Brian Molko - Radio Vinyle #11 - Interview by Laura Leishman / 21.06.2012
The interview takes place in Radio France,
Brian is having a look at their huge vinyl collection and choosing his
favorites… The interviewer is Laura Leishman.
Brian : 2 more minutes pleeease ! I have
to stop, or…
Laura Leishman: Yes, It’s time, we have to stop, whatever…
Brian: Oooh what??! Now, check this out! It’s amazing that I found this! I knew that Parliament had this record “Parliament
vs the Placebo syndrome”. I can’t’ believe that I’ve found this! I’ve never
actually heard it!.
Laura: Oh my God, you got to take that one then!
An immersion in the
Radio France Vinyl Collection…
Brian: There are so many albums in here, which are
so important…
Oooh,
what??!! That’s one of my favorite movies! I’m obsessedwith a song in this one:
Old Souls.
Laura: Well, we can listen to it. We’re here to do
that anyway!
Brian: Yes, it’s a Brian De Palma movie. It’s a bit based on the legend of
the Phantom of the Opera, the Faust’s story. It is basically, the rock star who
sells his soul to the Devil to be successful.
So my
brother, my older brother,taught me how to play vinyl records. Like this…
Because he got the turn table before I did. What I particularly like about
vinyl is the dimension, that’s a fetish for me.
I think
that the way that you’re physically involved in the act of putting the record
in the turn table and playing it, itis very important.
Laura: So, let’s listen to it!
[Old
Souls byJessica Harper is
playing… And Brian is smilng! ;-)
Brian: yes yes, it takes me away, really, back to my
childhood. When I was a kid, I got one big obsession: psychedelic music.
“The grateful Dead”. Let’s listen to a little song.
[he sings while St Stephen byThe Grateful
Dead’s playing].
Laura: How old were you while listening to that?
Brian: About 16. That was when I discovered
Marijuana…
Laura: ok!...
Brian: It was the central point of my rebellion! The
psychedelia and stuffs like that…
The idea
was to find a kind of free-your- mind thinking, creative freedom, live without
any rules… To be ahedonisticanarchist! Something like that, yes!
Laura: But it’s something you still have?
Brian: Yes, I have it but, in fact, it caused me a
lot of shit in my life!! But we all grow up eventually!
Laura: Maybe it’s the Grateful Dead’s fault!
Brian: They were a European psychedelic movement
too. Those bands were the predecessors of Kraftwerk and electronic music. Can is kind of funky psychedelic. They
are German. It’s “Krautrock”*. I first listened to it at university, in London.
It blew my mind because it was so strange.
A friend of
mine got a huge collection of vinyls he had brought with him. And we were in
the same dorm.
[Vitamin
C from Can is playing]
I started
to discover a whole world of possibilities… The idea of some shades (meaning
sounds) which aren’t well together but which are
fascinating. And I think that’s what I still try to find in modern music, and I
am increasingly disappointed.
Laura: a great discovery!
Brian: Yes, great discovery! Because if you enter
“PLACEBO” in ITunes, you’ll get, of course our band, but also this “Parliament”album
which I’ve always loved!The band I mean because I don’t even know this album! I’ve
never listened to it in my whole life.“Parliament vs the Placebo Syndrome.”
Laura: It’s destiny. You’ve just found it by chance
among thousands of vinyls.
Brian: Yes, just at the last minute! Let’s see! I
hope it’s funky
Brian: In fact, funk is like a big pillow. When
you’re listening to funk music it’s like being in the middle of funky pillows!
I really don’t know why! That’s amazing!
So, let’s
leave psychedelic and listen to some more modern music. A little bit of “post
punk”. On this album, here is Iggy Pop.
According to me, it’s a kind of a bridge betweenpsychedelic - Rock- Punk and
post punk music, which has really influenced me, and also my band.
Laura: Alright [already
in English]!
Brian: Let’s go!
[Search
and Destroy byIggy and the Stooges
is playing. They are both singing!]
Brian: Listen to that!
Iggy: … I’m using technologies….
Laura: During the song, you told me “Listen to that”
when he says “I’m using technology”. Why is that important to you?
Brian: Because it’s so old! 1973! When you think
about how technology rules our lives these days, the vision Iggy had, to be
under this shadow at that time. It’s wow!
Laura: How do you feel when you think about the fact
you were listening to this music when you were young? You were learning, you were dreaming of being
a musician. And now you’re a part of this history. Do you realize that?
Brian: Not really. I can’t compare myself to the
legendary rock n roll history! Maybe because modern celebrity culture, to me, is
less important than the old one. They had to create such progressive things and
work so hard for peopleto listen to them. It’s quite not the same today. Maybe
I feel a bit like a victim of my generation.
To me,
we’ve been through punk, and then here we are in the U.S., with post punk, new
wave music. I’d say it’s when the punk began to be a bit more “old school” [already in English], a bit more
experimental. It changed the way we listened to guitars. So “Pere Ubu” a very, very strange band.
Brian: What the Hell?! Laura: Yes exactly! Here is this experimental side you were
speaking about.
Laura: What’s happening Brian: The great thing with the vinyls, which started to disappear leaving
its place to CDs, is that you can have the cover in your hands while listening.
You can watch it, touch it. You can create a whole story with the details of
the cover! I feel a bit nostalgic right now!!
Brian: When I was 16, when I first listened to Sonic Youth, everything changed for me.
Because before Sonic Youth guitars
used to be rock guitars. And this [about
Sonic Youth] was another world, something totally different. Iwould say
it’s our biggest influence. Especially in the beginning. OOooh, wow, you cannot
have this with an MP3, uh!!!
You can hear
here how Sonic Youth has totally
changed the guitars. They put them “upside down” [already in English].
[Titanium
Exposรฉ by Sonic Youth is
playing]
Brian: I think it’s the biggestinfluence for our
sound. They’re the band we wanted to be but couldn’t.
For the
last song, I’m going to choose a song by Nina Simone because I’ve always said
to my family and friends this song is the one I feel most identified with. The chorus…
It’s me! Basically! I’m just a soul whose intentions are good, oh lord, please
don’t let me be misunderstood. [already
in English, then he translates the sentence in French]. I’d like this song to
be played at my funeral.
[Don’t
let me be misunderstood by Nina
Simone is playing, and Brian’s singing, and smiling… again! :D]
*Krautrock is rock and electronic
music that originated
in Germany in the late 1960s. The term was popularized in the
English-speakingpress. Later, German media started to use it as a term for all
German rock bands from the late 1960s and 1970s, while abroad the
term specifically referred to more experimental artists who often but not always used synthesizers
and other electronic instruments.
Credits, Info: Photos (Gisela William Molko) & Pinterest & Brian Molko Vinyl Pinterest, Detalled tecnical info at Radio Vinyle Website
A special Thank You to: Bรฉnรฉdicte Convert & Diana E.T.F. for translating and a helping hand. THANK YOU !!!
A special Thank You to: Bรฉnรฉdicte Convert & Diana E.T.F. for translating and a helping hand. THANK YOU !!!