Sunday, February 13, 2022

β­ππ‡πŽπ“πŽπ†π‘π€ππ‡π˜ π…πŽπ‘ πŒπ„πƒπ’ 𝐁𝐘 𝐍𝐀𝐃𝐀𝐕 πŠπ€ππƒπ„π‘β­


You may like it or not, but with the upcoming Placebo album, we can see some of the newest band’s images distorted one way or another. But it’s not the first time Placebo go for unusual visual effects, is it?

Photo credits: Nadav Kander (2005); Kander’s notes - Jake Hicks Photography / edit by Olga

Today, I want to talk to you about 𝐍𝐚𝐝𝐚𝐯 𝐊𝐚𝐧𝐝𝐞𝐫, a prominent photographer whose pictures are behind a brilliant artwork for πŒπ„πƒπ’: the album and singles’ covers became doubtlessly recognizable and truly iconic. (Here, we must not forget a digital artist Antony Crossfield as well!)
On Nadav Kander’s Instagram account, there’s an image used for the 𝐒𝐨𝐧𝐠 𝐓𝐨 π’πšπ² π†π¨π¨ππ›π²πž single cover with the following words:
πŸ“’ β€œAlways loved working with the band Placebo. I was just thinking of Brian Molko so posted this. He’s always thinking about what’s next. How we can push this further.” (π‘π‘Žπ‘‘π‘Žπ‘£ πΎπ‘Žπ‘›π‘‘π‘’π‘Ÿβ€™π‘  𝐼𝐺, π‘π‘œπ‘£π‘’π‘šπ‘π‘’π‘Ÿ 3π‘Ÿπ‘‘, 2018)

Now, I’d like to pay your attention to probably less known series of photographs for πŒπ„πƒπ’ taken by 𝐍𝐚𝐝𝐚𝐯 𝐊𝐚𝐧𝐝𝐞𝐫. Placebo let his distinctive personal style be revealed in those images to the full – which is a great sign of respect for the artist.

Widely regarded as one of the finest photographers of our time, 𝐍𝐀𝐃𝐀𝐕 πŠπ€ππƒπ„π‘ is renowned for his uncompromising and evocative images which cut to the heart of the human condition.

β€œπ‘Ήπ’†π’—π’†π’‚π’π’†π’… π’šπ’†π’• 𝒄𝒐𝒏𝒄𝒆𝒂𝒍𝒆𝒅. π‘Ίπ’‰π’‚π’Žπ’†π’π’†π’”π’” π’šπ’†π’• π’”π’‰π’‚π’Žπ’†π’‡π’–π’. 𝑬𝒂𝒔𝒆 π’˜π’Šπ’•π’‰ 𝒖𝒏𝒆𝒂𝒔𝒆. π‘©π’†π’‚π’–π’•π’š 𝒂𝒏𝒅 π’…π’†π’”π’•π’“π’–π’„π’•π’Šπ’π’. 𝑻𝒉𝒆𝒔𝒆 𝒑𝒂𝒓𝒂𝒅𝒐𝒙𝒆𝒔 𝒂𝒓𝒆 π’…π’Šπ’”π’‘π’π’‚π’šπ’†π’… π’Šπ’ 𝒂𝒍𝒍 π’Žπ’š π’˜π’π’“π’Œ; 𝒂𝒏 π’Šπ’π’’π’–π’Šπ’“π’š π’Šπ’π’•π’ π’˜π’‰π’‚π’• π’Šπ’• 𝒇𝒆𝒆𝒍𝒔 π’π’Šπ’Œπ’† 𝒕𝒐 𝒃𝒆 π’‰π’–π’Žπ’‚π’.” – Nadav Kander

Photo credit: Nadav Kander

πŸ”ΈNadav Kander is a London-based photographer, artist and director, known for his portraiture and landscapes. Kander has produced a number of books and had his work exhibited widely. He received an Honorary Fellowship from the Royal Photographic Society in 2015, and won the Prix Pictet award.

πŸ”ΈBorn in Tel Aviv, Israel, when he was two, his parents moved the family to Johannesburg, South Africa, where he would remain for the rest of his childhood.

πŸ”ΈKander’s introduction to the possibilities of photography came during his formative years through his father, an airline pilot who had purchased an Iconoflex and captured hundreds of photos of the family’s road trips. At the age of thirteen, Kander purchased his first camera.

πŸ”ΈHe left school in his late teens, and, as was mandated for all white male citizens in South Africa, was drafted into national service. He chose the airforce and was fortunate enough to be employed in a darkroom, printing aerial photographs. It was here that his ambition to become a photographer was truly established.

Photo credit: Nadav Kander

πŸ”ΈIn 1981, then aged 21, Nadav Kander left for London where his photography career began in earnest.
Renowned for his portraiture, he has photographed some of the most prominent figures from across art, sport and politics. The series entitled Obama’s People includes fifty-two portraits of the (then) President and his most trusted staff and members of the administration.

πŸ”ΈKander is best known for his Yangtze - The Long River series, for which he earned the Prix Pictet Prize. Dense architecture gives way to mountains in the upper reaches towards the river's Tibetan source. The photographs are dominated by immense architectural structures where humans are shown as small in their environment. Figures are dwarfed by landscapes of half completed bridges and colossal Western-style apartment blocks that are rapidly replacing traditional Chinese low-rise buildings and houseboats.

πŸ”ΈNadav Kander’s works are now held in the permanent collections of, amongst others, The National Portrait Gallery, in London; Chicago’s Museum of Contemporary Photography and, The Art Gallery of New South Wales.
(π‘†π‘œπ‘’π‘Ÿπ‘π‘’π‘ : π‘Šπ‘–π‘˜π‘–π‘π‘’π‘‘π‘–π‘Ž, π‘‡β„Žπ‘’ 𝐼𝑛𝑑𝑒𝑝𝑒𝑛𝑑𝑒𝑛𝑑 π‘ƒβ„Žπ‘œπ‘‘π‘œπ‘”π‘Ÿπ‘Žπ‘β„Žπ‘’π‘Ÿ)

You can see more of Nadav Kander’s work on his website:
https://www.nadavkander.com/

Post by Olga