(Brian Molko, X-Ray, April 2003)
“๐ฆ๐๐๐๐ฃ๐๐ก๐ ๐ช๐๐ง๐ ๐๐๐ข๐ฆ๐ง๐ฆ” is Placebo's fourth studio album. It was released on March 24th 2003 and reached no. 11 in the UK Albums Chart.
The record consists of 12 songs about past relationships and how do deal with them. Brian said that he became quite obsessed by the idea that you carry the ghosts of this relationships with you for the rest of your life and that people come back to haunt you. So 'Sleeping with ghosts' became an album about exorcising those demons of the past. And in that way it became a very therapeutic and cathartic thing for him.
Photo credit unknown |
Bulletproof Cupid
English Summer Rain
This Picture
Sleeping with ghosts
The bitter end
Something rotten
Plasticine
Special Needs
I'll be yours
Second sight
Protect me from what I want
Centrefolds
๐ ๐๐ฅ๐๐๐ก ๐ข๐ก “๐ฆ๐๐๐๐ฃ๐๐ก๐ ๐ช๐๐ง๐ ๐๐๐ข๐ฆ๐ง๐ฆ” ๐
๐ข ”I've had many experiences the last few years, and I think it's a bit sad if you're still the same person you were when you were 20 at 30. Then you're not a fully developed human and then you haven't learned from the experiences you had the years before. The memories are certainly there and 'Sleeping with ghosts' is about how do deal with them. You look back and think about if your memories are accurate. If they're objective or not. And I believe that with me they are subjective. And I also believe we carry the ghosts of past relationships with us till we die.”
(DNAsix, March 2003)
๐ข "Trying to push your sound forwards without turning your back on all the things that make the band unique and recognisable is definitely a difficult balance, but I think we pulled it off."
(Scotland on Sunday, April 2003)
๐น ๐'๐น๐น ๐ฏ๐ฒ ๐๐ผ๐๐ฟ๐ – ๐๐๐ฟ๐ผ๐ฐ๐ธ๐ฒ๐ฒ๐ป๐ป๐ฒ๐ ๐ฎ๐ฌ๐ฌ๐ฐ
https://bit.ly/3IfAr8v
๐ข “Writing lyrics is always quite a cathartic experience but I think I probably exorcised more demons on this album than any of the others. I was approaching 30, I'd just moved into a new apartment and had all this time on my hands to reflect on all the relationships I've had.“
(Scotland on Sunday, April 2003)
Photo credit: Perou |
(Scotland on Sunday, April 2003)
๐ข “This record is the most emotional and honest we’ve made.”
(Rock Sound, April 2003)
๐ข “We had to ask ourselves a lot of questions with this album. Were we still relevant? Did we still deserve to sell records? It meant we had to strike a very fine balance between not turning our backs on eveything that had made us Placebo and still pushing our sound. This time I did that without having to give reference to the contents of my medicine cabinet or a whole series of ‘fucks’ and ‘shits’. I’ve reached a point where I don’t need that as much, which must mean the writing’s getting better.”
(Rock Sound, April 2003)
๐น ๐ฆ๐ฒ๐ฐ๐ผ๐ป๐ฑ ๐ฆ๐ถ๐ด๐ต๐ – ๐๐ผ๐น๐ผ๐ด๐ป๐ฒ ๐ฎ๐ฌ๐ฌ๐ฏ
https://bit.ly/3Ige9TV
๐ข ”In Placebo world it’s never been as simple as boy meets girl. The people who exist in these songs still aren’t particularly healthy. I’ve used this album to look back on relationships I’ve had over the past 10 years and whatever masochism is going on in the song is nearly always directed towards myself – ‘you’ actually means ‘me’.”
(Rock Sound, April 2003)
๐ข ”This album is a return to what we do best really, it’s dealing with relationships again. It’s got so much to do with the fact that we had an eight month period off beforehand to think for the first time and be human beings, to reacquaint ourselves with humanity outside of the rock’n’roll bubble. It was very natural that those were the kind of songs that were coming out.”
(X-Ray, April 2003)
๐ข ”By the time I reached 30 I realised there is no tragedy without joy in the first place. I became quite obsessed by the idea that you carry the ghosts of your relationships past with you for the rest of your life and people come back to haunt you, and that this is often triggered by external stimuli – smells, a song on the radio, an article of clothing, a book, whatever. I wondered what effect your memory still had on you to this day, regardless of the amount of time from the end of the relationship and where you are now and how you’ve moved on. Along the way, I managed to exorcise a few personal demons.”
(X-Ray, April 2003)
๐น ๐ฃ๐น๐ฎ๐๐๐ถ๐ฐ๐ถ๐ป๐ฒ – ๐ฃ๐ฎ๐ฟ๐ถ๐ ๐ฎ๐ฌ๐ฌ๐ฏ
https://bit.ly/3G7zi0T
๐ข “I had this eight month period to look back through everything I’d been through emotionally and I started to deal with it for the first time. I started to think very much about the relationships I’ve had over the past ten years and whether they’d changed me and the effect that they’d had on me. So 'Sleeping with ghosts' became an album about exorcising the demons of your past relationships. And in that way, it became a very therapeutic and cathartic thing for me.”
(X-Ray, April 2003)
Photo credit: Carole Epinette |
(Suicide Girls, February 2004)
๐น๐ฃ๐ฟ๐ผ๐๐ฒ๐ฐ๐ ๐บ๐ฒ ๐ณ๐ฟ๐ผ๐บ ๐๐ต๐ฎ๐ ๐ ๐๐ฎ๐ป๐ – ๐ฅ๐ผ๐ฐ๐ธ ๐๐บ ๐ฅ๐ถ๐ป๐ด ๐ฎ๐ฌ๐ฌ๐ฏ
https://bit.ly/3pk8qnD
๐ข "The album title's about carrying the ghosts of your relationships with you, to the point where sometimes a smell or situation or an item of clothing they bought you kind of brings a person back. For me it's about the relationship that you have with your memories. They inhabit your dreams sometimes. There can be a lot in the future that's gonna remind you of the ghost of relationships past. So I see the album as a collection of short stories about a handful of relationships. Most of them mine. In a way writing the songs helps me to get a lot of the nasty things off my chest and put them in a box a little bit more, and therefore have a bit more of an objective discourse with those emotions because you've done something positive with them, you've rid yourself of them."
(ReadMag, November 25th 2003)
๐ข “Working with Jim Abbiss was great – he is a guy with very strong ideas and we asked him to give us a real kick up the ass. He made us listen to music in a different way and we had to give up a lot of control. There is no formula in what we do, we like to feel around in the dark and see what we like, letting the songs present themselves. I would describe this album as an emotional jigsaw puzzle.”
(Drowned in Sound, March 2003)
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