The interview was done for the Russian magazine 𝑴𝒂𝒙𝒊𝒎 in 2016. As far as I know, there’s no English version of it, but I think it’s totally worth reading for all Placebo fans, not only Russian-speaking ones.
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| Placebo in Denmark, 2016. Photo credit unknown |
Not all interviews go as planned! Right before the Moscow and St. Petersburg concerts of the 20 Years of Placebo world tour, MAXIM was supposed to have a nice conversation with Brian Molko and Stefan Olsdal, but it ended up in a scandal and almost a stabbing.
📍𝑻𝒉𝒆𝒓𝒆'𝒔 𝒏𝒐 𝒓𝒐𝒄𝒌 ’𝒏’ 𝒓𝒐𝒍𝒍 𝒊𝒏 𝒌𝒊𝒍𝒍𝒊𝒏𝒈 𝒚𝒐𝒖𝒓𝒔𝒆𝒍𝒇!📍
𝐘𝐨𝐮 𝐬𝐭𝐚𝐫𝐭𝐞𝐝 𝐭𝐰𝐞𝐧𝐭𝐲 𝐲𝐞𝐚𝐫𝐬 𝐚𝐠𝐨. 𝐇𝐨𝐰’𝐬 𝐲𝐨𝐮𝐫 𝐥𝐢𝐟𝐞 𝐭𝐨𝐝𝐚𝐲, 𝐢𝐧 𝐭𝐡𝐞 𝐞𝐫𝐚 𝐨𝐟 𝐭𝐡𝐞 𝐝𝐢𝐠𝐢𝐭𝐚𝐥 𝐫𝐞𝐯𝐨𝐥𝐮𝐭𝐢𝐨𝐧, 𝐝𝐢𝐠𝐢𝐭𝐚𝐥 𝐦𝐮𝐬𝐢𝐜 𝐚𝐧𝐝 𝐝𝐢𝐠𝐢𝐭𝐚𝐥 𝐦𝐨𝐧𝐞𝐲?
📢𝑩𝒓𝒊𝒂𝒏: I try not to think about music from a mercantile point of view, but as for today's technology it must be treated in a Darwinian way. Either you adapt or you die. I think it's much harder for young bands to make money today. Making music is expensive, not to mention music videos and tours. The music business doesn’t fall out of the traditional capitalist system where the law of supply and demand operates and the consumer is the head of everything with their choice. Placebo are quite lucky because we have a lot of music recorded long ago which we can distribute on the Internet actually for free and make living of concerts. But if the consumer doesn’t want to pay for the recordings of a new band the musicians have to search for another job. It's sad but it happens all the time. And yet, since we agree with the fact that all responsibility lies with the consumers, they shouldn’t complain that tickets are getting more expensive: the listeners themselves are responsible for such an economy. Personally, I keep buying records on principle, I consider it necessary to support the artists and new music. After all, many people have supported us for all these years. For me, that’s a matter of karma.
𝐏𝐫𝐞𝐭𝐭𝐲 𝐮𝐧𝐞𝐱𝐩𝐞𝐜𝐭𝐞𝐝𝐥𝐲, 𝐲𝐨𝐮 𝐦𝐚𝐝𝐞 𝐚 𝐝𝐨𝐜𝐮𝐦𝐞𝐧𝐭𝐚𝐫𝐲 𝐏𝐥𝐚𝐜𝐞𝐛𝐨: 𝐀𝐥𝐭.𝐑𝐮𝐬𝐬𝐢𝐚. 𝐖𝐡𝐚𝐭 𝐢𝐬 𝐢𝐭 𝐚𝐛𝐨𝐮𝐭?
📢𝑺𝒕𝒆𝒇𝒂𝒏: The film is about two things: modern Russian alternative culture and the impressions of a rock band of their first tour in Siberia. When we’ve got a Siberian tour booked we decided that here it is, a wonderful opportunity to document our adventures in unknown lands. We have never denied ourselves the pleasure of playing in the distant and weird places. We played everywhere: from the Angkor Wat temple to the snow-covered Alps! We also wanted to find out what other artists, street musicians, directors, sculptors, photographers and independent filmmakers think of their art in today's Russia. Our British media present Russia exclusively in a political aspect but we are also interested in other aspects of life. You have your whole world there! No politics, we just want to see and hear everything firsthand. The film is about such people and about Placebo. However, there are also very personal moments in the shooting, especially since I personally do a lot of interviews. We were lucky to have a sold-out premiere at the Beat Film festival in Moscow (May 30. - Ed.). And now the film is presented at the festivals around the world.
𝐓𝐡𝐚𝐭’𝐬 𝐪𝐮𝐞𝐬𝐭𝐢𝐨𝐧 𝐟𝐨𝐫 𝐲𝐨𝐮, 𝐁𝐫𝐢𝐚𝐧. 𝐘𝐨𝐮 𝐨𝐧𝐜𝐞 𝐬𝐭𝐚𝐭𝐞𝐝 𝐭𝐡𝐚𝐭 𝐲𝐨𝐮 𝐰𝐞𝐫𝐞 𝐠𝐫𝐞𝐚𝐭𝐥𝐲 𝐢𝐧𝐟𝐥𝐮𝐞𝐧𝐜𝐞𝐝 𝐛𝐲 𝐓𝐡𝐞 𝐂𝐮𝐫𝐞 𝐰𝐡𝐨, 𝐢𝐧 𝐭𝐮𝐫𝐧, 𝐰𝐞𝐫𝐞 𝐡𝐞𝐚𝐯𝐢𝐥𝐲 𝐢𝐧𝐬𝐩𝐢𝐫𝐞𝐝 𝐛𝐲 𝐥𝐢𝐭𝐞𝐫𝐚𝐭𝐮𝐫𝐞. 𝐖𝐡𝐚𝐭 𝐛𝐨𝐨𝐤𝐬 𝐢𝐧𝐬𝐩𝐢𝐫𝐞 𝐲𝐨𝐮?
📢𝑩𝒓𝒊𝒂𝒏: I grew up listening to The Cure, and I couldn’t even think that one day I would be sharing the stage with them. They, along with The Smiths, were a soundtrack to every rainy afternoon in my youth. The process if writing lyrics and music is incredibly fascinating when you have something to base it on. I borrowed book titles for my songs twice: Lady of the Flowers and Million Little Pieces. But I try not to do that anymore. Playing on words is an important part of this job, and you have to read a lot. A writer needs to read a lot, a musician needs to listen to a lot of music, and I have to do both.
𝐇𝐨𝐰 𝐝𝐢𝐝 𝐢𝐭 𝐚𝐥𝐥 𝐬𝐭𝐚𝐫𝐭 𝐭𝐰𝐞𝐧𝐭𝐲 𝐲𝐞𝐚𝐫𝐬 𝐚𝐠𝐨?
📢𝑺𝒕𝒆𝒇𝒂𝒏: Time is a funny thing. It all mostly feels like a dream now. When you are nineteen and you have no responsibilities, you consider yourself a superman and you’re going to live forever. We loved to play music and nothing else mattered. We had some goals, we dreamed of performing at the big venues. And we moved on trying to stay true to our music. Our goals and ambitions grew with us.
📢𝑩𝒓𝒊𝒂𝒏: And I was just ready for anything to not get an office job. I knew I could sing and play guitar. I had no job for two and a half years, and when being twenty-two I’ve got a contract to record an album in my pocket there were no other options. It was a fate. Yes, we were completely different back then ...
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| Photo credit: Purepeople |
𝐖𝐡𝐚𝐭 𝐝𝐨 𝐲𝐨𝐮 𝐦𝐞𝐚𝐧 - 𝐝𝐢𝐟𝐟𝐞𝐫𝐞𝐧𝐭?
📢𝑩𝒓𝒊𝒂𝒏: The main difference is that I was an arrogant asshole. No, really, I was so self-confident! They say about such people in England: "The sun is shining from his ass." I was the greatest! Just imagine: you are unemployed, you don’t have a penny - and suddenly, you get a huge amount of money, everyone's attention, everyone wants to sleep with you, they offer you booze and drugs! And you're twenty-two ... You just explode! You turn into a kind of blazing rock ’n’ roll machine! Today, I am much less confident in myself than back in the days, I’ve got some intelligence and experience. There's no rock ’n’ roll in killing yourself.
𝐂𝐨𝐦𝐞 𝐨𝐧, 𝐭𝐡𝐚𝐭 𝐞𝐱𝐚𝐜𝐭𝐥𝐲 𝐢𝐬 𝐫𝐨𝐜𝐤’𝐧’𝐫𝐨𝐥𝐥!
📢𝑩𝒓𝒊𝒂𝒏: Ah, really?! Then kill yourself! Kill yourself right now, in front of my eyes! Do it! Come on, I'll get the knife and you’ll slit your throat! And then I’ll call the reception and say: someone committed suicide here, it's just rock ’n’ roll!
𝐁𝐮𝐭 𝐭𝐡𝐞 𝐰𝐡𝐨𝐥𝐞 𝐦𝐲𝐭𝐡𝐨𝐥𝐨𝐠𝐲 𝐨𝐟 𝐫𝐨𝐜𝐤’𝐧’𝐫𝐨𝐥𝐥 𝐢𝐬 𝐛𝐚𝐬𝐞𝐝 𝐨𝐧 𝐭𝐡𝐞 𝐛𝐞𝐚𝐮𝐭𝐲 𝐨𝐟 𝐬𝐞𝐥𝐟-𝐝𝐞𝐬𝐭𝐫𝐮𝐜𝐭𝐢𝐨𝐧!
📢𝑩𝒓𝒊𝒂𝒏: This is not true at all! Who of those who started in the sixties and seventies still play? They’re those who didn’t die, didn’t overdose and didn’t get into a car crash being drunk.
𝐌𝐚𝐧𝐲 𝐨𝐟 𝐭𝐡𝐨𝐬𝐞 𝐠𝐮𝐲𝐬 𝐚𝐫𝐞 𝐬𝐮𝐫𝐩𝐫𝐢𝐬𝐢𝐧𝐠𝐥𝐲 𝐚𝐥𝐢𝐯𝐞 𝐮𝐧𝐭𝐢𝐥 𝐧𝐨𝐰. 𝐊𝐞𝐢𝐭𝐡 𝐑𝐢𝐜𝐡𝐚𝐫𝐝𝐬, 𝐥𝐞𝐭’𝐬 𝐬𝐚𝐲.
📢𝑩𝒓𝒊𝒂𝒏: Okay, but Keith Richards can’t play guitar anymore. I’ve seen The Rolling Stones live. Yes, he survived, but other musicians play the guitars! Keith can’t play even while sitting, he’s always two bars behind the band. I don’t wanna be like that.
📢𝑺𝒕𝒆𝒇𝒂𝒏: I'll say about myself. In music, I’m first of all fascinated by the skills but also the style, integrity and longevity. One of my favourite bands is Depeche Mode. They’re still together, and I wouldn’t like them to die in any rock ’n’ roll way!
📢𝑩𝒓𝒊𝒂𝒏: If you wish the rock stars all of this, if you want experience death, destruction and suffering through them, indirectly, then there is no empathy in you at all! Compassion is the most important thing in our world. This is the art of happiness that the Dalai Lama taught us saying, "Compassion and generosity make you happy." And your words are disgusting.
𝐏𝐞𝐫𝐡𝐚𝐩𝐬 𝐈’𝐯𝐞 𝐧𝐨𝐭 𝐞𝐱𝐩𝐫𝐞𝐬𝐬𝐞𝐝 𝐦𝐲 𝐩𝐨𝐢𝐧𝐭 𝐨𝐟 𝐯𝐢𝐞𝐰 𝐜𝐥𝐞𝐚𝐫𝐥𝐲 𝐞𝐧𝐨𝐮𝐠𝐡. 𝐈𝐟 𝐲𝐨𝐮'𝐫𝐞 𝐭𝐚𝐥𝐤𝐢𝐧𝐠 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐤𝐢𝐧𝐝 𝐨𝐟 𝐫𝐨𝐜𝐤 ’𝐧’ 𝐫𝐨𝐥𝐥 𝐭𝐡𝐚𝐭 𝐢𝐬 𝟏𝟎𝟎 𝐩𝐞𝐫𝐜𝐞𝐧𝐭 𝐡𝐞𝐚𝐥𝐭𝐡𝐲, 𝐡𝐚𝐩𝐩𝐲, 𝐞𝐚𝐭𝐬 𝐰𝐞𝐥𝐥, 𝐚𝐧𝐝 𝐠𝐨𝐞𝐬 𝐭𝐨 𝐭𝐡𝐞 𝐟𝐢𝐭𝐧𝐞𝐬𝐬 𝐜𝐥𝐮𝐛 𝐭𝐡𝐫𝐞𝐞 𝐭𝐢𝐦𝐞𝐬 𝐚 𝐰𝐞𝐞𝐤 𝐭𝐡𝐞𝐧, 𝐚𝐬 𝐚 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐫, 𝐈 𝐣𝐮𝐬𝐭 𝐡𝐚𝐯𝐞 𝐧𝐨𝐭𝐡𝐢𝐧𝐠 𝐭𝐨 𝐟𝐞𝐞𝐥 𝐟𝐨𝐫. 𝐄𝐦𝐩𝐚𝐭𝐡𝐲 𝐭𝐚𝐤𝐞𝐬 𝐬𝐨𝐦𝐞 𝐤𝐢𝐧𝐝 𝐨𝐟 𝐝𝐫𝐚𝐦𝐚.
📢𝑺𝒕𝒆𝒇𝒂𝒏: But you don't need to die for drama!
𝐍𝐨𝐭 𝐧𝐞𝐜𝐞𝐬𝐬𝐚𝐫𝐢𝐥𝐲 𝐛𝐮𝐭 𝐈'𝐦 𝐬𝐮𝐫𝐞 𝐭𝐡𝐚𝐭 𝐫𝐞𝐚𝐥 𝐚𝐫𝐭 𝐢𝐬 𝐛𝐨𝐫𝐧 𝐟𝐫𝐨𝐦 𝐬𝐭𝐫𝐨𝐧𝐠 𝐟𝐞𝐞𝐥𝐢𝐧𝐠𝐬, 𝐟𝐫𝐨𝐦 𝐬𝐮𝐟𝐟𝐞𝐫𝐢𝐧𝐠.
📢𝑩𝒓𝒊𝒂𝒏: Do you like watching people suffer? Well, then you're a sadist!
𝐍𝐢𝐜𝐞 𝐭𝐨 𝐡𝐞𝐚𝐫 𝐭𝐡𝐚𝐭 𝐟𝐫𝐨𝐦 𝐲𝐨𝐮. 𝐁𝐮𝐭 𝐬𝐭𝐢𝐥𝐥, 𝐭𝐨 𝐜𝐫𝐞𝐚𝐭𝐞, 𝐲𝐨𝐮 𝐧𝐞𝐞𝐝 𝐚 𝐛𝐫𝐨𝐤𝐞𝐧 𝐡𝐞𝐚𝐫𝐭, 𝐚𝐭 𝐥𝐞𝐚𝐬𝐭.
𝑩𝒓𝒊𝒂𝒏: Art is born from discipline!
𝐀𝐧𝐝 𝐰𝐡𝐚𝐭 𝐚𝐛𝐨𝐮𝐭 𝐢𝐧𝐬𝐩𝐢𝐫𝐚𝐭𝐢𝐨𝐧?
📢𝑩𝒓𝒊𝒂𝒏: You work hard and disciplined at least five days a week, and then you get something to be proud of. Then you’ve got art, not when people stick needles into their arms, and not when they blow their brains out by a gun in Seattle. Without discipline, diligence, nothing can work out. Why do you think Pete Doherty hasn't made any good music for a long time?
📢𝑺𝒕𝒆𝒇𝒂𝒏: People badly learn from the others’ mistakes. But we're not the idiots to overdose at twenty-seven and get into the 'Club 27'.
𝐈𝐟 𝐭𝐡𝐞𝐫𝐞’𝐬 𝐧𝐨 𝐦𝐢𝐧𝐮𝐭𝐞 𝐨𝐟 𝐩𝐚𝐢𝐧, 𝐬𝐮𝐟𝐟𝐞𝐫𝐢𝐧𝐠 𝐚𝐧𝐝 𝐬𝐞𝐥𝐟-𝐝𝐞𝐬𝐭𝐫𝐮𝐜𝐭𝐢𝐨𝐧 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐥𝐢𝐟𝐞, 𝐭𝐡𝐞𝐧 𝐰𝐡𝐚𝐭 𝐭𝐨 𝐬𝐢𝐧𝐠 𝐚𝐛𝐨𝐮𝐭?
📢𝑩𝒓𝒊𝒂𝒏: There are no people who have no moments of self-destruction.
📢𝑺𝒕𝒆𝒇𝒂𝒏: That’s just your opinion. I don’t think at all that the artist’s lifestyle must match the certain image. Yes, David Bowie, may he rest in peace, killed himself. He killed himself on stage, and not himself but his character, Ziggy Stardust. He was smart. He knew that many people wanted rock ’n’ roll to end in death.
𝐓𝐡𝐞𝐫𝐞’𝐬 𝐚𝐧 𝐢𝐧𝐭𝐞𝐫𝐞𝐬𝐭𝐢𝐧𝐠 𝐝𝐢𝐟𝐟𝐞𝐫𝐞𝐧𝐜𝐞 𝐛𝐞𝐭𝐰𝐞𝐞𝐧 𝐡𝐨𝐰 𝐚𝐫𝐭𝐢𝐬𝐭𝐬 𝐬𝐞𝐞 𝐭𝐡𝐞𝐦𝐬𝐞𝐥𝐯𝐞𝐬 𝐚𝐧𝐝 𝐡𝐨𝐰 𝐭𝐡𝐞𝐢𝐫 𝐟𝐚𝐧𝐬 𝐰𝐚𝐧𝐭 𝐭𝐨 𝐬𝐞𝐞 𝐭𝐡𝐞𝐦.
📢𝑩𝒓𝒊𝒂𝒏: That shouldn't bother the artist. Art is not made by fans. Once I posted on Instagram a picture from the studio with the caption “We are working on a new album”, and someone wrote in the comments: “I hope you’re depressed then we’ll get great songs”. Fuck you! Do you want me to suffer just to make my music sound good to you? It's like saying: I'm ready to put sleeping pills into your drink to make you pass out, and then I'll fuck you in the ass and infect you with AIDS. And when you're all over in shit then great music will pour out of you! That’s fucking shit!
📢𝑺𝒕𝒆𝒇𝒂𝒏: And how depressing is being in a band that creatively stuck in an unshakable state! We’ve recorded seven albums. How can’t one really understand that life is evolution? We’re developing as artists and as persons.
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| Photo credit: Sylvain Fragneau |
📢𝑩𝒓𝒊𝒂𝒏: Are you speaking on behalf of all our fans? As an editor of the magazine you’re an extremely irresponsible person. You promote self-destruction as something romantic. And everyone will read it and think that it really is. But this is just your opinion! Your propaganda is dangerous for the youth of Russia. This is a sort of madness! However, I ask again: is there any compassion in you? Do you want people to be happy?
𝐎𝐟 𝐜𝐨𝐮𝐫𝐬𝐞 𝐈 𝐝𝐨. 𝐁𝐮𝐭 𝐞𝐯𝐞𝐫𝐲𝐨𝐧𝐞 𝐢𝐬 𝐡𝐚𝐩𝐩𝐲 𝐢𝐧 𝐭𝐡𝐞𝐢𝐫 𝐨𝐰𝐧 𝐰𝐚𝐲. 𝐈'𝐦 𝐚 𝐦𝐚𝐧. 𝐈 𝐜𝐚𝐧𝐧𝐨𝐭 𝐟𝐞𝐞𝐥 𝐜𝐨𝐦𝐩𝐥𝐞𝐭𝐞𝐥𝐲 𝐡𝐚𝐩𝐩𝐲 𝐰𝐢𝐭𝐡𝐨𝐮𝐭 𝐚 𝐛𝐢𝐭 𝐨𝐟 𝐬𝐞𝐥𝐟-𝐝𝐞𝐬𝐭𝐫𝐮𝐜𝐭𝐢𝐨𝐧. 𝐈𝐭’𝐬 𝐭𝐨𝐨 𝐬𝐚𝐝 𝐰𝐢𝐭𝐡𝐨𝐮𝐭 𝐭𝐡𝐚𝐭. 𝐈 𝐡𝐚𝐯𝐞 𝐭𝐨 𝐠𝐞𝐭 𝐝𝐫𝐮𝐧𝐤 𝐨𝐧𝐜𝐞 𝐚 𝐦𝐨𝐧𝐭𝐡, 𝐈 𝐡𝐚𝐯𝐞 𝐭𝐨 𝐝𝐨 𝐝𝐚𝐧𝐠𝐞𝐫𝐨𝐮𝐬 𝐬𝐩𝐨𝐫𝐭𝐬, 𝐦𝐚𝐲𝐛𝐞 𝐞𝐯𝐞𝐧 𝐠𝐞𝐭 𝐚 𝐥𝐢𝐭𝐭𝐥𝐞 𝐡𝐮𝐫𝐭. 𝐓𝐡𝐞𝐧 𝐈 𝐟𝐞𝐞𝐥 𝐚𝐥𝐢𝐯𝐞 𝐚𝐧𝐝 𝐡𝐚𝐩𝐩𝐲!
📢𝑩𝒓𝒊𝒂𝒏: But this is your recipe, and only yours! You can only speak for yourself.
𝐈 𝐤𝐧𝐨𝐰 𝐦𝐚𝐧𝐲 𝐩𝐞𝐨𝐩𝐥𝐞 𝐰𝐡𝐨 𝐥𝐢𝐯𝐞 𝐥𝐢𝐤𝐞 𝐭𝐡𝐢𝐬.
📢𝑩𝒓𝒊𝒂𝒏: Look, I don't want to fight with you but be careful when you tell kids that self-destruction is cool.
𝐍𝐨𝐛𝐨𝐝𝐲 𝐬𝐚𝐲𝐬 𝐢𝐭 𝐬𝐭𝐫𝐚𝐢𝐠𝐡𝐭. 𝐈𝐭’𝐬 𝐜𝐥𝐞𝐚𝐫 𝐭𝐡𝐚𝐭 𝐭𝐡𝐞 𝐫𝐢𝐬𝐤 𝐦𝐮𝐬𝐭 𝐛𝐞 𝐫𝐞𝐬𝐩𝐨𝐧𝐬𝐢𝐛𝐥𝐞 𝐚𝐧𝐝 𝐬𝐨 𝐨𝐧 ... 𝐈’𝐦 𝐚 𝐤𝐢𝐧𝐝 𝐨𝐟 𝐚 𝐩𝐫𝐨 𝐰𝐢𝐭𝐡 𝐭𝐰𝐞𝐧𝐭𝐲 𝐲𝐞𝐚𝐫𝐬 𝐨𝐟 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞.
📢𝑩𝒓𝒊𝒂𝒏: So am I. So, who knows more about rock ’n’ roll - you or me?
𝐎𝐟 𝐜𝐨𝐮𝐫𝐬𝐞 𝐲𝐨𝐮! 𝐁𝐮𝐭 𝐚𝐬 𝐚 𝐟𝐚𝐧 𝐈 𝐬𝐞𝐞 𝐞𝐯𝐞𝐫𝐲𝐭𝐡𝐢𝐧𝐠 𝐭𝐡𝐞 𝐞𝐱𝐚𝐜𝐭𝐥𝐲 𝐨𝐩𝐩𝐨𝐬𝐢𝐭𝐞 𝐰𝐚𝐲. 𝐘𝐨𝐮 𝐚𝐫𝐞 𝐭𝐡𝐞 𝐨𝐧𝐞 𝐰𝐡𝐨 𝐫𝐨𝐦𝐚𝐧𝐭𝐢𝐜𝐢𝐳𝐞𝐬 𝐬𝐞𝐥𝐟-𝐝𝐞𝐬𝐭𝐫𝐮𝐜𝐭𝐢𝐨𝐧 𝐰𝐢𝐭𝐡 𝐲𝐨𝐮𝐫 𝐝𝐞𝐜𝐚𝐝𝐞𝐧𝐭 𝐬𝐨𝐧𝐠𝐬.
📢𝑩𝒓𝒊𝒂𝒏: All you can see is a simulacrum. You see what you want to see. But you can't see reality. Don't teach kids to kill themselves!
𝐈 𝐜𝐚𝐧'𝐭 𝐩𝐫𝐨𝐦𝐢𝐬𝐞 𝐢𝐭 ... 𝐁𝐮𝐭 𝐈'𝐥𝐥 𝐭𝐫𝐲!
(𝑀𝑎𝑥𝑖𝑚, 2016)
▪️𝑇𝑟𝑎𝑛𝑠𝑙𝑎𝑡𝑒𝑑 𝑓𝑟𝑜𝑚 𝑅𝑢𝑠𝑠𝑖𝑎𝑛 𝑏𝑦 𝑂𝑙𝑔𝑎 𝐵𝑢𝑟𝑙𝑎𝑘𝑎 𝑓𝑜𝑟 𝑃𝑙𝑎𝑐𝑒𝑏𝑜 𝐴𝑛𝑦𝑤𝑎𝑦
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