๐ข"Music is my life and I can't imagine doing anything else. I would like to break into production and film scores."
(๐ต๐๐๐๐ ๐๐๐๐๐, ๐โ๐ ๐๐๐๐๐ "๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐ก", ๐ด๐ข๐๐ข๐ ๐ก 2003)
For the last few weeks we’ve been talking a lot about Placebo songs featured on the movie soundtrack. But, having a degree in drama, Mr. Molko has been also interested in other sides of filmmaking.
At the time of Placebo’s ‘Black Market Music” Brian worked on his first short film Sue's Last Ride. But do you know that in over a decade he produced another film with the same director?
๐๐๐๐’๐ ๐๐๐๐ ๐๐๐๐ (๐๐๐๐)
Sue's Last Ride is a short film, an American-French co-production, directed by ๐ต๐๐๐๐๐๐๐ ๐ฌ๐๐๐๐๐๐, written by Nicholas Elliott and Bryan McCormack, starring Jenny Brown, Chris Bearne, Warren Ellis. Brian has been an ๐๐ฑ๐๐๐ฎ๐ญ๐ข๐ฏ๐ ๐ฉ๐ซ๐จ๐๐ฎ๐๐๐ซ of the film.
It’s a lyrical film combining a loose narrative about a young woman with a concert performance by the legendary Australian trio Dirty Three. Filmed at the Ottobar in Ljubljana, Slovenia, and Paris, the film premiered at the Amiens Film Festival in France in November 2001 and went on to screen at International Film Festival Rotterdam (January 2002) and Chicago Underground Film Festival (August 2002), among others.
๐๐๐ข๐ซ๐ญ๐ฒ ๐๐ก๐ซ๐๐ is an Australian instrumental rock band, consisting of Warren Ellis (violin and bass guitar), Mick Turner (electric and bass guitars) and Jim White (drums) formed in 1992. The same-titled song, ๐บ๐๐'๐ ๐ณ๐๐๐ ๐น๐๐ ๐, which we can watch performed in the film, appears on the Dirty Three album Horse Stories (1996) that was voted by Rolling Stone as one of the top three albums of the year.
๐“Fresh from a slot on Australia's gargantuan Big Day Out festival, Molko immediately got to work producing a documentary on folk-rock ruffians the Dirty Three. And Placebo's outrageous feather-boa turn in Velvet Goldmine turned a few Hollywood heads, as well.”
(๐๐ข๐๐๐๐ ๐๐๐๐ฆ, ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐ค๐๐๐๐ ๐ค๐๐๐ ๐๐ก๐).
๐๐ท๐๐๐
A car in the nocturnal streets of Ljubljana. A young woman obsessively describes the shaky relationship with her father to the man at the wheel taking her to a concert by The Dirty Three. As the music gets louder, so do the words.
We’re lucky to watch the film!
๐๐๐ซ๐ญ ๐: https://bit.ly/2AwbcAK
๐๐๐ซ๐ญ ๐: https://bit.ly/2VNAems
Unrelated but curious fact: during one of the shows in Melbourne, Australia, ๐๐ข๐ซ๐ญ๐ฒ ๐๐ก๐ซ๐๐ featured graffiti artists and their work around the city, and one of the walls was mentioned to have some spraypainted stencils by Brian.
Photo credit: Morten Holm |
Icarus is an American short drama film written and directed by ๐ต๐๐๐๐๐๐๐ ๐ฌ๐๐๐๐๐๐, produced by ๐ฉ๐๐๐๐ ๐ด๐๐๐๐ (alongside some others), starring Rosie Goldensohn, Jim Fletcher, Greg Zuccolo.
Allegoric and mysterious film was premiered in March 2015 at the New Directors/New Films Festival hosted by MoMA and the Film Society of Lincoln Center’s.
๐ข"Short-form filmmaking often allows a single concept or artistic idea to come to life, and the programs of short films in the festival at times have poetic linkages among the titles. Innovation and fresh perspectives abound. Or, as [starring] Jim Fletcher observes in Nicholas Elliott’s delightfully absurd Icarus—after emerging nude from a frozen lake, seeking shelter at a nearby cabin, and looking over his host’s shoulder as she works on a site-specific sculpture of sorts—“You couldn’t make this anywhere else.”
(๐๐๐ค ๐ท๐๐๐๐๐ก๐๐๐ /๐๐๐ค ๐น๐๐๐๐ 2015: ๐๐๐ค ๐๐๐๐ก๐๐๐ , ๐๐๐ค ๐น๐๐๐๐ ,
๐๐๐๐ด ๐ต๐๐๐)
๐๐ท๐๐๐
In the heart of winter, a naked man comes out of the Hudson River and meets a young woman making a tapestry in an isolated cabin. Over the following days, two more men come out of the river and join them. The flow of desire between these four strangers remains unclear until a group of men arrives to take one of the newcomers away.
Director Nicholas Elliott discusses his short film (in Spanish)
๐https://bit.ly/3e1V2Ni
✨๐๐๐๐๐๐๐๐ ๐๐๐ ๐✨
Film expert and critic, writer and translator, Nicholas Elliott is the correspondent for some New York magazines. Next to his writing, he’s also produced several short films and plays. His works are described as “filled with shameless sexual curiosity, rich shots of unadorned faces and bodies, thrilling surprises, nocturnal rush and aesthetically pleasing stills”.(๐๐ฅ๐ก๐๐๐๐ฅ๐ก๐๐๐๐๐๐๐ง๐๐๐.๐๐๐)
๐ข๐๐ข๐๐ก๐จ๐ฅ๐๐ฌ ๐๐ฅ๐ฅ๐ข๐จ๐ญ๐ญ: “The question of queer cinema is not one that is particularly important to me, certainly not in making this film. What is important is desire. I think that whether you’re making a film or whether your watching a film, desire is huge. It’s really too bad that over the course of film history homosexual desire hasn’t been transparently represented more often. Endless books and video essays have been made about how it’s been subterraneously represented, but it’s really only been the last ten or twenty years that we have gay role models to look at. I think that’s too bad for everybody; it’s especially too bad for young people who are kind of finding their view of the world to come in film … I think it’s important in film to be honest about desire and show the various flows of desire.”
(๐ต๐๐๐ต ๐๐๐๐๐ง๐๐๐, ๐๐๐ฆ 18, 2015)
Photo credit: Joseph Llanes |
Photo credit pic 1: right top - Jamie Beeden, left bottom - Joseph Llanes; screenshots of the films / edit by Olga
Post by Olga