Wednesday, May 5, 2021

ð—œð—Ąð—§ð—˜ð—Ĩð—Đ𝗜𝗘𝗊 𝗊𝗜𝗧𝗛 𝗕ð—Ĩð—œð—”ð—Ą 𝗠ð—Ē𝗟𝗞ð—Ē – 𝗧𝗛𝗘 ð—Ķð—žð—œð—Ąð—Ąð—Ž, ðŸŪ𝟎𝟎ðŸĩ

Today I want to share an ♦️ð—œð—Ąð—§ð—˜ð—Ĩð—Đ𝗜𝗘𝗊♦️ with Brian from the “Battle for the sun” era. It was published in The Skinny in November 2009. Enjoy reading!

Photo credir: Hennessy Artistry

𝗚𝗜ð—Đð—˜ð—Ą 𝗧𝗛𝗘 𝗟ð—Ēð—Ąð—šð—˜ð—Đ𝗜𝗧𝗎 ð—Ē𝗙 𝗧𝗛𝗘 ð—•ð—”ð—Ąð—— (ðŸ­ðŸą 𝗎𝗘𝗔ð—Ĩð—Ķ ð—”ð—Ąð—— 𝗖ð—Ēð—Ļð—Ąð—§ð—œð—Ąð—š), 𝗛ð—Ē𝗊 𝗗ð—Ē 𝗎ð—Ēð—Ļ ð—™ð—œð—Ąð—— 𝗧𝗛𝗘 𝗠ð—Ē𝗧𝗜ð—Đ𝗔𝗧𝗜ð—Ēð—Ą 𝗧ð—Ē 𝗖ð—Ēð—Ąð—§ð—œð—Ąð—Ļ𝗘 – ð—šð—˜ð—Ąð—˜ð—Ĩð—”ð—§ð—œð—Ąð—š 𝗙ð—Ĩ𝗘ð—Ķ𝗛 𝗜𝗗𝗘𝗔ð—Ķ 𝗎𝗘𝗧 ð—Ĩð—˜ð— ð—”ð—œð—Ąð—œð—Ąð—š 𝗧ð—Ĩð—Ļ𝗘 𝗧ð—Ē 𝗧𝗛𝗘 ð—Ģ𝗟𝗔𝗖𝗘𝗕ð—Ē 𝗔𝗘ð—Ķ𝗧𝗛𝗘𝗧𝗜𝗖?
ðŸ“Ē “Well, that's the challenging equilibrium you try and strike every time you make a new record: trying to push the boundaries and limits of your sound without repeating yourself. You have to try to do something new, exciting and fresh with the band's sound and play with the band's conceived identity, but at the same time not disregarding what makes you uniquely 'you'.”

𝗗ð—Ē𝗘ð—Ķ 𝗧𝗛𝗔𝗧 𝗚𝗘𝗧 𝗧ð—Ĩ𝗜𝗖𝗞𝗜𝗘ð—Ĩ 𝗔ð—Ķ 𝗎ð—Ēð—Ļ 𝗚ð—Ē 𝗔𝗟ð—Ēð—Ąð—š?
ðŸ“Ē “I think so! The greater the body of work, the more difficult it becomes to write a fresh song; it becomes a lot more challenging. As far as longevity is concerned, I think if you look at the careers of the likes of The Cure or Depeche Mode - I use those examples because they both released albums this year, 30 years into their career - well they've made music, since day one, purely on their own terms, unaffected, unconcerned by trends, movements and fashion in music. They followed their own path and stuck to their guns, and I think that's why they're still making records which are still worthwhile listening. We're 15 years in, and that's where I'd like to be in another 15. It's not like we have any other options; we're basically unemployable, you know, so this is it.”

ð—Ģ𝗟𝗔𝗖𝗘𝗕ð—Ē'ð—Ķ 𝗊ð—Ēð—Ĩ𝗞 𝗛𝗔ð—Ķ ð—šð—˜ð—Ąð—˜ð—Ĩ𝗔𝗟𝗟𝗎 𝗔𝗗𝗗ð—Ĩ𝗘ð—Ķð—Ķ𝗘𝗗 𝗧𝗛𝗘 𝗚ð—Ĩð—”ð—Ąð—— 𝗜𝗗𝗘𝗔ð—Ķ ð—Ē𝗙 𝗟ð—Ēð—Đ𝗘, 𝗟ð—Ēð—Ķð—Ķ, ð—Ķ𝗔𝗖ð—Ĩ𝗜𝗙𝗜𝗖𝗘, 𝗛𝗘𝗗ð—Ēð—Ąð—œð—Ķ𝗠 𝗘𝗧𝗖. 𝗔ð—Ĩ𝗘 𝗎ð—Ēð—Ļð—Ĩ ð—Ģ𝗘ð—Ĩð—Ķð—Ģ𝗘𝗖𝗧𝗜ð—Đ𝗘ð—Ķ ð—Ēð—Ą 𝗧𝗛𝗘ð—Ķ𝗘 𝗧𝗛𝗘𝗠𝗘ð—Ķ ð—–ð—›ð—”ð—Ąð—šð—œð—Ąð—š 𝗔ð—Ķ 𝗎ð—Ē𝗭 𝗚𝗘𝗧 ð—Ē𝗟𝗗𝗘ð—Ĩ?
ðŸ“Ē “I started looking back on my career around the time of Meds [fifth studio album, released in 2006]. As a lyricist I thought I was using a great deal of gimmicks. For example, the whole chemistry/medicine cabinet routine that is Commercial for Levi or a song title that screams 'Look at Me!' that is Nancy Boy! I made a decision that I wanted to stop using gimmicks and address the bigger questions in more everyday language where possible, and try and simplify it, I suppose. Say more by saying less, that's kinda the trip I'm on right now.”

Photo credit: Scarlet Page

𝗜ð—Ķ ð—Ąð—Ē𝗧 𝗔𝗧𝗧𝗘𝗠ð—Ģð—§ð—œð—Ąð—š 𝗧ð—Ē ð——ð—˜ð—™ð—œð—Ąð—˜ '𝗧𝗛𝗘 𝗛ð—Ļð— ð—”ð—Ą 𝗖ð—Ēð—Ąð——ð—œð—§ð—œð—Ēð—Ą' 𝗔 ð—Ĩ𝗜ð—Ķ𝗞𝗎 ð—˜ð—Ąð—§ð—˜ð—Ĩð—Ģð—Ĩ𝗜ð—Ķ𝗘?
ðŸ“Ē “Everybody who writes wants to write stuff that's timeless and doesn't date, really. I think you have to be very careful if you want to do that. You have to tap into the spirit of the age but at the same time write something that transcends it. I don't think that using incredibly culturally specific language enables you to do that. So, I'm trying to transcend that and write something that can stand up to the music that I grew up listening to. Take Leonard Cohen, for example. There's a universality in his music and a simplicity which makes it appreciable and meaningful in any decade, any century really. I think that's what I'm trying to do, hopefully in some way making a difference.”

𝗊𝗛𝗘ð—Ĩ𝗘'ð—Ķ 𝗧𝗛𝗜ð—Ķ 𝗔ð—Ģð—Ģð—Ĩð—Ē𝗔𝗖𝗛 𝗚ð—Ēð—œð—Ąð—š 𝗧ð—Ē 𝗧𝗔𝗞𝗘 𝗎ð—Ēð—Ļ ð—Ąð—˜ð—Ŧ𝗧?
ðŸ“Ē “Right now I'm just wondering how the hell am I going to survive the next two years of this touring schedule and pull out of this in one piece.”

ð—Ēð—Ą ð—Ģð—Ĩ𝗘ð—Đ𝗜ð—Ēð—Ļð—Ķ ð—Đ𝗜ð—Ķ𝗜𝗧ð—Ķ 𝗧ð—Ē ð—Ķ𝗖ð—Ēð—§ð—Ÿð—”ð—Ąð—— 𝗎ð—Ēð—Ļ'ð—Đ𝗘 𝗕𝗘𝗠ð—Ēð—”ð—Ąð—˜ð—— 𝗧𝗛𝗘 ð—Ķ𝗧𝗔𝗧𝗘 ð—Ē𝗙 ð—Ģ𝗟𝗔𝗎 ð—œð—Ą 𝗧𝗛𝗘 𝗊ð—Ēð—Ĩ𝗟𝗗 𝗔𝗙𝗙𝗔𝗜ð—Ĩð—Ķ, ð—”ð—Ąð—— 𝗊𝗘ð—Ĩ𝗘 ð—Ēð—Ąð—˜ ð—Ē𝗙 𝗧𝗛𝗘 ð— ð—”ð—Ąð—Ž ð—Ēð—Ļ𝗧ð—Ķð—Ģð—Ēð—žð—˜ð—Ą 𝗖ð—Ĩ𝗜𝗧𝗜𝗖ð—Ķ ð—Ē𝗙 𝗧𝗛𝗘 ð—Ģð—Ĩ𝗘ð—Đ𝗜ð—Ēð—Ļð—Ķ ð—Ļð—Ķ ð—Ģð—Ĩ𝗘ð—Ķð—œð——ð—˜ð—Ąð—–ð—Ž. 𝗛ð—Ē𝗊 𝗗ð—Ē 𝗎ð—Ēð—Ļ 𝗙𝗘𝗘𝗟 ð—§ð—›ð—œð—Ąð—šð—Ķ 𝗛𝗔ð—Đ𝗘 ð—–ð—›ð—”ð—Ąð—šð—˜ð——, 𝗜𝗙 𝗔𝗧 𝗔𝗟𝗟?
ðŸ“Ē “It's good to have an intelligent person running one of the most powerful countries and someone who generally cares. I'm less sympathetic towards the economic problems that exist right now than some people might be, because I have never been able to understand the whole culture of living beyond your means. I mean, I've been unemployed for a long time, I've been homeless, I've slept in train stations and I didn't spend money that didn't belong to me. So I find it difficult to be incredibly sympathetic with the culture of avarice that has got us into this position.
The other thing that annoys me about this whole focus on our economic woes is that nobody is talking about the environment anymore, and if anything is going to get us in the ass, it's going to be that. The hole in the ozone layer is still there, 20 years after they discovered it, and it's getting bigger and bigger, yet this isn't news. I want to be involved in the world. I think it comes from being a parent; you want to try and contribute to make a place for your children to grow up in that's hopefully a little bit better than where you were. Unfortunately, it seems that we are heading straight towards some form of environmental armaggeddon, and perhaps we deserve to go the same way as the dinosaurs for our treatment of the planet.”
(The Skinny, November 24th 2009)

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