๐šŠ๐šข ๐Ÿธ00๐Ÿท)

That is why I find Brian's reference in these verses very interesting:

๐Ÿ”น„๐—–๐—ฎ๐—ป ๐˜๐—ต๐—ถ๐˜€ ๐˜€๐—ฎ๐˜ƒ๐—ถ๐—ผ๐—ฟ ๐—ฏ๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ฟ๐—ฒ๐—ฎ๐—น
๐—ข๐—ฟ ๐—ฎ๐—ฟ๐—ฒ ๐˜†๐—ผ๐˜‚ ๐—ท๐˜‚๐˜€๐˜ ๐—บ๐˜† ๐˜€๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜๐—ต ๐˜€๐—ฒ๐—ฎ๐—น?“๐Ÿ”น

The ๐Ÿ”น๐“๐‡๐„ ๐’๐„๐•๐„๐๐“๐‡ ๐’๐„๐€๐‹๐Ÿ”น is an old film by ๐—ฆ๐˜„๐—ฒ๐—ฑ๐—ถ๐˜€๐—ต ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—ผ๐—ฟ ๐—œ๐—ป๐—ด๐—บ๐—ฎ๐—ฟ ๐—•๐—ฒ๐—ฟ๐—ด๐—บ๐—ฎ๐—ป. It tells the fiction of a knight returning from a crusade across a plague-stricken landscape. On this journey, the knight meets Death, with whom he plays a chess game for his life.
If you haven't seen the film, I recommend it.

Photo credit: Benoit Bouchez


However, the reference to the seventh seal may also refer to the biblical apocalypse described by St. John in his Revelation. It is a prophetic vision of the end of the present world, the Last Judgement, and the coming of the New Jerusalem.
Interesting, isn't it?


๐—œ ๐˜๐—ต๐—ถ๐—ป๐—ธ ๐—ป๐—ผ๐˜„ ๐—ถ๐˜€ ๐˜๐—ต๐—ฒ ๐—ฟ๐—ถ๐—ด๐—ต๐˜ ๐˜๐—ถ๐—บ๐—ฒ ๐—ณ๐—ผ๐—ฟ "๐’๐๐„๐‚๐ˆ๐€๐‹ ๐Š" ๐—ถ๐—ป ๐—ฎ ๐˜€๐—น๐—ผ๐˜„ ๐—ฎ๐—ฐ๐—ผ๐˜‚๐˜€๐˜๐—ถ๐—ฐ ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ถ๐—ผ๐—ป.
✨”๐˜›๐˜ฉ๐˜ช๐˜ด ๐˜ด๐˜ฐ๐˜ฏ๐˜จ'๐˜ด ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ๐˜ช๐˜ฏ๐˜จ ๐˜บ๐˜ฐ๐˜ถ ๐˜จ๐˜ฆ๐˜ต ๐˜ช๐˜ฏ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ด๐˜ต๐˜ฐ๐˜ฎ๐˜ข๐˜ค๐˜ฉ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜บ๐˜ฐ๐˜ถ ๐˜ญ๐˜ฐ๐˜ฐ๐˜ฌ ๐˜ข๐˜ค๐˜ณ๐˜ฐ๐˜ด๐˜ด ๐˜ข ๐˜ค๐˜ณ๐˜ฐ๐˜ธ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ณ๐˜ฐ๐˜ฐ๐˜ฎ ๐˜ข๐˜ฏ๐˜ฅ ๐˜บ๐˜ฐ๐˜ถ ๐˜ง๐˜ข๐˜ญ๐˜ญ ๐˜ฉ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ญ๐˜ฆ๐˜ด๐˜ด๐˜ญ๐˜บ ๐˜ช๐˜ฏ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ข๐˜ต'๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ฆ๐˜จ๐˜ช๐˜ฏ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ฏ๐˜ฅ...”(๐™ฑ๐š›๐š’๐šŠ๐š— ๐šŠ๐š ๐™ฒ๐šŠ๐š‹๐šŠ๐š›๐šŽ๐š ๐š˜๐š ๐™ณ๐šŽ๐šœ๐š’๐š›๐šŽ, ๐™น๐šž๐š—๐šŽ ๐Ÿธ๐š—๐š ๐Ÿธ00๐Ÿท)

๐ŸŽต๐ŸŽฌ https://bit.ly/3CzFIXH

~๐Ÿ”น~๐Ÿ”น~๐Ÿ”น~

Right at the end of this concert, the guys played the second gem of the evening:

Photo credit: Jamie Beeden

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๐ŸŽต๐ŸŒ›"๐’๐‹๐€๐•๐„ ๐“๐Ž ๐“๐‡๐„ ๐–๐€๐†๐„"๐ŸŒœ๐ŸŽต

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๐Ž๐Ÿ๐Ÿ๐ข๐œ๐ข๐š๐ฅ ๐š๐ฎ๐๐ข๐จ
๐ŸŽต๐ŸŽฌ https://bit.ly/3UWKjKC


Many posts have been written by us about this song.
In the fast version, it's a really great song that will get us all singing and dancing en masse.
However, the slow acoustic version takes me to a whole other dimension.

✨๐™„๐™ฉ'๐™จ ๐™ค๐™ฃ๐™š ๐™ค๐™› ๐™‹๐™ก๐™–๐™˜๐™š๐™—๐™ค'๐™จ ๐™ข๐™ค๐™จ๐™ฉ ๐™—๐™š๐™–๐™ช๐™ฉ๐™ž๐™›๐™ช๐™ก ๐™ก๐™ช๐™ก๐™ก๐™–๐™—๐™ž๐™š๐™จ.✨

The slow version of "๐’๐‹๐€๐•๐„ ๐“๐Ž ๐“๐‡๐„ ๐–๐€๐†๐„" gives Brian's message in the lyrics a completely different energy.

For me, it is a highly spiritual song, expressing even more loving support to keep breaking down our boundaries and constantly overcome our limits...


When I hear Brian's honey voice singing
๐Ÿ”น๐˜™๐˜ถ๐˜ฏ ๐˜ข๐˜ธ๐˜ข๐˜บ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ข๐˜ญ๐˜ญ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฃ๐˜ฐ๐˜ณ๐˜ฆ๐˜ฅ๐˜ฐ๐˜ฎ
๐˜™๐˜ถ๐˜ฏ ๐˜ข๐˜ธ๐˜ข๐˜บ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ข๐˜ญ๐˜ญ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ธ๐˜ฉ๐˜ฐ๐˜ณ๐˜ฆ๐˜ฅ๐˜ฐ๐˜ฎ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ข๐˜ท๐˜ฆ
๐˜ ๐˜ฐ๐˜ถ๐˜ณ ๐˜ธ๐˜ฐ๐˜ณ๐˜ณ๐˜ช๐˜ฆ๐˜ด, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ข๐˜ณ๐˜ฆ๐˜ด, ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ๐˜ฃ๐˜บ๐˜ฆ ...",๐Ÿ”น

...it's like I'm floating in a universe that shows me an infinite number of ways to spend every other minute of my life.

It gets me into a deeper meditation where I feel that my desires for self-realization can handle obstacles with more ease than when my waking ego, full of fears and worries about what others will say, steps in.
And as David Bowie says "...๐˜ ๐˜ฉ๐˜ข๐˜ต๐˜ฆ ๐˜ธ๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ฅ ๐˜ฅ๐˜ข๐˜บ๐˜ด...๐˜ ๐˜ธ๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ณ๐˜ฆ๐˜จ๐˜ณ๐˜ฆ๐˜ต ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜บ ๐˜ฎ๐˜ช๐˜ฏ๐˜ถ๐˜ต๐˜ฆ ๐˜ ๐˜ฅ๐˜ช๐˜ฅ๐˜ฏ'๐˜ต ๐˜ญ๐˜ช๐˜ท๐˜ฆ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ถ๐˜ญ๐˜ญ๐˜ฆ๐˜ด๐˜ต".

Photo credit: Robin

๐Ÿ“Œ๐Ÿ’ฌ ๐’๐“๐„๐…๐€๐ ๐จ๐ง ๐’๐ฅ๐š๐ฏ๐ž ๐ญ๐จ ๐“๐ก๐ž ๐–๐š๐ ๐ž:
"It’s about following your dreams and not getting stuck in the nine to five machinery. It’s about promoting individuality."
(๐™ท๐š’๐š™ ๐™พ๐š—๐š•๐š’๐š—๐šŽ, ๐™ต๐šŽ๐š‹๐š›๐šž๐šŠ๐š›๐šข ๐Ÿท๐šœ๐š, ๐Ÿธ00๐Ÿท)

๐Ÿ“Œ๐Ÿ’ฌ ๐๐‘๐ˆ๐€๐ ๐จ๐ง ๐’๐ฅ๐š๐ฏ๐ž ๐ญ๐จ ๐“๐ก๐ž ๐–๐š๐ ๐ž:
“It's a song about chasing your dreams. …/.../ It's basically saying, promoting individuality and saying that you don't have to follow society's rules in order to become a personal success. It often involves a bit of risk taking and courage. But we're certainly living proof of the fact that these decisions that we made when we were very young, we're living proof embodied that the road less traveled can be incredibly fruitful, if you stay true to yourself, if you have the desire to be an individual, if you have the desire and the courage to chase your dreams. …/.../ And if you're prepared to make sacrifices and take risks, if you're lucky, if your karma is good, then these things will payoff in the end. Which I think it's a positive message really.“
(๐š…๐š˜๐šก ๐™พ๐š—๐š•๐š’๐š—๐šŽ, ๐Ÿธ00๐Ÿท)

Dear friends,
the song ๐’๐ฅ๐š๐ฏ๐ž ๐ญ๐จ ๐“๐ก๐ž ๐–๐š๐ ๐ž was performed in a slow version at another very special concert.
This brilliant piece was part of the setlist at ๐Œ๐“๐• ๐”๐ง๐ฉ๐ฅ๐ฎ๐ ๐ ๐ž๐ ๐ข๐ง ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“.
Here you can compare the two live shows separated by 14 years.

✨๐—ฃ๐—Ÿ๐—”๐—–๐—˜๐—•๐—ข ๐—ฆ๐—น๐—ฎ๐˜ƒ๐—ฒ ๐—ง๐—ผ ๐—ง๐—ต๐—ฒ ๐—ช๐—ฎ๐—ด๐—ฒ, ๐— ๐—ง๐—ฉ ๐—จ๐—ป๐—ฝ๐—น๐˜‚๐—ด๐—ด๐—ฒ๐—ฑ ๐—ถ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿญ๐Ÿฑ✨
๐ŸŽต๐ŸŽฌ https://bit.ly/3M7uug2

Post by Marti