today I have for you a translation from a Polish interview that Placebo provided to the well-known Polish music publicist Piotr Stelmach shortly after the release of "Sleeping With Ghosts" album. I really like the passage where Brian talks about the album producer ๐๐ถ๐บ ๐๐ฏ๐ฏ๐ถ๐๐..
Photo credit: Carole Epinette |
๐โ๐ ๐๐๐ ๐ก ๐๐ ๐กโ๐๐ ๐ ๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐ฆ ๐๐๐๐:
⭐Arctic Monkeys, Kasabian, Bjรถrk, DJ Shadow, Sneaker Pimps, IAMX, Massive Atack, The Verve, Editors, Adele, Amy MacDonald.⭐
So let's read why our guys wanted to work with such an important person in the music world.
๐ธ⭐๐ธ
๐ธ๐ฃ๐๐๐๐๐๐ข (๐ก๐ข๐ก)๐ฆ๐๐๐จ๐ฅ๐๐ง๐ฌ ๐ญ๐ข๐ก๐, ๐๐ฒ๐ฟ๐น๐ถ๐ป, ๐ ๐ฎ๐ ๐ฎ๐ฌ๐ฌ๐ฏ๐ธ
๐ฌ/***/ ๐๐, ๐๐๐ก'๐ ๐ก๐๐๐ ๐๐๐๐ข๐ก ๐กโ๐ ๐๐๐ค ๐๐๐๐ข๐. ๐ผ ๐๐๐ ๐ก๐๐๐๐ ๐ก๐ ๐๐ก ๐๐๐ ๐กโ๐ ๐๐๐๐ ๐ก ๐ก๐๐๐ ๐๐ ๐ฝ๐๐๐ข๐๐๐ฆ 7๐กโ ๐๐ก ๐กโ๐ ๐ธ๐๐ผ ๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐ค. ๐ผ ๐๐๐๐๐ก ๐กโ๐๐ก ๐กโ๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐ก ๐ค๐๐๐๐ ๐๐ ๐๐๐ ๐กโ๐ ๐๐๐๐ ๐๐ ๐กโ๐ ๐๐๐๐กโ. ...
[loud laughter of all three]
BM: "Great! And that's it!"
๐ฌ ๐ท๐๐๐ ๐ต๐ข๐๐๐๐ก๐๐๐๐๐ ๐ถ๐ข๐๐๐ ๐๐๐๐๐๐๐ก ๐กโ๐ ๐๐ก๐๐๐ ๐โ๐๐๐ ๐๐ ๐คโ๐๐ก โ๐๐๐๐๐๐๐ ๐๐ ๐กโ๐ ๐ ๐ก๐ข๐๐๐ ๐๐๐ก๐๐ ๐กโ๐ ๐๐๐๐๐๐๐๐๐ ๐ ๐ก๐๐๐ก๐๐?
BM: "In a way, yes. It was our response to the relationship that developed in the studio between us and our producer Jim Abbiss. First of all, this time we wanted to work with someone who grew up in the culture of British dance music. It wasn't supposed to be some American rock producer. We believe that rock must move forward, take on futuristic features and adopt elements of contemporary, culturally important genres such as electronics and hip hop.
Jim Abbiss has worked with such artists as DJ Shadow, Sneaker Pimps, U. N. K. L. E., Bjork, and Massive Attack. And that's partly why we decided on his person. He had a bit of freedom, and we wanted someone to give us a hard kick in the ass. We expected Jim to keep us motivated at every stage of creating new songs."
๐ฌ ๐ด๐๐ ๐คโ๐๐ก? ๐ท๐๐ ๐ฆ๐๐ข ๐๐ ๐ "๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐"?
BM: "Come on! It was terrifying! During the first week of work, he presented his ideas to us. We were devastated. He rearranged the songs, changed their pace and duration. Honestly, he fucked everything up [laughs]!
And then, as if nothing had happened, he asked: "What do you guys say?" We didn't know what to say because the dumpling was in our throat.
Imagine taking a Fiat Uno apart and putting it back together like a Skoda. Absolute shock!
Jim drifted hard towards the electronics and we started jamming Bulletproof Cupid in response, as if to remind him, "Hey buddy, we're still a rock band!"
However, something changed during the session. Jim and I started making a very strong and clear thread of understanding. I think the beginning of this collaboration was so shocking because until now we were obsessed with controlling our own music and had a hard time giving it up.
We could not imagine that anyone with their boots and shoes would get into the whole process and disturb us.
After a while, we realized this and came to the conclusion that we had to adopt a whole new way of listening, understanding, and creating music in order to get a convincing, powerful effect as a result.
And I have the impression that this can be heard on Sleeping With Ghosts. To sum up, Bulletproof Cupid was our form of reaction to changes. We put ourselves up like some gang saying, That's us, that's who we are!"
Photo credit: Iko Ouro-Preto |
๐ฌ ๐ผ โ๐๐ฃ๐ ๐๐๐ ๐๐๐๐ ๐๐ข๐๐๐ฆ ๐ก๐๐๐๐ ๐ข๐๐ ๐๐๐ ๐ฆ๐๐ข - ๐๐ ๐๐๐ก๐๐๐ฃ๐๐๐ค, ๐คโ๐๐๐ ๐ต๐๐๐๐, ๐๐ ๐ ๐ฃ๐๐๐ฆ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐, ๐๐๐๐ก๐๐๐๐ ๐ค๐๐๐๐๐๐ ๐ค๐๐กโ ๐ฝ๐๐ ๐๐๐๐๐ ๐๐กโ๐๐ ๐ก๐๐๐๐๐ .
https://bit.ly/3FwPBEI
๐ธ⭐๐ธ
Post by Marti