Monday, August 1, 2022

♦️ ๐ˆ๐๐“๐„๐‘๐•๐ˆ๐„๐– ๐–๐ˆ๐“๐‡ ๐๐‘๐ˆ๐€๐: ๐™๐™๐™š ๐˜ฝ๐™ง๐™ž๐™–๐™ฃ ๐™ˆ๐™ค๐™ก๐™ ๐™ค ๐™€๐™›๐™›๐™š๐™˜๐™ฉ ♦️

"๐‘ฐ'๐’Ž ๐’๐’†๐’”๐’” ๐’”๐’š๐’Ž๐’‘๐’‚๐’•๐’‰๐’†๐’•๐’Š๐’„ ๐’•๐’๐’˜๐’‚๐’“๐’…๐’” ๐’•๐’‰๐’† ๐’†๐’„๐’๐’๐’๐’Ž๐’Š๐’„ ๐’‘๐’“๐’๐’ƒ๐’๐’†๐’Ž๐’” ๐’•๐’‰๐’‚๐’• ๐’†๐’™๐’Š๐’”๐’• ๐’“๐’Š๐’ˆ๐’‰๐’• ๐’๐’๐’˜ ๐’•๐’‰๐’‚๐’ ๐’”๐’๐’Ž๐’† ๐’‘๐’†๐’๐’‘๐’๐’† ๐’Ž๐’Š๐’ˆ๐’‰๐’• ๐’ƒ๐’†, ๐’ƒ๐’†๐’„๐’‚๐’–๐’”๐’† ๐‘ฐ ๐’‰๐’‚๐’—๐’† ๐’๐’†๐’—๐’†๐’“ ๐’ƒ๐’†๐’†๐’ ๐’‚๐’ƒ๐’๐’† ๐’•๐’ ๐’–๐’๐’…๐’†๐’“๐’”๐’•๐’‚๐’๐’… ๐’•๐’‰๐’† ๐’˜๐’‰๐’๐’๐’† ๐’„๐’–๐’๐’•๐’–๐’“๐’† ๐’๐’‡ ๐’๐’Š๐’—๐’Š๐’๐’ˆ ๐’ƒ๐’†๐’š๐’๐’๐’… ๐’š๐’๐’–๐’“ ๐’Ž๐’†๐’‚๐’๐’”." ⭐ ๐—•๐—ฟ๐—ถ๐—ฎ๐—ป ๐— ๐—ผ๐—น๐—ธ๐—ผ ⭐


๐Ÿ”ธ ๐‘ป๐’ ๐’‘๐’“๐’๐’Ž๐’๐’•๐’† ๐‘ฉ๐’‚๐’•๐’•๐’๐’† ๐‘ญ๐’๐’“ ๐‘ป๐’‰๐’† ๐‘บ๐’–๐’, ๐‘ฉ๐’“๐’Š๐’‚๐’ gave an interview to ๐‘ท๐’‚๐’–๐’ ๐‘ด๐’Š๐’•๐’„๐’‰๐’†๐’๐’ for the Scottish independent cultural magazine ๐‘ป๐’‰๐’† ๐‘บ๐’Œ๐’Š๐’๐’๐’š. From a rather classical beginning, the interview slowly slips into a more serious conversation, where Brian confesses the hard times when he was younger in London, leaving him with a lack of understanding of the world towards influential people filled with egocentricity, insensitivity and therefore indifference towards the most needy people. And you'll see with his last answer that since 2009, awareness concerning environment is changing, little by little, but it is changing ๐Ÿ™

Photo credit: Trip Fontaine

๐Ÿ”ท ๐šƒ๐š‘๐šŽ ๐™ฑ๐š›๐š’๐šŠ๐š— ๐™ผ๐š˜๐š•๐š”๐š˜ ๐šŽ๐š๐š๐šŽ๐šŒ๐š

๐‘‡โ„Ž๐‘’ ๐‘†๐‘˜๐‘–๐‘›๐‘›๐‘ฆ ๐‘Ÿ๐‘’๐‘๐‘’๐‘›๐‘ก๐‘™๐‘ฆ ๐‘ ๐‘Ž๐‘ก ๐‘‘๐‘œ๐‘ค๐‘› ๐‘“๐‘œ๐‘Ÿ ๐‘Ž ๐‘๐‘–๐‘›๐‘ก ๐‘ค๐‘–๐‘กโ„Ž ๐ต๐‘Ÿ๐‘–๐‘Ž๐‘› ๐‘€๐‘œ๐‘™๐‘˜๐‘œ, ๐‘กโ„Ž๐‘’ ๐‘œ๐‘ข๐‘ก๐‘ ๐‘๐‘œ๐‘˜๐‘’๐‘› ๐‘ ๐‘–๐‘›๐‘”๐‘’๐‘Ÿ ๐‘Ž๐‘›๐‘‘ ๐‘ ๐‘œ๐‘›๐‘”๐‘ค๐‘Ÿ๐‘–๐‘ก๐‘’๐‘Ÿ ๐‘ค๐‘–๐‘กโ„Ž ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘›๐‘ ๐‘–๐‘ ๐‘ก๐‘’๐‘›๐‘ก๐‘™๐‘ฆ ๐‘๐‘œ๐‘๐‘ข๐‘™๐‘Ž๐‘Ÿ ๐‘Ž๐‘™๐‘ก๐‘’๐‘Ÿ๐‘›๐‘Ž๐‘ก๐‘–๐‘ฃ๐‘’ ๐‘Ÿ๐‘œ๐‘๐‘˜ ๐‘๐‘Ž๐‘›๐‘‘ ๐‘ƒ๐‘™๐‘Ž๐‘๐‘’๐‘๐‘œ, ๐‘ก๐‘œ ๐‘Ž๐‘ ๐‘˜ ๐‘Ž๐‘๐‘œ๐‘ข๐‘ก ๐‘กโ„Ž๐‘’ ๐‘ ๐‘’๐‘๐‘Ÿ๐‘’๐‘ก ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’๐‘–๐‘Ÿ ๐‘™๐‘œ๐‘›๐‘”-๐‘ ๐‘ก๐‘Ž๐‘›๐‘‘๐‘–๐‘›๐‘” ๐‘ ๐‘ข๐‘๐‘๐‘’๐‘ ๐‘ .


๐™‚๐™ž๐™ซ๐™š๐™ฃ ๐™ฉ๐™๐™š ๐™ก๐™ค๐™ฃ๐™œ๐™š๐™ซ๐™ž๐™ฉ๐™ฎ ๐™ค๐™› ๐™ฉ๐™๐™š ๐™—๐™–๐™ฃ๐™™ (15 ๐™ฎ๐™š๐™–๐™ง๐™จ ๐™–๐™ฃ๐™™ ๐™˜๐™ค๐™ช๐™ฃ๐™ฉ๐™ž๐™ฃ๐™œ), ๐™๐™ค๐™ฌ ๐™™๐™ค ๐™ฎ๐™ค๐™ช ๐™›๐™ž๐™ฃ๐™™ ๐™ฉ๐™๐™š ๐™ข๐™ค๐™ฉ๐™ž๐™ซ๐™–๐™ฉ๐™ž๐™ค๐™ฃ ๐™ฉ๐™ค ๐™˜๐™ค๐™ฃ๐™ฉ๐™ž๐™ฃ๐™ช๐™š - ๐™œ๐™š๐™ฃ๐™š๐™ง๐™–๐™ฉ๐™ž๐™ฃ๐™œ ๐™›๐™ง๐™š๐™จ๐™ ๐™ž๐™™๐™š๐™–๐™จ ๐™ฎ๐™š๐™ฉ ๐™ง๐™š๐™ข๐™–๐™ž๐™ฃ๐™ž๐™ฃ๐™œ ๐™ฉ๐™ง๐™ช๐™š ๐™ฉ๐™ค ๐™ฉ๐™๐™š ๐™‹๐™ก๐™–๐™˜๐™š๐™—๐™ค ๐™–๐™š๐™จ๐™ฉ๐™๐™š๐™ฉ๐™ž๐™˜ ?
๐Ÿ’ฌ Well, that's the challenging equilibrium you try and strike every time you make a new record: trying to push the boundaries and limits of your sound without repeating yourself. You have to try to do something new, exciting and fresh with the band's sound and play with the band's conceived identity, but at the same time not disregarding what makes you uniquely 'you'.

๐˜ฟ๐™ค๐™š๐™จ ๐™ฉ๐™๐™–๐™ฉ ๐™œ๐™š๐™ฉ ๐™ฉ๐™ง๐™ž๐™˜๐™ ๐™ž๐™š๐™ง ๐™–๐™จ ๐™ฎ๐™ค๐™ช ๐™œ๐™ค ๐™–๐™ก๐™ค๐™ฃ๐™œ ?
๐Ÿ’ฌ I think so ! The greater the body of work, the more difficult it becomes to write a fresh song; it becomes a lot more challenging. As far as longevity is concerned, I think if you look at the careers of the likes of The Cure or Depeche Mode - I use those examples because they both released albums this year, 30 years into their career - well they've made music, since day one, purely on their own terms, unaffected, unconcerned by trends, movements and fashion in music. They followed their own path and stuck to their guns, and I think that's why they're still making records which are still worthwhile listening. We're 15 years in, and that's where I'd like to be in another 15. It's not like we have any other options; we're basically unemployable, you know, so this is it.

๐™‹๐™ก๐™–๐™˜๐™š๐™—๐™ค'๐™จ ๐™ฌ๐™ค๐™ง๐™  ๐™๐™–๐™จ ๐™œ๐™š๐™ฃ๐™š๐™ง๐™–๐™ก๐™ก๐™ฎ ๐™–๐™™๐™™๐™ง๐™š๐™จ๐™จ๐™š๐™™ ๐™ฉ๐™๐™š ๐™œ๐™ง๐™–๐™ฃ๐™™ ๐™ž๐™™๐™š๐™–๐™จ ๐™ค๐™› ๐™ก๐™ค๐™ซ๐™š, ๐™ก๐™ค๐™จ๐™จ, ๐™จ๐™–๐™˜๐™ง๐™ž๐™›๐™ž๐™˜๐™š, ๐™๐™š๐™™๐™ค๐™ฃ๐™ž๐™จ๐™ข ๐™š๐™ฉ๐™˜. ๐˜ผ๐™ง๐™š ๐™ฎ๐™ค๐™ช๐™ง ๐™ฅ๐™š๐™ง๐™จ๐™ฅ๐™š๐™˜๐™ฉ๐™ž๐™ซ๐™š๐™จ ๐™ค๐™ฃ ๐™ฉ๐™๐™š๐™จ๐™š ๐™ฉ๐™๐™š๐™ข๐™š๐™จ ๐™˜๐™๐™–๐™ฃ๐™œ๐™ž๐™ฃ๐™œ ๐™–๐™จ ๐™ฎ๐™ค๐™ช ๐™œ๐™š๐™ฉ ๐™ค๐™ก๐™™๐™š๐™ง ?
๐Ÿ’ฌ I started looking back on my career around the time of Meds [fifth studio album, released in 2006]. As a lyricist I thought I was using a great deal of gimmicks. For example, the whole chemistry/medicine cabinet routine that is Commercial for Levi or a song title that screams 'Look at Me !' that is Nancy Boy ! I made a decision that I wanted to stop using gimmicks and address the bigger questions in more everyday language where possible, and try and simplify it, I suppose. Say more by saying less, that's kinda the trip I'm on right now.

Photo credit: Laetizia Forget

๐™„๐™จ ๐™ฃ๐™ค๐™ฉ ๐™–๐™ฉ๐™ฉ๐™š๐™ข๐™ฅ๐™ฉ๐™ž๐™ฃ๐™œ ๐™ฉ๐™ค ๐™™๐™š๐™›๐™ž๐™ฃ๐™š '๐™ฉ๐™๐™š ๐™๐™ช๐™ข๐™–๐™ฃ ๐™˜๐™ค๐™ฃ๐™™๐™ž๐™ฉ๐™ž๐™ค๐™ฃ' ๐™– ๐™ง๐™ž๐™จ๐™ ๐™ฎ ๐™š๐™ฃ๐™ฉ๐™š๐™ง๐™ฅ๐™ง๐™ž๐™จ๐™š ?
๐Ÿ’ฌ Everybody who writes wants to write stuff that's timeless and doesn't date, really. I think you have to be very careful if you want to do that. You have to tap into the spirit of the age but at the same time write something that transcends it. I don't think that using incredibly culturally specific language enables you to do that. So, I'm trying to transcend that and write something that can stand up to the music that I grew up listening to. Take Leonard Cohen, for example. There's a universality in his music and a simplicity which makes it appreciable and meaningful in any decade, any century really. I think that's what I'm trying to do, hopefully in some way making a difference.

๐™’๐™๐™š๐™ง๐™š'๐™จ ๐™ฉ๐™๐™ž๐™จ ๐™–๐™ฅ๐™ฅ๐™ง๐™ค๐™–๐™˜๐™ ๐™œ๐™ค๐™ž๐™ฃ๐™œ ๐™ฉ๐™ค ๐™ฉ๐™–๐™ ๐™š ๐™ฎ๐™ค๐™ช ๐™ฃ๐™š๐™ญ๐™ฉ ?
๐Ÿ’ฌ Right now I'm just wondering how the hell am I going to survive the next two years of this touring schedule and pull out of this in one piece.

๐™Š๐™ฃ ๐™ฅ๐™ง๐™š๐™ซ๐™ž๐™ค๐™ช๐™จ ๐™ซ๐™ž๐™จ๐™ž๐™ฉ๐™จ ๐™ฉ๐™ค ๐™Ž๐™˜๐™ค๐™ฉ๐™ก๐™–๐™ฃ๐™™ ๐™ฎ๐™ค๐™ช'๐™ซ๐™š ๐™—๐™š๐™ข๐™ค๐™–๐™ฃ๐™š๐™™ ๐™ฉ๐™๐™š ๐™จ๐™ฉ๐™–๐™ฉ๐™š ๐™ค๐™› ๐™ฅ๐™ก๐™–๐™ฎ ๐™ž๐™ฃ ๐™ฌ๐™ค๐™ง๐™ก๐™™ ๐™–๐™›๐™›๐™–๐™ž๐™ง๐™จ, ๐™–๐™ฃ๐™™ ๐™ฌ๐™š๐™ง๐™š ๐™ค๐™ฃ๐™š ๐™ค๐™› ๐™ฉ๐™๐™š ๐™ข๐™–๐™ฃ๐™ฎ ๐™ค๐™ช๐™ฉ๐™จ๐™ฅ๐™ค๐™ ๐™š๐™ฃ ๐™˜๐™ง๐™ž๐™ฉ๐™ž๐™˜๐™จ ๐™ค๐™› ๐™ฉ๐™๐™š ๐™ฅ๐™ง๐™š๐™ซ๐™ž๐™ค๐™ช๐™จ ๐™๐™Ž ๐™‹๐™ง๐™š๐™จ๐™ž๐™™๐™š๐™ฃ๐™˜๐™ฎ. ๐™ƒ๐™ค๐™ฌ ๐™™๐™ค ๐™ฎ๐™ค๐™ช ๐™›๐™š๐™š๐™ก ๐™ฉ๐™๐™ž๐™ฃ๐™œ๐™จ ๐™๐™–๐™ซ๐™š ๐™˜๐™๐™–๐™ฃ๐™œ๐™š๐™™, ๐™ž๐™› ๐™–๐™ฉ ๐™–๐™ก๐™ก ?
๐Ÿ’ฌ It's good to have an intelligent person running one of the most powerful countries and someone who generally cares. I'm less sympathetic towards the economic problems that exist right now than some people might be, because I have never been able to understand the whole culture of living beyond your means. I mean, I've been unemployed for a long time, I've been homeless, I've slept in train stations and I didn't spend money that didn't belong to me. So I find it difficult to be incredibly sympathetic with the culture of avarice that has got us into this position.
The other thing that annoys me about this whole focus on our economic woes is that nobody is talking about the environment anymore, and if anything is going to get us in the ass, it's going to be that. The hole in the ozone layer is still there, 20 years after they discovered it, and it's getting bigger and bigger, yet this isn't news. I want to be involved in the world. I think it comes from being a parent; you want to try and contribute to make a place for your children to grow up in that's hopefully a little bit better than where you were. Unfortunately, it seems that we are heading straight towards some form of environmental armageddon, and perhaps we deserve to go the same way as the dinosaurs for our treatment of the planet.
✔️ ๐™ธ๐š—๐š๐šŽ๐š›๐šŸ๐š’๐šŽ๐š  ๐š‹๐šข ๐™ฟ๐šŠ๐šž๐š• ๐™ผ๐š’๐š๐šŒ๐š‘๐šŽ๐š•๐š• ๐š๐š˜๐š› ๐šƒ๐š‘๐šŽ ๐š‚๐š”๐š’๐š—๐š—๐šข - ๐™ฝ๐š˜๐šŸ๐šŽ๐š–๐š‹๐šŽ๐š› ๐Ÿธ๐Ÿบ, ๐Ÿธ00๐Ÿฟ

Photo credit: Scarlet Page

๐Ÿ”ธ Again, it was a sensible and thoughtful interview that Brian granted us, but it's all about the clever questions as well. I definitely don't miss the days when journalists focused on Brian's appearance or the band's drug use !

๐Ÿ”ธ Brian has long mentioned the universal nature of his lyrics and the universality of his songs. The fact that the band has been around for almost 30 years, there is no denying that Placebo's longevity is due in part to these two characteristics, amongst the poetry, the imagery, the tortured and tormented music, and Brian's unique and unrivalled voice ๐Ÿ’–

๐Ÿ”ธ What I like most of all are those people who manage to overcome the resentment they might have accumulated during disastrous periods in their lives to transform it into altruism and avoid reproducing what they have suffered or experienced. Knowing how to learn life's lessons with philosophy. It is so admirable and encouraging.

Photo credit: Joseph Llanes

๐Ÿ”ธ After this touchy interview, there's nothing like a song about "๐’‡๐’Š๐’๐’…๐’Š๐’๐’ˆ ๐’‚ ๐’ˆ๐’๐’Š๐’Ž๐’Ž๐’†๐’“ ๐’๐’‡ ๐’‰๐’๐’‘๐’† ๐’Š๐’ ๐’‚๐’๐’ ๐’•๐’‰๐’Š๐’” ๐’”๐’‰๐’Š๐’•, ๐’‡๐’Š๐’๐’…๐’Š๐’๐’ˆ ๐’•๐’‰๐’† ๐’”๐’Š๐’๐’—๐’†๐’“ ๐’๐’Š๐’๐’Š๐’๐’ˆ."
✔️ ๐š‚๐š๐šŽ๐š๐šŠ๐š— ๐™พ๐š•๐šœ๐š๐šŠ๐š• - ๐™ด๐š•๐šŽ๐š๐šข - ๐™ผ๐šŠ๐š›๐šŒ๐š‘/๐™น๐šž๐š—๐šŽ (๐Ÿธ00๐Ÿฟ)

๐ŸŽต ๐‘ป๐’‰๐’† ๐‘ต๐’†๐’—๐’†๐’“-๐‘ฌ๐’๐’…๐’Š๐’๐’ˆ ๐‘พ๐’‰๐’š ๐’๐’Š๐’—๐’† ๐’‚๐’• ๐‘ท๐’Š๐’๐’๐’‘๐’๐’‘ (2009)
๐ŸŽฅ https://bit.ly/3vktCxx ๐Ÿ™

⭐ ๐Œ๐ฒ ๐ƒ๐ž๐š๐ซ๐ฌ, ๐ˆ ๐ก๐จ๐ฉ๐ž ๐ฒ๐จ๐ฎ ๐ž๐ง๐จ๐ฒ ๐ญ๐ก๐ข๐ฌ ๐ข๐ง๐ญ๐ž๐ซ๐ฏ๐ข๐ž๐ฐ ๐š๐ง๐ ๐ˆ ๐ฐ๐ข๐ฌ๐ก ๐ฒ๐จ๐ฎ'๐ซ๐ž ๐ฌ๐ฉ๐ž๐ง๐๐ข๐ง๐  ๐š ๐ ๐จ๐จ๐ ๐ฆ๐จ๐ซ๐ง๐ข๐ง๐  / ๐š๐Ÿ๐ญ๐ž๐ซ๐ง๐จ๐จ๐ง / ๐ž๐ฏ๐ž๐ง๐ข๐ง๐  ๐Ÿ˜‰

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