Sunday, February 27, 2022

♦️๐—”๐—ก๐—ก๐—œ๐—ฉ๐—˜๐—ฅ๐—ฆ๐—”๐—ฅ๐—ฌ♦️ ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ : ♦️๐—ฅ๐—˜๐—ค๐—จ๐—œ๐—˜๐—  ๐—™๐—ข๐—ฅ ๐—” ๐—๐—˜๐—ฅ๐—ž♦️

๐‘น๐’†๐’’๐’–๐’Š๐’Ž๐’† ๐‘ญ๐’๐’“ ๐‘จ ๐‘ฑ๐’†๐’“๐’Œ is a song from the tribute album, ๐™ˆ๐™ค๐™ฃ๐™จ๐™ž๐™š๐™ช๐™ง ๐™‚๐™–๐™ž๐™ฃ๐™จ๐™—๐™ค๐™ช๐™ง๐™œ ๐™๐™š๐™ซ๐™ž๐™จ๐™ž๐™ฉ๐™š๐™™ to French singer Serge Gainsbourg, released in February 27, 2006.

Photo credits at the end of the text

๐Ÿ”น It is a provocative and daring song. As the name suggests, it's a song to honour jerks.The singer shows an indifference towards this segment of society. It could be that the image of the jerk for Serge has the same image as a dead person, who is unproductive and not beneficial for society.


๐Ÿ”น Translated into English by ๐‘ฉ๐’๐’“๐’Š๐’” ๐‘ฉ๐’†๐’“๐’ˆ๐’Ž๐’‚๐’ ๐’‚๐’๐’… ๐‘ท๐’‚๐’–๐’ ๐‘ฐ๐’—๐’†๐’”, the text has not lost its spirit, although the lyrics have been modified to some extent.. ๐‘น๐’†๐’’๐’–๐’Š๐’†๐’Ž ๐’‘๐’๐’–๐’“ ๐’–๐’ ๐’„๐’๐’, translated as Requiem for a jerk, is brilliantly revisited by this surprising triplet: Faultine, Brian Molko and Franรงoise Hardy. Not only is the meaning of the sharp lyrics not lost, but the song is rearranged and modernized in an electronic-tribal way.


๐Ÿ”ท ๐—•๐—ฅ๐—œ๐—”๐—ก ๐—ข๐—ก ๐—–๐—ข๐—ฉ๐—˜๐—ฅ๐—œ๐—ก๐—š ๐—ง๐—›๐—˜ ๐—ฆ๐—ข๐—ก๐—š ๐Ÿ”ท
๐Ÿ“ข ๐‘ถ๐’ ๐’•๐’‰๐’† ๐’‚๐’๐’ƒ๐’–๐’Ž ๐‘ด๐’๐’๐’”๐’Š๐’†๐’–๐’“ ๐‘ฎ๐’‚๐’Š๐’๐’”๐’ƒ๐’๐’–๐’“๐’ˆ ๐‘น๐’†๐’—๐’Š๐’”๐’Š๐’•๐’†๐’…, ๐’š๐’๐’– ๐’‚๐’๐’”๐’ ๐’‘๐’–๐’• ๐’š๐’๐’–๐’“ ๐’—๐’๐’Š๐’„๐’† ๐’๐’ ๐‘น๐’†๐’’๐’–๐’Š๐’†๐’Ž ๐‘ญ๐’๐’“ ๐‘จ ๐‘ฑ๐’†๐’“๐’Œ...
๐Ÿ’ฌ Requiem for a jerk, yeah. [...] Well, I did it without being asked and then I sent it. I was given the instrumental and I recorded it, then I sent it to Mr Kosten from Faultline to tell him "Come on, use me!"

๐Ÿ“ข ๐‘บ๐’ ๐’š๐’๐’–'๐’“๐’† ๐’๐’ ๐’•๐’‰๐’Š๐’” ๐‘น๐’†๐’—๐’Š๐’”๐’Š๐’•๐’†๐’… ๐’‚๐’๐’ƒ๐’–๐’Ž ๐’‚ ๐’๐’๐’•...
๐Ÿ’ฌ Something that's interesting about Requiem Pour Un Con, Requiem For A Jerk, is that I did a duet with Franรงoise Hardy without ever meeting her. That's modern times, that's technology, modern technology and I think it's really cool.
✔️ ๐™ฑ๐š›๐š’๐šŠ๐š— ๐™ผ๐š˜๐š•๐š”๐š˜ - ๐™ป๐šŠ ๐™ผ๐šž๐šœ๐š’๐šŒ๐šŠ๐š•๐šŽ - ๐™ฒ๐šŠ๐š—๐šŠ๐š•+ (๐Ÿธ00๐Ÿผ)

Photo credit. Scarlet Page


๐Ÿ”ท ๐—ง๐—›๐—˜ ๐—ฆ๐—ง๐—ข๐—ฅ๐—ฌ ๐—•๐—˜๐—›๐—œ๐—ก๐—— ๐—ง๐—›๐—˜ ๐—ข๐—ฅ๐—œ๐—š๐—œ๐—ก๐—”๐—Ÿ ๐—ฆ๐—ข๐—ก๐—š: ๐—ฅ๐—˜๐—ค๐—จ๐—œ๐—˜๐—  ๐—ฃ๐—ข๐—จ๐—ฅ ๐—จ๐—ก ๐—–๐—ข๐—ก ๐Ÿ”ท

๐Ÿ”น In 1967, Serge Gainsbourg was a well-known songwriter, but was still struggling to achieve success as a singer. It was then that ๐‘ฑ๐’†๐’‚๐’ ๐‘ฎ๐’‚๐’ƒ๐’Š๐’, the famous French actor, whom he had met on the set of ๐‘ณ๐’† ๐‘ฑ๐’‚๐’“๐’…๐’Š๐’๐’Š๐’†๐’“ ๐’…'๐‘จ๐’“๐’ˆ๐’†๐’๐’•๐’†๐’–๐’Š๐’, for which Gabin had asked him to compose the music, called on him again to write the soundtrack of ๐‘ณ๐’† ๐‘ท๐’‚๐’„๐’‰๐’‚, a ๐‘ฎ๐’†๐’๐’“๐’ˆ๐’†๐’” ๐‘ณ๐’‚๐’–๐’•๐’๐’†๐’“'s film. Gainsbourg wrote Requiem pour un con, which was to be used as the film's theme song.

๐Ÿ”น The melody of this song takes up a theme written by ๐‘จ๐’๐’•๐’๐’๐’Š́๐’ ๐‘ซ๐’—๐’๐’“̌๐’‚́๐’Œ, the New World Symphony. Gainsbourg wrote the text, while he composed the music with his arranger at the time, Michel Colombier.

๐Ÿ”น Before its release in March 1968, the film Le Pacha was judged violent by the censorship committee because of the image it portrayed of the police and was banned for under 18s. The song was considered obscene and scandalous and was therefore banned from radio.


๐Ÿ”ท ๐—ง๐—ฅ๐—”๐—ก๐—ฆ๐—Ÿ๐—”๐—ง๐—œ๐—ข๐—ก ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐—ข๐—ฅ๐—œ๐—š๐—œ๐—ก๐—”๐—Ÿ ๐—ฆ๐—ข๐—ก๐—š ๐Ÿ”ท
๐ŸŽฅ https://bit.ly/3rZ8tIc ๐ŸŒŸ

Photo credit: Thomas Rabsch

๐Ÿ”ท๐—Ÿ๐—ฌ๐—ฅ๐—œ๐—–๐—ฆ๐Ÿ”ท
Listen to the organs / ๐˜Œ́๐˜ค๐˜ฐ๐˜ถ๐˜ต๐˜ฆ ๐˜ญ๐˜ฆ๐˜ด ๐˜ฐ๐˜ณ๐˜จ๐˜ถ๐˜ฆ๐˜ด
They play for you / ๐ธ๐‘™๐‘™๐‘’๐‘  ๐‘—๐‘œ๐‘ข๐‘’๐‘›๐‘ก ๐‘๐‘œ๐‘ข๐‘Ÿ ๐‘ก๐‘œ๐‘–
It's a beautiful tune / ๐ผ๐‘™ ๐‘’๐‘ ๐‘ก ๐‘ก๐‘’๐‘Ÿ๐‘Ÿ๐‘–๐‘๐‘™๐‘’, ๐‘๐‘’๐‘ก ๐‘Ž๐‘–๐‘Ÿ-๐‘™๐‘Ž̀
I hope you like it / ๐ฝ'๐‘’๐‘ ๐‘๐‘’̀๐‘Ÿ๐‘’ ๐‘ž๐‘ข๐‘’ ๐‘ก๐‘ข ๐‘Ž๐‘–๐‘š๐‘’๐‘ 
It's quite beautiful, isn't it ? / ๐ถ'๐‘’๐‘ ๐‘ก ๐‘Ž๐‘ ๐‘ ๐‘’๐‘ง ๐‘๐‘’๐‘Ž๐‘ข, ๐‘›๐‘œ๐‘› ?
It's the requiem for a jerk / ๐ถ'๐‘’๐‘ ๐‘ก ๐‘™๐‘’ ๐‘Ÿ๐‘’๐‘ž๐‘ข๐‘–๐‘’๐‘š ๐‘๐‘œ๐‘ข๐‘Ÿ ๐‘ข๐‘› ๐‘๐‘œ๐‘›


I composed it especially for you / ๐ฝ๐‘’ ๐‘™'๐‘Ž๐‘– ๐‘๐‘œ๐‘š๐‘๐‘œ๐‘ ๐‘’́ ๐‘ ๐‘๐‘’́๐‘๐‘–๐‘Ž๐‘™๐‘’๐‘š๐‘’๐‘›๐‘ก ๐‘๐‘œ๐‘ข๐‘Ÿ ๐‘ก๐‘œ๐‘–
In your memory of a villain / ๐ด̀ ๐‘ก๐‘Ž ๐‘š๐‘’́๐‘š๐‘œ๐‘–๐‘Ÿ๐‘’ ๐‘‘๐‘’ ๐‘ ๐‘๐‘’́๐‘™๐‘’́๐‘Ÿ๐‘Ž๐‘ก
It's a nice theme / ๐ถ'๐‘’๐‘ ๐‘ก ๐‘ข๐‘› ๐‘—๐‘œ๐‘™๐‘– ๐‘กโ„Ž๐‘’̀๐‘š๐‘’
Don't you think? / ๐‘‡๐‘ข ๐‘›๐‘’ ๐‘ก๐‘Ÿ๐‘œ๐‘ข๐‘ฃ๐‘’๐‘  ๐‘๐‘Ž๐‘  ?
Just like yourself / ๐‘†๐‘’๐‘š๐‘๐‘™๐‘Ž๐‘๐‘™๐‘’ ๐‘Ž̀ ๐‘ก๐‘œ๐‘–-๐‘š๐‘’̂๐‘š๐‘’
Poor jerk / ๐‘ƒ๐‘Ž๐‘ข๐‘ฃ๐‘Ÿ๐‘’ ๐‘๐‘œ๐‘›


Here come the organs / ๐‘‰๐‘œ๐‘–๐‘๐‘– ๐‘™๐‘’๐‘  ๐‘œ๐‘Ÿ๐‘”๐‘ข๐‘’๐‘ 
That are at it again / ๐‘„๐‘ข๐‘– ๐‘Ÿ๐‘’๐‘š๐‘’๐‘ก๐‘ก๐‘’๐‘›๐‘ก ๐‘̧๐‘Ž
You gotta learn that tune by heart / ๐น๐‘Ž๐‘ข๐‘ก ๐‘ž๐‘ข'๐‘ก'๐‘Ž๐‘๐‘๐‘Ÿ๐‘’๐‘›๐‘›๐‘’๐‘  ๐‘๐‘Ž๐‘Ÿ ๐‘ล“๐‘ข๐‘Ÿ ๐‘๐‘’๐‘ก ๐‘Ž๐‘–๐‘Ÿ-๐‘™๐‘Ž̀
You can't even hesitate / ๐‘„๐‘ข๐‘’ ๐‘ก๐‘ข ๐‘›'๐‘Ž๐‘–๐‘’๐‘  ๐‘๐‘Ž๐‘  ๐‘š๐‘’̂๐‘š๐‘’ ๐‘ข๐‘›๐‘’ โ„Ž๐‘’́๐‘ ๐‘–๐‘ก๐‘Ž๐‘ก๐‘–๐‘œ๐‘›
On the requiem for an jerk / ๐‘†๐‘ข๐‘Ÿ ๐‘™๐‘’ ๐‘Ÿ๐‘’๐‘ž๐‘ข๐‘–๐‘’๐‘š ๐‘๐‘œ๐‘ข๐‘Ÿ ๐‘ข๐‘› ๐‘๐‘œ๐‘›


You're looking at me ? / ๐‘„๐‘ข๐‘œ๐‘– ๐‘ก๐‘ข ๐‘š๐‘’ ๐‘Ÿ๐‘’๐‘”๐‘Ž๐‘Ÿ๐‘‘๐‘’๐‘  ?
Don't you like it ? / ๐‘‡๐‘ข ๐‘›'๐‘Ž๐‘๐‘๐‘Ÿ๐‘’́๐‘๐‘–๐‘’๐‘  ๐‘๐‘Ž๐‘  ?
But what's in there / ๐‘€๐‘Ž๐‘–๐‘  ๐‘ž๐‘ข'๐‘’๐‘ ๐‘ก-๐‘๐‘’ ๐‘ž๐‘ข'๐‘ฆ ๐‘Ž ๐‘™๐‘Ž̀ ๐‘‘'๐‘‘๐‘Ž๐‘›๐‘ 
You don't like ? / ๐‘„๐‘ข๐‘– ๐‘ก'๐‘๐‘™๐‘Ž๐‘–̂๐‘ก ๐‘๐‘Ž๐‘  ?
For me, it's all the same / ๐‘ƒ๐‘œ๐‘ข๐‘Ÿ ๐‘š๐‘œ๐‘–, ๐‘'๐‘’๐‘ ๐‘ก ๐‘–๐‘‘๐‘’๐‘š
Whether you like it or not / ๐‘„๐‘ข๐‘’ ๐‘̧๐‘Ž ๐‘ก'๐‘๐‘™๐‘Ž๐‘–๐‘ ๐‘’ ๐‘œ๐‘ข ๐‘›๐‘œ๐‘›
I'm gonna play it anyway / ๐ฝ'๐‘ก๐‘’ ๐‘™'๐‘Ÿ๐‘’๐‘—๐‘œ๐‘ข๐‘’ ๐‘ž๐‘ข๐‘Ž๐‘›๐‘‘ ๐‘š๐‘’̂๐‘š๐‘’
You poor jerk / ๐‘ƒ๐‘Ž๐‘ข๐‘ฃ๐‘Ÿ๐‘’ ๐‘๐‘œ๐‘›

Photo credit:  Benni Valsson

๐Ÿ”ท ๐—•๐—ฅ๐—œ๐—”๐—ก'๐—ฆ ๐—Ÿ๐—ฌ๐—ฅ๐—œ๐—–๐—ฆ ๐Ÿ”ท
๐ŸŽฅ https://bit.ly/3GRSiR7 ๐ŸŒŸ

Listen to the organ that I play for you
Since you got no choice, hear me through
You look as if you like it, but you seem reserved
It's my requiem, for a jerk


I wrote it in the bath, on my breakfast tray
Cut my appetite for the day
I tried to raise a toast, ate the second verse
Buttered requiem, for a jerk
It's afternoon for mourners,
But the tears don't come
Got what you deserve, the maximum
I'm getting sentimental, but it's too much work
What's a requiem, to a jerk


Well the Devil left a message, go try paradise
Hell's a lot too hot, not too nice
Try to take in God if you've got the nerve
Even I don't need, stupid jerks


Listen to the organ that I play for you
Since you got no choice, hear me through
You look as if you like it, in your wooden shirt
It's my requiem, for a jerk


I wrote it in the bath, on my breakfast tray
Cut my appetite, for the day
On your white washed face, blue steel prison wall
I'll write 'stupid jerk', that's all


Photo credits collage: Juliette Roberts (Brian Molko), Jean-Marie Pรฉrier (Franรงoise Hardy), Unknown (Faultline), Cover of Monsieur Gainsourg Revisited, Edit by Laetitia

Post by Laetitia