Showing posts with label exhibition. Show all posts
Showing posts with label exhibition. Show all posts

Wednesday, May 18, 2022

๐Ÿ”น๐€๐‹๐๐‡๐€: ๐๐‡๐Ž๐“๐Ž๐†๐‘๐€๐๐‡๐ˆ๐‚ ๐„๐—๐‡๐ˆ๐๐ˆ๐“๐ˆ๐Ž๐๐Ÿ”น

๐Ÿ”ธ๐ป๐‘’๐‘™๐‘™๐‘œ ๐‘“๐‘Ÿ๐‘–๐‘’๐‘›๐‘‘๐‘ ,
๐‘ก๐‘œ๐‘‘๐‘Ž๐‘ฆ ๐‘ค๐‘’ ๐‘ค๐‘–๐‘™๐‘™ ๐‘Ÿ๐‘’๐‘š๐‘’๐‘š๐‘๐‘’๐‘Ÿ ๐‘Ž ๐‘๐‘Ÿ๐‘œ๐‘—๐‘’๐‘๐‘ก ๐‘คโ„Ž๐‘œ๐‘ ๐‘’ ๐‘ ๐‘ฆ๐‘š๐‘๐‘œ๐‘™ ๐‘–๐‘  ๐‘Ž ๐‘๐‘Ÿ๐‘’๐‘Ž๐‘กโ„Ž๐‘ก๐‘Ž๐‘˜๐‘–๐‘›๐‘” ๐‘โ„Ž๐‘œ๐‘ก๐‘œ ๐‘œ๐‘“ ๐ต๐‘Ÿ๐‘–๐‘Ž๐‘›'๐‘  "๐‘ ๐‘™๐‘’๐‘’๐‘๐‘–๐‘›๐‘”" ๐‘“๐‘Ž๐‘๐‘’ ๐‘ข๐‘›๐‘‘๐‘’๐‘Ÿ ๐‘Ž ๐‘™๐‘Ž๐‘ฆ๐‘’๐‘Ÿ ๐‘œ๐‘“ ๐‘–๐‘๐‘’.๐Ÿ”ธ

Photo credit: Helena Berg, edit by Marti


'๐–๐ž ๐ฆ๐ฎ๐ฌ๐ญ ๐ ๐ž๐ญ ๐ฆ๐ž๐ง ๐ญ๐จ ๐ญ๐š๐ฅ๐ค': ๐ฉ๐ก๐จ๐ญ๐จ๐ ๐ซ๐š๐ฉ๐ก๐ž๐ซ๐ฌ ๐š๐๐๐ซ๐ž๐ฌ๐ฌ ๐ฌ๐ฎ๐ข๐œ๐ข๐๐ž ๐ซ๐š๐ญ๐ž๐ฌ ๐š๐ฆ๐จ๐ง๐  ๐ฒ๐จ๐ฎ๐ง๐  ๐ฆ๐ž๐ง.


“Suicide is the biggest killer of men between 20 and 45,” says (rapper) Professor Green with a tremble in his voice. “Someone could be hurting inside, but if they don’t tell you about it you might never know. We must get men to talk.”
(๐‘‡โ„Ž๐‘’ ๐บ๐‘ข๐‘Ž๐‘Ÿ๐‘‘๐‘–๐‘Ž๐‘›, ๐‘๐‘œ๐‘ฃ. 2015)


In November 2015, an exhibition of five famous London photographers was held in London on the occasion of International Men's Day.
⭐๐‡๐„๐‹๐„๐๐€ ๐๐„๐‘๐† and ⭐๐’๐‚๐€๐‘๐‹๐„๐“ ๐๐€๐†๐„ are the names that are best known to us.
And what is it all about?
It's a long story.


If we remember correctly, two charity Placebo concerts took place in the English university town of Leeds. The first was in 2013 and all proceeds went to the Mercy Center in Bangkok and also in support of the Samye Ling Buddhist Temple in Scotland. In March 2015, the band donated all proceeds from the concert to ⭐๐‚.๐€.๐‹.๐Œ. - "๐‚๐š๐ฆ๐ฉ๐š๐ข๐ ๐ง ๐€๐ ๐š๐ข๐ง๐ฌ๐ญ ๐‹๐ข๐ฏ๐ข๐ง๐  ๐Œ๐ข๐ฌ๐ž๐ซ๐š๐›๐ฅ๐ฒ".

Placebo in Leeds 2015. Photo credit: Stan 

๐Ÿ”น๐Ÿ’ฌ ๐๐ซ๐ข๐š๐ง ๐จ๐ง ๐‚๐€๐‹๐Œ:
“CALM is a charity that’s close to my heart because depression is a condition which I suffer from myself,” Molko told NME.
“There are various forms of help out there.
It’s a disease like any other. Depression and addiction are both recognised by the World Health Organisation as diseases. If someone had MS or cancer, you would listen to them. There’s still a stigma attached to depression, and a lot of men in particular feel that it’s a sign of weakness to talk about it. What we’re trying to do with CALM is remove that stigma in society.”
(๐ต๐‘Ÿ๐‘–๐‘Ž๐‘› ๐‘€๐‘œ๐‘™๐‘˜๐‘œ, ๐‘๐‘€๐ธ ๐‘‚๐‘๐‘ก. 2017)

Exhibition poster

๐Ÿ”น๐Ÿ’ฌ ๐’๐ญ๐ž๐Ÿ๐š๐ง ๐จ๐ง ๐‚๐€๐‹๐Œ:
He highlights the Campaign Against Living Miserably (CALM), which ‘is leading a movement against male suicide, the single biggest killer of men under 45 in the UK’.
“I’ve been to very, very dark places,” he states, “and I know people who have committed suicide. It’s horrible, and I just want people to know there are other options.” .../***/
“So as a first step, if there’s no one else you can turn to, these charities are there. It’s incredible just to talk to someone who will listen and can empathise. It can do you the world of good if you’re in a dark place.” .../***/
Loneliness, he says, like addiction, does not discriminate.
“It happens to the whole spectrum of people.”
(๐‘†๐‘ก๐‘’๐‘“๐‘Ž๐‘› ๐‘‚๐‘™๐‘ ๐‘‘๐‘Ž๐‘™, ๐น๐‘ฆ๐‘›๐‘’ ๐‘‡๐‘–๐‘š๐‘’๐‘ , 2018)

Placebo in Leeds 2015. Photo credit: Stan 

However, this second concert was even more special thanks to the after-party DJ show, which Brian and Stefan attended to the delight of their fans.
Read an excerpt from an article in which the ambassador of the charity C.A.L.M. the English actor ๐™…๐™–๐™ข๐™ž๐™š ๐˜พ๐™–๐™ข๐™ฅ๐™—๐™š๐™ก๐™ก ๐˜ฝ๐™ค๐™ฌ๐™š๐™ง explains the whole situation:


๐Ÿ”น๐Ÿ’ฌ „It came about after a CALM event I’d organised in Leeds in March. Placebo kindly agreed to dedicate the Leeds show of their tour to help raise awareness of CALM, and I put together a secret after-show party in collaboration with the uni.
Both Brian and Stef from the band DJ’d, and have been amazingly supportive. I was so grateful for them getting behind the charity and their continued efforts.
Helena [Berg, acclaimed photographer responsible for much of rock band Placebo’s artwork during their 20 year career] had heard all about the event and CALM via Brian, and asked to be put in touch with me to discuss her ideas; she talked about getting a load of photographers together to do something for the charity, as the cause really resonated with her."


◾ ๐‘Šโ„Ž๐‘ฆ ๐‘กโ„Ž๐‘’ ๐‘›๐‘Ž๐‘š๐‘’ ๐ด๐ฟ๐‘ƒ๐ป๐ด?
...A culture where the expectation of the stereotypical ALPHA male is relentlessly reinforced...
„The predominant model of the alpha male; strong, stoic and unfeeling, still persists in popular culture and reinforces a concept of masculinity that is pervasive and insidious – one that doesn’t allow for anxiety, vulnerability or dialogue.“
„In 2014, 4,623 men took their own lives in Britain. That works out to more than 12 deaths a day, and accounts for 76% of the total suicides in the UK in 2014. In fact, suicide is the biggest killer for men under 45 in the UK.“◾
(๐ถ๐ด๐ฟ๐‘€๐‘๐‘‚๐‘๐ธ 2015)

Placebo in Leeds 2015. Photo credit: Stan 

๐‘ƒโ„Ž๐‘œ๐‘ก๐‘œ๐‘”๐‘Ÿ๐‘Ž๐‘โ„Ž๐‘’๐‘Ÿ ๐ป๐‘’๐‘™๐‘’๐‘›๐‘Ž ๐ต๐‘’๐‘Ÿ๐‘” ๐‘“๐‘’๐‘™๐‘ก ๐‘กโ„Ž๐‘’ ๐‘ ๐‘’๐‘Ÿ๐‘–๐‘œ๐‘ข๐‘ ๐‘›๐‘’๐‘ ๐‘  ๐‘œ๐‘“ ๐‘กโ„Ž๐‘–๐‘  ๐‘๐‘Ž๐‘–๐‘›๐‘“๐‘ข๐‘™ ๐‘๐‘Ÿ๐‘œ๐‘๐‘™๐‘’๐‘š.. ๐‘†โ„Ž๐‘’ ๐‘‘๐‘’๐‘๐‘–๐‘‘๐‘’๐‘‘ ๐‘ก๐‘œ ๐‘ ๐‘ข๐‘๐‘๐‘œ๐‘Ÿ๐‘ก ๐‘กโ„Ž๐‘’ ๐ถ๐ด๐ฟ๐‘€ ๐‘โ„Ž๐‘Ž๐‘Ÿ๐‘–๐‘ก๐‘ฆ ๐‘Ž๐‘  ๐‘ค๐‘’๐‘™๐‘™.


๐Ÿ”น๐Ÿ’ฌ To photographer and Alpha curator Helena Berg, finding out the disturbingly high rate of male suicides was a call to action.
“I was so shocked and wanted to help,” she says. “I contacted four fellow photographers and we set out to interpret different parts of the male emotional experience. We called the project Alpha to reflect the cultural pressures put upon men to live up to the stereotypical “alpha male” model ... and we concentrated on emotions that would lead a person not to speak, like anxiety, depression and loneliness."
Berg herself concentrated on feelings of isolation, by photographing men under ice and water.
“Not as a reference to drowning,” she swiftly clarifies, “but to illustrate immobilisation and the feeling of ‘being frozen’, which many depressed people experience. I used Perspex on top of the subject [Placebo’s Brian Molko] for the illusion of ice and to create photos that are haunting and tranquil at the same time.
Alpha was timed to open on International Men’s Day, says Berg, “to highlight this gender disparity issue, where three times as many men are taking their lives as women."
(๐‘‡โ„Ž๐‘’ ๐บ๐‘ข๐‘Ž๐‘Ÿ๐‘‘๐‘–๐‘Ž๐‘›, ๐‘๐‘œ๐‘ฃ. 2015)

Placebo in Leeds 2015. Photo credit: Stan 

๐ด๐‘›๐‘‘ โ„Ž๐‘’๐‘Ÿ๐‘’'๐‘  ๐‘š๐‘œ๐‘Ÿ๐‘’ ๐‘–๐‘›๐‘“๐‘œ๐‘Ÿ๐‘š๐‘Ž๐‘ก๐‘–๐‘œ๐‘› ๐‘œ๐‘› ๐‘กโ„Ž๐‘’ ๐‘โ„Ž๐‘–๐‘™๐‘™๐‘–๐‘›๐‘” ๐‘โ„Ž๐‘œ๐‘ก๐‘œ๐‘  ๐‘“๐‘Ÿ๐‘œ๐‘š ๐‘†๐‘๐‘Ž๐‘Ÿ๐‘™๐‘’๐‘ก ๐‘ƒ๐‘Ž๐‘”๐‘’, ๐‘คโ„Ž๐‘–๐‘โ„Ž ๐‘–๐‘›๐‘ฃ๐‘–๐‘ก๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘ก๐‘–๐‘ ๐‘ก๐‘  ๐‘š๐‘Ž๐‘Ÿ๐‘˜๐‘’๐‘‘ ๐‘๐‘ฆ ๐‘กโ„Ž๐‘’๐‘–๐‘Ÿ ๐‘๐‘’๐‘Ÿ๐‘ ๐‘œ๐‘›๐‘Ž๐‘™ ๐‘ก๐‘Ÿ๐‘Ž๐‘ข๐‘š๐‘Ž๐‘ : ๐บ๐‘Ž๐‘Ÿ๐‘ฆ ๐‘๐‘ข๐‘š๐‘Ž๐‘›, ๐น๐‘Ÿ๐‘Ž๐‘›๐‘˜ ๐‘‡๐‘ข๐‘Ÿ๐‘›๐‘’๐‘Ÿ ๐‘Ž๐‘›๐‘‘ ๐‘ƒ๐‘Ÿ๐‘œ๐‘“๐‘’๐‘ ๐‘ ๐‘œ๐‘Ÿ ๐บ๐‘Ÿ๐‘’๐‘’๐‘›:
๐Ÿ”น๐Ÿ’ฌ Music photographer Scarlet Page, daughter of Led Zeppelin’s Jimmy Page, has taken arresting portraits of Gary Numan, Frank Turner and Professor Green which have a strikingly blurry effect.
“No image manipulation has gone into any of the photos,” Page explains. “I used a special lens which gives a very shallow depth of field and keeps the eyes sharp,” she says.
“I went to Gary Numan’s soundcheck at the Forum and we took some shots outside in-between chatting. All three men have been touched by depression in some way ... I wanted them to be quite expressionless, so no conclusions were made when looking at them. I think there is a softness and vulnerability to them.”
(๐‘‡โ„Ž๐‘’ ๐บ๐‘ข๐‘Ž๐‘Ÿ๐‘‘๐‘–๐‘Ž๐‘›, ๐‘๐‘œ๐‘ฃ. 2015)

๐Ÿ”น๐Ÿ“ธ ๐˜๐จ๐ฎ ๐œ๐š๐ง ๐ฌ๐ž๐ž ๐ก๐ž๐ซ ๐ฉ๐ก๐จ๐ญ๐จ๐ฌ ๐ก๐ž๐ซ๐ž:
https://bit.ly/3FVLyCY
๐Ÿ”น๐Ÿ”น๐Ÿ”น

๐‘ซ๐’†๐’‚๐’“ ๐’”๐’๐’–๐’๐’Ž๐’‚๐’•๐’†๐’”, ๐‘ฐ ๐’˜๐’Š๐’๐’ ๐’†๐’๐’… ๐’•๐’‰๐’Š๐’” ๐’‘๐’๐’”๐’• ๐’‚๐’ƒ๐’๐’–๐’• ๐’•๐’‰๐’Š๐’” ๐’†๐’™๐’„๐’†๐’‘๐’•๐’Š๐’๐’๐’‚๐’ ๐’‘๐’‰๐’๐’•๐’ ๐’๐’‡ ๐‘ฉ๐’“๐’Š๐’‚๐’ ๐‘ด๐’๐’๐’Œ๐’ ๐’Š๐’ ๐’๐’๐’† ๐’”๐’†๐’๐’•๐’†๐’๐’„๐’†:
๐‘ฐ๐’•'๐’” ๐’”๐’Š๐’Ž๐’‘๐’๐’†: ๐’Š๐’‡ ๐’˜๐’† ๐’‘๐’‚๐’š ๐’Ž๐’๐’“๐’† ๐’‚๐’•๐’•๐’†๐’๐’•๐’Š๐’๐’ ๐’•๐’ ๐’๐’–๐’“ ๐’๐’๐’—๐’†๐’… ๐’๐’๐’†๐’”, ๐’˜๐’† ๐’„๐’‚๐’ ๐’”๐’‚๐’—๐’† ๐’•๐’‰๐’†๐’Š๐’“ ๐’๐’Š๐’—๐’†๐’”.

Post by Marti

Thursday, April 28, 2022

๐ŸŸจ▪️๐๐‘๐ˆ๐€๐ ๐Œ๐Ž๐‹๐Š๐Ž’๐’ ๐„๐—๐‡๐ˆ๐๐ˆ๐“๐ˆ๐Ž๐ ๐‘๐„๐•๐ˆ๐„๐–: ๐‘ด๐‘ฐ๐‘ช๐‘ฏ๐‘จ๐‘ฌ๐‘ณ ๐‘ช๐‘ณ๐‘จ๐‘น๐‘ฒ ๐‘ช๐‘ถ๐‘บ๐‘ด๐‘ฐ๐‘ช ๐‘ซ๐‘จ๐‘ต๐‘ช๐‘ฌ๐‘น▪️๐ŸŸจ

Once again, Brian gives us an opportunity to educate ourselves on contemporary art which he’s always been highly interested in. In the recent interview to ๐‘ป๐’‰๐’† ๐‘ฎ๐’–๐’‚๐’“๐’…๐’Š๐’‚๐’, Brian talked about the exhibition dedicated to the famous dancer and choreographer ๐‘ด๐’Š๐’„๐’‰๐’‚๐’†๐’ ๐‘ช๐’๐’‚๐’“๐’Œ that he visited in Dundee.
⭐️An especially interesting fact is that in ๐‘ด๐’Š๐’„๐’‰๐’‚๐’†๐’ ๐‘ช๐’๐’‚๐’“๐’Œ’s art, there’s a direct connection to the great musician and Brian’s long-time close friend ๐‘ฉ๐’“๐’Š๐’™ ๐‘บ๐’Ž๐’Š๐’•๐’‰.

๐Ÿ“ข๐๐ซ๐ข๐š๐ง ๐Œ๐จ๐ฅ๐ค๐จ: This career retrospective pretty much gathered up all the footage from Michael Clark’s history. It wasn’t unlike a Bill Viola exhibition: there were these massive video screens that took you through his development, training and personality to show how he grew into being the choreographer that he became. My highlight was when he started to work with the legend that is Leigh Bowery, and the ballet he created for the Fall called I Am Curious, Orange. His work had been quite calm and contemplative up until then, and then he hit his punk period and it got really fun, really noisy.
(๐‘‡โ„Ž๐‘’ ๐บ๐‘ข๐‘Ž๐‘Ÿ๐‘‘๐‘–๐‘Ž๐‘›, ๐‘‚๐‘› ๐‘€๐‘ฆ ๐‘…๐‘Ž๐‘‘๐‘Ž๐‘Ÿ, ๐‘€๐‘Ž๐‘Ÿ๐‘โ„Ž 19๐‘กโ„Ž, 2022 / ๐‘–๐‘›๐‘ก๐‘’๐‘Ÿ๐‘ฃ๐‘–๐‘’๐‘ค ๐‘๐‘ฆ ๐พ๐‘Ž๐‘กโ„Ž๐‘Ÿ๐‘ฆ๐‘› ๐ต๐‘Ÿ๐‘œ๐‘š๐‘ค๐‘–๐‘โ„Ž)

Photo credit: Mads Perch; exhibition poster / edit by Olga

๐ŸŸจ๐Œ๐ˆ๐‚๐‡๐€๐„๐‹ ๐‚๐‹๐€๐‘๐Š is a Scottish dancer and choreographer.
Clark was born in Aberdeen and began traditional Scottish dancing at the age of four. In 1975 he left home to study at the Royal Ballet School in London, and on his final day at the school he was presented with the Ursula Moreton Choreographic Award.
Michael Clark has collaborated with fashion designers BodyMap, artists Sarah Lucas and Peter Doig, performance artist Leigh Bowery, and musicians Wire, Laibach, The Fall, Jarvis Cocker and Scritti Politti.


⭐️๐‘ด๐‘ฐ๐‘ช๐‘ฏ๐‘จ๐‘ฌ๐‘ณ ๐‘ช๐‘ณ๐‘จ๐‘น๐‘ฒ ๐‘ช๐‘ถ๐‘บ๐‘ด๐‘ฐ๐‘ช ๐‘ซ๐‘จ๐‘ต๐‘ช๐‘ฌ๐‘น⭐️
The exhibition represents an exploration of Clark’s crucial presence in British cultural history.
It follows his career with its unique multi-disciplinary approach that incorporates a wide range of subcultural influences since the artist’s meteoric rise as a young choreographer in the 1980s. Film, photography, and material from Clark’s practice is presented alongside his legendary collaborations across visual arts, music, fashion and film.


๐ŸŸจ๐“๐ก๐ž ๐’๐ญ๐จ๐ซ๐ฒ ๐จ๐Ÿ ๐Œ๐ข๐œ๐ก๐š๐ž๐ฅ ๐‚๐ฅ๐š๐ซ๐ค’๐ฌ ๐†๐š๐ฆ๐ž-๐‚๐ก๐š๐ง๐ ๐ข๐ง๐  ๐ˆ ๐€๐Œ ๐‚๐”๐‘๐ˆ๐Ž๐”๐’, ๐Ž๐‘๐€๐๐†๐„ ๐๐ž๐ซ๐Ÿ๐จ๐ซ๐ฆ๐š๐ง๐œ๐ž๐ŸŸจ
๐‘ซ๐’‚๐’๐’„๐’Š๐’๐’ˆ ๐’‘๐’‰๐’๐’๐’† ๐’ƒ๐’๐’™๐’†๐’”, ๐’‚๐’ ๐’†๐’๐’๐’“๐’Ž๐’๐’–๐’” ๐‘ฉ๐’Š๐’ˆ ๐‘ด๐’‚๐’„ ๐’‚๐’๐’… ๐‘ด๐’‚๐’“๐’Œ ๐‘ฌ. ๐‘บ๐’Ž๐’Š๐’•๐’‰ ๐’๐’Š๐’—๐’† ๐’๐’๐’”๐’•๐’‚๐’ˆ๐’†: ๐’„๐’‰๐’๐’“๐’†๐’๐’ˆ๐’“๐’‚๐’‘๐’‰๐’†๐’“ ๐‘ด๐’Š๐’„๐’‰๐’‚๐’†๐’ ๐‘ช๐’๐’‚๐’“๐’Œ’๐’” ๐’“๐’‚๐’…๐’Š๐’„๐’‚๐’ ๐Ÿ๐Ÿ—๐Ÿ–๐Ÿ– ๐’‘๐’†๐’“๐’‡๐’๐’“๐’Ž๐’‚๐’๐’„๐’† ๐‘ฐ ๐‘จ๐’Ž ๐‘ช๐’–๐’“๐’Š๐’๐’–๐’”, ๐‘ถ๐’“๐’‚๐’๐’ˆ๐’† ๐’˜๐’‚๐’” ๐’‚๐’ ๐’†๐’™๐’–๐’ƒ๐’†๐’“๐’‚๐’๐’• ๐’Ž๐’‚๐’”๐’‰-๐’–๐’‘ ๐’๐’‡ ๐’‘๐’–๐’๐’Œ ๐’‚๐’•๐’•๐’Š๐’•๐’–๐’…๐’†, ๐’•๐’†๐’„๐’‰๐’๐’Š๐’„๐’‚๐’ ๐’ƒ๐’“๐’Š๐’๐’๐’Š๐’‚๐’๐’„๐’† ๐’‚๐’๐’… ๐’‘๐’๐’‘ ๐’‚๐’“๐’•


The dance world wasn’t ready for Michael Clark. His ๐ˆ ๐€๐ฆ ๐‚๐ฎ๐ซ๐ข๐จ๐ฎ๐ฌ, ๐Ž๐ซ๐š๐ง๐ ๐ž performance, which premiered in June 1988 at the Holland Festival in Amsterdam, was like nothing that came before it. With a classical orchestra exchanged for seminal Manchester post-punk band ๐“๐ก๐ž ๐…๐š๐ฅ๐ฅ, tutus for outlandish and outrageous costumes by ๐‹๐ž๐ข๐ ๐ก ๐๐จ๐ฐ๐ž๐ซ๐ฒ and ๐๐จ๐๐ฒ๐Œ๐š๐ฉ, the stage was “chock-full of nonsensical and funny images”, according to one spectator. “A huge green telephone hurried across the stage, never to reappear, a carton of McDonalds fries lowered gently from the roof, spilling its contents over the dancers who fall down dead, ๐๐ซ๐ข๐ฑ [Smith, Fall guitarist] wheeled in on a giant Big Mac and, incredibly, Mark E. Smith looking downright dapper.” As much a gig or party as a dance performance, the frenetic display of 14-inch platform shoes, windmill headdresses and dancing oranges and lemons was illuminated with lighting design by video artist Charles Atlas, to a backdrop of visceral video collages by artist and filmmaker Cerith Wyn Evans.
[...]

Photo credit: Placeboworld

The piece has an entire room devoted to it in the [...] exhibition on Clark, featuring the original props from the performance. “This ballet marks the culmination of Clark’s flamboyant, humorous, rich visual language on stage,“ says its curator, Florence Ostende. “He choreographed the work as an all-encompassing environment merging historical references and borrowed imagery from popular culture.”
๐ˆ ๐€๐ฆ ๐‚๐ฎ๐ซ๐ข๐จ๐ฎ๐ฌ, ๐Ž๐ซ๐š๐ง๐ ๐ž was the pinnacle of Clark’s collaboration with ๐“๐ก๐ž ๐…๐š๐ฅ๐ฅ, who released the soundtrack music in an album entitled ๐‘ฐ ๐‘จ๐’Ž ๐‘ฒ๐’–๐’“๐’Š๐’๐’–๐’” ๐‘ถ๐’“๐’‚๐’๐’‹ the same year. (He had been working with the band for some time, famously appearing on The Old Grey Whistle Test with them in a bottomless unitard. “That was very funny because all the parents of the group were waiting, because it was the first time we were on TV ... and all they get is Michael showing his arse off,” said ๐Œ๐š๐ซ๐ค ๐„. ๐’๐ฆ๐ข๐ญ๐ก in a later interview.)
“For me, I Am Curious, Orange goes much further than a radical deconstruction of Clark’s ballet vocabulary,” says Ostende of its enduring power. “It is a key artwork of 1980s British art.” Furthermore, the work reflects Clark’s unprecedented gift for introducing dance to new audiences; fans of music, fashion, art and film – perhaps even of football, given the Celtic and Rangers references. Embodying the angelic and the demonic, the classical and the punk, the piece captured the spirit of the late 1980s, embracing subculture, club culture and gender politics alike. He made contemporary dance pop – in both senses of the word.
(๐ด๐‘›๐‘‚๐‘กโ„Ž๐‘’๐‘Ÿ ๐‘š๐‘Ž๐‘”๐‘Ž๐‘ง๐‘–๐‘›๐‘’, ๐ท๐‘’๐‘๐‘’๐‘š๐‘๐‘’๐‘Ÿ 9๐‘กโ„Ž, 2020)


๐ŸŸจ๐ˆ ๐€๐Œ ๐Š๐”๐‘๐ˆ๐Ž๐”๐’ ๐Ž๐‘๐€๐๐‰ (1988) is the eleventh studio album by English post-punk band ๐“๐ก๐ž ๐…๐š๐ฅ๐ฅ.
The music was mostly pre-written by ๐๐ซ๐ข๐ฑ ๐’๐ฆ๐ข๐ญ๐ก and bassist ๐’๐ญ๐ž๐ฏ๐ž ๐‡๐š๐ง๐ฅ๐ž๐ฒ. A live version was recorded during an Edinburgh Festival performance of the ballet, and issued in 2000 as I Am as Pure as Oranj.
๐ˆ ๐€๐ฆ ๐Š๐ฎ๐ซ๐ข๐จ๐ฎ๐ฌ ๐Ž๐ซ๐š๐ง๐ฃ's title is derived from Swedish director Vilgot Sjรถman's films I Am Curious (Yellow) (1967) and I Am Curious (Blue) (1968).

⭐️By the way, at ๐•&๐€ ๐ƒ๐ฎ๐ง๐๐ž๐ž, the exhibition is opened until September 4th, 2022, so some of you have a chance to see it!

Post by Olga

Friday, November 6, 2015

Brian Molko Collaborate With Award-Winning Photographers for Exhibition Exploring Masculinity and Mental Health

Brian Molko Collaborate With Award-Winning Photographers for Exhibition Exploring Masculinity and Mental Health

Photo credits Helena Berg



Professor Green, Gary Numan, Frank Turner and our beloved Brian Molko Collaborate With Award-Winning Photographers for Exhibition Exploring Masculinity and Mental Health


AWARD-WINNING PHOTOGRAPHERS AND MUSICIANS COLLABORATE TO CREATE ALPHA EXHIBITION EXPLORING MASCULINITY AND MENTAL HEALTH ON INTERNATIONAL MEN’S DAY  (The Campaign Against Living Miserably)

Includes support from and portraits of Gary Numan, Frank Turner, Brian Molko and CALM patron Professor Green

‘ALPHA’ is an exhibition by five London-based photographers in aid of the charity CALM (The Campaign Against Living Miserably). CALM aims to prevent male suicide in the UK, and offers support to men who are living with depression or are in crisis. Suicide is the single biggest killer of men aged 20-45 in the UK, and CALM aims to keep men alive by talking.

This exclusive body of work has been produced by the artists to coincide with International Men’s Day and East London International Photography Festival (Photomonth) in an attempt to raise wider awareness of these issues.

The exhibition intends to start a dialogue about a subject often too difficult to acknowledge in today’s culture. A culture that in 2013 saw 78% of suicides in the UK carried out by males. A culture where the expectation of the stereotypical ALPHA male is relentlessly reinforced.

 A mix of unknown and known faces including Gary Numan, Frank Turner and Professor Green are the subject of Scarlet Page’s portraits of men that have lived with depression or difficult life events. Captioned with imaginary words, some poignant, some comical, they highlight the emasculation men can feel when trying to express their emotions or talk about their experiences.


Helena Berg’s images almost trapped or frozen underwater, including Placebo frontman Brian Molko, evoke feelings of isolation and separateness; the inability to be in action.

Sources: Posted on November 5, 2015 by The Planet Of Sound


Read more here


ALPHA runs from Friday 20th November until Friday 27th November at theprintspace Gallery | 74 Kingsland Road, London E2 8DL