Monday, August 3, 2020

ANNIVERSARY: "PURE MORNING"


Today we celebrate the ANNIVERSARY of Placebo's first big worldwide hit single “Pure morning”. It was released 22 years ago today on August 3rd 1998. The song reached no 19 un the US Billboard Chart, no. 4 in the UK Singles Chart, no. 21 in New Zealand and no. 8 in Iceland to name but a few rankings.

Listen to the song here:  ♫ PURE MORNING 

It's hard to believe but “Pure morning” wasn't even meant to become a single in the first place. The band recorded it as b-side song after the album “Without you I'm nothing” was already finished. But they immediately knew it was too good to use it as b-side and so it was added to the album in last minute and became the lead single of it. This explains why it is t
he only song on “Without you I'm nothing” that was produced by Phil Vinall (who had worked with Placebo on their single “Nancy Boy” before) while all other tracks were produced by Steve Osborne.
“Pure morning” is not a typical Placebo song and the band's managerin Alex Weston made clear that
it was not indicative of the band's new direction or something. “It just stood right out. It needs a couple of listens, but then it's pretty hard to get out of your head. It's a risk, but one worth taking," she stated (dotmusic.com, July 1998).


Brian said that “Pure morning” is overall a song about friendship. It deals with "coming down when the rest of the world is waking up", such as when clubgoers get home as the sun rises and everyone else is going to work, a situation he has been in very often. The feeling of dislocation, "that point you feel like your life is the least sorted ever" could be solved by someone who "slip their arm around you and make slumber easier." Brian summed it up with the words "All you really crave is for a friend to put their arms around you and make you feel better. That’s the pure morning, when that happens”.

The official music clip of “Pure morning” was directed by Nick Gordon and
shot in slow-motion at the junction of Savoy Street and Savoy Hill in London. Brian once said that „Fourteen hours“, a film with Grace Kelly, was an inspiration for the video.
In the clip he embodies a suicidal man, and police and authorities try to stop him when it seems he wants to jump down from the building. Shots of the rest of the band consist of them being arrested for unseen crimes.
News crews report on the scene and a single police officer runs through the building to attempt to safe the young man from jumping. Brian eventually leans forward but instead of falling down all the way he starts to walk vertically down on the side of the building.


BRIAN ON “PURE MORNING”
"Well, 'Pure morning'... we kind of feel it was a little bit of a gift really. We'd finished our album and we'd given it to the record company and the pressure was off. We were just relaxing and doing a B-side session, and we were working in a way that we hadn't worked before. We went into the studio with just a guitar loop in the morning and built a track on top of that as the day went on, so you don't really know where you're going and it's a more spontaneous thing. By the end of the day we had "Pure morning," and once we took a step back, it became painstakingly obvious that it was far too good for a B-side and ended up being the first single off the album. It's different, it's a new departure for us and it's probably quite indicative for where we're going in the future."
(MTV, 1998)

”Going on Top of the Pops and saying 'A friend with weed is better' is a laugh. You know that's quite a coup being able to subvert that set-up in that way you know. It means that we're never going to compromise ourselves lyrically you know in order to have a hit, we don't need to. ”
(In conversation with Sally Stratton, August 1998)"It was completely spontaneous, it was a gift from the God of Music, who descended from the skies and said 'Here boys, you've been working really hard, have a hit.'"
(Juice Magazine, August 1999)

"There's been so many mornings when I've walked out of a dingy, after-hours drinking club in Soho, and gone, 'Oh, shit! The sun's up.' And you know for a fact that you're not going to be able to go to sleep for many hours, and that you're going to tear the wallpaper off... with your fingernails. And it's kind of about that feeling, about feeling the rest of the world is getting up and getting ready to go to work, and you're still coming down."
(Access Magazine, February 1999)



BRIAN ON THE VIDEO CLIP 
"We wanted to show a state of extreme desperation. We didn’t want to make another video showing us performing. Um… I don’t know, we wanted to make a video in which we can actually act, a video like a small movie. Anyway, the video started from our idea, and we wanted a very intense, desperate drama, which you might be feeling when you wake up to a pure morning. We wanted a video that can keep the viewers on the edge of their seats from the start to the end. And it also has a very important meaning that I don’t die in the end. It shows some hope, I think. Actually some of us view this video from a different perspective, for example, do you remember the scene where Stef and Steve get arrested? We thought of ourselves as special beings with supernatural powers who came from a far future. That’s why I could walk down on the building wall and people arrested Stef and Steve. People wanted to take us away and do experiments on us. That’s why I was standing on top of the building away from the people. Or, the video could be about anything, really. It just raised some questions without suggesting any clear answers. You have to fill in the blanks. It can be interpreted in any way according to the person’s experience and situation. That was our intentions. To raise questions without giving any clues. "
(Brian,
S. 1999)

Photo credits: Screenshots from the video
Post by Silke