⭐𝐈𝐍𝐓𝐄𝐑𝐕𝐈𝐄𝐖 𝐖𝐈𝐓𝐇 𝐁𝐑𝐈𝐀𝐍 – 𝐑𝐄𝐀𝐗 𝐌𝐔𝐒𝐈𝐂 𝐌𝐀𝐆𝐀𝐙𝐈𝐍𝐄 𝐀𝐔𝐆𝐔𝐒𝐓 𝟐𝟎𝟎𝟕⭐

𝐈 𝐝𝐨𝐧'𝐭 𝐭𝐡𝐢𝐧𝐤 𝐈 𝐰𝐚𝐬 𝐭𝐫𝐲𝐢𝐧𝐠 𝐭𝐨 𝐛𝐞 𝐩𝐫𝐨𝐯𝐨𝐜𝐚𝐭𝐢𝐯𝐞 𝐰𝐡𝐞𝐧 𝐈 𝐬𝐭𝐚𝐫𝐭𝐞𝐝. 𝐈 𝐣𝐮𝐬𝐭 𝐭𝐡𝐢𝐧𝐤 𝐈 𝐰𝐚𝐬𝐧'𝐭 𝐚𝐬 𝐠𝐨𝐨𝐝 𝐚 𝐜𝐨𝐦𝐩𝐨𝐬𝐞𝐫 𝐚𝐬 𝐈 𝐚𝐦 𝐭𝐨𝐝𝐚𝐲. 𝐓𝐡𝐞 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐢𝐨𝐧𝐬 𝐰𝐞𝐫𝐞 𝐦𝐮𝐜𝐡 𝐦𝐨𝐫𝐞 𝐬𝐮𝐛𝐯𝐞𝐫𝐬𝐢𝐯𝐞. 𝐖𝐞 𝐰𝐞𝐫𝐞 𝐤𝐢𝐝𝐬 𝐜𝐫𝐲𝐢𝐧𝐠 𝐟𝐨𝐫 𝐚𝐭𝐭𝐞𝐧𝐭𝐢𝐨𝐧." - 𝘉𝘳𝘪𝘢𝘯 𝘔𝘰𝘭𝘬𝘰

🔹 𝐼𝑛 2007, 𝐵𝑟𝑖𝑎𝑛 𝑤𝑎𝑠 𝑖𝑛𝑡𝑒𝑟𝑣𝑖𝑒𝑤𝑒𝑑 𝑏𝑦 𝑅𝑒𝑎𝑥 , 𝑎𝑛 𝐴𝑚𝑒𝑟𝑖𝑐𝑎𝑛 𝑚𝑢𝑠𝑖𝑐 𝑚𝑎𝑔𝑎𝑧𝑖𝑛𝑒. 𝑆𝑢𝑐ℎ 𝑖𝑛𝑡𝑒𝑟𝑒𝑠𝑡𝑖𝑛𝑔 𝑞𝑢𝑒𝑠𝑡𝑖𝑜𝑛𝑠, 𝑒𝑠𝑝𝑒𝑐𝑖𝑎𝑙𝑙𝑦 𝑜𝑛𝑒.𝐿𝑒𝑡'𝑠 𝑑𝑖𝑠𝑐𝑜𝑣𝑒𝑟 𝑡ℎ𝑒 𝑖𝑛𝑡𝑒𝑟𝑣𝑖𝑒𝑤 𝑎𝑛𝑑 𝑑𝑖𝑠𝑐𝑢𝑠𝑠 𝑖𝑡 𝑎𝑓𝑡𝑒𝑟𝑤𝑎𝑟𝑑𝑠 😉

Photo credit: Screenshot from Henry Rollins Show (2007)

▪ 𝑭𝒐𝒓 𝒕𝒉𝒆 𝒍𝒂𝒔𝒕 𝒄𝒐𝒖𝒑𝒍𝒆 𝒐𝒇 𝒕𝒐𝒖𝒓𝒔, 𝒚𝒐𝒖 𝒉𝒂𝒗𝒆 𝒂𝒅𝒅𝒊𝒕𝒊𝒐𝒏𝒂𝒍 𝒎𝒖𝒔𝒊𝒄𝒊𝒂𝒏𝒔 𝒐𝒏 𝒔𝒕𝒂𝒈𝒆. 𝑰𝒔 𝒕𝒉𝒆 𝒎𝒊𝒏𝒊𝒎𝒂𝒍𝒊𝒔𝒕 𝑴𝒆𝒅𝒔 𝒆𝒙𝒑𝒆𝒓𝒊𝒎𝒆𝒏𝒕 𝒂𝒏 𝒂𝒕𝒕𝒆𝒎𝒑𝒕 𝒕𝒐 𝒓𝒆𝒄𝒂𝒑𝒕𝒖𝒓𝒆 𝒕𝒉𝒆 𝒄𝒉𝒆𝒎𝒊𝒔𝒕𝒓𝒚 𝒐𝒇 𝒕𝒉𝒆 𝒕𝒉𝒓𝒆𝒆 𝒐𝒇 𝒚𝒐𝒖 𝒑𝒍𝒂𝒚𝒊𝒏𝒈 𝒕𝒐𝒈𝒆𝒕𝒉𝒆𝒓 ?

⭐ After the first album, we found that the standard guitar, bass, drums format was quite limited. That's how we started our romance with technology. And we started to discover all these vintage synths, electronics, mixing stations, industry standards, until Sleeping with Ghosts which was very much computer based. Which is not necessarily a bad thing.

⭐ When it came time to create Meds, we first recorded two songs for the compilation of our singles (Once more with Feeling), and then we kind of felt that we were really moving towards space-rock. But under the pressure of our producer, we really felt that it was important for us to make an album as if it was the first, as if all our lives depended on it. He felt that technology was like a refuge for us, and he wanted to take us out of it. He wanted to put us in danger, to get us back to the soul and essence of a band.

⭐ We recorded the album as spontaneously as possible. We weren't too afraid of that, because we spent a lot of time doing what we call "cabaret shows", which is taking our songs and playing them on the piano, with brooms and stuff. We wanted to use the minimalist aspect of things. But that's something you can only really do if you feel you have the song to go with it.



▪ 𝑻𝒉𝒆𝒓𝒆 𝒂𝒓𝒆 𝒄𝒆𝒓𝒕𝒂𝒊𝒏 𝒔𝒐𝒏𝒊𝒄 𝒆𝒍𝒆𝒎𝒆𝒏𝒕𝒔 𝒐𝒇 𝑷𝒍𝒂𝒄𝒆𝒃𝒐 𝒕𝒉𝒂𝒕 𝒂𝒓𝒆 𝒊𝒏𝒅𝒆𝒍𝒊𝒃𝒍𝒆, 𝒕𝒉𝒆𝒚 𝒂𝒓𝒆 𝒓𝒆𝒄𝒐𝒈𝒏𝒊𝒛𝒂𝒃𝒍𝒆 𝒏𝒐 𝒎𝒂𝒕𝒕𝒆𝒓 𝒘𝒉𝒂𝒕 𝒅𝒊𝒓𝒆𝒄𝒕𝒊𝒐𝒏 𝒕𝒉𝒆 𝒃𝒂𝒏𝒅 𝒅𝒆𝒄𝒊𝒅𝒆𝒔 𝒕𝒐 𝒕𝒂𝒌𝒆 𝒊𝒏 𝒕𝒆𝒓𝒎𝒔 𝒐𝒇 𝒔𝒕𝒚𝒍𝒆. 𝑰𝒔 𝒕𝒉𝒊𝒔 𝒔𝒐𝒎𝒆𝒕𝒉𝒊𝒏𝒈 𝒕𝒉𝒂𝒕 𝒕𝒉𝒆 𝒃𝒂𝒏𝒅 𝒕𝒓𝒊𝒆𝒔 𝒕𝒐 𝒌𝒆𝒆𝒑 𝒂𝒔 𝒂 𝒕𝒓𝒂𝒅𝒆𝒎𝒂𝒓𝒌, 𝒐𝒓 𝒂𝒓𝒆 𝒕𝒉𝒆𝒚 𝒋𝒖𝒔𝒕 𝒊𝒏𝒉𝒆𝒓𝒆𝒏𝒕 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓𝒊𝒔𝒕𝒊𝒄𝒔 𝒐𝒇 𝒕𝒉𝒆 𝒃𝒂𝒏𝒅'𝒔 𝒊𝒅𝒆𝒏𝒕𝒊𝒕𝒚 ?
⭐ No, we don't really think about it, to be honest. We just try not to repeat ourselves.


▪ 𝑨𝒔 𝒂 𝑭𝒍𝒐𝒓𝒊𝒅𝒊𝒂𝒏, 𝑰 𝒉𝒂𝒗𝒆 𝒕𝒐 𝒂𝒔𝒌 𝒕𝒉𝒆 𝒒𝒖𝒆𝒔𝒕𝒊𝒐𝒏. 𝑾𝒉𝒂𝒕 𝒈𝒖𝒊𝒅𝒆𝒅 𝒕𝒉𝒆 𝒄𝒉𝒐𝒊𝒄𝒆 𝒐𝒇 𝑨𝒍𝒊𝒔𝒐𝒏 [𝑴𝒐𝒔𝒔𝒉𝒂𝒓𝒕, 𝒇𝒓𝒐𝒎 𝒕𝒉𝒆 𝑲𝒊𝒍𝒍𝒔] 𝒐𝒏 𝒕𝒉𝒆 𝒔𝒐𝒏𝒈 𝑴𝒆𝒅𝒔? 𝑰𝒔 𝒔𝒉𝒆 𝒂 𝒇𝒓𝒊𝒆𝒏𝒅 ?
⭐ Yes, Alison is a friend... A fairly recent friend actually. Actually it's Jamie [Hince], her partner in crime, who I've known for over 17 years. We went to university together. I saw him start and leave a number of bands, before I met Alison and started The Kills.

Photo credit: Michael Buckner

▪ 𝑰 𝒓𝒆𝒎𝒆𝒎𝒃𝒆𝒓, 𝒘𝒉𝒆𝒏 𝑰 𝒘𝒂𝒔 19, 𝒔𝒆𝒆𝒊𝒏𝒈 𝑫𝒊𝒔𝒄𝒐𝒖𝒏𝒕, 𝒉𝒆𝒓 𝑫𝒂𝒚𝒕𝒐𝒏𝒂 𝒑𝒖𝒏𝒌 𝒃𝒂𝒏𝒅.
⭐ I bet she has a number of shows behind her.


▪ 𝑺𝒑𝒆𝒂𝒌𝒊𝒏𝒈 𝒐𝒇 𝒔𝒉𝒐𝒘𝒔, 𝒂 𝒍𝒐𝒕 𝒐𝒇 𝒑𝒆𝒐𝒑𝒍𝒆 𝒔𝒂𝒚 𝒕𝒉𝒂𝒕 𝒚𝒐𝒖 𝒂𝒓𝒆 𝒎𝒐𝒓𝒆 𝒎𝒂𝒕𝒖𝒓𝒆, 𝒐𝒓 𝒍𝒆𝒔𝒔 𝒗𝒊𝒔𝒖𝒂𝒍 𝒂𝒏𝒅 𝒑𝒓𝒐𝒗𝒐𝒄𝒂𝒕𝒊𝒗𝒆 𝒘𝒊𝒕𝒉 𝑴𝒆𝒅𝒔. 𝑩𝒖𝒕 𝑰 𝒈𝒆𝒕 𝒕𝒉𝒆 𝒊𝒎𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏 𝒕𝒉𝒂𝒕 𝒊𝒏 𝒕𝒉𝒆 𝒍𝒚𝒓𝒊𝒄𝒔, 𝒚𝒐𝒖 𝒔𝒕𝒊𝒍𝒍 𝒍𝒊𝒌𝒆 𝒕𝒐 𝒔𝒌𝒊𝒏 𝒂𝒍𝒍 𝒕𝒉𝒐𝒔𝒆 𝒔𝒉𝒆𝒆𝒑 𝒕𝒐 𝒈𝒆𝒕 𝒂𝒕 𝒘𝒉𝒂𝒕 𝒄𝒐𝒖𝒍𝒅 𝒃𝒆 𝒄𝒂𝒍𝒍𝒆𝒅 𝒕𝒉𝒆 𝒉𝒊𝒅𝒆𝒐𝒖𝒔 𝒃𝒆𝒂𝒖𝒕𝒚 𝒐𝒇 𝒄𝒐𝒏𝒕𝒆𝒎𝒑𝒐𝒓𝒂𝒓𝒚 𝒉𝒖𝒎𝒂𝒏 𝒏𝒂𝒕𝒖𝒓𝒆 ?
⭐ It's a very good way of putting it on the table. I hate the word Mature. It sounds like cheese to me. In England we have mature cheddar, and it's cheese. I think it's a word that's overused by journalists.

⭐ I don't think I was trying to be provocative when I started. I just think I wasn't as good a composer as I am today. The compositions were much more subversive. We were kids crying for attention. For this album, I really wanted to get away from all the fancy stuff I've used in the past, and use everyday words. In fact, this album is quite dark, not particularly happy, but not adolescent either, I don't think, just aimlessly going through the world. It's a very human album, about abuse, addiction, anaesthesia. It's not a party album, but not an emo album either.


▪ 𝑴𝒖𝒔𝒊𝒄𝒂𝒍𝒍𝒚 𝒔𝒑𝒆𝒂𝒌𝒊𝒏𝒈, 𝒔𝒐𝒏𝒈𝒔 𝒍𝒊𝒌𝒆 𝑰𝒏𝒇𝒓𝒂-𝑹𝒆𝒅, 𝒐𝒓 𝑩𝒆𝒄𝒂𝒖𝒔𝒆 𝑰 𝑾𝒂𝒏𝒕 𝒀𝒐𝒖, 𝒂𝒓𝒆 𝒕𝒉𝒆 𝒎𝒐𝒔𝒕 𝒐𝒇𝒇𝒃𝒆𝒂𝒕 𝒔𝒐𝒏𝒈𝒔 𝒚𝒐𝒖'𝒗𝒆 𝒆𝒗𝒆𝒓 𝒅𝒐𝒏𝒆.
⭐ That's true, but we've always done things like that, like Teenage Angst, from the first album, which was musically upbeat, and the lyrics were almost the opposite. We've always liked to play with that dichotomy, to confuse the emotions. Maybe we naturally revolve around that, because that's how we feel about life... For me, anyway.


▪ 𝑫𝒐 𝒚𝒐𝒖 𝒕𝒉𝒊𝒏𝒌 𝒚𝒐𝒖 𝒘𝒓𝒊𝒕𝒆 𝒎𝒐𝒓𝒆 𝒔𝒕𝒆𝒓𝒆𝒐𝒕𝒚𝒑𝒊𝒄𝒂𝒍 𝒔𝒕𝒐𝒓𝒊𝒆𝒔 𝒐𝒓 𝒊𝒔 𝒕𝒉𝒆𝒓𝒆 𝒂 𝒍𝒐𝒕 𝒕𝒉𝒂𝒕 𝒊𝒔 𝒗𝒆𝒓𝒚 𝒂𝒖𝒕𝒐𝒃𝒊𝒐𝒈𝒓𝒂𝒑𝒉𝒊𝒄𝒂𝒍 ?
⭐ I tell stories. They're little fictions, like little stories... But for any style of writing, they tell what you know, so I write about situations and society, with a small s, that I encounter or that I see around me... About problems, emotional difficulties. These are things, the subject and the story, that I have encountered. But there are not as many pages torn out of my diary, as there are stories with characters you know? It's what they go through, what they experience, and that's an important point of contact for me. I think that's the most important thing to explain.


▪ 𝑾𝒂𝒔 "𝒃𝒓𝒆𝒂𝒌𝒊𝒏𝒈 𝒊𝒏𝒕𝒐 𝒕𝒉𝒆 𝑼𝑺" 𝒓𝒆𝒂𝒍𝒍𝒚 𝒂 𝒃𝒊𝒈 𝒈𝒐𝒂𝒍 𝒇𝒐𝒓 𝑷𝒍𝒂𝒄𝒆𝒃𝒐 ?
⭐ As much as breaking into any other country I suppose.


▪ 𝑫𝒐𝒏'𝒕 𝒚𝒐𝒖 𝒇𝒊𝒏𝒅 𝒕𝒉𝒂𝒕 𝒃𝒆𝒊𝒏𝒈 𝒍𝒆𝒔𝒔 𝒂𝒄𝒄𝒆𝒔𝒔𝒊𝒃𝒍𝒆 𝒕𝒉𝒂𝒏 𝒕𝒉𝒆 𝒃𝒊𝒈 𝒃𝒂𝒏𝒅𝒔 𝒎𝒂𝒌𝒆𝒔 𝒚𝒐𝒖𝒓 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝒇𝒂𝒏𝒔 𝒎𝒐𝒓𝒆 𝒍𝒐𝒚𝒂𝒍, 𝒍𝒊𝒌𝒆 𝒂 𝒔𝒎𝒂𝒍𝒍 𝒔𝒆𝒄𝒓𝒆𝒕 𝒄𝒐𝒎𝒎𝒖𝒏𝒊𝒕𝒚 ?
⭐ Yeah I guess so, and that's something I encountered for a while, in Europe, and it's kind of something I like. If we don't become extremely famous [in the US], it's not a big deal, because we have a really strong and passionate cult, you know ? Which is more accessible for us, and it's quite family-like.
✔️ 𝚁𝚎𝚊𝚡 𝙼𝚞𝚜𝚒𝚌 𝙼𝚊𝚐𝚊𝚣𝚒𝚗𝚎 - 𝙰𝚞𝚐𝚞𝚜𝚝 𝟸00𝟽

Photo  credit:  Frazer Harrison / Getty Images 

🔹 𝑇ℎ𝑎𝑡 𝑝𝑎𝑟𝑡𝑖𝑐𝑢𝑙𝑎𝑟𝑙𝑦 𝑠𝑒𝑛𝑡𝑒𝑛𝑐𝑒 𝑐𝑎𝑢𝑔ℎ𝑡 𝑚𝑦 𝑒𝑦𝑒𝑠 :"𝑇ℎ𝑎𝑡'𝑠 𝑡𝑟𝑢𝑒, 𝑏𝑢𝑡 𝑤𝑒'𝑣𝑒 𝑎𝑙𝑤𝑎𝑦𝑠 𝑑𝑜𝑛𝑒 𝑡ℎ𝑖𝑛𝑔𝑠 𝑙𝑖𝑘𝑒 𝑡ℎ𝑎𝑡, 𝑙𝑖𝑘𝑒 𝑇𝑒𝑒𝑛𝑎𝑔𝑒 𝐴𝑛𝑔𝑠𝑡, 𝑓𝑟𝑜𝑚 𝑡ℎ𝑒 𝑓𝑖𝑟𝑠𝑡 𝑎𝑙𝑏𝑢𝑚, 𝑤ℎ𝑖𝑐ℎ 𝑤𝑎𝑠 𝑚𝑢𝑠𝑖𝑐𝑎𝑙𝑙𝑦 𝑢𝑝𝑏𝑒𝑎𝑡, 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑙𝑦𝑟𝑖𝑐𝑠 𝑤𝑒𝑟𝑒 𝑎𝑙𝑚𝑜𝑠𝑡 𝑡ℎ𝑒 𝑜𝑝𝑝𝑜𝑠𝑖𝑡𝑒. 𝑊𝑒'𝑣𝑒 𝑎𝑙𝑤𝑎𝑦𝑠 𝑙𝑖𝑘𝑒𝑑 𝑡𝑜 𝑝𝑙𝑎𝑦 𝑤𝑖𝑡ℎ 𝑡ℎ𝑎𝑡 𝑑𝑖𝑐ℎ𝑜𝑡𝑜𝑚𝑦, 𝑡𝑜 𝑐𝑜𝑛𝑓𝑢𝑠𝑒 𝑡ℎ𝑒 𝑒𝑚𝑜𝑡𝑖𝑜𝑛𝑠. 𝑀𝑎𝑦𝑏𝑒 𝑤𝑒 𝑛𝑎𝑡𝑢𝑟𝑎𝑙𝑙𝑦 𝑟𝑒𝑣𝑜𝑙𝑣𝑒 𝑎𝑟𝑜𝑢𝑛𝑑 𝑡ℎ𝑎𝑡, 𝑏𝑒𝑐𝑎𝑢𝑠𝑒 𝑡ℎ𝑎𝑡'𝑠 ℎ𝑜𝑤 𝑤𝑒 𝑓𝑒𝑒𝑙 𝑎𝑏𝑜𝑢𝑡 𝑙𝑖𝑓𝑒... 𝐹𝑜𝑟 𝑚𝑒, 𝑎𝑛𝑦𝑤𝑎𝑦."


🔹 𝐼𝑡'𝑠 𝑠𝑜 𝑜𝑏𝑣𝑖𝑜𝑢𝑠 𝑎𝑛𝑑 𝑦𝑒𝑡 𝐼 𝑑𝑖𝑑𝑛'𝑡 𝑟𝑒𝑎𝑙𝑖𝑠𝑒 𝑖𝑡 𝑢𝑛𝑡𝑖𝑙 𝐼 ℎ𝑒𝑎𝑟𝑑 𝑇𝑟𝑦 𝐵𝑒𝑡𝑡𝑒𝑟 𝑁𝑒𝑥𝑡 𝑇𝑖𝑚𝑒 𝑓𝑜𝑟 𝑡ℎ𝑒 𝑓𝑖𝑟𝑠𝑡 𝑡𝑖𝑚𝑒 ! 𝐼 𝑡ℎ𝑖𝑛𝑘 𝑖𝑛 𝑡ℎ𝑖𝑠 𝑠𝑜𝑛𝑔 𝑡ℎ𝑒 𝑑𝑖𝑐ℎ𝑜𝑡𝑜𝑚𝑦 𝑖𝑠 𝑡𝑎𝑘𝑒𝑛 𝑡𝑜 𝑡ℎ𝑒 𝑒𝑥𝑡𝑟𝑒𝑚𝑒. 𝑇ℎ𝑒 𝑑𝑖𝑠𝑠𝑜𝑛𝑎𝑛𝑐𝑒 𝑏𝑒𝑡𝑤𝑒𝑒𝑛 𝑡ℎ𝑒 𝑚𝑢𝑠𝑖𝑐 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑙𝑦𝑟𝑖𝑐𝑠 𝑖𝑠 𝑠𝑜 𝑔𝑟𝑒𝑎𝑡 𝑡ℎ𝑎𝑡, 𝑝𝑒𝑟𝑠𝑜𝑛𝑎𝑙𝑙𝑦, 𝑖𝑡 𝑚𝑎𝑑𝑒 𝑚𝑒 𝑓𝑒𝑒𝑙 𝑢𝑛𝑐𝑜𝑚𝑓𝑜𝑟𝑡𝑎𝑏𝑙𝑒 𝑙𝑖𝑠𝑡𝑒𝑛𝑖𝑛𝑔 𝑡𝑜 𝑖𝑡. 𝑆ℎ𝑜𝑢𝑙𝑑 𝐼 𝑟𝑒𝑗𝑜𝑖𝑐𝑒 𝑖𝑛 𝑡ℎ𝑒 𝑠𝑜𝑛𝑔 𝑜𝑟 𝑛𝑜𝑡 ? 𝐼 𝑎𝑠𝑘𝑒𝑑 𝑚𝑦𝑠𝑒𝑙𝑓 𝑡ℎ𝑎𝑡 𝑞𝑢𝑒𝑠𝑡𝑖𝑜𝑛 ! 𝐼𝑡 𝑤𝑎𝑠 𝑟𝑒𝑎𝑙𝑙𝑦 𝑤𝑒𝑖𝑟𝑑. 𝑇ℎ𝑜𝑢𝑔ℎ 𝐷𝑟𝑎𝑔, 𝐵𝑟𝑒𝑎𝑡ℎ𝑒 𝑈𝑛𝑑𝑒𝑟𝑤𝑎𝑡𝑒𝑟 𝑜𝑟 𝑒𝑣𝑒𝑛 𝐶𝑜𝑚𝑚𝑒𝑟𝑐𝑖𝑎𝑙 𝐹𝑜𝑟 𝐿𝑒𝑣𝑖 𝑎𝑟𝑒 𝑏𝑢𝑖𝑙𝑡 𝑜𝑛 𝑡ℎ𝑒 𝑠𝑎𝑚𝑒 𝑠𝑐ℎ𝑒𝑚𝑒, 𝑡ℎ𝑒𝑦 ℎ𝑎𝑑𝑛'𝑡 𝑡ℎ𝑒 𝑠𝑎𝑚𝑒 𝑒𝑓𝑓𝑒𝑐𝑡 𝑜𝑛 𝑚𝑒.

𝗗𝗶𝗱 𝘆𝗼𝘂 𝗳𝗲𝗲𝗹 𝘁𝗵𝗲 𝘀𝗮𝗺𝗲 𝘄𝗮𝘆 ? 𝗢𝗿 𝗻𝗼𝘁 𝗮𝘁 𝗮𝗹𝗹 ? 𝗪𝗵𝗮𝘁 𝘄𝗮𝘀 𝘆𝗼𝘂𝗿 𝗳𝗲𝗲𝗹𝗶𝗻𝗴 𝘄𝗵𝗲𝗻 𝘆𝗼𝘂 𝗳𝗶𝗿𝘀𝘁 𝗵𝗲𝗮𝗿𝗱 𝗶𝘁 ?

🔹 𝑂𝑓 𝑐𝑜𝑢𝑟𝑠𝑒, 𝑡ℎ𝑒𝑖𝑟 𝑚𝑒𝑡ℎ𝑜𝑑 𝑖𝑠 𝑎𝑙𝑤𝑎𝑦𝑠 𝑡ℎ𝑒 𝑠𝑎𝑚𝑒. 𝐼𝑡 𝑚𝑎𝑘𝑒𝑠 𝑚𝑒 𝑡ℎ𝑖𝑛𝑘 𝑜𝑓 𝐻𝑢𝑔𝑧'𝑠 𝑤𝑜𝑟𝑑𝑠: "𝑎 𝑗𝑜𝑘𝑒 𝑖𝑠 𝑗𝑢𝑠𝑡 𝑎 𝑤𝑎𝑦 𝑜𝑓 𝑡𝑒𝑙𝑙𝑖𝑛𝑔 𝑡ℎ𝑒 𝑡𝑟𝑢𝑡ℎ".

𝗜𝘀 𝗮 𝗱𝗶𝗰𝗵𝗼𝘁𝗼𝗺𝗼𝘂𝘀 𝘀𝗼𝗻𝗴 𝗮 𝘄𝗮𝘆 𝗼𝗳 𝘁𝗲𝗹𝗹𝗶𝗻𝗴 𝗮 𝗺𝗲𝗮𝗻𝗶𝗻𝗴𝗳𝘂𝗹 𝗺𝗲𝘀𝘀𝗮𝗴𝗲 ?


🔹 𝐵𝑎𝑐𝑘 𝑡𝑜 𝑡ℎ𝑒 𝑖𝑛𝑡𝑒𝑟𝑣𝑖𝑒𝑤...

𝐼 𝑞𝑢𝑖𝑡𝑒 𝑎𝑔𝑟𝑒𝑒 𝑤𝑖𝑡ℎ 𝐵𝑟𝑖𝑎𝑛 𝑤ℎ𝑒𝑛 ℎ𝑒 𝑠𝑎𝑦𝑠 𝑡ℎ𝑎𝑡 𝑡ℎ𝑒 𝑤𝑜𝑟𝑑 '𝑚𝑎𝑡𝑢𝑟𝑒' 𝑖𝑠 𝑏𝑒𝑖𝑛𝑔 𝑢𝑠𝑒𝑑 𝑖𝑛𝑎𝑐𝑐𝑢𝑟𝑎𝑡𝑒𝑙𝑦. 𝑊𝑖𝑡ℎ 𝑒𝑣𝑒𝑟𝑦 𝑛𝑒𝑤 𝑎𝑙𝑏𝑢𝑚, 𝑓𝑜𝑟 𝑎𝑛𝑦 𝑎𝑟𝑡𝑖𝑠𝑡, 𝑤𝑒 𝑔𝑒𝑡: '𝑡ℎ𝑖𝑠 𝑖𝑠 𝑡ℎ𝑒 𝑚𝑎𝑡𝑢𝑟𝑒 𝑎𝑙𝑏𝑢𝑚'. 𝐼𝑡'𝑠 𝑏𝑜𝑟𝑖𝑛𝑔, 𝑖𝑠𝑛'𝑡 𝑖𝑡? 𝐼𝑡 𝑠𝑒𝑒𝑚𝑠 𝑡ℎ𝑎𝑡 𝑐𝑟𝑖𝑡𝑖𝑐𝑠 ℎ𝑎𝑣𝑒 𝑛𝑜𝑡ℎ𝑖𝑛𝑔 𝑚𝑜𝑟𝑒 𝑖𝑛𝑡𝑒𝑟𝑒𝑠𝑡𝑖𝑛𝑔 𝑡𝑜 𝑠ℎ𝑎𝑟𝑒... 𝐼 𝑡ℎ𝑖𝑛𝑘 𝑖𝑡'𝑠 𝑏𝑒𝑡𝑡𝑒𝑟 𝑛𝑜𝑡 𝑡𝑜 𝑠𝑎𝑦 𝑎𝑛𝑦𝑡ℎ𝑖𝑛𝑔. 𝐴𝑛𝑑 𝐼'𝑙𝑙 𝑘𝑒𝑒𝑝 𝑡ℎ𝑒 𝑐ℎ𝑒𝑑𝑑𝑎𝑟 𝑐𝑜𝑚𝑝𝑎𝑟𝑖𝑠𝑜𝑛 𝑖𝑛 𝑡ℎ𝑒 𝑏𝑎𝑐𝑘 𝑜𝑓 𝑚𝑦 𝑚𝑖𝑛𝑑 😄

🔹 𝐴𝑛𝑑 𝑎𝑏𝑜𝑢𝑡 𝑡ℎ𝑒 𝑞𝑢𝑜𝑡𝑒 𝑎𝑡 𝑡ℎ𝑒 𝑡𝑜𝑝 𝑜𝑓 𝑡ℎ𝑖𝑠 𝑝𝑜𝑠𝑡, 𝑖𝑡'𝑠 𝑜𝑏𝑣𝑖𝑜𝑢𝑠 𝑡ℎ𝑎𝑡 𝐵𝑟𝑖𝑎𝑛 𝑤𝑎𝑠 𝑎 𝑏𝑒𝑡𝑡𝑒𝑟 𝑐𝑜𝑚𝑝𝑜𝑠𝑒𝑟 𝑖𝑛 2007 𝑡ℎ𝑎𝑛 ℎ𝑒 𝑤𝑎𝑠 𝑖𝑛 𝑡ℎ𝑒 𝑒𝑎𝑟𝑙𝑦 𝑑𝑎𝑦𝑠. 𝐴𝑛𝑑 ℎ𝑒 𝑖𝑠 𝑒𝑣𝑒𝑛 𝑚𝑜𝑟𝑒 𝑜𝑓 𝑎 𝑏𝑒𝑡𝑡𝑒𝑟 𝑐𝑜𝑚𝑝𝑜𝑠𝑒𝑟 𝑛𝑜𝑤 𝑡ℎ𝑎𝑛 ℎ𝑒 𝑤𝑎𝑠 𝑖𝑛 2007, 𝑏𝑜𝑡ℎ 𝑖𝑛 𝑡𝑒𝑟𝑚𝑠 𝑜𝑓 𝑚𝑢𝑠𝑖𝑐 𝑎𝑛𝑑 𝑙𝑦𝑟𝑖𝑐𝑠. 𝑇ℎ𝑒 𝑚𝑒𝑙𝑜𝑑𝑖𝑒𝑠 ℎ𝑎𝑣𝑒 𝑏𝑒𝑒𝑛 𝑠𝑡𝑟𝑒𝑛𝑔𝑡ℎ𝑒𝑛𝑒𝑑 𝑏𝑦 𝑆𝑡𝑒𝑓𝑎𝑛 𝑎𝑛𝑑 𝐵𝑟𝑖𝑎𝑛'𝑠 𝑔𝑟𝑜𝑤𝑖𝑛𝑔 𝑡𝑎𝑙𝑒𝑛𝑡 𝑜𝑣𝑒𝑟 𝑡ℎ𝑒 𝑦𝑒𝑎𝑟𝑠, 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑙𝑦𝑟𝑖𝑐𝑠 ℎ𝑎𝑣𝑒 𝑏𝑒𝑒𝑛 𝑖𝑚𝑝𝑟𝑜𝑣𝑒𝑑 𝑏𝑦 𝐵𝑟𝑖𝑎𝑛'𝑠 𝑓𝑎𝑠𝑐𝑖𝑛𝑎𝑡𝑖𝑛𝑔 𝑎𝑛𝑑 𝑒𝑚𝑜𝑡𝑖𝑜𝑛𝑎𝑙 𝑖𝑛𝑠𝑝𝑖𝑟𝑎𝑡𝑖𝑜𝑛. 💖

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