Friday, August 6, 2021

STEFAN OLSDAL AND STEVE HEWITT: ๐ˆ๐๐“๐„๐‘๐•๐ˆ๐„๐– ๐–๐ˆ๐“๐‡ ๐’๐‚๐„๐๐„ ๐๐Ž๐ˆ๐๐“ ๐๐‹๐€๐๐Š

Most Placebo interviews are given by Brian, but today I have one for you that was done by Stefan and ex-drummer Steve Hewitt back in 2007. Enjoy the conversation they had with a journalist from US music magazine Scene Point Blank

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๐ˆ๐๐“๐„๐‘๐•๐ˆ๐„๐– ๐–๐ˆ๐“๐‡ ๐’๐‚๐„๐๐„ ๐๐Ž๐ˆ๐๐“ ๐๐‹๐€๐๐Š

Much to the delight of my parents, Placebo were the band who inspired me to steal my mothers eyeliner at the lofty age of eleven. Unfortunately, even after a career with such longevity, these overtones are still what many associate with the band. For fans and anyone else paying attention, however, the trio bring so much more than a pretty boy aesthetic. This became evident after sitting down with Stefan (bass), and Steve (drums). Promptly ignoring the no smoking by law, and killing my efforts for small talk, the two showed they weren't there to shoot the shit, and certainly gave no affirmation of the decorated exterior they are often pigeon holed into. What did I get then? I got something closer to what you typically find in their music. Two guys with more rock and roll than they should rightfully be allowed to have, and something a little more honest than I expected. Here's how it unfolded:

๐—œ๐—ง'๐—ฆ ๐—•๐—˜๐—˜๐—ก ๐—ค๐—จ๐—œ๐—ง๐—˜ ๐—ฆ๐—ข๐— ๐—˜ ๐—ง๐—œ๐— ๐—˜ ๐—ฆ๐—œ๐—ก๐—–๐—˜ ๐—ฌ๐—ข๐—จ'๐—ฉ๐—˜ ๐—ง๐—ข๐—จ๐—ฅ๐—˜๐—— ๐—”๐— ๐—˜๐—ฅ๐—œ๐—–๐—”, ๐—ฆ๐—ฃ๐—˜๐—–๐—œ๐—™๐—œ๐—–๐—”๐—Ÿ๐—Ÿ๐—ฌ ๐—ฆ๐—œ๐—ก๐—–๐—˜ ๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿฏ, ๐—ฆ๐—œ๐—ก๐—–๐—˜ ๐—ฌ๐—ข๐—จ'๐—ฉ๐—˜ ๐—•๐—˜๐—˜๐—ก ๐—ง๐—ข ๐—ง๐—ข๐—ฅ๐—ข๐—ก๐—ง๐—ข. ๐—œ ๐—ช๐—”๐—ฆ ๐—ช๐—ข๐—ก๐——๐—˜๐—ฅ๐—œ๐—ก๐—š ๐—ช๐—›๐—ฌ ๐—ง๐—›๐—˜๐—ฅ๐—˜'๐—ฆ ๐—•๐—˜๐—˜๐—ก ๐—ฆ๐—จ๐—–๐—› ๐—” ๐—Ÿ๐—ข๐—ก๐—š ๐—›๐—œ๐—”๐—ง๐—จ๐—ฆ, ๐—”๐—ก๐—— ๐—›๐—ข๐—ช ๐—ง๐—›๐—˜ ๐—–๐—ฅ๐—ข๐—ช๐—— ๐—ฅ๐—˜๐—”๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ ๐—•๐—˜๐—˜๐—ก ๐—ข๐—ก ๐—ง๐—›๐—˜ ๐—™๐—œ๐—ฅ๐—ฆ๐—ง ๐—ง๐—›๐—ฅ๐—˜๐—˜ ๐—š๐—œ๐—š๐—ฆ ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐—ง๐—ข๐—จ๐—ฅ ๐—ฆ๐—ข ๐—™๐—”๐—ฅ?
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: “I think the reason we haven't come back is because of...well I don't know. Record companies I guess?“
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “I think the main answer is we've been playing countries we haven't played before. We played in South America since we were here last, then there was Korea and China. We've just kind of been scoping out the world, really.“
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: “The first three shows of this American tour has been great. Montreal was crazy with a sold out show humming along...“
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “The last time we were here was in October with She Wants Revenge and that tour didn't hit Canada, so it's why we didn't come here then.“

๐—ฃ๐—Ÿ๐—”๐—–๐—˜๐—•๐—ข ๐—”๐—ฅ๐—˜ ๐—ฆ๐—˜๐—ง ๐—ง๐—ข ๐—ฃ๐—Ÿ๐—”๐—ฌ ๐—–๐—ข๐—–๐—›๐—˜๐—Ÿ๐—Ÿ๐—” ๐—™๐—˜๐—ฆ๐—ง๐—œ๐—ฉ๐—”๐—Ÿ ๐—–๐—ข๐— ๐—œ๐—ก๐—š ๐—จ๐—ฃ ๐—”๐—ง ๐—ง๐—›๐—˜ ๐—˜๐—ก๐—— ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐— ๐—ข๐—ก๐—ง๐—›. ๐—œ๐—ก ๐—ง๐—˜๐—ฅ๐— ๐—ฆ ๐—ข๐—™ ๐—›๐—ฌ๐—ฃ๐—˜, ๐—œ ๐—–๐—”๐—ก'๐—ง ๐—ฅ๐—˜๐—–๐—”๐—Ÿ๐—Ÿ ๐—” ๐—ฆ๐—›๐—ข๐—ช ๐—œ๐—ก ๐—ฅ๐—˜๐—–๐—˜๐—ก๐—ง ๐— ๐—˜๐— ๐—ข๐—ฅ๐—ฌ ๐—ง๐—›๐—”๐—ง'๐—ฆ ๐—›๐—”๐—— ๐— ๐—ข๐—ฅ๐—˜ ๐—ง๐—›๐—”๐—ก ๐—ง๐—›๐—œ๐—ฆ ๐—š๐—œ๐—š. ๐—”๐—ฆ ๐—ฉ๐—˜๐—ง๐—˜๐—ฅ๐—”๐—ก๐—ฆ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—™๐—˜๐—ฆ๐—ง๐—œ๐—ฉ๐—”๐—Ÿ ๐—ฆ๐—–๐—˜๐—ก๐—˜, ๐—›๐—ข๐—ช ๐——๐—ข๐—˜๐—ฆ ๐—ฌ๐—ข๐—จ๐—ฅ ๐—ฃ๐—ฅ๐—˜๐—ฃ๐—”๐—ฅ๐—”๐—ง๐—œ๐—ข๐—ก ๐——๐—œ๐—™๐—™๐—˜๐—ฅ๐—˜๐—ก๐—ง๐—œ๐—”๐—ง๐—˜ ๐—•๐—˜๐—ง๐—ช๐—˜๐—˜๐—ก ๐—ฃ๐—Ÿ๐—”๐—ฌ๐—œ๐—ก๐—š ๐—ง๐—ข ๐—–๐—ฅ๐—ข๐—ช๐——๐—ฆ ๐—”๐—ฆ ๐—Ÿ๐—”๐—ฅ๐—š๐—˜ ๐—”๐—ฆ ๐—ง๐—›๐—ข๐—ฆ๐—˜ ๐—–๐—ข๐— ๐—ฃ๐—”๐—ฅ๐—˜๐—— ๐—ง๐—ข ๐—ฃ๐—Ÿ๐—”๐—ฌ๐—œ๐—ก๐—š ๐—›๐—˜๐—”๐——๐—Ÿ๐—œ๐—ก๐—˜ ๐—š๐—œ๐—š๐—ฆ?
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “Well you're playing to a bunch of people who haven't seen you before, so you've kind of got to shove it down their throats and sell yourself in a different way. When you do your own show you have much more freedom and much more control. A festival is sort of like a conveyer belt of bands really. You go on and try and do your best to win people over...“

๐—œ๐—ฆ ๐—ง๐—›๐—˜๐—ฅ๐—˜ ๐—ก๐—˜๐—ฅ๐—ฉ๐—ข๐—จ๐—ฆ๐—ก๐—˜๐—ฆ๐—ฆ ๐—š๐—ข๐—œ๐—ก๐—š ๐—œ๐—ก๐—ง๐—ข ๐—ง๐—›๐—”๐—ง?
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “There is a nervousness going into every show.“
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: “Still, yeah.“

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๐—ง๐—›๐—˜๐—ฅ๐—˜ ๐—œ๐—ฆ ๐—” ๐—ฅ๐—จ๐— ๐—ข๐—ฅ ๐—š๐—ข๐—œ๐—ก๐—š ๐—”๐—ฅ๐—ข๐—จ๐—ก๐—— ๐—ง๐—›๐—”๐—ง ๐—ฌ๐—ข๐—จ'๐—Ÿ๐—Ÿ ๐—•๐—˜ ๐—ฃ๐—”๐—ฅ๐—ง ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐—Ÿ๐—œ๐—ก๐—ž๐—œ๐—ก ๐—ฃ๐—”๐—ฅ๐—ž'๐—ฆ ๐—ฃ๐—ฅ๐—ข๐—๐—˜๐—–๐—ง ๐—ฅ๐—˜๐—ฉ๐—ข๐—Ÿ๐—จ๐—ง๐—œ๐—ข๐—ก ๐—ง๐—ข๐—จ๐—ฅ ๐—–๐—ข๐— ๐—œ๐—ก๐—š ๐—จ๐—ฃ ๐—ง๐—ข๐—ช๐—”๐—ฅ๐—— ๐—ง๐—›๐—˜ ๐—˜๐—ก๐—— ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐—ฌ๐—˜๐—”๐—ฅ. ๐—š๐—œ๐—ฉ๐—˜๐—ก ๐—ฌ๐—ข๐—จ๐—ฅ ๐—ฆ๐—ง๐—”๐—ก๐—–๐—˜๐—ฆ ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐—ฅ๐—”๐—ฃ ๐—ฅ๐—ข๐—–๐—ž ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐—˜๐—”๐—ฅ๐—Ÿ๐—ฌ ๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿฌ'๐˜€ ๐—ง๐—›๐—œ๐—ฆ ๐—ฆ๐—˜๐—˜๐— ๐—ฆ ๐—Ÿ๐—œ๐—ž๐—˜ ๐—”๐—ก ๐—ข๐——๐—— ๐—–๐—ข๐— ๐—•๐—œ๐—ก๐—”๐—ง๐—œ๐—ข๐—ก.
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: (laughs) “Well, it's a rumor.“

๐—ฆ๐—ข ๐—œ๐—ฆ ๐—ง๐—›๐—˜๐—ฅ๐—˜ ๐—”๐—ก๐—ฌ ๐—ง๐—ฅ๐—จ๐—ง๐—› ๐—ง๐—ข ๐—ง๐—›๐—”๐—ง?
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “It's a rumor.“ ( laughs )
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: “We're rather diplomatic today, aren't we?“

๐—ช๐—˜๐—Ÿ๐—Ÿ, ๐— ๐—ข๐—ฉ๐—œ๐—ก๐—š ๐—ข๐—ก ๐—ง๐—ข ๐— ๐—ฌ ๐—ก๐—˜๐—ซ๐—ง ๐—ค๐—จ๐—˜๐—ฆ๐—ง๐—œ๐—ข๐—ก ๐—ง๐—›๐—˜๐—ก: ๐—–๐—”๐—ก ๐—ฌ๐—ข๐—จ ๐—ง๐—˜๐—Ÿ๐—Ÿ ๐— ๐—˜ ๐—”๐—•๐—ข๐—จ๐—ง ๐—ง๐—›๐—˜ ๐—–๐—ข๐—ฉ๐—˜๐—ฅ๐—ฆ ๐—”๐—Ÿ๐—ฉ๐—จ๐—  ๐—ฌ๐—ข๐—จ'๐—ฉ๐—˜ ๐—ฅ๐—˜๐—–๐—˜๐—ก๐—ง๐—Ÿ๐—ฌ ๐—ฃ๐—จ๐—ง ๐—ข๐—จ๐—ง ๐—”๐—ฆ ๐—”๐—ก ๐—œ๐—ก๐—ง๐—˜๐—ฅ๐—ก๐—˜๐—ง ๐—ฅ๐—˜๐—Ÿ๐—˜๐—”๐—ฆ๐—˜?
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: “That was something that was just released on the special edition of 'Sleeping with ghosts'. There was a fan demand for it, because many people couldn't get a hold of it due to a limited run. We decided to put it out on Itunes as a mini album, just because of that demand really, wasn't it? It's a nice little disc really; all the stuff we grew up with, used for soundtracks, and done for ourselves really. We just wanted to make it available for people to get because a lot of people were trying to find it.“

๐—ข๐—ก ๐—ก๐—จ๐— ๐—˜๐—ฅ๐—ข๐—จ๐—ฆ ๐—ข๐—–๐—–๐—”๐—ฆ๐—œ๐—ข๐—ก๐—ฆ ๐—ฌ๐—ข๐—จ, ๐—”๐—ฆ ๐—” ๐—•๐—”๐—ก๐——, ๐—›๐—”๐—ฉ๐—˜ ๐—•๐—˜๐—˜๐—ก ๐—ค๐—จ๐—œ๐—ง๐—˜ ๐—ฉ๐—ข๐—–๐—”๐—Ÿ ๐—”๐—•๐—ข๐—จ๐—ง ๐—ฌ๐—ข๐—จ๐—ฅ ๐—˜๐— ๐—•๐—ฅ๐—”๐—–๐—˜ ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐—œ๐—ก๐—ง๐—˜๐—ฅ๐—ก๐—˜๐—ง ๐—”๐—ฆ ๐—” ๐— ๐—˜๐——๐—œ๐—จ๐— . ๐—ช๐—ข๐—จ๐—Ÿ๐—— ๐—ฌ๐—ข๐—จ ๐— ๐—œ๐—ก๐—— ๐—ฅ๐—˜๐—œ๐—ง๐—˜๐—ฅ๐—”๐—ง๐—œ๐—ก๐—š ๐—ช๐—›๐—ฌ ๐—ง๐—›๐—œ๐—ฆ ๐—ฆ๐—ง๐—”๐—ก๐—–๐—˜ ๐—œ๐—ฆ ๐—ฃ๐—จ๐—ง ๐—™๐—ข๐—ฅ๐—ช๐—”๐—ฅ๐——?
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “The thing is you can't stop technology. As you said, we've really embraced it through out our career. Keyboards have gotten more expensive, but we've incorporated electronics into our recording processes and writing processes. When you're on tour the internet is the most easy way to access music. We don't have much time to go to record stores anymore and having everything ready at your finger tips makes it so much less complicated. You can have your whole record collection in your little Ipod.“

๐—” ๐— ๐—”๐—๐—ข๐—ฅ ๐——๐—˜๐—•๐—”๐—ง๐—˜ ๐—œ๐—ก ๐—ฆ๐—ข๐— ๐—˜ ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐—–๐—œ๐—ฅ๐—–๐—Ÿ๐—˜๐—ฆ ๐—œ'๐—ฉ๐—˜ ๐—•๐—˜๐—˜๐—ก ๐—œ๐—ก๐—ฉ๐—ข๐—Ÿ๐—ฉ๐—˜๐—— ๐—œ๐—ก ๐—ฅ๐—˜๐—–๐—˜๐—ก๐—ง๐—Ÿ๐—ฌ ๐—›๐—”๐—ฆ ๐—•๐—˜๐—˜๐—ก ๐—›๐—ข๐—ช ๐——๐—ข๐—ช๐—ก๐—Ÿ๐—ข๐—”๐——๐—œ๐—ก๐—š ๐— ๐—จ๐—ฆ๐—œ๐—– ๐—›๐—”๐—ฆ ๐—Ÿ๐—˜๐—”๐—— ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—ฆ๐—จ๐—ฃ๐—˜๐—ฅ๐—™๐—œ๐—–๐—œ๐—”๐—Ÿ ๐—–๐—ข๐—ก๐—ฆ๐—จ๐— ๐—ฃ๐—ง๐—œ๐—ข๐—ก ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐—”๐—ฅ๐—ง ๐—”๐—ฆ ๐—” ๐—ช๐—›๐—ข๐—Ÿ๐—˜. ๐—ช๐—›๐—˜๐—ฅ๐—˜ ๐—ฃ๐—˜๐—ข๐—ฃ๐—Ÿ๐—˜ ๐—ฅ๐—”๐—ง๐—›๐—˜๐—ฅ ๐—ง๐—›๐—”๐—ก ๐—ง๐—”๐—ž๐—œ๐—ก๐—š ๐—”๐—Ÿ๐—•๐—จ๐— ๐—ฆ ๐—ช๐—œ๐—Ÿ๐—Ÿ ๐—•๐—˜ ๐—ง๐—”๐—ž๐—œ๐—ก๐—š ๐—ข๐—ก๐—˜ ๐—ข๐—ฅ ๐—ง๐—ช๐—ข ๐—ฆ๐—ข๐—ก๐—š๐—ฆ...
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: The thing is, the album concept was invented in, what, the sixties ? Before that it was just single songs. People just have this sort of nostalgic attachment to albums. It's a concept that came, and now it's probably going.
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: When people buy music they buy the songs that they like, and a lot of time, I know from what we've experienced, you buy an album and you many not like all the tracks. It's more consumer orientated and gives you a choice. You're not stuck with the one format. You can do your own mix tape and compilations, and that's a positive thing. I prefer it that way.

๐—ช๐—›๐—˜๐—ก ๐—ง๐—”๐—ž๐—œ๐—ก๐—š ๐—ฌ๐—ข๐—จ๐—ฅ ๐—”๐—Ÿ๐—•๐—จ๐— ๐—ฆ ๐—”๐—ฆ ๐—” ๐—ช๐—›๐—ข๐—Ÿ๐—˜, ๐—ฆ๐—ฃ๐—˜๐—–๐—œ๐—™๐—œ๐—–๐—”๐—Ÿ๐—Ÿ๐—ฌ ๐—œ'๐—— ๐—ฆ๐—”๐—ฌ ๐—™๐—ฅ๐—ข๐—  '๐—ช๐—œ๐—ง๐—›๐—ข๐—จ๐—ง ๐—ฌ๐—ข๐—จ ๐—œ'๐—  ๐—ก๐—ข๐—ง๐—›๐—œ๐—ก๐—š' ๐—™๐—ข๐—ฅ๐—ช๐—”๐—ฅ๐——, ๐—ง๐—›๐—˜ ๐—ฅ๐—˜๐—–๐—ข๐—ฅ๐——๐—ฆ ๐—›๐—”๐—ฉ๐—˜ ๐— ๐—ข๐—ฅ๐—˜ ๐—ข๐—™ ๐—” ๐—™๐—Ÿ๐—ข๐—ช ๐—”๐—ก๐—— ๐—ง๐—›๐—˜๐— ๐—˜ ๐—ง๐—ข ๐—” ๐—–๐—ข๐—ก๐—–๐—˜๐—ฃ๐—ง ๐—œ๐—ก ๐—œ๐—ง๐—ฆ ๐—˜๐—ก๐—ง๐—œ๐—ฅ๐—˜๐—ง๐—ฌ. ๐—ช๐—›๐—˜๐—ก ๐—ฃ๐—˜๐—ข๐—ฃ๐—Ÿ๐—˜ ๐—”๐—ฅ๐—˜ ๐—ง๐—”๐—ž๐—œ๐—ก๐—š ๐—ฆ๐—œ๐—ก๐—š๐—Ÿ๐—˜ ๐—ฆ๐—ข๐—ก๐—š๐—ฆ ๐——๐—ข ๐—ฌ๐—ข๐—จ ๐—™๐—™๐—˜๐—Ÿ ๐—ง๐—›๐—œ๐—ฆ ๐—•๐—ฅ๐—˜๐—”๐—ž๐—ฆ ๐—จ๐—ฃ ๐—ช๐—›๐—”๐—ง ๐—ฌ๐—ข๐—จ ๐—ช๐—˜๐—ฅ๐—˜ ๐—ง๐—ฅ๐—ฌ๐—œ๐—ก๐—š ๐—ง๐—ข ๐——๐—ข?
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: “There is a part of that, but I think again you've got to modernize what's been done before. You've got to give the costumer that much freedom. I think that's the just the way people think these days; they all think differently. You've opened up an old sort of format, haven't you? It can break something up, especially from an artists point of view. You make a record you want the whole thing there, but if you don't like the tracks you don't like the tracks. End of story.“
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “I think we're still part of the album generation in a way. The tracks on the album (Covers) are from various parts, some of them were written six years ago. They span a long period of time, and all inhabit their own little world. Making records, we're still doing that, so you try to make it as much a journey as possible. But what can you do about it, you know? There are going to be negative and positive sides to this whole story. The positive side of this is music is so much more readily available for everyone. Like Steve was talking about the other day, there are records we haven't thought about in years, and shit man, those are probably available now. You're just sitting at the computer and you can get it. It's probably reignited an interest in music for many people:“
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: “And discovery as well. It's healthy in a way, there is a lot more back catalogue stuff being used.“
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “I think we should just get away from this whole nostalgia thing. Just because that's the way it was then doesn't mean it's the way it needs to be now. Technology has changed the way we listen to and consume music. First it was sheet music, then vinyl came and sheet music goes out of business. Then CD's came, and there was the golden era of CD's with record companies just rolling in it. Now the internet, it's just the next phase in the way we consume music. Of course it's going to be "no I don't like this" you know...“
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: “Music has changed.“

Photo credit unknown


๐— ๐—ข๐—ฉ๐—œ๐—ก๐—š ๐—”๐—ช๐—”๐—ฌ ๐—™๐—ฅ๐—ข๐—  ๐—ง๐—›๐—”๐—ง ๐—ง๐—ข๐—ฃ๐—œ๐—–, ๐—ฌ๐—ข๐—จ ๐—š๐—จ๐—ฌ๐—ฆ ๐—”๐—ฅ๐—˜ ๐——๐—ข๐—œ๐—ก๐—š ๐—” ๐—ฉ๐—œ๐——๐—˜๐—ข ๐—™๐—ข๐—ฅ ๐—ฌ๐—ข๐—จ๐—ฅ ๐—ž๐—”๐—ง๐—˜ ๐—•๐—จ๐—ฆ๐—› ๐—–๐—ข๐—ฉ๐—˜๐—ฅ '๐—ฅ๐—จ๐—ก๐—ก๐—œ๐—ก๐—š ๐—จ๐—ฃ ๐—ง๐—›๐—”๐—ง ๐—›๐—œ๐—Ÿ๐—Ÿ' ๐—ช๐—›๐—œ๐—–๐—› ๐—œ๐—ก๐—ฉ๐—ข๐—Ÿ๐—ฉ๐—˜๐—ฆ ๐—ค๐—จ๐—œ๐—ง๐—˜ ๐—” ๐—•๐—œ๐—ง ๐—ข๐—™ ๐—™๐—”๐—ก ๐—ฃ๐—”๐—ฅ๐—ง๐—œ๐—–๐—œ๐—ฃ๐—”๐—ง๐—œ๐—ข๐—ก. ๐—ช๐—ข๐—จ๐—Ÿ๐—— ๐—ฌ๐—ข๐—จ ๐— ๐—œ๐—ก๐—— ๐—˜๐—ซ๐—ฃ๐—Ÿ๐—”๐—œ๐—ก๐—œ๐—ก๐—š ๐—ง๐—›๐—œ๐—ฆ ๐—–๐—ข๐—ก๐—–๐—˜๐—ฃ๐—ง ๐—™๐—ข๐—ฅ ๐—ง๐—›๐—˜ ๐—ฃ๐—˜๐—ข๐—ฃ๐—Ÿ๐—˜ ๐—ช๐—›๐—ข ๐——๐—ข๐—ก'๐—ง ๐—ž๐—ก๐—ข๐—ช ๐—”๐—•๐—ข๐—จ๐—ง ๐—œ๐—ง, ๐—”๐—ก๐—— ๐—›๐—ข๐—ช ๐—ง๐—›๐—œ๐—ฆ ๐—–๐—ข๐—ก๐—–๐—˜๐—ฃ๐—ง ๐—–๐—”๐— ๐—˜ ๐—”๐—•๐—ข๐—จ๐—ง?
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “It's intended to be a tribute to our fans. We left it open for them to sing the track in the close up and we'll edit it all together. It's a cover versions so it's not our track, and this is just a way to bring the fans closer to the band and have some fun moment with it, you know?“

๐—ฌ๐—ข๐—จ๐—ฅ ๐—–๐—ข๐—ก๐—ง๐—ฅ๐—”๐—–๐—ง ๐—ช๐—œ๐—ง๐—› ๐—ฉ๐—œ๐—ฅ๐—š๐—œ๐—ก ๐—ฅ๐—˜๐—–๐—˜๐—ก๐—ง๐—Ÿ๐—ฌ ๐—˜๐—ซ๐—ฃ๐—œ๐—ฅ๐—˜๐——, ๐—”๐—ก๐—— ๐—ง๐—›๐—˜๐—ฅ๐—˜ ๐—›๐—”๐—ฆ ๐—•๐—˜๐—˜๐—ก ๐—” ๐—Ÿ๐—ข๐—ง ๐—ข๐—™ ๐—•๐—จ๐—ญ๐—ญ ๐—”๐—ฅ๐—ข๐—จ๐—ก๐—— ๐—ช๐—›๐—˜๐—ง๐—›๐—˜๐—ฅ ๐—ฌ๐—ข๐—จ ๐—œ๐—ก๐—ง๐—˜๐—ก๐—— ๐—ง๐—ข ๐—ฅ๐—˜๐—ฆ๐—œ๐—š๐—ก ๐—ช๐—œ๐—ง๐—› ๐—ง๐—›๐—˜๐—  ๐—ข๐—ฅ ๐—ก๐—ข๐—ง...
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: “None of your goddamn business.“ (laughs)
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “It's too early to call at this point. We try to keep our business and private lives out of the public eye. It's safest that way.“
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: “We've been burned in the past.“

๐—ง๐—›๐—ฅ๐—ข๐—จ๐—š๐—›๐—ข๐—จ๐—ง ๐—ฌ๐—ข๐—จ๐—ฅ ๐—–๐—”๐—ฅ๐—˜๐—˜๐—ฅ ๐—ง๐—›๐—˜ ๐— ๐—˜๐——๐—œ๐—”´๐—ฆ ๐—™๐—ข๐—–๐—จ๐—ฆ ๐—ฆ๐—จ๐—ฅ๐—ฅ๐—ข๐—จ๐—ก๐——๐—œ๐—ก๐—š ๐—ฌ๐—ข๐—จ๐—ฅ ๐—•๐—”๐—ก๐—— ๐—›๐—”๐—ฆ ๐—•๐—˜๐—˜๐—ก ๐—Ÿ๐—”๐—ฅ๐—š๐—˜๐—Ÿ๐—ฌ ๐—ฅ๐—˜๐—ฉ๐—ข๐—Ÿ๐—ฉ๐—˜๐—— ๐—”๐—ฅ๐—ข๐—จ๐—ก๐—— ๐—ฌ๐—ข๐—จ๐—ฅ ๐—”๐—˜๐—ฆ๐—ง๐—›๐—˜๐—ง๐—œ๐—–๐—ฆ ๐—”๐—ก๐—— ๐—ฆ๐—˜๐—ซ๐—จ๐—”๐—Ÿ๐—œ๐—ง๐—ฌ. ๐—”๐—ง ๐—ง๐—›๐—œ๐—ฆ ๐—ฃ๐—ข๐—œ๐—ก๐—ง ๐—œ๐—ง'๐—ฆ ๐—ฅ๐—˜๐——๐—จ๐—ก๐——๐—”๐—ก๐—ง ๐—ง๐—ข ๐—”๐—ฆ๐—ž ๐—ง๐—›๐—ข๐—ฆ๐—˜ ๐—ง๐—ฌ๐—ฃ๐—˜๐—ฆ ๐—ข๐—™ ๐—ค๐—จ๐—˜๐—ฆ๐—ง๐—œ๐—ข๐—ก๐—ฆ, ๐—•๐—จ๐—ง ๐—ช๐—›๐—ฌ ๐——๐—ข ๐—ฌ๐—ข๐—จ ๐—•๐—˜๐—Ÿ๐—œ๐—˜๐—ฉ๐—˜ ๐—ง๐—›๐—œ๐—ฆ ๐—›๐—”๐—ฆ ๐—•๐—˜๐—˜๐—ก ๐—ฆ๐—จ๐—–๐—› ๐—” ๐—Ÿ๐—”๐—ฅ๐—š๐—˜ ๐—ง๐—ข๐—ฃ๐—œ๐—– ๐—ช๐—›๐—˜๐—ก ๐——๐—˜๐—”๐—Ÿ๐—œ๐—ก๐—š ๐—ช๐—œ๐—ง๐—› ๐—ฌ๐—ข๐—จ๐—œ๐—ฅ ๐—•๐—”๐—ก๐——?
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “It's just the easiest aspect to criticize and comment on. We come from a very tabloid, journalism, mentality in England and that's kind of what the world first read about Placebo. They just bought into the character, and it became a character assassination after awhile. I think it's just the superficial, celebrity obsessed, media world we live in right now. There is a shallowness that's become so much more present in the last couple of years. We don't like it, we don't want to be part of it. I think the whole issue of our sexuality and our personal lives have been written about so many times to a point where it's really fucking boring to talk about.“
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: “It's the day and age of analyzing on anybody. Whether you're famous or not, anybody who's anybody, people want to fucking tear apart. Nature of the beast, really. It's a modernist thing, isn't it? Obsessive.“

๐—ช๐—›๐—”๐—ง ๐—ฌ๐—ข๐—จ'๐—ฉ๐—˜ ๐—ฆ๐—”๐—œ๐—— ๐—œ๐—ก ๐—ข๐—ง๐—›๐—˜๐—ฅ ๐—œ๐—ก๐—ง๐—˜๐—ฅ๐—ฉ๐—œ๐—˜๐—ช๐—ฆ ๐—œ๐—ฆ ๐—ง๐—›๐—”๐—ง ๐—ง๐—›๐—˜ ๐—ฃ๐—ข๐—œ๐—ก๐—ง ๐—ข๐—™ ๐—ฌ๐—ข๐—จ๐—ฅ ๐— ๐—จ๐—ฆ๐—œ๐—– ๐—œ๐—ฆ ๐—” ๐—–๐—ข๐— ๐— ๐—จ๐—ก๐—œ๐—–๐—”๐—ง๐—œ๐—ข๐—ก ๐—ข๐—™ ๐—˜๐— ๐—ข๐—ง๐—œ๐—ข๐—ก, ๐—•๐—จ๐—ง ๐—ฌ๐—ข๐—จ'๐—ฉ๐—˜ ๐—•๐—˜๐—˜๐—ก ๐——๐—ข๐—œ๐—ก๐—š ๐—ง๐—›๐—œ๐—ฆ ๐—™๐—ข๐—ฅ ๐—ค๐—จ๐—œ๐—ง๐—˜ ๐—” ๐—Ÿ๐—ข๐—ก๐—š ๐—ง๐—œ๐— ๐—˜ ๐—ก๐—ข๐—ช. ๐—ช๐—›๐—”๐—ง ๐—œ ๐—ช๐—”๐—ฆ ๐—ช๐—ข๐—ก๐——๐—˜๐—ฅ๐—œ๐—ก๐—š ๐—œ๐—ฆ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐—•๐—”๐—ฆ๐—œ๐—ฆ ๐—ข๐—™ ๐—ง๐—›๐—œ๐—ฆ ๐—˜๐—ฉ๐—˜๐—ฅ ๐—–๐—›๐—”๐—ก๐—š๐—˜๐—ฆ, ๐—ข๐—ฅ ๐—๐—จ๐—ฆ๐—ง ๐—˜๐—ฉ๐—ข๐—Ÿ๐—ฉ๐—˜๐—ฆ ๐—ช๐—œ๐—ง๐—› ๐—ฌ๐—ข๐—จ ๐—”๐—ฆ ๐—ฌ๐—ข๐—จ'๐—ฅ๐—˜ ๐— ๐—”๐—ง๐—จ๐—ฅ๐—œ๐—ก๐—š ๐—”๐—ก๐—— ๐—š๐—ฅ๐—ข๐—ช๐—œ๐—ก๐—š ๐—จ๐—ฃ?
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “Oh. I think by the nature of not trying to be something we're not, you can still hear in this last album 'Meds', though it's our fifth album, it still sounds like Placebo. There is still a red line that connects it to the first couple of albums. To be honest with you, it's not something we consciously think about when we're writing and recording. If we all hit off on the same ideas and lyrics then that's what becomes a Placebo song. We don't say not that we've done that we have to go off and do our Kid A for example, or we have to sound like the Velvets or the Stones on this one. Now it's cool to do a new wave or an electronic punk album or something, but it's much more organic when it comes to the way that we work. By the fact of not trying to be something that we're not, we're still here. It's not something that we analyze really...“
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: “We always make music in a vacuum anyway. We never listen to anything else when we're in the studio so there is a sense of purity there. If we all agree then it becomes a Placebo thing. We've never been cool or trendy, so we've never had the problem of having to find the next step. Just really on our own root. Pretty much just the same way as Radiohead, we're just doing our own thing so we never had to contend with what's hip, or worry about it. I think that's been a saving grace of the band.“

Photo credit: Robin Sellick

๐—ฌ๐—ข๐—จ๐—ฅ ๐—ง๐—ข๐—จ๐—ฅ ๐—ฆ๐—–๐—›๐—˜๐——๐—จ๐—Ÿ๐—˜ ๐—›๐—”๐—ฆ ๐—•๐—˜๐—˜๐—ก ๐—ค๐—จ๐—œ๐—ง๐—˜ ๐—˜๐—ซ๐—ง๐—˜๐—ก๐—ฆ๐—œ๐—ฉ๐—˜, ๐—”๐—ก๐—— ๐—š๐—ข๐—˜๐—ฆ ๐—ข๐—ก ๐—œ๐—ก๐—ง๐—ข ๐—ฆ๐—˜๐—ฃ๐—ง๐—˜๐— ๐—•๐—˜๐—ฅ, ๐—ช๐—›๐—˜๐—ก ๐—ฌ๐—ข๐—จ'๐—ฅ๐—˜ ๐—™๐—œ๐—ก๐—œ๐—ฆ๐—›๐—˜๐—— ๐——๐—ข ๐—ฌ๐—ข๐—จ ๐—œ๐—ก๐—ง๐—˜๐—ก๐—— ๐—ง๐—ข ๐—›๐—˜๐—”๐—— ๐—œ๐—ก๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—ฆ๐—ง๐—จ๐——๐—œ๐—ข?
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “We intend to sleep. (laughs) This has been the most intense tour we've ever done with about 130 shows in nine months last year, and we're going to go until September. So when we get off that I think we'll need a bit of a breather.“
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: “It's been nothing but rock and roll.“

๐—œ ๐—”๐—ฆ๐—ฆ๐—จ๐— ๐—˜ ๐—ง๐—›๐—˜๐—ฅ๐—˜ ๐—œ๐—ฆ ๐—ก๐—ข ๐—ฆ๐—ข๐—ฅ๐—ง ๐—ข๐—™ ๐—ฃ๐—ฅ๐—˜๐— ๐—˜๐——๐—œ๐—ง๐—”๐—ง๐—œ๐—ข๐—ก ๐—ฅ๐—˜๐—š๐—”๐—ฅ๐——๐—œ๐—ก๐—š ๐—ง๐—›๐—˜ ๐—ก๐—˜๐—ซ๐—ง ๐—”๐—Ÿ๐—•๐—จ๐— ?
Steve: “No.“ (laughs)
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “That's the answer to that one.“

๐—” ๐—ฃ๐—˜๐—ง ๐—ฃ๐—ฅ๐—ข๐—๐—˜๐—–๐—ง ๐—ข๐—™ ๐— ๐—œ๐—ก๐—˜ ๐—›๐—”๐—ฆ ๐—•๐—˜๐—˜๐—ก ๐—š๐—˜๐—ง๐—ง๐—œ๐—ก๐—š ๐—˜๐—ฉ๐—˜๐—ฅ๐—ฌ๐—ข๐—ก๐—˜ ๐—œ'๐—ฉ๐—˜ ๐——๐—ข๐—ก๐—˜ ๐—œ๐—ก๐—ง๐—˜๐—ฅ๐—ฉ๐—œ๐—˜๐—ช๐—ฆ ๐—ช๐—œ๐—ง๐—› ๐—ง๐—ข ๐—”๐—ง๐—ง๐—˜๐— ๐—ฃ๐—ง ๐—ง๐—ข ๐——๐—˜๐—™๐—œ๐—ก๐—˜ ๐—”๐—ฅ๐—ง. ๐—ฆ๐—ข ๐—ช๐—›๐—ฌ ๐——๐—ข ๐—ฌ๐—ข๐—จ ๐—š๐—จ๐—ฌ๐—ฆ ๐—–๐—ฅ๐—˜๐—”๐—ง๐—˜ ๐— ๐—จ๐—ฆ๐—œ๐—– ๐—”๐—ก๐—— ๐—ช๐—›๐—”๐—ง ๐——๐—ข๐—˜๐—ฆ ๐—ง๐—›๐—”๐—ฅ ๐——๐—ข ๐—™๐—ข๐—ฅ ๐—ฌ๐—ข๐—จ?
๐˜š๐˜ต๐˜ฆ๐˜ท๐˜ฆ: “First and foremost it's about expression. That's the bottom line for me. You have many ways of doing that. From making records comes other things like videos. I've had many channels to produce art but it all stems from expressionist feeling for me.“
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “We're very lucky to be doing it, it's not a bad job. Art is art, and everything else is everything else.“

๐—ง๐—›๐—”๐—ง'๐—ฆ ๐—” ๐—š๐—ข๐—ข๐—— ๐—ฃ๐—Ÿ๐—”๐—–๐—˜ ๐—ง๐—ข ๐—˜๐—ก๐—— ๐—œ๐—ง, ๐—ง๐—›๐—”๐—ก๐—ž๐—ฆ ๐—™๐—ข๐—ฅ ๐—ฌ๐—ข๐—จ๐—ฅ ๐—ง๐—œ๐— ๐—˜. ๐—”๐—ก๐—ฌ ๐—–๐—Ÿ๐—ข๐—ฆ๐—œ๐—ก๐—š ๐—–๐—ข๐— ๐— ๐—˜๐—ก๐—ง?
๐˜š๐˜ต๐˜ฆ๐˜ง๐˜ข๐˜ฏ: “It's good to be back, and hopefully it won't take as long to get back next time.“
(Scene Point Blank, April 2007)

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