Wednesday, January 11, 2023

🌛◾ℙ𝕃ð”ļℂ𝔞ð”đ𝕆 𝕃𝕌𝕃𝕃ð”ļð”đ𝕀𝔞𝕊 - ð•Ąð•’ð•Ģð•Ĩ 𝕏𝕀𝕍.◾🌜

⭐“𝙏𝙝𝙚 𝙧𝙚𝙘ð™Ī𝙧𝙙𝙞ð™Ģ𝙜 ð™Ī𝙛 '𝙈𝙚𝙙ð™Ļ' 𝙎𝙖ð™Ļ 𝙖 ð™Ŧ𝙚𝙧𝙞ð™Đð™–ð™—ð™Ąð™š ð™Ī𝙧𝙜ð™Ū ð™Ī𝙛 𝙙𝙧𝙊𝙜ð™Ļ 𝙖ð™Ģ𝙙 𝙖𝙗𝙊ð™Ļ𝙚. 𝙏𝙝𝙞ð™Ļ 𝙎𝙖ð™Ļ ð™Đ𝙝𝙚 𝙎𝙖ð™Ū 𝙎𝙚 𝙙𝙧𝙖ð™Ĩ𝙚𝙙 ð™Ī𝙊𝙧ð™Ļð™šð™Ąð™Ŧ𝙚ð™Ļ 𝙞ð™Ģ ð™Đ𝙝𝙚 ð™Ŧð™šð™žð™Ą ð™Ī𝙛 𝙙𝙚ð™Ģð™žð™–ð™Ą, 𝙧𝙚𝙛𝙊ð™Ļ𝙞ð™Ģ𝙜 ð™Đð™Ī ð™Ļ𝙚𝙚 ð™Đ𝙝𝙖ð™Đ ð™‹ð™Ąð™–ð™˜ð™šð™—ð™Ī 𝙎𝙖ð™Ļ ð™Ģð™Īð™Đ 𝙙ð™Ī𝙞ð™Ģ𝙜 ð™Žð™šð™Ąð™Ą ... 𝙄 𝙎𝙖ð™Ļ ð™Đð™Īð™Đð™–ð™Ąð™Ąð™Ū 𝙖𝙙𝙙𝙞𝙘ð™Đ𝙚𝙙 ð™Đð™Ī 𝙙𝙧𝙊𝙜ð™Ļ 𝙖ð™Ģ𝙙 ð™–ð™Ąð™˜ð™Ī𝙝ð™Īð™Ą..."⭐
(ð™ąðš›ðš’ðšŠðš— 𝙞𝚘𝚕𝚔𝚘, ð™ŧ𝚎𝚜 ð™ļ𝚗𝚛𝚘𝚌𝚔𝚞𝚙𝚝𝚒𝚋𝚕𝚎𝚜, 𝙞𝚊ðšĒ ðŸļ𝟞𝚝𝚑 ðŸļ00ðŸŋ)

Photo credit: Stuart Mostyn

Hello soulmates,
after a break caused by several important anniversaries, today we return to our beloved Placebo Lullabies.

Tonight is going to be special. I have two gems that give the term Placebo lullaby its true meaning.
I chose these two songs from 𝐌𝐄𝐃𝐒 album today also because they were both part of Placebo's ðŸ”đ𝐌𝟔 𝐏ðŦðĒðŊ𝐚𝐭𝐞 𝐂ðĻ𝐧𝐜𝐞ðŦ𝐭 ðĒ𝐧 𝐌𝐚ðĨ𝐚ðĪðĻ𝐟𝐟, 𝐅ðŦ𝐚𝐧𝐜𝐞, ðĻ𝐧 𝐀ðŪ𝐠ðŪ𝐎𝐭 𝟑𝟏, 𝟐𝟎𝟎𝟔ðŸ”đ and followed each other, so it was very easy to upload a video with both songs at once.

So today you can enjoy a unique concert with Brian's fragile expression of a shy puppy, which I personally really love and recommend to anyone who doesn't know Placebo yet.


𝙇𝙚ð™Đ'ð™Ļ 𝙜ð™Ī ð™Đð™Ī ð™Đ𝙝𝙚 𝙛𝙞𝙧ð™Ļð™Đ ð™Ļð™Īð™Ģ𝙜...

A ballad that I just had to listen to over and over again...
And even now, I play it several times in a row when I'm feeling down.

ðŸ”đðŸŽķ '𝐈𝐍 𝐓𝐇𝐄 𝐂𝐎𝐋𝐃 𝐋𝐈𝐆𝐇𝐓 𝐎𝐅 𝐌𝐎𝐑𝐍𝐈𝐍𝐆 'ðŸ”đðŸŽķ
ðŸ”đ𝐎𝐟𝐟ðĒ𝐜ðĒ𝐚ðĨ 𝐀ðŪ𝐝ðĒðĻ
https://bit.ly/3XfUZog

The 12th track from the dark album MEDS.
Apart from the album version there's also a demo with slightly different lyrics which can be found on the “Meds” Special edition.

ðŸ”đ'𝐈𝐍 𝐓𝐇𝐄 𝐂𝐎𝐋𝐃 𝐋𝐈𝐆𝐇𝐓 𝐎𝐅 𝐌𝐎𝐑𝐍𝐈𝐍𝐆 ' 𝐃𝐞ðĶðĻ 𝐕𝐞ðŦ𝐎ðĒðĻ𝐧
https://bit.ly/3k397mh


So dark, so melancholic, so intense... almost hypnotic... Leonard Cohen's influence is absolutely clear in this song.
I'm always struck at first by Brian's low-pitched voice, full of total surrender to bitter reality.



ðŸ”đ💎𝐁𝐑𝐈𝐀𝐍 𝐎𝐍 '𝐈𝐍 𝐓𝐇𝐄 𝐂𝐎𝐋𝐃 𝐋𝐈𝐆𝐇𝐓 𝐎𝐅 𝐌𝐎𝐑𝐍𝐈𝐍𝐆'
“𝘝ð˜Ķð˜ģ𝘚 ð˜Ūð˜ķð˜Īð˜Đ 𝘊ð˜Ŋð˜īð˜ąð˜Šð˜ģð˜Ķð˜Ĩ ð˜Ģ𝘚 𝘓ð˜Ķ𝘰ð˜Ŋð˜Ēð˜ģð˜Ĩ 𝘊𝘰ð˜Đð˜Ķð˜Ŋ ð˜Ēð˜Ŋð˜Ĩ ð˜Ģð˜Ķ𝘊ð˜Ŋð˜Ļ 𝘰ð˜Ŋ ð˜ĩð˜Đð˜Ķ ð˜īð˜ĩð˜ģð˜Ķð˜Ķð˜ĩð˜ī ð˜Ķð˜Ēð˜ģ𝘭𝘚 𝘊ð˜Ŋ ð˜ĩð˜Đð˜Ķ ð˜Ū𝘰ð˜ģð˜Ŋ𝘊ð˜Ŋð˜Ļ ð˜Ē𝘧ð˜ĩð˜Ķð˜ģ ð˜Ē ð˜Ŋ𝘊ð˜Ļð˜Đð˜ĩ 𝘰ð˜ķð˜ĩ ð˜ļð˜Đð˜Ķð˜Ŋ ð˜Ķ𝘷ð˜Ķð˜ģ𝘚𝘰ð˜Ŋð˜Ķ ð˜Ķ𝘭ð˜īð˜Ķ 𝘊ð˜ī ð˜Ļ𝘰𝘊ð˜Ŋð˜Ļ ð˜ĩ𝘰 ð˜ļ𝘰ð˜ģ𝘎.”
(𝚇ð™ĩ𝙞, 𝙞𝚊𝚛𝚌𝚑 ðŸļ00𝟞)

"𝘐ð˜ĩ 𝘊ð˜ī 7ð˜Ēð˜Ū 𝘊ð˜Ŋ ð˜ĩð˜Đð˜Ķ ð˜Ū𝘰ð˜ģð˜Ŋ𝘊ð˜Ŋð˜Ļ, ð˜Ķ𝘷ð˜Ķð˜ģ𝘚𝘰ð˜Ŋð˜Ķ 𝘊ð˜ī 𝘰𝘧𝘧 ð˜ĩ𝘰 ð˜ļ𝘰ð˜ģ𝘎 ð˜Ēð˜Ŋð˜Ĩ 𝘚𝘰ð˜ķ, 𝘚𝘰ð˜ķ'ð˜ģð˜Ķ ð˜Ŧð˜ķð˜īð˜ĩ ð˜ļð˜Ēð˜Ŋð˜Ĩð˜Ķð˜ģ𝘊ð˜Ŋð˜Ļ ð˜ĩð˜Đð˜Ķ ð˜īð˜ĩð˜ģð˜Ķð˜Ķð˜ĩð˜ī. 𝘠𝘰ð˜ķ ð˜Ļð˜Ķð˜ĩ ð˜Đ𝘰ð˜Ūð˜Ķ, 𝘚𝘰ð˜ķ 𝘭𝘰𝘰𝘎 ð˜Ēð˜ĩ 𝘚𝘰ð˜ķð˜ģð˜īð˜Ķ𝘭𝘧 𝘊ð˜Ŋ ð˜ĩð˜Đð˜Ķ ð˜Ū𝘊ð˜ģð˜ģ𝘰ð˜ģ ð˜Ēð˜Ŋð˜Ĩ 𝘚𝘰ð˜ķ ð˜īð˜Ē𝘚 '𝘞ð˜Đ𝘚 ð˜Ēð˜Ū 𝘐 𝘭𝘊𝘎ð˜Ķ ð˜ĩð˜Đ𝘊ð˜ī? 𝘐 ð˜ąð˜ģ𝘰ð˜Ū𝘊ð˜īð˜Ķð˜Ĩ ð˜Ū𝘚ð˜īð˜Ķ𝘭𝘧 ð˜Ŋð˜Ķ𝘷ð˜Ķð˜ģ ð˜ĩ𝘰 ð˜Ĩ𝘰 ð˜ĩð˜Đ𝘊ð˜ī ð˜Ēð˜Ļð˜Ē𝘊ð˜Ŋ ð˜Ēð˜Ŋð˜Ĩ ð˜Đð˜Ķð˜ģð˜Ķ 𝘐 ð˜Ēð˜Ū ð˜Ēð˜Ļð˜Ē𝘊ð˜Ŋ." 𝘠𝘰ð˜ķ 𝘧ð˜Ķð˜Ķ𝘭 ð˜Ūð˜Ēð˜ģð˜Ļ𝘊ð˜Ŋð˜Ē𝘭, ð˜Ēð˜ī𝘊ð˜Ĩð˜Ķ ð˜ĩð˜Đð˜Ķ ð˜ąð˜­ð˜Ēð˜Ŋð˜Ķð˜ĩ. 𝘛ð˜Đð˜Ķ ð˜ģð˜Ķð˜īð˜ĩ 𝘰𝘧 ð˜ĩð˜Đð˜Ķ ð˜ļ𝘰ð˜ģ𝘭ð˜Ĩ 𝘊ð˜ī 𝘭𝘊𝘷𝘊ð˜Ŋð˜Ļ, ð˜Ĩ𝘰𝘊ð˜Ŋð˜Ļ ð˜ĩð˜Đð˜Ķ𝘊ð˜ģ ð˜Ŧ𝘰ð˜Ģ, ð˜Ēð˜Ŋð˜Ĩ 𝘚𝘰ð˜ķ, 𝘚𝘰ð˜ķ ð˜ļð˜Ķð˜ģð˜Ķ ð˜Ĩð˜Ķð˜Īð˜Ēð˜Ĩð˜Ķð˜Ŋð˜ĩ ð˜Ēð˜Ŋð˜Ĩ 𝘭ð˜Ķð˜Ŋ𝘊ð˜Ķð˜Ŋð˜ĩ ð˜ĩ𝘰ð˜ļð˜Ēð˜ģð˜Ĩð˜ī 𝘚𝘰ð˜ķð˜ģð˜īð˜Ķ𝘭𝘧. 𝘠𝘰ð˜ķ ð˜Ēð˜ģð˜Ķ ð˜Ŋ𝘰ð˜ĩ ð˜Đð˜Ēð˜ąð˜ąð˜š ð˜Ēð˜Ģ𝘰ð˜ķð˜ĩ 𝘊ð˜ĩ, 𝘚𝘰ð˜ķ 𝘭𝘰𝘰𝘎 ð˜Ēð˜ĩ 𝘚𝘰ð˜ķð˜ģð˜īð˜Ķ𝘭𝘧 𝘊ð˜Ŋ ð˜ĩð˜Đð˜Ķ ð˜Ū𝘊ð˜ģð˜ģ𝘰ð˜ģ ð˜Ēð˜Ŋð˜Ĩ 𝘚𝘰ð˜ķ ð˜ĩð˜Đ𝘊ð˜Ŋ𝘎 "𝘐 ð˜Đð˜Ēð˜ĩð˜Ķ 𝘚𝘰ð˜ķ, 𝘐 ð˜Īð˜Ēð˜Ŋ'ð˜ĩ ð˜īð˜ĩð˜Ēð˜Ŋð˜Ĩ 𝘚𝘰ð˜ķ ð˜Ēð˜Ŋ𝘚ð˜Ū𝘰ð˜ģð˜Ķ."
(𝚁𝚘𝚌𝚔 𝙞𝚊𝚐, 𝙰𝚙𝚛𝚒𝚕 ðŸļ00𝟞)

For me, ⭐'𝐈𝐍 𝐓𝐇𝐄 𝐂𝐎𝐋𝐃 𝐋𝐈𝐆𝐇𝐓 𝐎𝐅 𝐌𝐎𝐑𝐍𝐈𝐍𝐆'⭐ is a recurring misunderstanding of the narrator's life journey...

As if, thanks to a certain loop in reality, he kept experiencing the same thing...
A wild night full of drug highs and sex and a bitter morning when he is disgusted with himself when he looks in the mirror...
Everyone else wakes up to normal life...
And he again judges his experience as the height of hypocrisy, because it was yet another night as an escape from himself...

ðŸ”đ„...𝘐ð˜Ŋ ð˜ĩð˜Đð˜Ķ ð˜Ī𝘰𝘭ð˜Ĩ 𝘭𝘊ð˜Ļð˜Đð˜ĩ 𝘰𝘧 ð˜Ū𝘰ð˜ģð˜Ŋ𝘊ð˜Ŋð˜Ļ ...ð˜ļð˜Đ𝘊𝘭ð˜Ķ ð˜Ķ𝘷ð˜Ķð˜ģ𝘚𝘰ð˜Ŋð˜Ķ'ð˜ī 𝘚ð˜Ēð˜ļð˜Ŋ𝘊ð˜Ŋð˜Ļ ...𝘠𝘰ð˜ķ'ð˜ģð˜Ķ ð˜Đ𝘊ð˜Ļð˜Đ
...𝘐ð˜Ŋ ð˜ĩð˜Đð˜Ķ ð˜Ī𝘰𝘭ð˜Ĩ 𝘭𝘊ð˜Ļð˜Đð˜ĩ 𝘰𝘧 ð˜Ū𝘰ð˜ģð˜Ŋ𝘊ð˜Ŋð˜Ļ ...𝘠𝘰ð˜ķ'ð˜ģð˜Ķ ð˜Ĩð˜ģð˜ķð˜Ŋ𝘎 ð˜ī𝘊ð˜Ī𝘎 𝘧ð˜ģ𝘰ð˜Ū ð˜ļð˜Đ𝘰ð˜ģ𝘊ð˜Ŋð˜Ļ ð˜Ēð˜Ŋð˜Ĩ ð˜Đ𝘊ð˜Ļð˜Đ

...𝘚ð˜ĩð˜Ēð˜ģ𝘊ð˜Ŋð˜Ļ ð˜Ģð˜Ēð˜Ī𝘎 𝘧ð˜ģ𝘰ð˜Ū ð˜ĩð˜Đð˜Ķ ð˜Ū𝘊ð˜ģð˜ģ𝘰ð˜ģð˜ī ...𝘈 𝘧ð˜Ēð˜Īð˜Ķ ð˜ĩð˜Đð˜Ēð˜ĩ 𝘚𝘰ð˜ķ ð˜Ĩ𝘰ð˜Ŋ'ð˜ĩ ð˜ģð˜Ķð˜Ī𝘰ð˜Ļð˜Ŋ𝘊ð˜īð˜Ķ
...𝘐ð˜ĩ'ð˜ī ð˜Ē 𝘭𝘰ð˜īð˜Ķð˜ģ, ð˜Ē ð˜ī𝘊ð˜Ŋð˜Ŋð˜Ķð˜ģ, ð˜Ē ð˜Ī𝘰ð˜Ī𝘎 𝘊ð˜Ŋ ð˜Ē ð˜Ĩ𝘊𝘭ð˜Ĩ𝘰'ð˜ī ð˜Ĩ𝘊ð˜īð˜Ļð˜ķ𝘊ð˜īð˜Ķ ...𝘐ð˜Ŋ ð˜ĩð˜Đð˜Ķ ð˜Ī𝘰𝘭ð˜Ĩ 𝘭𝘊ð˜Ļð˜Đð˜ĩ...“ðŸ”đ

Although I've never tried hard drugs, this song is a reliable way for me to feel even worse in moments of self-disgust and enjoy the feeling, as crazy as it sounds.
It's a way for me to cry about not being in control of my life, and I know that relief will come right after because I will feel hope in my heart.

Hope for another day.
That everything I failed again will pass with the sunrise and I can try again.
And that I don't have to repeat the same mistake again.
For me personally, it's a beautiful and honest ballad about hope.
In the morning I will hear the kettle with hot water whistling again and the day will begin full of new opportunities for change.

Photo credit: Vincent Lignier


If the first ballad is about hope, the second one is about pure human pain and knowing other forms of love.

ðŸ”đðŸŽķ'𝐏𝐈𝐄𝐑𝐑𝐎𝐓 𝐓𝐇𝐄 𝐂𝐋𝐎𝐖𝐍'ðŸ”đðŸŽķ

The ninth track from MEDS.

ðŸ”đ𝐎𝐟𝐟ðĒ𝐜ðĒ𝐚ðĨ 𝐀ðŪ𝐝ðĒðĻ
https://bit.ly/3ZqIDLM

ðŸ”đ𝐃𝐞ðĶðĻ 𝐕𝐞ðŦ𝐎ðĒðĻ𝐧
https://bit.ly/3QvF82m


ðŸ”đ💎 𝐁𝐑𝐈𝐀𝐍 𝐀𝐍𝐃 𝐒𝐓𝐄𝐅𝐀𝐍 𝐎𝐍 “𝐏𝐈𝐄𝐑𝐑𝐎𝐓 𝐓𝐇𝐄 𝐂𝐋𝐎𝐖𝐍”✨
ð‘Đ𝒓𝒊𝒂𝒏: It's about destructive, violent relationships. After having written it, I realized that it might be a family relationship as well as a love one. A lot of songs - mostly country - talk about women being hit by their husbands. On the contrary, in “Pierrot the clown”, the target of the violence is a man. A vulnerable man, trapped in a violent and destructive relationship. The title of this track reflects my obsession with clowns and my passion for the circus. In high school, I even thought about getting into a school for clowns and become a...

𝑚𝒕𝒆𝒇𝒂𝒏: (teasing) That's what you do!

ð‘Đ𝒓𝒊𝒂𝒏: (Laughter) But fortunately for everyone, I was accepted at university! When I was a kid, I would go to the circus. It was a celebration, but a person, Pierrot, was always sad. I felt compassion for him. Pierrot the Clown, it's also the role played by David Bowie in his video Ashes To Ashes. It's a powerful image for me, with which I wanted to express how you can feel alone in a couple, how much you can let yourself being beaten physically and mentally by someone. Very cheerful, huh? "
(𝚁𝚘𝚌𝚔 𝙞𝚊𝚐, 𝙰𝚙𝚛𝚒𝚕 ðŸļ00𝟞)




Brian's voice so intimate again.... I'm very sensitive to these ballads, where the musical arrangement only very subtly adds to what initially gives this song its soul...
Brian's voice expressing the story of the narrator.

ðŸ”đ„𝘓ð˜Ķð˜Ē𝘷ð˜Ķ ð˜Ūð˜Ķ ð˜Ģ𝘭ð˜Ķð˜Ķ𝘊ð˜Ŋð˜Ļ 𝘰ð˜Ŋ ð˜ĩð˜Đð˜Ķ ð˜Ģð˜Ķð˜Ĩ, ð˜īð˜Ķð˜Ķ 𝘚𝘰ð˜ķ ð˜ģ𝘊ð˜Ļð˜Đð˜ĩ ð˜Ģð˜Ēð˜Ī𝘎 ð˜Đð˜Ķð˜ģð˜Ķ ð˜ĩ𝘰ð˜Ū𝘰ð˜ģð˜ģ𝘰ð˜ļ, 𝘧𝘰ð˜ģ ð˜ĩð˜Đð˜Ķ ð˜Ŋð˜Ķð˜đð˜ĩ ð˜ģ𝘰ð˜ķð˜Ŋð˜Ĩ.
𝘒ð˜Ķð˜Ķð˜ą ð˜ĩð˜Đ𝘊ð˜ī ð˜īð˜Īð˜Ķð˜Ŋð˜Ķ 𝘊ð˜Ŋð˜ī𝘊ð˜Ĩð˜Ķ 𝘚𝘰ð˜ķð˜ģ ð˜Đð˜Ķð˜Ēð˜Ĩ, ð˜Ēð˜ī ð˜ĩð˜Đð˜Ķ ð˜Ģð˜ģð˜ķ𝘊ð˜īð˜Ķð˜ī ð˜ĩð˜ķð˜ģð˜Ŋ ð˜ĩ𝘰 𝘚ð˜Ķ𝘭𝘭𝘰ð˜ļ, ð˜Ēð˜Ŋð˜Ĩ ð˜ĩð˜Đð˜Ķ ð˜īð˜ļð˜Ķ𝘭𝘭𝘊ð˜Ŋð˜Ļ ð˜Ļ𝘰ð˜Ķð˜ī ð˜Ĩ𝘰ð˜ļð˜Ŋ....“ðŸ”đ


Thanks to the clear message in the text, we don't have to doubt the desperation of this story...
But we can only speculate if Brian experienced the weight of physical abuse first hand.

ðŸ”đ„𝘙ð˜Ķð˜Ūð˜Ķð˜Ūð˜Ģð˜Ķð˜ģð˜Ķð˜Ĩ ð˜Ē𝘭𝘭 ð˜ĩð˜Đð˜Ķ ð˜ĩð˜Đ𝘊ð˜Ŋð˜Ļð˜ī 𝘚𝘰ð˜ķ'ð˜Ĩ ð˜īð˜Ē𝘚, ð˜Đ𝘰ð˜ļ 𝘚𝘰ð˜ķð˜ģ ð˜ąð˜ģ𝘰ð˜Ū𝘊ð˜īð˜Ķð˜ī ð˜ļð˜Ķð˜Ŋð˜ĩ ð˜Đ𝘰𝘭𝘭𝘰ð˜ļ, ð˜Ēð˜ī 𝘚𝘰ð˜ķ ð˜ĩð˜Đð˜ģð˜Ķð˜ļ ð˜Ūð˜Ķ ð˜ĩ𝘰 ð˜ĩð˜Đð˜Ķ ð˜Ļð˜ģ𝘰ð˜ķð˜Ŋð˜Ĩ...“

„...𝘞ð˜Đð˜Ķð˜Ŋ 𝘊 ð˜Ĩð˜ģð˜Ķð˜Ēð˜Ū, 𝘊 ð˜Ĩð˜ģð˜Ķð˜Ēð˜Ū 𝘰𝘧 𝘚𝘰ð˜ķð˜ģ ð˜­ð˜Šð˜ąð˜ī, ð˜ļð˜Đð˜Ķð˜Ŋ 𝘊 ð˜Ĩð˜ģð˜Ķð˜Ēð˜Ū, 𝘊 ð˜Ĩð˜ģð˜Ķð˜Ēð˜Ū 𝘰𝘧 𝘚𝘰ð˜ķð˜ģ 𝘎𝘊ð˜īð˜ī,
...ð˜ļð˜Đð˜Ķð˜Ŋ 𝘊 ð˜Ĩð˜ģð˜Ķð˜Ēð˜Ū, 𝘊 ð˜Ĩð˜ģð˜Ķð˜Ēð˜Ū 𝘰𝘧 𝘚𝘰ð˜ķð˜ģ 𝘧𝘊ð˜īð˜ĩð˜ī, 𝘚𝘰ð˜ķð˜ģ 𝘧𝘊ð˜īð˜ĩð˜ī, 𝘚𝘰ð˜ķð˜ģ 𝘧𝘊ð˜īð˜ĩð˜ī...“ðŸ”đ

This is the lullaby that always makes me cry when I let myself get carried away by this sad musical energy at night before bed.
Brian, in the form of a crying Pierrot, is in my mind and I can only add to that - '𝙎𝙝𝙖ð™Đ 𝙙ð™Ī𝙚ð™Ļð™Ģ'ð™Đ ð™ ð™žð™Ąð™Ą ð™Ūð™Ī𝙊 ð™Ē𝙖𝙠𝙚ð™Ļ ð™Ūð™Ī𝙊 ð™Ļð™Đ𝙧ð™Īð™Ģ𝙜𝙚𝙧.'

If the victim of abuse gets over such brutal life experiences and understands their meaning, if he can then forgive himself and the other person with love, he will find his value and achieve a very deep spiritual knowledge.

⭐'𝐈𝐍 𝐓𝐇𝐄 𝐂𝐎𝐋𝐃 𝐋𝐈𝐆𝐇𝐓 𝐎𝐅 𝐌𝐎𝐑𝐍𝐈𝐍𝐆' was played live only 4 times and ⭐'𝐏𝐈𝐄𝐑𝐑𝐎𝐓 𝐓𝐇𝐄 𝐂𝐋𝐎𝐖𝐍' 6 times.

I think it's a great shame because these songs are also indicators of Brian's masterful songwriting talent and Placebo's music made them unforgettable gems.


Dear friends, my post ends today. Enjoy part of this private concert from 2006, and as always, I look forward to hearing your feelings about these two wonderful lullabies. Tell me, which one do you like better and why? And how do you like the demo versions.

🌛◾Have a good night and take care of yourselves.◾🌜

Post by Marti