Thursday, November 5, 2020

Interview with studio and touring member Fiona Brice

Today Placebo's ex touring member and studio musician Fiona Brice celebrates her birthday. She was part of the band for almost one decade from 2008 to 2017.

🎈🎉 𝙃𝘞𝙋𝙋𝙔 ð˜―ð™„ð™ð™ð™ƒð˜ŋ𝘞𝙔, 𝙁𝙄𝙊𝙉𝘞! 🎉🎈


To celebrate her special day I want to share one interview with Fiona from 2010 about touring with Placebo and another one about her music from January last year.

Photo credits: Gabrielle Motola, Gwen, Rianovosti, unknown / edit by Silke


♦𝗧𝗞𝘂ð—ŋð—ķð—ŧð—ī 𝘄ð—ķ𝘁ð—ĩ ð—Ģð—đð—Ū𝗰ð—ēð—Ŋ𝗞 – 𝗜ð—ŧ𝘁ð—ēð—ŋ𝘃ð—ķð—ē𝘄 𝘄ð—ķ𝘁ð—ĩ 𝗙ð—ķ𝗞ð—ŧð—Ū 𝗕ð—ŋð—ķ𝗰ð—ē♦


𝗕𝗔𝗧𝗧𝗟𝗘 𝗙ð—Ēð—Ĩ 𝗧𝗛𝗘 ð—Ķð—Ļð—Ą 𝗜ð—Ķ 𝗧𝗛𝗘 ð—Ķ𝗘𝗖ð—Ēð—Ąð—— ð—Ģ𝗟𝗔𝗖𝗘𝗕ð—Ē 𝗔𝗟𝗕ð—Ļ𝗠 𝗧𝗛𝗔𝗧 𝗎ð—Ēð—Ļ'ð—Đ𝗘 𝗊ð—Ēð—Ĩ𝗞𝗘𝗗 ð—Ēð—Ą, 𝗔𝗙𝗧𝗘ð—Ĩ 𝗠𝗘𝗗ð—Ķ: 𝗛ð—Ē𝗊 𝗗𝗜𝗗 𝗎ð—Ēð—Ļ 𝗙𝗜ð—Ĩð—Ķ𝗧 𝗠𝗘𝗘𝗧 𝗧𝗛𝗘 ð—•ð—”ð—Ąð—— ð—”ð—Ąð—— 𝗚ð—Ē𝗧 𝗧ð—Ē 𝗖ð—Ē𝗟𝗟𝗔𝗕ð—Ēð—Ĩ𝗔𝗧𝗘 𝗊𝗜𝗧𝗛 𝗧𝗛𝗘𝗠?
ðŸ“Ē ”I have known the band socially for many years because we have several friends in common in London, and we used to meet at gigs before Placebo became hugely successful and their tours took them away for long periods. Brian remembers seeing me playing violin with Michael J Sheehy about 10 years ago at the 12-bar club in London. At the time I was playing and writing with various bands, including Dream City Film Club. Coincidentally I was also in the band Tram for a while, and Bill Lloyd was in this band before me! Small world… But our musical paths didn’t officially merge until the band decided to use strings on theMeds album. They asked me to write with them, and we found musical material and a sound that could add something to the songs without overpowering them. It worked well and after this I collaborated with Stefan on the strings for the Hotel Persona album.”

𝗔ð—Ĩ𝗘 𝗎ð—Ēð—Ļ ð—Ķ𝗔𝗧𝗜ð—Ķ𝗙𝗜𝗘𝗗 𝗊𝗜𝗧𝗛 𝗛ð—Ē𝗊 𝗧𝗛𝗘 ð—Ķ𝗧ð—Ļ𝗗𝗜ð—Ē ð—Ķð—Ēð—Ļð—Ąð——ð—Ķ 𝗛𝗔ð—Đ𝗘 ð—•ð—˜ð—˜ð—Ą 𝗧ð—Ĩð—”ð—Ąð—Ķð—Ģð—Ēð—Ĩ𝗧𝗘𝗗 ð—œð—Ąð—§ð—Ē 𝗟𝗜ð—Đ𝗘 ð—Ķð—Ēð—Ąð—šð—Ķ?
ðŸ“Ē ”Yes I am very happy with the way the ’string’ songs sound live. Our sound engineer is brilliant and has worked hard to ensure that combination of the samples and my live violin sound has a great impact. Using an electric violin helps with this as an acoustic violin would be overwhelmed by everything else on stage.”

𝗔ð—Ĩ𝗘 𝗧𝗛𝗘ð—Ĩ𝗘 ð—”ð—Ąð—Ž ð—Ķð—Ēð—Ąð—šð—Ķ 𝗧𝗛𝗔𝗧 𝗎ð—Ēð—Ļ 𝗔ð—Ĩ𝗘 ð—Ģ𝗔ð—Ĩ𝗧𝗜𝗖ð—Ļ𝗟𝗔ð—Ĩ𝗟𝗎 𝗙ð—Ēð—Ąð—— ð—Ē𝗙 ð—Ģð—Ÿð—”ð—Žð—œð—Ąð—š 𝗟𝗜ð—Đ𝗘?
ðŸ“Ē ”I really love playing Battle for the Sun. I feel this is an important track for the band and it is exciting to perform. Every You Every Me and Special K are amazing too. I become a ‘fan’ again because I have always loved those songs and it reminds me of being in the crowd, rather than being in front of the crowd. It’s important to remember where you’ve come from! Speak in Tongues is also very powerful. I enjoy all the songs in the set for different reasons, and I am constantly finding new things in them to keep me inspired.”

Photo credit: Morgane Lescoutre 

𝗖ð—Ēð—Ļ𝗟𝗗 𝗎ð—Ēð—Ļ ð—Ąð—”ð— ð—˜ 𝗔 𝗙𝗘𝗊 𝗛𝗜𝗚𝗛𝗟𝗜𝗚𝗛𝗧ð—Ķ, 𝗙ð—Ēð—Ĩ 𝗎ð—Ēð—Ļ, ð—Ē𝗙 𝗧𝗛𝗘 𝗧ð—Ēð—Ļð—Ĩ ð—Ķð—Ē 𝗙𝗔ð—Ĩ?
ðŸ“Ē ”The whole tour has really been fantastic so far. The Bucharest gig was wonderful for me. (I am not just saying that for this interview!) We were all in a good mood on that hot summer day, and the audience were so energetic and happy, I could really feel their excitement and love on stage, it was quite emotional. I had a great experience in Mexico City and I also loved the London Roundhouse and 02 gigs. Aside from the gigs, some of my favourite experiences have been from travelling. We visited the pyramids at Teotihuacan (Mexico) which is a truly awesome place. Visiting Tokyo for the first time was exciting, as was arriving in Rouen (France) after midnight and turning a corner to find the gothic cathedral shrouded in mist and lit by moonlight. I fell in love with Lisbon too.”

𝗊𝗛𝗔𝗧 𝗊ð—Ēð—Ļ𝗟𝗗 𝗕𝗘 ð—Ķð—Ē𝗠𝗘 ð—Ē𝗙 𝗎ð—Ēð—Ļð—Ĩ 𝗟𝗘𝗔ð—Ķ𝗧 𝗙𝗔ð—Đð—Ēð—Ļð—Ĩ𝗜𝗧𝗘 𝗔ð—Ķð—Ģ𝗘𝗖𝗧ð—Ķ ð—Ē𝗙 𝗧ð—Ēð—Ļð—Ĩð—œð—Ąð—š?
ðŸ“Ē ”Touring can get tough when you are ill because there is no recovery time. We all get sick occasionally, and it can be hard to perform when you feel unwell. I try to stay healthy on the road to avoid this, but jetlag and exhaustion can get to you sometimes. Airports, flights and flight cancellations can be stressful too. Travelling by tourbus is the best! But really I have absolutely nothing to complain about because I get to play music and travel the world, and I feel privileged to do so.”

ð—Šð—›ð—˜ð—Ą 𝗎ð—Ēð—Ļ 𝗊𝗘ð—Ĩ𝗘 𝗔ð—Ķ𝗞𝗘𝗗 𝗧ð—Ē 𝗗ð—Ē 𝗧𝗛𝗘 𝗟𝗜ð—Đ𝗘 𝗧ð—Ēð—Ļð—Ĩ 𝗊𝗜𝗧𝗛 ð—Ģ𝗟𝗔𝗖𝗘𝗕ð—Ē 𝗊𝗔ð—Ķ 𝗜𝗧 𝗔 ð—Ąð—Ē-𝗕ð—Ĩð—”ð—œð—Ąð—˜ð—Ĩ ð—Ēð—Ĩ 𝗊𝗔ð—Ķ 𝗧𝗛𝗘ð—Ĩ𝗘 ð—Ķð—Ē𝗠𝗘 𝗖ð—Ēð—Ąð—Đð—œð—Ąð—–ð—œð—Ąð—š ð—Ĩ𝗘ð—Īð—Ļ𝗜𝗘ð—Ĩ𝗘𝗗?
ðŸ“Ē ”I did not need any convincing! After the experience of playing at Angkor Wat (Cambodia) I knew I wanted to do the tour straight away. Who wouldn’t want to tour with Placebo? They’re an amazing live act!”

𝗛𝗎ð—Ģð—Ē𝗧𝗛𝗘𝗧𝗜𝗖𝗔𝗟𝗟𝗎 ð—Ķð—Ģð—˜ð—”ð—žð—œð—Ąð—š, 𝗜𝗙 𝗎ð—Ēð—Ļ 𝗊𝗘ð—Ĩ𝗘 𝗔ð—Ķ𝗞𝗘𝗗 𝗧ð—Ē 𝗝ð—Ēð—œð—Ą ð—Ģ𝗟𝗔𝗖𝗘𝗕ð—Ē 𝗔ð—Ķ 𝗔 ð—Ģ𝗘ð—Ĩð— ð—”ð—Ąð—˜ð—Ąð—§ 𝗠𝗘𝗠𝗕𝗘ð—Ĩ, 𝗊ð—Ēð—Ļ𝗟𝗗 𝗎ð—Ēð—Ļ 𝗔𝗚ð—Ĩ𝗘𝗘
ðŸ“Ē ”Obviously it would be an honour to be asked to join the band permanently but it is unnecessary because I am very happy with my position in the band as it is.”
(Interview by Niki Phaser, January 2010)

♦ð—œð—Ąð—§ð—˜ð—Ĩð—Đ𝗜𝗘𝗊 ðŸŪ – 𝗖𝗞ð—ŧ𝘁ð—ēð—šð—―ð—đð—Ū𝘁ð—ķ𝘃ð—ē 𝗖ð—đð—Ū𝘀𝘀ð—ķ𝗰ð—Ūð—đ (ðŸŪ𝟎𝟭ðŸĩ)♦

https://bit.ly/3dNwlEL


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